Monday, July 22, 2024

Jo Harrop - Songs For The Late Hours

Styles: Vocal
Size: 80,1 MB
Time: 34:28
File: MP3 @ 320K/s
Released: 2019
Art: Front

1. You’re not the kind (2:27)
2. More than you know (4:44)
3. You turned the tables on me (3:34)
4. How long has this been going on (3:59)
5. I want a little sugar in my bowl (2:19)
6. Fine & dandy (2:30)
7. Sophisticated lady (5:07)
8. Easy street (3:29)
9. Two for the road (3:15)
10. You taught my heart to sing (3:02)

Lateralize Records are immensely proud to announce the release of The Heart Wants, the much-anticipated first self-penned solo album by Jo Harrop.

Written and recorded over the last year when the world came to a sudden standstill in the wake of the pandemic, The Heart Wants is an album about love and life, about losing and then finding oneself in the silence after the applause has faded away.

Although she has built a reputation as an intuitive interpreter of other people’s songs, Jo Harrop would be the first to admit that she always lacked the confidence to reveal her own songs to the world. With no shows in her diary, she started working on what would eventually turn out to be her first album of original material with producers Hannah Vasanth and Jamie McCredie alongside a guest list of world-class musicians including Christian McBride, Jason Rebello and Troy Miller.

“In an unexpected moment of stillness, when the world came to a sudden stop and confusion, frustration and fear seemed to sweep across the earth, I finally began to work on the album that I had longed to make for many years,” Harrop explains. “Ideas that I had talked over with Hannah and Jamie began to unfold, and emotions that I’d always pushed aside began to spill onto the page.”

From the sublime chamber pop of If I Knew to the Muscle Shoals soul of Hold On,

The Heart Wants will no doubt come as quite a surprise to anyone who thought Jo Harrop was only capable of singing jazz ballads.

“I sent my first lyrics to Paul Edis and we wrote If I Knew, which became the key that unlocked the door to creating this album. ‘The heart wants what the heart wants’ was something that Hannah had said to me late one night after a show, and somehow it just stuck inside my head. Each song is a true story about the dreams and desires, doubts and regrets and trials and tribulations of the human heart.”

Born in Durham and raised on a heady musical diet of Nina Simone, Billie Holiday and Aretha Franklin, Jo Harrop cut her teeth as a session singer, working with a host of iconic artists including Neil Diamond, Rod Stewart and Gloria Gaynor.

After moving to London, she quickly established herself as one of the most unmistakable voices in British jazz. Having signed to London-based jazz label, Lateralize Records, she recently received a raft of rapturous reviews for Weathering The Storm, her debut with guitarist, Jamie McCredie. The Guardian dubbed it ‘a little gem of an album: simple, modest and perfect,’ whilst BBC 6 Music’s Iggy Pop fell in love with her voice, calling her “a very fine jazz singer.”

Beyond the mellifluous perfection of her chocolate and cream voice, there is always a beautifully bruised intimacy at the very heart of Jo Harrop’s music. It’s almost as if she’s staring directly into your soul when she sings. This may only be her second LP, yet she sounds as if she’s already lived a thousand lifetimes.

“When I was a teenager, my dad took me to see Tony Bennett live in Newcastle,” she recalls. “I was so moved and so inspired, I realised that I needed to sing. I wanted to be able to touch people with my music in the same way. The loss of dear loved ones in recent years has opened my heart and given me more reason to sing and to write than ever before, which is why I felt the time was right to record my first album of original songs. I pour all of the sad stuff into my music and it somehow comes out in the way that I sing and write, so it really is a form of catharsis for me.

“These songs feel timeless, but they also reflect where we are here and now, caught up in life’s bittersweet journey. Music has been my whole world for as long as I can remember; it has always had the power to transport me and to move me deep inside, and I want to create the same emotional connection with people who hear my songs.”

