Big John Patton - Soul Connection

Size: 98,7 MB
Time: 40:11
File: MP3 @ 320K/s
Released: 1983/2008
Styles: Jazz: Soul Jazz, Hammond Organ
Art: Front

01. Soul Connection ( 9:45)
02. Pinto ( 5:16)
03. Extensions ( 6:48)
04. Space Station ( 5:36)
05. The Coaster (12:43)

The Hammond B-3 soul-jazz sound of Big John Patton (as he was then called) was perfect for the 1960s. It was the groove that drew attention and Patton made several albums for Blue Note. As his style went out of favor, some of the recordings never saw the light of day until almost 20 years later and at the same time Patton slipped into the background. He resurfaced in the 1980s and went into the studio. Among his albums Soul Connection, originally released in 1983 on Nilva Records (the label owned by drummer Alvin Queen) has now been re-released.

Patton had a strong band with him on this record. Trombonist Grachan Moncur III fits in just nicely. Moncur never shies from a challenge and his playing here is strong and imaginative. Guitarist Melvin Sparks has found his calling in several hyphenated jazz genres including acid, soul and funk, and saxophonist Grant Reed has played with Mongo Santamaria. Queen has a lively history having been part of the sound set up by Junior Mance, Stanley Turrentine and Charles Tolliver, among others. The band is the perfect conglomeration for the music here.

The title track kicks off the jam, with Moncur and Reed setting up the soul-jazz atmosphere. The melody grabs instantly and once the horns are established, Patton comes in. He stays with the melody but extrapolates it with a compact sense of direction, ringing the changes with just a little grease to slip and slide in and out of the groove. Reed injects boppish lines to give the tune a nice change of direction.

The band is in its element as they make "Extensions" swing. Sparks literally fires the first salvo with notes that light up the melody as he plays with an easy gait. Reed is hardy, hitting the deep end with taut notes, once more driving the tune into bop territory. Patton changes the tenor, the organ providing a lighter air as he prances lithely while Queen pushes the front line with his crisp accents and sense of rhythm. It all falls neatly into place.

Time has not effaced nor worn the impact of this music. It is still relevant, making this a welcome re-issue. ~by Jerry D'Souza

Personnel: John Patton: Hammond B-3 organ; Grachan Moncur III: trombone; Grant Reed: tenor sax; Melvin Sparks: guitar; Alvin Queen: drums.

Soul Connection

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Maja Gullstrand - Not For Sale

Size: 99,4 MB
Time: 37:48
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Pop Vocals
Art: Front

01. Dindi (Radio Edit) (2:50)
02. Not For Sale (2:50)
03. Un I&U (3:43)
04. Summertime (Live) (5:11)
05. Dindi (Live) (3:51)
06. My Girl (2:59)
07. Explain It To My Heart (Live) (3:51)
08. Auld Lang Syne (3:39)
09. Fix You (5:08)
10. Be Strong (Live) (3:42)

Maja Gullstrand is a Swedish jazz singer who sings popmusik with a taste of blues and jazz. Maja Gullstrand has always chosen her own path and now has set out to do her own original songs and also new interpretations of evergreens.

Not For Sale

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Ada Rovatti & The Elephunk Band - For Rent

Size: 116,1 MB
Time: 50:02
File: MP3 @ 320K/s
Released: 2003
Styles: Jazz
Art: Front

01. Gotcha (5:51)
02. For Rent (6:04)
03. An Angel Has Gone (6:21)
04. Bluesy & Pinky (6:41)
05. Moanin' (7:06)
06. Choose Your Life (5:58)
07. Roman-Ce (6:42)
08. Norwegian Wood (This Bird Has Flown) (5:16)

Born in Pavia Italy, Ada's love for music began at the age of 4 when she began studying piano under the guidance of her grandmother. With persistent enthusiasm she continued her study of piano for 13 years, well into her first years high school.

During high school she began to listen to Blues, Jazz and Funk. It was at this time that Ada, drawn to these unique musical genres and already significantly accomplished for her age in piano, decided to pursue the saxophone.

After high school Ada studied with G. Comeglio and, in the following interval, with the "Jazz Company Big Band" and the "Jazz Class Orchestra". It was during this period that she had the chance to perform with famous soloists such as Phil Woods, Jerry Bergonzi, Randy Brecker, Lee Konitz, Bob Mintzer, Bob Malach, Antonia Bennett, Mike Richmond, Herb Pomeroy and Franco Ambrosetti.

