Friday, June 11, 2021

Geri Allen - Some Aspect of Water (Remastered)

Styles: Geri Allen
File: MP3@320K/s
Time: 68:00
Size: 156,1 MB
Art: Front

(11:03) 1. Feed The Fire
( 9:52) 2. A Beautiful Friendship
( 9:51) 3. Old Folks
( 8:15) 4. Smooth Attitudes
(19:07) 5. Some Aspects Of Water
( 9:49) 6. Skin

Pianist, composer, Guggenheim Fellow, and educator Geri Allen died on Tuesday, June 27, 2017 from complications of cancer in Philadelphia, Pennsylvania. She had recently celebrated her 60th birthday. Hailed as one of the most accomplished pianists and educators of her time, Allen’s most recent position was as Director of Jazz Studies at the University of Pittsburgh. She was especially proud of performing with renowned pianist McCoy Tyner for the last two years, and was also part of two recent groundbreaking trios: ACS (Geri Allen, Terri Lyne Carrington, and Esperanza Spalding) and the MAC Power Trio with David Murray and Carrington their debut recording Perfection was released on Motéma Music in 2016 to critical acclaim. “The jazz community will never be the same with the loss of one of our geniuses, Geri Allen. Her virtuosity and musicality are unparalleled,” expressed Carrington upon learning of her passing. “I will miss my sister and friend, but I am thankful for all of the music she made and all of the incredible experiences we had together for over 35 years. She is a true original a one of kind never to be forgotten. My heart mourns, but my spirit is filled with the gift of having known and learned from Geri Allen.“

She was the first woman and youngest person to receive the Danish Jazzpar Prize, and was the first recipient of the Soul Train Lady of Soul Award for Jazz. In 2011, she was nominated for an NAACP Award for Timeline, her Tap Quartet project. Over the last few years, Allen served as the program director of NJPAC’s All-Female Jazz Residency, which offered a weeklong one-of-a-kind opportunity for young women, ages 14-25, to study jazz. Allen was also recently honored to be one of the producers of the expanded and re-mastered recording of Erroll Garner’s The Complete Concert by the Sea, which garnered her an Essence Image Award nomination as well as a GRAMMY® Award-nomination in 2016. She felt strongly that students should have access to this material, and went on to organize a 60th anniversary performance of the material at the 2015 Monterey Jazz Festival with Jason Moran and Christian Sands.

Having grown up in Detroit, a region known for its rich musical history, Allen’s affinity for jazz stemmed from her father’s passion for the music. She began taking lessons at 7-years-old, and started her early music education under the mentorship of trumpeter Marcus Belgrave at the Cass Technical High School. In 1979, she was one of the first to graduate from Howard University with a Bachelor of Arts degree in jazz studies. It was there that she began to embrace music from all cultures that would ultimately influence her work. During that time, she studied with the great Kenny Barron in New York City. “I first met Geri when she was a student at Howard. She would take the train up to my house in Brooklyn for lessons. Even then it was apparent that Geri heard some things musically that others did not,” Barron reflects. “In 1994 we performed a duo piano concert at the Caramoor Festival in New York and I realized how fearless she was and at the same time how focused she was. It was a lesson that I took to heart. Geri is not only a great musician, composer and pianist, she is a giant and will be sorely missed.”More... https://geriallen.com/biography/

Personnel: Geri Allen - piano; Palle Danielsson - bass; Lenny White - drums; Johnny Coles - flugelhorn (tracks 3-5); Henrik Bolberg Pedersen - trumpet, flugelhorn (tracks 4 & 5); Kjeld Ipsen - trombone (tracks 4 & 5); Axel Windfeld - tuba (tracks 4 & 5); Michael Hove - alto saxophone, flute, clarinet (tracks 4 & 5); Uffe Markussen - tenor saxophone, soprano saxophone, bass clarinet, flute (tracks 4 & 5)

Some Aspect of Water (Remaster)

Leo Gandelman - Sabe Você

Styles: Saxophone, Brazilian Jazz
Year: 2008
File: MP3@320K/s
Time: 64:42
Size: 149,1 MB
Art: Front

(5:37) 1. Aos Pés da Cruz (feat. Luiz Melodia)
(5:48) 2. Sensível (feat. Joel Nascimento)
(5:34) 3. Pra Machucar Meu Coração (feat. Ney Matogrosso)
(6:04) 4. Futuros Amantes (feat. Chico Buarque)
(6:24) 5. Chove Lá Fora (feat. Caetano Veloso)
(5:50) 6. Coração Vagabundo (feat. Leila Pinheiro)
(6:32) 7. Por Causa de Você (feat. Milton Nascimento)
(5:12) 8. Amargura
(5:32) 9. Sabe Você (feat. Leny Andrade)
(6:12) 10. Só por Amor (feat. Lirinha)
(5:52) 11. Chuva

Saxophonist Leo Gandelman leaves his marks in 2008 with an outstanding album that features many of Brazil’s legendary vocalists. The craftsmanship of Leo Gandelman (Rio de Janeiro, 1956) is widely recognized. During his career, that started at age 15 as soloist with the Brazilian Symphony Orchestra, he has won many prices and polls. After studying at Berklee in Boston, he returned back to Brazil in 1979 to follow the road of success. He has lent his recognizable sound to countless productions, both in popular music and in jazz.

