Glenn Zottola, Chick Corea - The Legend & I

Styles: Trumpet And Piano Jazz
File: MP3@320K/s
Time: 54:21
Size: 125,0 MB
Art: Front

( 9:50) 1. But Not For Me
( 3:57) 2. Crystal Silence
( 5:14) 3. Autumn Leaves
( 3:46) 4. Z-Mother Test Project
( 5:33) 5. Skylark
( 5:38) 6. Moog 1 Arp Project
( 2:32) 7. You Go To My Head
(12:01) 8. Gliden Not Haydn
( 5:46) 9. Bonus Track - Crystal Silence

There have been several musical tributes to the late great Armando Anthony "Chick" Corea since his untimely passing in February, 2021, mostly from fellow musicians. However, The Legend and I is an intimate musical portrait from LA multi-instrumentalist Glenn Zottola who just happened to be one of Corea's best long-time personal friends. As Zottola affirms "He was my best friend and is dearly missed, but I know he will continue to create as that was his relentless purpose in life." The album features nine previously unreleased tracks of music in which both Corea and Zottola collaborate in laying down fresh new interpretations of familiar standards, four Corea originals and two versions of Corea's classic electronic "Crystal Silence."

Zottola plays the trumpet, his preferred instrument, on five of the nine tracks on the album, while performing on tenor and alto saxophones on the balance of the tunes. The pianist documents his talents on the piano, keyboards, marimba, bass, programming and even drums on "Autumn Leaves." Other musicians gracing this tribute include bassist Avishai Cohen and drummer Adam Cruz. There is one particular track in which the legend does not appear, and that is on the second version (bonus track) of "Crystal Silence," arranged by guitarist Romero Lubambo who plays the guitar and is accompanied by Pamela Driggs on vocals, singing the lyrics penned in 1972 by Neville Potter, another close friend of Corea.

Though he is gone but not forgotten, Corea's music now lives on forever and this homage, while including a somewhat personal touch, actually affirms that his incredible music now belongs to us all. Zottola's warm trumpet and saxophone voice is a perfect vehicle for expressing Corea's music. Zottola also stated that, in his opinion, Corea was the "greatest artist of the 20th century." Well, I believe that Corea would have argued with that conclusion; after all, he was around for 20 years in the 21st century.By Edward Blanco https://www.allaboutjazz.com/the-legend-and-i-glenn-zottola-and-chick-corea-self-produced

Personnel: Glenn Zottola: trumpet; Chick Corea: piano; Avishai Cohen: bass; Adam Cruz: drums; Romero Lubambo: guitar; Pamela Driggs: voice / vocals.

Additional Instrumentation: Glenn Zottola: tenor saxophone, alto saxophone; Chick Corea: keyboards, programming, marimba, bass, drums; Romero Lubambo: programming.

The Legend & I

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John Law's Re-Creations - Many Moons

Styles: Piano Jazz
Year: 2023
Time: 73:07
File: MP3 @ 128K/s
Size: 67,5 MB
Art: Front

( 6:50) 1. Clair de Lune
( 7:16) 2. Smoke on the Water
( 2:22) 3. Cavatina, solo piano intro
(10:48) 4. Cavatina (theme from The Deerhunter)
(10:38) 5. Fly Me to the Moon
( 5:11) 6. U Can't Touch This
( 7:29) 7. Falling in Love Again
( 6:49) 8. Moondance
( 4:56) 9. All You Need is Love
( 4:10) 10. Blowin in the Wind
( 2:54) 11. Moon River, solo piano intro
( 3:37) 12. Moon River

John Law started classical piano aged four and performed first in public at six. After winning an Open Scholarship he studied piano and composition at the Royal Academy of Music, London, where he won prizes for piano playing. Despite then winning an Austrian government scholarship to study in Vienna with the pianist Badura-Skoda, and receiving encouragement from an early classical influence, pianist Alfred Brendel, he turned to jazz in 1986, forming his first group ATLAS, a mainly freely-improvising trio with Paul Rogers, bass and Mark Sanders, drums.