In 1992 Ada was awarded a scholarship at UMBRIA Jazz with a "Special Recognition for Outstanding Musicianship" from the prestigious Berkley College of Music in BOSTON, USA

During the following months and years her time was spent between Italy and the US where she attended The Berkley College in Boston Ma. immersing herself in the study of arrangement and composition with Joe Viola, George Garzone, Fred Lipsius, Herb Pomeroy and other notable music academics.

After her studies in the USA Ada moved to Paris which led to her performing/touring with the "Chance Orchestra", a jazz-funk band, throughout Europe and Africa as well as involving herself in numerous collaborative projects with different artists.

After touring she returned to Italy where her work was devoted to everything from Pop to Jazz. It is at this time that Ada became involved in recording with MINA in "Canarino Mannaro", touring with Camilla and Quartiere Latino, Romano Mussolini and performing with Bruno De Filippi, Franco Cerri and Enrico Intra. And when not touring or performing her time was spent either composing or arranging for notable European Big Bands.

In 1997 Ada moved to New York City where she has appeared with an impressive and diverse list of artists and bands such as: Les Paul, Antonia Bennett plus special appearances with Tony Bennett, Barbara Carroll, Kit McClure Big Band, Diva Big Band, Phil Markowitz, Howard Williams Big Band, Harvey Swartz, Freddie Bryant,Gene Bertoncini, Eddie Henderson, Sylvia Cuenca, Jill McCarron, Ingrid Jensen, Deanna Witkowski and many many others.

When in New York Ada Rovatti leads two different bands:

The Ada Rovatti Jazz Quartet/Quintet - A straight ahead group in which Ada Rovatti performs mostly her compositions and arrangements.

Elephunk - A nine piece group of extraordinary musicians with which Ada Rovatti performs and directs her arrangements and compositions.

Renowned jazz artists such as Randy Brecker, the late Bob Berg, Adam Nussbaum, Dawn Thomson and many others have performed Ada Rovatti's compositions at numerous International festivals.

Ada has performed throughout the US at venues such as Birdland, Iridium, The Garage (New York City), Hard Rock Cafe(Boston Ma), Elephant Room in (Austin Tx) to the latest Rochester Jazz Festival with her nine piece group Elephunk and the JVC Festival(New York City) to mention a few.

She has just finished the shooting of her film appearances in the movie ‘Mona Lisa Smile’ featuring Julia Roberts.

Ada Rovatti is currently signed with APRIA Records which will be releasing 2 CDs. The first with the Ada Rovatti Quartet featuring Randy Brecker, Mike Stern and Don Alias and the second CD with "Elephunk".

For Rent

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Quiana Lynell - Loving Me

Size: 65,3 MB
Time: 27:52
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Blues Vocals
Art: Front

01. Love Me (4:30)
02. Wish I Didn't Know (5:37)
03. What It Means (3:31)
04. Just Squeeze Me (5:25)
05. Push You Away (3:43)
06. I Can't Feel My Heart (5:05)

With a smile that will entrance you and a voice that helps your troubles disappear, Lynell’s vocal dexterity allows her to perform a limitless repertoire. Infusing her classical training with her gospel upbringing she approaches jazz as a storyteller. Growing up in small town west Texas Lynell grew her appreciation for all types of music and quickly realized music was a way to connect to the world.

Graduating from Louisiana State University’s music department Lynell is able to harness her voice as a true instrument and perform various genres of music with precision and validity. Lynell frequents the stage as a clinician, performer, arranger, bandleader and songwriter. As she has made her way through the music scene Lynell has shared the stage with headline jazz artists such as Herlin Riley, Roderick Paulin, Don Vappie, Mitchell Player and countless local artists and bands. Collaborating and creating lifelong experiences is a passion of Lynell’s, she has been a featured vocalist on various artist recordings. Lynell has performed with the Baton Rouge Symphony Orchestra as the principle Soprano using the classical side of her voice and has performed at the New Orleans Jazz and Heritage festival presenting traditional jazz music. She has performed in several musicals throughout New Orleans and Baton Rouge receiving rave reviews.

Lynell's love for music carries over into all interactions of her life. She spends most of her days curating new musicians as the music instructor at a primary school. She has also created a program wich she shares in clinics nationally, "Made in America: Lyrically Speaking" in which she delves into jazz, blues and traditional American music from the vocalist perspective.