Sabe Você is his eleventh solo album and maybe his most important. The performance is great as always, the repertoire is beautiful as always, but the special guests make this an exceptional album. The vocalists all deliver superb performances, perfectly fitting into the concept Leo had in mind. Their voices shine in the chosen repertoire. The album’s opener that features Luiz Melodia singing “Aos Pés da Cruz” is good example. After a wonderful sax intro, Luiz Melodia sings this popular 1942 samba in his unmistakable relaxed way. Gandelman trades solos with Lula Galvão on the acoustic guitar. The only non-vocal guest performance is by Joel Nascimento on the mandolin on the Pixinguinha choro “Sensível.” Ney Matogrosso’s voice sounds as a dedication to Ary Barroso on his composition “Pra Machucar Meu Coração,” and how good it is to hear Chico Buarque performing his own “Futuros Amantes.” Caetano Veloso sings “Chove Lá Fora” the way only he can, while Leila Pinheiro gives her best on Caetano’s composition “Coração Vagabundo.” The list doesn’t end: Milton Nascimento is in great shape on the Dolores Duran/Jobim classic “Por Causa de Você”; Leny Andrade justifies the honour to sing the album’s title track, “Sabe Você”; and youngster José Paes de Lira (or in short Lirinha) closes the vocal part of the repertoire with “Só por Amor.” Lirinha (1976) is mostly known because of his presence in the band Cordel do Fogo Encantado from Pernambuco.

It’s amazing to hear all these voices on one album. However, the most amazing thing maybe is that the cd doesn’t sound like a “who is who” in Brazilian vocal music. Leo Gandelman manages to make his guests all part of his project. The different voices don’t interfere with the flow of the album; the songs gently connect with one another. In a clever way the unique sound of Leo Gandelman’s saxophones (soprano, alto and tenor) glue all the songs together, making sure we don’t forget that this is Leo’s album. He’s helped with that by a bunch of fantastic musicians. David Feldman on the piano, Lula Galvão on electric and acoustic guitars, André Vasconcelos on bass, Allen Pontes on drums and Sidinho Moreira is the percussionist on duty. The band is featured in a couple of instrumentals. There’s no doubt about it: Sabe Você is one of those timeless albums that will always leave its listener with a feeling of pleasure and (thanks to the voices) nostalgia. https://musicabrasileira.org/leo-gandelman-sabe-voce/

Sabe Você

Enric Peidro Quartet - Until the Real Thing Comes Along

Styles: Saxophone Jazz, Swing
File: MP3@320K/s
Time: 59:04
Size: 136,7 MB
Art: Front

(6:44) 1. (Was I to Blame for) Falling in Love With You
(6:49) 2. Nel Blue Di Pinto Di Blu
(4:58) 3. Until the Real Thing Comes Along
(6:47) 4. No One
(5:50) 5. Get Happy
(4:53) 6. I Guess I'll Have to Dream the Rest
(7:11) 7. The Moon Was Yellow
(4:59) 8. Again and Again
(6:17) 9. Now I Lay Me Down to Dream of You
(4:32) 10. Gator Whale

On Saturday, April 10, the Enric Peidro Quartet presents their new album 'Until the real thing comes along' at the Teatre Auditori of the Social Center.Alcoy saxophonist Enric Peidro is one of the benchmarks in the international swing and classical jazz scene with more than two decades of experience as a soloist, some twenty record records as a leader and more than double as a sideman, as well as performances at festivals. most prestigious jazz in the country, tours of several European countries and collaborations with some of the most important performers of the genre worldwide. On his return to Dénia, Peidro will be accompanied by his stable quartet with which he offers his contemporary vision of traditional jazz so deeply rooted in tradition as creative, fresh and imaginative.Translate By Google https://lamarinaplaza.com/ca/evento/jazz-enric-peidro-quartet-presenta-su-disco-until-the-real-thing-comes-along-denia/

Formation: Enric Peidro, tenor saxophone; Richard Busiakiewicz, Piano; Andrés Lizón, double bass, Carles Pérez, drums.