From 1986 to 1996 John concentrated more on the experimental end of jazz, particularly in his association with the South African drummer Louis Moholo, with the Jon Lloyd Quartet and with his own quartet. The John Law/Louis Moholo Duo recorded the acclaimed CD em>The Boat Is Sinking, Apartheid Is Sinking (Impetus 19322), appeared on British radio and toured extensively in the UK, Germany, Holland, Belgium, France and Canada, appearing at many major festivals. The Jon Lloyd Quartet appeared on British radio, made three acclaimed CDs, the last for Hat Hut called By Confusion, and played at festivals, including the 1995 FMP Festival, Berlin. With his own small groups John recorded and toured in the UK, Germany, Holland, Belgium, Austria, Italy, Russia, Lithuania and Belarus, including many festivals. A later quartet, formed 1993, with Paul Dunmall (saxophones), Barry Guy (double-bass) and Louis Moholo, called Extremely Quartet, toured the UK and appeared to great acclaim at the 1998 Nickelsdorf Festival, Austria. They released the CD Extremely Quartet (Hat Hut CD6199) in 1997. John was also involved occasionally during this period with the Evan Parker Quartet. One-off collaborations also included the Dedication Orchestra, a duo performance with the pianist Keith Tippett and a London Festival concert in a septet with David Murray and Chico Freeman.

While John Law was exploring the more radical and freely improvised areas of jazz he also began a series of solo CDs which were to lead him back to an exploration of his classical roots. The four-CD series Chants (Cornucopia, 1993), Talitha Cumi (FMR, 1994), Pentecost (FMR, 1996) and The Hours (FMR, 1997) Thanatos (FMR, 1997) was based on plainchant and, as well as jazz, explored the history and techniques associated with classical piano as well as introducing certain harmonic elements derived from early and mediaeval music. The CDs received outstanding reviews around the world. Concentrating on this music, John gave concerts in the UK in concert halls, churches and universities, and appeared at major festivals in London, Le Mans and Clusone.

From 1996, moving away from the freer end of jazz, John Law began to be more involved with straighter jazz and composition. He formed the trio with Tim Wells (bass) and Paul Clarvis (drums, percussion). This group recorded four critically-acclaimed CDs, one of them, The Onliest, exploring the music of Thelonious Monk. They toured the UK and appeared at festivals in England and France. Later, the drummer Dave Wickins came into the trio and this group gave concerts in the UK and Germany.

In 2000 John created the project Abacus, featuring US drummer Gerry Hemingway and, with Jon Lloyd and Tim Wells also included, this group became the continuation of the Jon Lloyd Quartet, performing both John Law's more radical compositions as well as material by Jon Lloyd. This quartet recorded the acclaimed CD Abacus (hatOLOGY) which received two awards from the French magazine Jazzman, one awarded for the year 2001. The group toured the UK in 2000, appearing at the Bath International Festival.

In 2001, continuing to develop his own approach to the jazz language, John Law formed The Moment Band with his trio and featuring the British saxophonist Tim Garland. The quartet recorded the outstandingly acclaimed CD The Moment (FMR) and toured the UK in 2001. With his trio (with Dave Wickins and now Alec Dankworth on bass) and with featured soloists (Julian Siegel, Martin Speake, Julian Nicholas) John Law undertook, in 2002, the Monk 'n' Junk Tour in the UK, contrasting the compositions of Thelonious Monk with the standard repertoire. A CD of this material appeared on the label ASC in 2006.