The Heart Wants was released through Lateralize Records on Limited Edition heavyweight vinyl and CD on 8th October 2021 with a live launch at London’s Cadogan Hall on 5th November 2021.https://www.allaboutjazz.com/musicians/jo-harrop/

Songs For The Late Hours

Ruby Braff - I'm Shooting High CD1 And CD2

Album: I'm Shooting High CD1

Styles: Trumpet Jazz
Size: 137,8 MB
Time: 59:58
File: MP3 @ 320K/s
Released: 2000
Art: Front

1. Liza (4:42)
2. Love Walked In (5:04)
3. You Took Advantage of Me (4:23)
4. The Lady Is a Tramp (3:12)
5. Romance in the Dark (6:03)
6. All My Life (5:39)
7. Where Are You? (4:25)
8. Jeepers Creepers (6:24)
9. You've Changed (4:09)
10. Dream Dancing (4:50)
11. Wouldn't It Be Loverly? (5:52)
12. Get Me to the Church on Time (5:09)

Album: I'm Shooting High CD2

Size: 143,3 MB
Time: 62:22

1. I'm Shooting High (3:21)
2. Trav'lin' Light (3:57)
3. Happy Talk (3:43)
4. Younger Than Springtime (5:01)
5. I'm Crazy 'Bout My Baby (And My Baby's Crazy 'Bout Me) (4:29)
6. My Shining Hour (5:43)
7. Indian Summer (5:49)
8. You're a Sweetheart (4:03)
9. Dickie's Dream/Love Me or Leave Me (4:53)
10. Shoe Shine Boy (6:22)
11. Memories of You (6:04)
12. I Got Rhythm (8:51)

Ruby Braff began his jazz career as an out-of-time traditionalist playing with veteran jazzmen of an earlier age, and rose to establish his own standing as one of the handful of leading artists playing in traditional and mainstream idioms.

He did so on the back of one of the most beautiful instrumental sounds in jazz, a prodigious gift for phrasing melody, and an acute harmonic sense which revealed his awareness of more modernist developments in jazz. Louis Armstrong remained his touchstone and only avowed master, but his playing also reflected the influence of musicians like Bix Beiderbecke and Bobby Hackett. His musical voice, though, was always very much his own.

He was born Reuben Braff in Boston, and was self-taught on his instrument. He said that he wanted to play saxophone, but his father bought him a cornet instead. His trumpet style, which largely eschewed high-note pyrotechnics in favour of a softer exploration of the middle and bottom registers of the instrument, reflected that original love of reed rather than brass sonorities.

He began working in local clubs in the Forties, and was recruited for the band led by the veteran clarinettist Edmond Hall at the Savoy Cafe in Boston in 1949. He made the move to New York in 1953, and was soon in demand for gigs and recording sessions in a traditional and mainstream vein.

His loyalty to traditional jazz at a time when the focus had shifted to more modern styles starved him of work for a time in the Fifties, but he returned to prominence with an All-Star touring band created by pianist and jazz impresario George Wein. Wein remained a loyal backer of the cornetist, and featured him regularly on his international tour and festival circuit.

He worked with major band leaders like Buck Clayton, Benny Goodman and Bud Freeman as a young man, and in turn became something of a musical mentor to a new generation of young mainstream musicians in the Seventies, including saxophonist Scott Hamilton and guitarist Howard Alden.

In the Eighties and Nineties he made a series of recordings for the major mainstream jazz labels Concord Jazz and Arbors, and formed highly-regarded duo partnerships with pianists like Mel Powell, Ralph Sutton, Dick Hyman, Ellis Larkins and Roger Kellaway.

Braff worked with singer Tony Bennett for two years from 1971-73, then formed a very popular and artistically successful band with guitarist George Barnes. The relationship ground to a halt in 1975 in characteristic fashion when Braff fell out with his collaborator.

That pattern of alienating those around him was repeated on many occasions. Braff may have made some of the most beautiful music in jazz, but his own character was precisely the opposite. He was notorious for his abrasive and insulting behaviour to other musicians, promoters and even fans, a tendency made all the worse by his failing health over many years (he suffered from emphysema, glaucoma and heart problems).

He was the headline artist at the first Nairn Jazz Festival in northern Scotland in 1990, and his appearance at the 2002 event was to be the last performance of his life. He cancelled a subsequent scheduled concert at the Brecon Jazz Festival in Wales and returned home. He was never fit enough to perform in public again.https://www.allaboutjazz.com/musicians/ruby-braff/

I'm Shooting High CD1, CD2

Pat Metheny - Dream Box

Styles: Guitar Jazz
Size: 129,5 MB
Time: 56:05
File: MP3 @ 320K/s
Released: 2023
Art: Front

1. The Waves Are Not The Ocean (5:39)
2. From The Mountains (8:20)
3. Ole & Gard (6:33)
4. Trust Your Angels (5:28)
5. Never Was Love (5:57)
6. I Fall In Love Too Easily (5:08)
7. P.C. of Belgium (5:00)
8. Morning Of The Carnival (6:42)
9. Clouds Can't Change The Sky (7:14)

Guitarist Pat Metheny pushes the boundaries of musical exploration once again with Dream Box, Featuring nine "found tracks" for the quiet electric guitar, this collection showcases Metheny's spontaneous creativity and unique musical vision. During a deep dive into his own musical archives, Metheny unearthed a folder on his laptop's hard drive containing forgotten recordings that surprised even him. As a result, Dream Box takes a departure from his previous works, presenting a blend of compositions that captures the essence of Metheny's artistic ingenuity.