When Lynell takes the stage, she guides the listeners on a journey where “jazz collides with soul” allowing the simplest of melodies to entrance the listener. Lynell creates an environment where love is paramount, emphasizing the importance of self-worth and respect through her music. She speaks uplifting lyrics to those who have been broken hearted and stresses the importance of not letting the past dictate your future. Her new EP entitled "Loving Me" guides the listener through Lynell’s own transformation. The transition to finding her self-worth has lead Lynell on a journey that has also included health and fitness. As the creator of "Musicians Run", she sponsors weekly meet-ups for musicians to meet and exercise promoting health as a wealth.

Lynell sees each opportunity to share music with any audience as a chance to create memories and build the soundtrack of life. Whether she is leading the band or supporting other artist, she is thankful to have the opportunity to sketch new memories that last a lifetime.

Loving Me

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Cyrus Pace - Straight From The Source

Size: 101,1 MB
Time: 38:20
File: MP3 @ 320K/s
Released: 2005
Styles: Jazz: Traditional Jazz Combo
Art: Front

01. Straight From The Source (4:14)
02. Doin' The Thing (7:25)
03. Poor Wayfaring Stranger (7:23)
04. Taxman (8:14)
05. Lullaby For Helene (2:04)
06. Sort Of Softly (4:53)
07. Pure Imagination (4:04)

Personnel:
Cyrus Pace: Guitar
Dr. Lonnie Smith: Organ
Rene' Marie: Vocals
Adam Clark: Drums/Percussion

In a world that often seems crowded with talented musicians, the light often shines on those artists who seek their personal voice at any cost. Cyrus Pace has spent the last 16 years doing just that. Through the fortunate contact with musicians who stressed the importance of self-expression and originality in music early in his career, Cyrus learned of the power of music as a tool of expression. The long and continuing search for meaning in music has lead to a realization for him that the guitar is not the instrument, the player is the instrument. He is as influenced by Ray Charles, Aretha Franklin, and James Brown as he is by Miles Davis, John Coltrane, and Wes Montgomery. Cyrus seeks to serve the source that is independent of form, style, and classification.

Cyrus played his first professional gig at 15, toured extensively with the Navy Band, and received his Master's Degree in Performance from Manhattan School of Music where he studied with Rodney Jones, Jack Wilkins, Gary Dial, and Mike Abene. His previous ensembles include the Guitarmageddon Guitar Quartet he started with his 3 guitarist roommates in their Harlem Apartment. He is a guest lecturer at Roanoke College and Virginia Tech.

Straight From The Source

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Eric Dolphy - Prestige Profiles (2-Disc Set)

Prestige Profiles, Vol. 5 contains previously released tracks taken from alto saxophonist and bass clarinetist Eric Dolphy's short stint with the label in the early '60s. The ten tracks, aimed at the casual listener, include the Dolphy-penned classics "G.W.," "Miss Ann," "Far Cry," and "Serene." With Dolphy backed by an extraordinary roster of jazz musicians including Freddie Hubbard, Jaki Byard, Booker Little, Ron Carter, Mal Waldron, and Roy Haynes, this is an excellent mid-line sampler for the novice. ~Al Campbell

Album: Prestige Profiles (Disc 1)

Bitrate: MP3@320K/s

Time: 77:42

Size: 177.9 MB

Styles: Post bop, Saxophone jazz

Year: 2004

[ 6:51] 1. Out There

[ 5:43] 2. On Green Dolphin Street

[ 3:51] 3. Far Cry

[ 6:58] 4. Serene

[ 4:14] 5. Miss Ann

[ 7:56] 6. Fire Waltz

[ 7:56] 7. G.W

[ 6:15] 8. Glad To Be Unhappy

[14:35] 9. Booker's Waltz

[13:19] 10. Status Seeking

Prestige Profiles (Disc 1)

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Album: Prestige Profiles (Disc 2)

Bitrate: MP3@320K/s

Time: 49:09

Size: 112.5 MB

Styles: Post bop, Saxophone jazz

Year: 2004

Art: Front

[ 7:44] 1. A Lunar Tune

[11:16] 2. Blue 7

[ 8:40] 3. Bakai

[ 5:37] 4. Blues For The Orient

[ 4:59] 5. Evidence

[ 5:11] 6. Tragedy

[ 5:40] 7. Rally

Prestige Profiles (Disc 2)