2002/3 saw John working in two completely different areas. Returning to more radical, open music, John started a collaboration with the German drummer Klaus Kugel, appearing together at the International Vilnius Festival with the Lithuanian soprano saxophonist Petras Vysniauskas in a triumphant concert to a packed Vilnius Philharmonic Hall and later touring the UK with him in a European quintet including Jon Lloyd and the bass clarinetist Michel Pilz, as well as appearing with him in a quartet at the Portuguese festival in Coimbra. At the same time, moving in the opposite direction into more accessible territory, John worked in two new duos: Songs, with the alto saxophonist Martin Speake, exploring some of their favorite compositions by other people, including arrangements of classical pieces by Ravel, Tchaikovsky and Mahler and in a two piano duo with the pianist Jason Rebello, opening their concerts with Bach and closing with Ravel's Bolero.

2004 started with John performing Gershwin's Rhapsody in Blue (the jazz band plus strings version) to a sellout audience at the Wiltshire Music Centre and performing in Vienna with the Austrian vibraphone player and composer Flip Philipp. In June John performed, in a trio with Jon Lloyd, Law's large composed and improvised piece South, to accompany a Frome Festival performance of the epic 1914 black and white silent film of the same name. Later that year saw two major projects: John Law's European Quartet UK tour In Extremis, with Tim Wells and featuring, from France, François Corneloup (baritone and soprano saxophones) and Eric Échampard (drums), including a performance at the Bath Festival and for Radio Three and, in the Autumn, the culmination of several years' work and planning: the 12-piece large ensemble classical/jazz crossover project Out Of The Darkness. This UK tour, funded by a major Arts Council Touring Grant, featured a quartet of John, Andy Sheppard (saxophones), Chris Laurence (bass) and Paul Clarvis (drums/percussion) within a classical ensemble of eight instrumentalists, including some from the London Sinfonietta and the tour featured new works by John Law, including a major new work: Out Of The Darkness. Music from this tour appeared in 2006 on the label Slam.

In 2005, following on from their Vienna concert in 2004, John organized the UK tour Monk And Beyond for an Anglo Austrian quartet with Flip Philipp, the Austrian drummer Christian Salfellner and the British bass player Dave Goodier. The music contrasted Monk-inspired compositions by Flip and John with performances of classic Monk tunes.

At the end of 2005 John Law and Jon Lloyd began the duo project Mimesis, recording the CD Mimesis - 10 Choreographies for Soprano Saxophone and Piano, which appeared on ASC in 2006. John also completed, in December 2005, his classical performance diploma in piano, gaining distinction.

February 2006 saw the start of an important new project: the John Law/Sam Burgess/Asaf Sirkis Trio. John began working with Asaf (drums) and Sam (bass) in 2005. In 2006 the trio recorded, at the Italian studio Artesuono, their first album: The Art Of Sound Volume 1, which appeared in May 2007 on 33 Records. This trio (also with Yuri Goloubev on bass) worked in the UK and Europe, playing at clubs and festivals, to brilliant acclaim.

In November 2007 John was commissioned to compose and perform a large-scale work to accompany the silent film classic The Last Laugh by F.W. Murnau, for the Bath Film Festival. John Law has appeared at over fifty different festivals worldwide and produced 25 CDs. In 2000 he founded the CD label Cornucopia Recordings and Distribution.
https://www.allaboutjazz.com/musicians/john-law/

Many Moons

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Tatiana Eva-Marie - Djangology

Styles: Vocal, Gypsy Jazz
Year: 2024
Time: 60:03
File: MP3 @ 320K/s
Size: 139,5 MB
Art: Front

(4:04) 1. Douce Ambiance
(5:18) 2. Nuages
(5:29) 3. Swing 39
(3:03) 4. Dinette
(5:21) 5. Rêverie
(5:33) 6. Caravan
(3:28) 7. Troublant Boléro
(4:08) 8. Porto Cabello
(3:15) 9. Swing 42
(5:06) 10. Insensiblement
(4:39) 11. Sweet Chorus
(3:31) 12. Lady Be Good
(5:02) 13. Fleur D'ennui
(1:59) 14. Brick Top

Tatiana Eva-Marie Returns with a New Project Celebrating Guitarist Django Reinhardt, the Inventor of Gypsy Jazz.