Metheny's discography is a testament to his influence and talent, with 50 recordings and 20 Grammy wins across twelve different categories. From his groundbreaking album New Chautauqua, (ECM, 1979), which redefined instrumental steel-stringed Americana, to his exploration of free-improv in Zero Tolerance for Silence (Geffen Records, 1994) and the innovative use of technology in The Orchestrion Project, (Nonesuch, 2013) Metheny consistently pushes the boundaries of what a solo performer can achieve.

Dream Box follows the path of Metheny's previous solo baritone guitar recordings, One Quiet Night (Warner Bros, 2003) and What's It All About, (Nonesuch, 2011) but with a fresh twist. The album's title holds multiple meanings, symbolizing the jazz slang for a hollow-body guitar while capturing the dream-like quality of Metheny's musical vision. As he explains in the liner notes, the music in Dream Box exists in an elusive state, often discovered apart from any particular intention, resembling the dream logic that is coherent yet hard to pin down.

The album opens with "The Waves Are Not the Ocean," introducing the gentle and introspective nature of the record. Metheny's sparse chords and melodic lines create an intimate atmosphere, drawing the audience into his musical world. "From the Mountains" follows, with its majestic Latin-tinged melody, showcasing Metheny's ability to evoke a wide range of emotions through his compositions. Throughout Dream Box, Metheny displays his mastery of the electric guitar, effortlessly navigating intricate melodies and harmonies. The tracks "Trust Your Angels" and "Ole & Gard" demonstrate his lyrical and expressive playing style, paying homage to his mentors Jim Hall and Charlie Haden.

After the first four original compositions, Dream Box presents two elegantly rendered covers. The first is an inventive interpretation of Russell Vernon Longstreth's (aka Russ Long) lesser-known yacht rock classic, "Never Was Love." Metheny strips away the glossy pop artifice, revealing the intricate bluesy melody's sophisticated nature. The second cover, Sammy Cahn's "I Fall in Love Too Easily," resonates with echoes of pianist Bill Evans' rendition on his album Moon Beams (Riverside Records, 1962). Metheny's delicate use of reverb adds an extra layer of multifold voices as he skillfully navigates the single-string melody, chord changes, and innovative bridges. The album also features Luiz Bonfa's "Morning of the Carnival" ("Manha de Carnival"), a standard that Metheny approaches with fidelity to the original while infusing subtle samba and cumbia rhythms.As Metheny presents the melody, he artfully juxtaposes contrasting melodic voices, culminating in a warm and poignant solo performance. The album concludes with "Clouds Can't Change the Sky," a captivating ballad that showcases Metheny's ability to weave multiple melodic voices and create a rich sonic landscape.

Dream Box emerges as yet another standout achievement in Pat Metheny's solo discography. It showcases his ability to unveil his musical visions and demonstrate his exquisite technique on the electric guitar. The album presents a dream-like musical world, where emotions and melodies intertwine, culminating in a truly immersive sonic experience. By Nenad Georgievski https://www.allaboutjazz.com/dream-box-pat-metheny-bmg

Personnel: Pat Metheny: electric guitar, baritone guitar.

Dream Box

Chris Flory Quintet - The Chris Flory Quintet Featuring Scott Hamilton

Bitrate: MP3@320K/s
Time: 61:42
Size: 141.2 MB
Styles: Guitar jazz
Year: 2012
Art: Front

[6:32] 1. The Lady's In Love With You
[7:26] 2. Girl Talk
[6:02] 3. Hit And Run
[5:14] 4. Born To Be Blue
[7:02] 5. Who Cares
[4:45] 6. After Hours
[4:46] 7. Moonlight In Vermont
[6:43] 8. Happy Feet
[6:03] 9. Isn't It A Lovely Day
[7:03] 10. Perdido

Chris Flory, one of the top straight ahead jazz guitarists of the past 35 years, reunites with legendary saxophonist Scott Hamilton to make a stunningly beautiful small group swing CD. The quintet includes Larry Ham on piano, Lee Hudson on bass, and Chuck Riggs on drums. Flory’s stellar career has included gigs with veteran jazz musicians such as Benny Goodman and Illinois Jacquet as well as singers Maxine Sullivan and Rosemary Clooney.

