Monday, February 2, 2015

John La Barbera Big Band - Caravan

Bitrate: MP3@320K/s
Time: 52:52
Size: 121.0 MB
Styles: Big band
Year: 2013
Art: Front

[5:25] 1. Caravan
[5:00] 2. Voyage
[5:47] 3. Roman Notes
[9:36] 4. Atlantis
[5:27] 5. Forgotton But Not
[5:27] 6. Incompatible (Incompatibilidade De Gênios)
[4:52] 7. Accordin' To Gordon
[6:44] 8. Trinacria
[4:31] 9. Young Rabbits

John La Barbera's third Jazz Compass recording brings together the three La Barbera brothers – John, Pat and Joe – one of the "most formidable familial trios in jazz history." The CD features three original tracks by John La Barbera and covers ranging from "Caravan" to "Forgotten But Not" to "Incompatibilidade De Genios."

Pat La Barbera – Tenor & Soprano Sax; Brian Scanlon – Alto Sax, Flute; Rob Lockart – Tenor Sax, Flute; Bob Carr – Baritone Sax, Bass Clarinet; Kim Richmond – Alto Sax; Clay Jenkins - Trumpet; Willie Murillo - Trumpet; Bob O'Donnell - Trumpet; Wayne Bergeron - Trumpet; Ryan Dragon- Trombone; Eric Hughes- Trombone; Les Benedict- Trombone; Ken Kugler – Bass Trombone; Bill Cunliffe - Keyboards; Aaron Serfaty - Percussion; Tom Warrington - Bass; Joe La Barbera - Drums.

Caravan

Susan Werner - Classics

Bitrate: MP3@320K/s
Time: 35:33
Size: 81.4 MB
Styles: Piano jazz, Easy listening
Year: 2009
Art: Front

[0:31] 1. Prelude
[4:43] 2. A Hazy Shade Of Winter
[3:13] 3. Mercy Mercy Me (The Ecology)
[2:13] 4. The Wind
[4:20] 5. Don't Let Me Be Misunderstood
[2:19] 6. Lonely People
[3:36] 7. Turn Turn Turn
[3:40] 8. All In Love Is Fair
[3:10] 9. Maybe I'm Amazed
[4:32] 10. Waiting In Vain
[3:10] 11. I Just Wasn't Made For These Times

Over the course of her colorful career, singer songwriter Susan Werner has cultivated a reputation as a daring and innovative songwriter with a killer live show. She boldly endeavors to weave old with new to create altogether new genres of music when existing ones do not suit her muse, and she regularly keeps audiences guessing and laughing simultaneously. Most of her work infuses traditional music styles and methods with her unmistakable contemporary worldview, constantly challenging listeners to experience music from a fresh and unexpected perspective. Susan Werner's Classics asks no less of her distinguished audience or herself.

With Classics, Werner delivers entirely new string arrangements of mainstream popular songs by top songwriters from a ''classical'' pop era - the sixties and seventies. Drawing on her unique training as a classical vocalist (she has a master's degree in music history and voice performance), and the diverse talents of esteemed Boston Symphony and Pops players, Classics sets a mood that highlights elegance and sophistication previously overlooked in the first lives of songs like Paul Simon's A Hazy Shade of Winter, Marvin Gaye's Mercy Mercy Me (The Ecology), Paul McCartney's Maybe I'm Amazed and America's Lonely People.

Classics

Donald Harrison - Free To Be

Bitrate: MP3@320K/s
Time: 66:26
Size: 152.1 MB
Styles: Saxohone jazz, Straight ahead jazz
Year: 1999
Art: Front

[6:56] 1. Free To Be
[6:00] 2. Softly, As In A Morning Sunrise
[6:15] 3. Cissy Strut
[5:36] 4. Blue Rose
[5:08] 5. Again, Never
[3:50] 6. Duck's Steps
[5:52] 7. Indian Blues
[5:48] 8. Mr. Cool Breeze
[4:28] 9. Smooth Sailing
[6:28] 10. Slowvisor
[3:55] 11. Nouveau Swing (Reprise)
[6:05] 12. Feelin' Jazzy, Baby

On this engaging, 12-tune set, Donald Harrison amply demonstrates his stylistic range. Featuring a rich, buoyant alto sound (a fluent combination of Cannonball Adderley and Maceo Parker), he makes a striking '90s statement--everything from bebop to hip-hop is referenced (at times within the same piece), but the influences are creatively integrated, suggesting a continuity of jazz lineage, rather than a showy pastiche. Drawing from his stints with Art Blakey and Digable Planets, Harrison joins a flexible, loose-limbed swing with a solid groove to make the complex tunes flow effortlessly from his ensemble. From the fiery, Coltranesque salvos on "Indian Blues" to the smooth, George Benson-flavored "Mr. Cool Breeze," Harrison shows a command of both style and substance. This is strong contemporary jazz unafraid to reveal its heritage. ~Wally Shoup

Free To Be

Gia Notte - Shades

Styles: Vocal Jazz
Year: 2010
File: MP3@320K/s
Time: 56:21
Size: 129,4 MB
Art: Front

