Saturday, August 2, 2025

Betty Accorsi Quartet - The Cutty Sark Suite

Styles: Saxophone and Vocal
Year: 2020
Time: 31:18
File: MP3 @ 128K/s
Size: 29,2 MB
Art: Front

(8:55) 1. The Golden Wave
(8:08) 2. In Between
(6:35) 3. At The Edge of The Wave
(7:39) 4. All Things Are Quite Silent

Saxophonist and talented composer Betty Accorsi has released her debut album, The Cutty Sark Suite, inspired by the ship's journey travelling from China to London. The four tracks, averaging seven-and-a-half-minutes, were all recorded at Goldsmiths Music Studios, in affiliation with the university which Accorsi attended, studying for a master's degree in music. Prior to this, the Italian-born musician enrolled at the Conservatoire G. Verdi in Milan where she primarily focused on performing classical repertoire. She then moved to England to pursue her dream of studying jazz saxophone at Trinity Laban, and then subsequently arriving at Goldsmiths, University of London.

This suite is brought together and aims to navigate the listener on the Cutty Sark's return trip to London from China. The ship is now based in Greenwich where Accorsi spent a year studying, hence the inspiration for this album. In her liner notes, she says, "to me, it represented the sense of belonging to the greater, more diverse community that I found in London." Each movement represents a single country that the vessel encountered on her journey including China, Indonesia, South Africa and England. The compositions intend to portray a half real, half imaginary perception of the route.

The voyage begins in Shanghai and is titled "The Golden Wave." It draws inspiration from a Chinese instrument called an Erhu which is replicated at the beginning by Andy Hamill's double bass. The second half of the track turns into a hard-driven blues-esque melting pot of organised madness which eventually leads back to the original melody. The second stop, "In Between," pays homage to Indonesian Gamelan which later develops into a loose jazz ballad, in tribute to Jaco Pastorius. This piece also features an impressive drum solo by Scott MacDonald towards the end. Now halfway, we arrive in South Africa to the music of Zulu warrior dances and the sounds of local saxophonist Basil Coetzee with "At the Edge of the Wave." It draws influences from the country's rich Township jazz tradition. The album concludes with her mooring in England and is celebrated with an arrangement of "All Things Are Quite Silent." This traditional English folk song describes a woman whose man is forced to join the English Navy.

Although the album only lasts for a brief thirty-three minutes, its energy and enthusiasm seems to occur for far longer. With an excellent narrative and concise pathway, The Cutty Sark Suite demonstrates a dynamic display of chemistry between four exceptional musicians.By Thomas Fletcher https://www.allaboutjazz.com/the-cutty-sark-suite-betty-accorsi-quartet-self-released

Personnel: Betty Accorsi (saxophone, vocals, composer); Finn Carter (piano), Andy Hamill (double and electric bass), Scott Macdonald (drums).

The Cutty Sark Suite

Jan Lundgren & Miriam Aida & Fredrik Kronkvist - Jan Lundgren Trio Presents Miriam Aida & Fredrik Kronkvist

Styles: Piano And Vocal Jazz
Year: 2002
Time: 57:57
File: MP3 @ 320K/s
Size: 132,7 MB
Art: Front

(4:18) 1. Ain't No Excuse
(3:51) 2. September In The Rain
(5:20) 3. The Good Life
(5:05) 4. On A Clear Day (You Can See Forever)
(5:13) 5. Sunny
(5:08) 6. Time On My Hands
(5:32) 7. Feeling Good
(4:38) 8. Melba's Tune
(4:36) 9. Right Here, Right Now
(4:25) 10. 'tis Autumn
(5:35) 11. Close Your Eyes
(4:10) 12. From This Moment On

A fine bop-based pianist, Jan Lundgren has visited the United States several times since the mid-'90s and been gradually gaining a very strong reputation. Even while undergoing extensive classical piano training, Lundgren was playing jazz locally and by the time he was 20, he had begun working with Arne Domnérus and Putte Wickman. Lundgren has picked up valuable experience accompanying many visiting Americans (including Herb Geller, Johnny Griffin, and Mark Murphy).