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Gale Robbins - I'm A Dreamer

Bitrate: MP3@320K/s
Time: 32:51
Size: 75.2 MB
Styles: Pop-jazz vocals
Year: 1958/2010
Art: Front

[2:08] 1. What Is This Thing Called Love
[3:06] 2. Them There Eyes
[2:26] 3. How Deep Is The Ocean
[2:35] 4. Ain't Nothing Wrong With That Baqby
[2:29] 5. Golden Earrings
[3:00] 6. The Nearness Of You
[2:48] 7. They Can't Take That Awaay From Me
[2:53] 8. Here I Go (In Love Again)
[2:33] 9. I'm A Dreamer, Aren't We All
[3:17] 10. Best Of All
[2:44] 11. Music, Maestro, Please
[2:46] 12. Ain't Misbehavin'

ometimes the most refreshing updates of familiar standards come from the most unexpected sources, and that's certainly the case with I'm a Dreamer. Although Gale Robbins never earned the fame or renown awarded other pinups of the late 1950s, this pairing with the Eddie Cano Orchestra is an absolute delight. Though by no means a powerhouse vocalist, Robbins knows her way around a melody, and her torchy, after-hours approach lends new maturity and sophistication to familiar fare like "Them There Eyes," "They Can't Take That Away from Me," and "Ain't Misbehavin'." But the real star of the session is Cano, whose vivid arrangements frame the songs from appealing and unique perspectives. The record glows with energy and warmth. ~Jason Ankeny

I'm A Dreamer

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Brent Ellis - Summertime

Bitrate: MP3@320K/s
Time: 53:49
Size: 123.2 MB
Styles: Smooth jazz, Guitar jazz
Year: 2008
Art: Front

[5:00] 1. Sunland
[4:53] 2. Summertime
[5:16] 3. Amazon Funk
[3:57] 4. So Glad It's You
[4:42] 5. Sweet Love
[4:26] 6. Black Orpheus
[5:06] 7. Since I Found You
[3:34] 8. The Days Of Wine And Roses
[3:35] 9. Movin' On
[4:36] 10. I'll Follow You
[4:12] 11. Our Treasure
[4:28] 12. Coming Home Baby

Smooth Jazz Fusion featuring the musicians of the Brent Ellis Group, soulful vocals by Melissa Albertson on Summertime and Sweet Love, as well as other guest musicians. The album includes easy listening Jazz, Smooth Jazz, as well as a few harder hitting Jazz Fusion tunes. Six original tunes plus six cover tunes.

Robin Ellis provides the bass grooves, and Lloyd Bates contributes his inspiring keyboards to the album. When you listen to Brent's guitar playing you can tell his heart and soul is behind each note as he pays tribute to his favourite guitar players, Wes Montgomery, Lenny Breau, and Lee Ritenour. Brent Ellis has been into Jazz guitar since he was 12. Since his years at W.W.U. as a Jazz major, he has been refining his skills both as a guitarist and a recording engineer at LS Records. So go ahead, have a listen to Brent's CD and enjoy your 'Summertime'.

Summertime

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Ted Curson - Blue Piccolo

Bitrate: MP3@320K/s
Time: 66:31
Size: 152.3 MB
Styles: Trumpet jazz
Year: 1976/2000
Art: Front

[ 9:38] 1. All The Things You Are
[12:29] 2. Blue Piccolo
[ 7:07] 3. Playhouse March
[ 7:46] 4. Ted's Tempo
[ 9:30] 5. Round Midnight
[ 8:07] 6. Song Of The Lonely
[ 5:31] 7. Open The Door
[ 6:21] 8. Gary G

Trumpet, Flugelhorn, Trumpet [Pocket] – Ted Curson; Piano – Jim McNeely; Bass – Cecil McBee; Drums – Steve McCall.

Ted Curson, a trumpet player of renowned ability and taste, is well showcased in this excellent mid seventies session produced by the renowned Masahiko Yuh. His aptly chosen companions Jim McNeely, Cecil McBee and Steve McCall all contribute strongly to the collection of Curson originals and standards. Curson will always be remembered for his close association with Charles Mingus, Eric Dolphy and Dannie Richmond. Ted also spent time with Max Roach and co-led a band with saxophonist Bill Barron which during one of Cursons frequent excursions to Europe, recorded his moving piece Tears for Dolphy in Paris. Ted's versaltility is evident throughout, not more so than on the extended version of Blue Piccolo, where he utilises the seldom heard 'pocket trumpet'.