(5:28)  1. Caravan
(4:17)  2. Speak Low
(4:26)  3. Close Your Eyes
(4:59)  4. My Funny Valentine
(4:11)  5. Since I Fell For You
(5:39)  6. The Look Of Love
(3:37)  7. Love Me Or Leave Me
(4:41)  8. Autumn Leaves
(3:57)  9. I Wish You Love
(3:57) 10. Lover Come Back To Me
(5:49) 11. It Don't Mean A Thing
(5:13) 12. What'll I Do

Margie "Gia" Notte's debut recording, Just You, Just Me & Friends Live at Cecil's, (GNote Records, 2009) was an exciting standards-based journey. Her follow-up, Shades, also finds her interpreting some well-worn songs but the delivery and the arrangements make this more than a run-of-the-mill recording. While the adrenaline-fueled excitement from her live recording is hard to match in a studio setting, she substitutes this quality with a more polished delivery. Each arrangement shows a different side of Notte and the nuances she adds to these songs prove her to be an artist that is constantly growing. "Caravan" opens the album with a sense of intrigue and excitement that comes through in the music. Don Braden, who worked with Notte on her first album, returns for this record and contributes some flute work to this track. 

After a performance of "Speak Low," Notte's delivery gains a little sass and spunk as she sings "Close Your Eyes" over a comfortable, mid-tempo swing feel. Freddie Hendrix takes the first solo and saxophonist Guy Notte makes his lone album appearance on this track. Pianist Brandon McCune works in a tasty rising chromatic pattern at one point during his solo. "My Funny Valentine" is taken at a brisk tempo but Notte creates some space and stretches things out at the start of phrases to give the piece some elasticity. Bassist Tom DiCarlo and pianist Jason Teborek play a rising-and-falling riff in the background and Braden delivers some soulful saxophone work. "Since I Fell For You" has a bluesy feel to it and McCune and Braden seem right at home in this atmosphere. 

Kahlil Kwame Bell provides some percussive seasoning, with subtle shakers and wind chimes coming in and out of the mix, on "The Look of Love." This track is equally soothing and seductive thanks to Braden's flute work and Notte's delicious delivery. "Autumn Leaves" is taken at an extremely slow pace and drummer Cecil Brooks III holds it together with his brushwork. Notte's voice sounds bright and optimistic on "I Wish You Love," while "Lover Come Back To Me" proves to be a high point on the album. Brooks provides some hip New Orleans grooves and Hendrix's trumpet work is fiery and fresh. "It Don't Mean A Thing" begins with a mystical vibe as the band creates a continuous drone-like presence. Notte delivers some deep, earthy vocals in a Cassandra Wilson-esque vein and, once things start to swing, there is a parade of solos with Brooks and DiCarlo finally getting some space to show their stuff. Notte finds a balance between despair and hope as she sings "What'll I Do" and Braden's flute matches her mood as the album draws to a close. ~ Dan Bilawsky  http://www.allaboutjazz.com/shades-gia-notte-gnote-records-review-by-dan-bilawsky.php
 
Personnel: Gia Notte: vocals; Don Braden: tenor saxophone, soprano flute, alto flute; Jason Teborek: piano (2, 4, 6-10, 12); Brandon McCune: piano (1, 3, 5, 11); Tom DiCarlo: bass; Cecil Brooks III: drums; Freddie Hendrix: trumpet and flugelhorn; Guy Notte: alto saxophone (3); Kahlil Kwame Bell: percussion.

Scott Hamilton Scandinavian Five - Live at Nefertiti

Styles: Saxophone Jazz
Year: 2009
File: MP3@320K/s
Time: 59:31
Size: 136,5 MB
Art: Front

(10:12)  1. Move
( 6:46)  2. Tenderly
(10:05)  3. Dear Old Stockholm
(13:37)  4. Bye Bye Blackbird
( 7:07)  5. In A Sentimental Mood
(11:42)  6. Blue Capers

Jazz isn't always about breaking new ground in terms of sound and genre. It's just as important to preserve the music of the masters, and nobody carries the torch of tradition more elegantly than tenor saxophonist Scott Hamilton. His heroes include Ben Webster, Coleman Hawkins and Lester Young in short, the founding fathers of swing saxophone playing. Paradoxically, Hamilton was something of a rare bird when he first emerged on the scene back in the seventies because of his emphasis on pre-modern jazz in an age of high-tech fusion. However, Hamilton stuck to his trade and throughout the years, he has steadily released a stream of delightful records on the renowned Concord Records. The release of Live at Nefertiti finds the saxophonist dipping into unknown waters, though not in terms of genre, where he's still swinging as strong as ever, Rather, his new course is in the shape of a new Scandinavian group gathered by Danish drummer Kristian Leth. The Scandinavian Five features two Swedish aces, pianist Jan Lundgrenand guitarist Ulf Wakenius, with Leth and Danish bassist Jesper Bodilsen rounding out the group. 