Chris Flory: guitar; Scott Hamilton: tenor saxophone; Larry Ham: piano; Lee Hudson: bass; Chuck Riggs: drums.

Guitarist Chris Flory was there in the ‘70s as one of the young musicians playing mainstream swing and, as part of that generation, he has kept the legacy of mainstream swing guitar alive while simply playing in his own musical personality. One of the top straight ahead guitarists of the past 35 years, throughout this CD, in this reunion with Scott Hamilton, Chris Flory brings out the best in Scott and vice versa, making this disc one of the high points of their recent careers. ~Scott Yanow

The Chris Flory Quintet Featuring Scott Hamilton

Maria Esteban - It's Me!

Styles: Vocal
Size: 68,2 MB
Time: 29:42
File: MP3 @ 320K/s
Released: 2024
Art: Front

1. My Pretty Little Girl (6:49)
2. Waiting (5:32)
3. Para Ti (3:45)
4. Goodbye (4:02)
5. Suffer (5:03)
6. Doris Mood (4:28)

In January 2024, Maria Esteban decided to immortalize six of her own compositions in It's Me! As its name indicates, it is a personal work full of sincerity and, at some moments, a strong stubbornness. It is a discourse about the struggle that requires the achievement of goals and goals in life. Gambling and risks, successes, failures and losses. A disc that sings in the fortress, but it is also an invitation to be aware of our fear of failure. https://www.enderrock.cat/disc/10485/it-me

Credits: Maria Esteban - voice; Edu Cabello - saxophone, flute; Eddie Mejía - guitar; David Muoz - bass; Santi Colomer - Battery

It's Me!

Bryn Roberts & Lage Lund - Nightsong

Styles: Piano And Guitar Jazz
Year: 2016
File: MP3@320K/s
Time: 53:33
Size: 123,3 MB
Art: Front

(7:27)  1. Nightsong
(6:50)  2. Dreamsville
(7:31)  3. Jogral
(7:53)  4. Medicine Bow
(6:29)  5. K W
(6:18)  6. New Standards
(7:13)  7. Circus Blues
(3:51)  8. Mãos De Jardineiro

Bryn Roberts is pianist, keyboardist and composer who is in demand in a wide variety of musical contexts. He has performed, toured and recorded extensively both as a leader and sideman, and is a mainstay at NYC jazz clubs like Smalls, Mezzrow, The Jazz Gallery, the 55 bar and Dizzy's. An acclaimed composer and bandleader, Roberts has four albums out featuring his own music: his debut “Present Tense”, “Ludlow” (featuring Seamus Blake, Drew Gress and Mark Ferber), “Fables” (featuring Seamus Blake, Orlando le Fleming and Johnathan Blake) and his most recent release, a duo album with guitarist Lage Lund called “Nightsong”. Roberts has toured widely with his own groups including festival, radio and club appearances across the USA, Canada, the UK, Spain and Japan with some of New York’s finest musicians: Matt Penman, Jochen Rueckert, Rodney Green, Joe Martin, Jaleel Shaw, Johnathan Blake, Mark Ferber, Will Vinson and Seamus Blake. Roberts is an original member of the Nonet led by Grammy nominee Alan Ferber, and has recorded with the group for a series of critically-acclaimed releases: “Scenes from an Exit Row”, “The Compass”, “Chamber Songs” and “Roots and Transitions”. He also plays frequently with saxophonist Jon Gordon's Quartet, and bassist Chuck Israels. In addition to his work in jazz and improvised music, Roberts has played and toured with many artists in the singer-songwriter world, including Grammy award winners Rosanne Cash, John Leventhal,  Shawn Colvin, Stax records legend William Bell, and Dar Williams. http://www.bryn-roberts.com/bio/

Very sweet guitar and piano duo, the songs are mostly created by two people. The sound of Lund's relatively hollow guitar is very suitable for piano matching, especially when it is shared with the piano to interpret the theme melody. The music is very fluid and leaves a lot of space for each other. There are more songs in the middle plate, which is really reminiscent of the classic partner of Bill Evans and Jim Hall.

Personnel: Bryn Roberts - Piano;  Lage Lund - Guitar

Nightsong