Blue Piccolo

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Duke Jordan - Duke's Delight

Styles: Piano Jazz
Year: 1975
File: MP3@256K/s
Time: 60:14
Size: 110,4 MB
Art: Front

(7:55)  1. Truth
(5:36)  2. In My Solitude
(9:46)  3. Sultry Eve
(6:07)  4. Undecided Lady
(9:13)  5. Tall Grass
(7:25)  6. Duke's Delight
(6:32)  7. Undecided Lady Take 1
(7:36)  8. Duke's Delight Take 4

Duke's Delight is a classy recording from a pianist of renown. While the tape was rolling Duke Jordan's playing was inspired, and the band stayed right with him throughout this session, which includes five Jordan compositions and Duke Ellington's "In My Solitude." Playing piano in a sax and trumpet format is a setting long familiar to Jordon, and his clear, melodic lines rise above a tight band that is consistently up for the challenge. Charlie Rouse on tenor plays a straight forward bluesy sax, much different from his Thelonious Monk days, and Richard Williams on trumpet provides his precise, sometimes fiery, commentary. Bassist Sam Jones and drummer Al Foster round out a rhythm section that's honed and vigorous. This quintet can cook. 

Jordan is primarily remembered for his stellar work in the magnificent Charlie Parker Quintet the famous band that was graced with the presence of the young Miles Davis and the master drummer Max Roach. This was back in the late 1940's when Jordan was a key figure, often providing fine introductions, as well as riveting solos and intricate accompaniment to some of Parker's finest work. Jordan's solos have always been known for their clarity of construction and thoughtful swing. With Parker there was also a lyrical sweetness to his tone that meshed well with the dissonance of the edgier bebop compositions. His sophisticated mastery of the music ensured that he would continue to be an in-demand pianist. After recording with Stan Getz, Sonny Stitt, and a long line-up of other name players, Jordan moved to Denmark in 1978 and developed a productive relationship with SteepleChase Records until his death in 2006.

Duke's Delight is often considered one of Jordan's best SteepleChase recordings. The playing is up front and open, the band having the talent and rapport to sustain such honesty; while Jordan's compositions present solid material to work and develop. Jordan's compositions and arrangements have a similar clarity of construction as his solo work and there's a no-nonsense, sophisticated air about his conceptions that set the tone for this marvelous session. ~ Mike Neely  http://www.allaboutjazz.com/dukes-delight-duke-jordan-steeplechase-records-review-by-mike-neely.php

Personnel: Duke Jordan: piano; Richard Williams: trumpet; Charlie Rouse: tenor saxophone; Sam Jones: bass; Al Foster: drums.

Duke's Delight

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Beady Belle - Songs From A Decade: The Best Of Beady Belle

Styles: Vocal
Year: 2015
File: MP3@320K/s
Time: 148:42
Size: 341,4 MB
Art: Front

(5:20)  1. Saved
(3:47)  2. So Far So Good
(4:52)  3. Diamond in the Rough
(4:57)  4. My Name On The World
(3:43)  5. Lose & Win (Radio Edit)
(6:14)  6. Irony
(4:18)  7. Self-fulfilling
(3:53)  8. Runaway mind
(4:03)  9. Skin Deep
(5:19) 10. Moderation
(5:12) 11. Ghosts
(6:03) 12. Big balloon
(5:05) 13. A Touch Of Paradise
(4:45) 14. Shadow
(4:38) 15. Apron Strings
(3:35) 16. Intermission Music
(4:21) 17. April fool
(3:18) 18. Closer
(5:22) 19. When My Anger Starts To Cry
(3:52) 20. Turn back time
(4:55) 21. Half-truth
(4:48) 22. Closer (Live at Parkteateret)
(8:36) 23. Shadow (Live at Parkteateret)
(7:00) 24. Skin Deep (Live at Parkteateret)
(6:13) 25. Come Home (Live at Parkteateret)
(5:15) 26. Half-truth (Live at Parkteateret)
(7:11) 27. Never Mind (Live at Parkteateret)
(6:56) 28. My Name On The World (Live at Parkteateret)
(4:57) 29. Every Moment (Live at Parkteateret)