They are a stellar team that brings shimmer and depth to the recording whose intimacy is further enhanced by the live setting of the Swedish club Nefertiti. Denzil De Costa Best's "Move" heats things up from the beginning with Hamilton's honking saxophone and a lightning-fast guitar solo from Wakenius, who impresses with his technical skills and melodic invention. But no matter how hard the group is able to swing, Hamilton is, in essence, a ballad-man. This is reflected on the epic renderings of "Dear Old Stockholm" and "Bye Bye Blackbird," which feature the gorgeously romantic harmonizing of Lundgren. Hamilton is not only a storyteller, he is also a listener. In fact, all the musicians in the group listen to each other with great empathy, as can be seen in the DVD that accompanies the CD, an opportunity to experience the full show in sparkling color and sound. The whole package is hard to beat when it comes to getting an introduction to an important traditionalist who still plays the sounds from the past as fresh as if they were the music of tomorrow. ~ Jakob Baekgaard  http://www.allaboutjazz.com/live-at-nefertiti-scott-hamilton-stunt-records-sundance-music-review-by-jakob-baekgaard.php
 
Personnel: Scott Hamilton: tenor saxophone; Ulf Wakenius: guitar; Jan Lundgren: piano; Jesper Bodilsen: bass; Kristian Leth: drums.

Eddie Higgins Trio - Dear Old Stockholm

Styles: Piano Jazz
Year: 2003
File: MP3@320K/s
Time: 74:29
Size: 171,5 MB
Art: Front

(5:06)  1. Moonlight Becomes You
(5:16)  2. More than you know
(4:31)  3. Nardis
(4:57)  4. Over The Rainbow
(6:00)  5. Dear old stockholm
(5:17)  6. I Remember Clifford
(6:19)  7. You And Night And The Music
(5:30)  8. If You Could See Me Now
(4:48)  9. Again
(4:03) 10. We will be together again
(7:11) 11. Wichcraft
(5:22) 12. It Never Entered My Mind
(5:19) 13. Stella by starlight
(4:45) 14. Blame it on my youth

By the time this album was recorded in 2002, veteran pianist Eddie Higgins had become one of the most popular pianists in Japan, thanks in no small part to the independent label Venus Records. To commemorate its 10th anniversary, Venus asked its fans which songs they would like to hear the Eddie Higgins Trio perform in their new album. Higgins chose 12 songs out of the top 25 and added two of his own choosing. It might be interesting for you to learn what songs are preferred by Japanese jazz fans. With a lot of ballads, this is in most part a mellow, relaxing album. Supported by the deep, tuneful bass of Jay Leonhart and sensitive drums of Joe Ascione, Higgins plays these popular songs with elegance and restrained passion. His musical ideas are always flowing and harmonies beautiful. Highlights include "Nardis" where the trio picks up the tempo and intensity, "Dear Old Stockholm" (the No. 1 choice of fans) and "Witchcraft" (swinging Sinatra number, anyone?). Great songs, wonderfully played. And as always the case with Venus Records, great sound. http://www.elusivedisc.com/Eddie-Higgins-Trio-Dear-Old-Stockholm-SACD/productinfo/VENSA0011/

Musicians: Eddie Higgins, piano; Jay Leonhart, bass; Joe Ascione, drums

Dear Old Stockholm

Chester Thompson - Mixology

Styles: Jazz
Year: 2012
File: MP3@320K/s
Time: 67:18
Size: 155,6 MB
Art: Front

(3:42)  1. Clockwise
(4:46)  2. The Moontrane
(5:23)  3. Medallion
(4:57)  4. Miracle
(5:08)  5. Mr. T
(6:52)  6. Sista Strut
(6:30)  7. Speak No Evil
(5:15)  8. A Subtle One
(8:18)  9. Sweet Sixteen
(6:29) 10. You Leave Me Breathless
(9:53) 11. Squib Cakes (live)

Earthy, energetic & exciting - The musical style of organist / keyboardist Chester Thompson will take you for a ride! "Medallion" & "Sista Strut" display infectious dance rhythms and patented bottom end prowess. "Miracle", featuring Tower Of Power bandmate Ron E. Beck, pulls the heartstrings & his interpretation of the classic "You Leave Me Breathless" shows that emotion reigns supreme in the contemporary world of Chester Thompson. With Howard Wiley on saxophone, Barry Finnerty & Chris Cain on guitar, Mike Clark & Brian Collier on drums, Joel Behrman on brass and Kenneth Nash on percussion. ~ Editorial Reviews  http://www.amazon.com/Mixology-Chester-Thompson/dp/B009JI4I5W

Personnel :  Chester Thompson - Primary Artist, Hammond Organ; Chris Cain - Guitar, Vocals; Mike Clark - Drums; Kenneth Nash - Percussion; Brian Collier - Drums; Barry Finnerty - Guitar; Dr. Lonnie Smith - Hammond Organ; Ron E. Beck - Drums; Howard Wiley - Tenor Saxophone; Joel Behrman - Trombone, Trumpet

Mixology