In 1994, he recorded his debut as a leader for the Four Leaf Clover label. Since then, Lundgren has recorded separate sets with Herb Geller and Bill Perkins for Fresh Sound and led further albums for Alfa and Four Leaf Clover.https://www.jazzmusicarchives.com/artist/jan-lundgren

Personnel: Saxophone, Flute – Fredrik Kronkvist; Bass – Mattias Svensson; Drums – Morten Lund (2); Piano – Jan Lundgren; Vocals – Miriam Aïda

Jan Lundgren Trio Presents Miriam Aida & Fredrik Kronkvist

Gladys Knight - Before Me

Styles: Vocal Jazz
Year: 2006
Time: 52:53
File: MP3 @ 192K/s
Size: 73,3 MB
Art: Front

(3:56) 1. Do Nothing Till You Hear From Me
(4:22) 2. The Man I Love
(4:25) 3. Good Morning Heartache
(3:51) 4. Since I Fell For You
(4:54) 5. God Bless The Child
(4:06) 6. This Bitter Earth
(4:24) 7. I Got It Bad (And That Ain't Good)
(4:54) 8. Someone To Watch Over Me
(4:00) 9. But Not For Me
(3:56) 10. I'll Be Seeing You
(4:26) 11. Stormy Weather
(5:34) 12. Come Sunday

At a time when most of her contemporaries are satisfied reliving their glory years to appreciative audiences in casinos and theaters, Gladys Knight continues her refusal to be pigeonholed as a soul singer. With 2000's At Last, she returned to the mainstream R&B circuit with a session of adult contemporary R&B that was equally accessible and refreshing, and with 2005's One Voice she collaborated with the Saints Unified Voices for a fiery gospel and praise record.

So this time around, Knight recruited legendary producer Phil Ramone and an impressive lineup of jazz musicians to record an album of jazz ballads and standards that influenced her during the formative years of her singing career. At first, the prospect of Knight's soulful, gritty vocal styles taking on some of jazz's greatest moments may be a questionable proposal for jazz purists, but all hesitation can be safely swept aside during the album's opening moments, a fantastic rendition of the Ellington classic "Do Nothing Till You Hear from Me." Gone are the grit and raspy nature of Knight's voice, and in their place is a smooth, sultry set of vocal cords safely in control of the delivery of the material.

Every single song here is already a bona fide hit, and Knight does them all justice in a way few soul singers could. Wonderfully relaxing, classy, and pleasantly void of vocal histrionics, Before Me is another important chapter and highlight in a career that is chock-full of them.By Rob Theakston https://www.allmusic.com/album/before-me-mw0000408605#review

Before Me

Jo Harrop - The Heart Wants

Styles: Vocal Jazz
Year: 2021
Time: 52:43
File: MP3 @ 320K/s
Size: 121,7 MB
Art: Front

(4:42) 1. The Heart Wants What The Heart Wants
(3:23) 2. All too soon
(3:24) 3. Everything's changing
(3:36) 4. I think you'd better go
(4:31) 5. Wise words
(3:38) 6. Red mary janes & a brand new hat
(4:04) 7. Hold on
(3:55) 8. Life inside
(3:01) 9. What if
(3:40) 10. If I knew
(2:59) 11. Rainbow sleeves
(7:41) 12. If I ever would leave you
(4:04) 13. Weather the storm

How many musicians vowed to use the sudden, blank silence of lockdown to plan and prepare the album they had long dreamed of making? And how many actually got round to doing it? Well, Jo Harrop certainly did, and the result is impressive and moving. It’s her second album, the first being last year’s Weathering the Storm, an exquisite miniature for her warm, intimate voice and Jamie McCredie’s guitar. This time, Harrop has 21 musicians (not all playing at once), including such notables as Christian McBride, Tony Kofi and Jason Rebello, and, for the first time, most of the songs are originals with her own lyrics.

Their themes do tend towards uncertainty, regret and making the best of things, although there’s also a wonderfully life-affirming number called Red Mary Janes and a Brand New Hat. Anyway, it’s how the words and music come together to tell a story that matters. Here, they combine with a rare mixture of delicacy and boldness, the arrangements understated but always ear-catching. As for musicianship, listen to the voice and double bass duet by Harrop and McBride in All Too Soon. Sheer perfection.https://www.theguardian.com/music/2021/oct/16/jo-harrop-the-heart-wants-review-christian-mcbride-tony-kofi-jason-rebello

The Heart Wants