Featuring the vocal talents of Beate S. Lech, Norwegian group Beady Belle make jazz, acid jazz, and downbeat-influenced electronic pop. Formed in Oslo in 1999 by former university music students Lech and bassist/programmer Marius Reksjø, the band also includes drummer Erik Holm. What originally began as Lech's solo debut for Jazzland Records eventually morphed into Beady Belle's 2001 debut album, Home, after Lech and Reksjø began collaborating on Lech's songs. Two years later the band released its sophomore album with Cewbeagappic. In 2005, Beady Belle dropped their third studio effort, Closer. Belvedere followed in 2008.  https://itunes.apple.com/gm/artist/beady-belle/id14398709#fullText

Songs From A Decade: The Best Of Beady Belle Part I

Songs From A Decade: The Best Of Beady Belle Part II

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Minnie Riperton - Les Fleurs: The Minnie Riperton Anthology

Styles: Vocal, R&B
Year: 2001
File: MP3@320K/s
Time: 66:39
Size: 154,6 MB
Art: Front

(5:45)  1. I Am the Black Gold of the Sun
(3:27)  2. Reasons
(3:52)  3. Every Time He Comes Around
(3:46)  4. Young, Willing and Able
(4:41)  5. Inside My Love
(4:25)  6. Memory Lane
(3:39)  7. Love Hurts
(4:05)  8. Here We Go
(4:32)  9. You Take My Breath Away
(7:57) 10. Strange Affair
(4:11) 11. Take a Little Trip
(3:59) 12. I'm a Woman
(3:46) 13. Lovin' You
(3:16) 14. Les Fleurs
(5:10) 15. Light My Fire

There are numerous collections out there, perhaps a dozen that cover the late and highly influential Minnie Riperton's career. The very best one out there is the double-disc set on the Right Stuff label called Petals: The Minnie Riperton Collection. This one on Stateside is easy to confuse given its similar title especially since they were released only ten months apart. But the two are not remotely similar in quality. Petals may cost more, but it's worth it: It is a standard bearer and covers Minnie Riperton's entire career with great sound and solid liner notes as well as reliable discographical information. It is also assembled with a great sense of aesthetics in terms of its sequencing. Fleurs is nothing more than a slapdash effort; its poor presentation and sound are designed to make a quick buck and nothing more. If the only cut you want is "Lovin' You," do yourself a big favor and score a legal download from digital retailers. ~ Thom Jurek  http://www.allmusic.com/album/les-fleurs-the-minnie-riperton-anthology-mw0000738892

Les Fleurs: The Minnie Riperton Anthology

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Tisziji Munoz - Presence Of Joy (Samboga-Kaya)

Styles: Guitar Jazz
Year: 1999
File: MP3@320K/s
Time: 70:51
Size: 162,3 MB
Art: Front

(10:30)  1. Happy Sadness
(18:55)  2. Presence Of Joy
( 4:21)  3. Peace On Earth I
( 8:38)  4. Jewel Of Enchantment
(16:20)  5. The Blue Pearl Of Tantra
(12:06)  6. Peace On Earth II

"It’s great playing with Tisziji because he is right in the middle of the music. Tisziji goes right to the center of the music bringing everybody with him. He seizes the right moment. He won’t play unless it’s right." ~ Dave Liebman.

"Tisziji’s music creates a good feeling. I never really get a chance to play like this. This kind of music is not played very much. It’s great that Tisziji is putting it out there like this. He is giving people a chance to hear music which they seldom get a chance to hear. Check this out." ~ Rashied Ali 

"Playing with Tisziji Muñoz on Presence of Joy was like jumping out of a plane without a parachute, or like flying the trapeze without a net. This music sounds different every time you listen to it." ~ Don Pate

"Tisziji's music is more directed towards the inner senses and the deepest feelings. His music is unhampered by technical things, you know, chords, time, structure, whatever. This is direct expression. I am always regenerated, refreshed, replenished and inspired by playing his music. I rarely get a chance to play this way. This music energizes me. I rarely get the chance to play with so much freedom." ~ Bernie Senensky   http://www.heartfiresound.com/joy.html

Personnel:  Tisziji Muñoz: Guitar and Bells;  Dave Liebman: Tenor/Soprano Sax;  Bernie Senensky: Piano;  Cecil McBee: Bass;  Don Pate: Bass;  Rashied Ali: Drums

Presence Of Joy (Samboga-Kaya)

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