Tatiana Eva-Marie emanates creativity her vintage flair, tousled locks and enchanting vocals are evidence enough. The Swiss-born singer grew up surrounded by creatives from musicians to painters and poets. Her career is wonderfully rich in color – and the self-professed ‘6-hour sleeper’ has certainly been busy. Four album releases, performances including the Lincoln Center, Birdland and New Orleans Jazz Festival, librettist for the composer, Gérard Massini’s opera, editor-in-chief for Shrine and Vents Magazine… and that’s only skimming the surface. We’re chatting about the new and upcoming projects swirling in the energetic and eclectic world of Tatiana Eva-Marie.

Aptly nicknamed the ‘The Gypsy-jazz Warbler’, by The New York Times no less, Tatiana is most recently celebrating her gypsy jazz origins with the new music release, ‘Djangology’. The song pays homage to the legendary music of Django Reinhardt, the jazz pioneering Romani-French guitarist and composer. Inspired by Django’s musical legacy but uncertain of how she fit in as a singer amidst a sea of jazz guitarists, Tatiana boldly decided “to write (her) own lyrics, tell (her) own stories and reinvent his music in (her) own image.” The project sees Tatiana share insights into her nomadic life with humor and poetic authenticity. Alongside her band, ‘The Avalon Jazz Band’, Tatiana explores Gypsy jazz through original lyrics and musical arrangements and Djangology is only the beginning. The creative spark is set to evolve into an album and series of tours in 2023 and beyond so keep an eye out!

Tatiana’s adoration for jazz music and the Parisian art scene era was an unmistakable match made in heaven for another of her recent creative collaborations - Gérome Barry’s film, ‘Swing Rendez-Vous’. Set for release in January 2023, Swing Rendez-Vous weaves a tale of love, music and community infused with the quintessential blues and swing of jazz music. Tatiana fittingly served as inspiration for the story and plays the leading female role in the film. The feel-good musical comedy is the ideal start to what is sure to be a jazz-packed year ahead for Tatiana.
https://www.culturedfocusmagazine.com/single-post/tatiana-eva-marie-reignites-gypsy-jazz-with-new-music-djangology

Djangology

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Charlie Haden - Heart Play

Styles: Jazz, Post Bop
Year: 2006
File: MP3@320K/s
Time: 49:27
Size: 114,7 MB
Art: Front

( 3:55)  1. Anna
( 3:01)  2. If...
( 8:18)  3. La Pasionaria
( 6:01)  4. Snow
( 6:18)  5. Silence
( 8:02)  6. Child's Song
( 2:33)  7. Nocturne
(11:15)  8. For Turiya

Though Italian guitarist and composer Antonio Forcione has been hailed as "the Jimi Hendrix of the acoustic guitar" and has been favorably compared to the brilliantly versatile Tommy Emmanuel, his work on this low-key, intimate dual date is for the most part more thoughtful, reflective and subdued. That's not to say it's not inspired. It's simply not designed to overwhelm. His opening compositions "Anna" and "If..." are sweet, soulful, and gracefully romantic, with legendary bassist Charlie Haden providing sensual accompaniment. Haden's three compositions range from the more rhythmic and lively "La Pasionaria" (on which the bassist all but dares Forcione to keep up via an increasingly inventive, swaying melody) to the moody "Silence" and the haunting, experimental "For Turiya," which features lengthy bass soloing that runs from subtle to thunderous. The lone outside tune is Fred Hersch's wistful "Child's Play," on which the tandem play an interesting, point-counterpoint melody-rhythm line. While well played and intricately performed, this type of date, focused more on craft than any sustainable energy, is best enjoyed by die-hard fans of the two artists.By Jonathan Widran https://www.allmusic.com/album/heartplay-mw0001482784

Personnel:Charlie Haden — bass; Antonio Forcione — guitar

Heart Play

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