Styles: Jazz, Post Bop
Year: 1954
File: MP3@320K/s
Time: 60:55
Size: 208,5 MB
Art: Front
(3:50) 1. Red Rose
(4:34) 2. A Mountain Sunset
(2:40) 3. Laffin' and Crying
(5:08) 4. Minor Encamp
(3:02) 5. Subscription
(3:34) 6. Dillon
(4:04) 7. Trianon
(5:20) 8. Kenny's Special
(3:17) 9. Illusion
(7:27) 10. Love Me or Leave Me
(4:20) 11. Cinerama
(6:41) 12. Vogue
(6:51) 13. Buyer's Blues
Year: 1954
File: MP3@320K/s
Time: 60:55
Size: 208,5 MB
Art: Front
(3:50) 1. Red Rose
(4:34) 2. A Mountain Sunset
(2:40) 3. Laffin' and Crying
(5:08) 4. Minor Encamp
(3:02) 5. Subscription
(3:34) 6. Dillon
(4:04) 7. Trianon
(5:20) 8. Kenny's Special
(3:17) 9. Illusion
(7:27) 10. Love Me or Leave Me
(4:20) 11. Cinerama
(6:41) 12. Vogue
(6:51) 13. Buyer's Blues
Roy Owen Haynes (born March 13, 1925) is an American jazz drummer. He is among the most recorded drummers in jazz. In a career lasting over 70 years he has played swing, bebop, jazz fusion, avant-garde jazz and is considered the father of modern jazz drumming. "Snap Crackle" was a nickname given to him in the 1950s. He has led bands such as the Hip Ensemble. His albums Fountain of Youth and Whereas were nominated for a Grammy Award. He was inducted into the Modern Drummer Hall of Fame in 1999. His son Graham Haynes is a cornetist; his son Craig Holiday Haynes and grandson Marcus Gilmore are both drummers. https://en.wikipedia.org/wiki/Roy_Haynes
Kenny Clarke (born Kenneth Clarke Spearman, later aka, Liaqat Ali Salaam, on January 9, 1914 in Pittsburgh, Pennsylvania-died January 26, 1985 in Paris, France) was a jazz drummer and an early innovator of the bebop style of drumming. As the house drummer at Minton's Playhouse in the early 1940's, he participated in the after hours jams that led to the birth of Be-Bop, which in turn lead to modern jazz. He is credited with creating the modern role of the ride cymbal as the primary timekeeper. Before, drummers kept time on the high-hat and snare drum (”digging coal”, Clarke called it) with heavy support from the bass drum. With Clarke time was played on the cymbal and the bass and snare were used more for punctuation. This led to a much more relaxed style of drumming. From this point more and more rhythms and poly-rhythms are made possible. For this, “every drummer” Ed Thigpen said, “owes him a debt of gratitude.” Clarke was nicknamed “Klook” or “Klook-mop” for the style he innovated. Clarke was a founder member of the Modern Jazz Quartet (as the Milt Jackson Quartet) in 1951 and also participated in many recording sessions as house drummer for Savoy Records. Connie Kay took his place in the MJQ in 1955 and from 1956 Clarke was resident in France where he regularly worked with visiting American musicians in Paris, in particular forming a working trio, known as “The Bosses”, with Bud Powell and Pierre Michelot. Kenny Clarke died in Paris in 1985. https://musicians.allaboutjazz.com/kennyclarke
Featuring: Kenny Clarke (drums), Roy Haynes (drums), Henri Renaud (piano), Martial Solal (piano), Barney Wilen (saxophone), Joe Benjamin (bass), Billy Byers (trombon), Jay Cameron (saxophone), Jimmy Deuchar (trumpet), Allen Eager (saxophone), Jimmy Gourley (guitar), Benoît Quersin (bass)
Transatlantic Meetings