Until the Real Thing Comes Along

Peggy Lee - Something Wonderful: Peggy Lee Sings the Great American Songbook

Styles: Vocal
File: MP3@320K/s
Time: 89:07
Size: 207,5 MB
Art: Front

(0:17) 1. Peggy Lee Introduction
(1:02) 2. Johnny Mercer Introduction (1)
(2:09) 3. Ac-Cent-Tchu-Ate The Positive (feat. Johnny Mercer)
(1:33) 4. Goody Goody
(2:22) 5. Come Rain Or Come Shine
(1:44) 6. That Old Black Magic
(3:45) 7. (Ah, The Apple Trees) When The World Was Young
(0:48) 8. Johnny Mercer Introduction (2
(3:08) 9. Jeepers Creepers / Too Marvelous for Words (Plus Two)[feat Johnny Mercer]
(2:19) 10. My Funny Valentine
(2:34) 11. The Lady is a Tramp
(1:35) 12. I Could Write a Book
(1:39) 13. This Can't Be Love
(3:26) 14. Lover
(3:25) 15. Something Wonderful
(1:49) 16. Mountain Greenery
(2:00) 17. From This Moment On
(1:40) 18. I've Got You Under My Skin
(1:28) 19. What is This Thing Called Love?
(1:32) 20. Just One of Those Things
(2:40) 21. Everything Happens to Me
(3:43) 22. We Belong Together / Angel Eyes / Let's Get Away from It All (feat.Matt Dennis)
(1:58) 23. It's a Good Day
(2:22) 24. I Don't Know Enough About You
(2:23) 25. Mañana
(2:19) 26. Whee Baby
(2:02) 27. Skylark
(4:06) 28. Georgia on My Mind / I Get Along Without You Very Well / Old Rockin' Chair (Plus Three) [feat. Hoagy Carmichael]
(1:48) 29. Hoop Dee Doo
(0:29) 30. Frank Loesser Introduction
(5:34) 31. Jingle, Jangle, Jingle / If I Were a Bell / On a Slow Boat to China (Plus Two) [feat. Frank Loesser]
(0:29) 32. Introduction
(2:09) 33. Somebody Loves Me
(2:15) 34. Oh, Look at Me Now
(2:07) 35. Unforgettable
(2:19) 36. Lullaby of Broadway
(2:49) 37. Alone Together
(1:21) 38. When You're Smiling
(3:34) 39. Try a Little Tenderness
(2:05) 40. All of Me

Though eventually known for her compositional skill (nearly 300 songs, along with co-writes on Disney’s Lady and the Tramp originals), Peggy Lee was initially renowned as a sultry but distingué siren, a chilled interpreter who adopted subdued tones while walking down Tin Pan Alley. Just beyond the reach (and era) of the big bands, a decade after her time with Benny Goodman’s Orchestra, Lee hosted a radio program at the top side of the 1950s, covering then-new American classics with star songwriters such as Hoagy Carmichael, Matt Dennis, Frank Loesser, and Johnny Mercer as her occasional duet partners. Featuring scads of unreleased tracks from that show, many never recorded commercially, Something Wonderful is aptly titled, a surprisingly dear and primarily upbeat score to postwar America with Lee at her breeziest under the musical direction of Russ Case and Sonny Burke.

Spruced up for superior sound by engineer/archivist Michael Graves, these 40-plus songs on two discs allow the chanteuse to loll and play in front of a smallish-big jazz band with an ever-so-slight blue hue and a gently pixillating rhythm section. Teaming up with a rather soulful-sounding Mercer, Lee vamps around the groove of “Ac-cent-tchu-ate the Positive” in a fashion rarely heard from her. She allows a softly strung harp, a barroom piano, and a blowsy horn section to guide her, slowly, through the honeyed tones of “Come Rain or Come Shine,” and goes from talking to Mercer about his daughter’s theme song (a lovely “Mandy Is Two”) to something more louche with a brief take on “Blues in the Night.”

While Cole Porter’s “From This Moment On” and “Just One of Those Things” give Lee license for notes showy and silken, his “I’ve Got You Under My Skin” is a dashing, bongo-filled blues on which she finds all the right accents to ride. The sessions featuring Carmichael find Lee taking to the quietly zig-zagging arrangement of “Skylark” with innocent bliss before hitting the chorus; once there, her voice becomes languid, a Southern-ly breeze. And her appropriation of Dennis’ lonely brand of jazz on the medley “We Belong Together/Angel Eyes/Let’s Get Away from It All” is poetic and shimmering.

Joined by Loesser, Lee slips and slides through a too-quick five-song medley, with her soft trilling vocals acting as a counterpoint to his gruff tones, all before closing out the set with a whispered baby-doll take on “Somebody Loves Me,” a carefree run at “Oh, Look at Me Now,” and a klatch of showy classics: “When You’re Smiling,” “Try a Little Tenderness,” and “All of Me.” Something Wonderful lacks for nothing vocally or melodically, in Lee’s surprising range of character-driven studies or her diversity of rhythmic approaches. This reviewer simply wanted more.~ By A.D. Amorosi https://jazztimes.com/reviews/albums/peggy-lee-something-wonderful-peggy-lee-sings-the-great-american-songbook-omnivore/

Something Wonderful: Peggy Lee Sings the Great American Songbook