Showing posts with label Richard Smith. Show all posts
Showing posts with label Richard Smith. Show all posts

Saturday, June 5, 2021

Francesco Buzzurro, Richard Smith - Heart of the Emigrants

Styles: Guitar Jazz
Year: 2016
File: MP3@320K/s
Time: 44:16
Size: 102,4 MB
Art: Front

(4:24) 1. Mambo Italiano
(4:28) 2. Amor
(7:07) 3. Film Suite (Live)
(4:21) 4. Pacifico Serenade
(4:43) 5. Heart of the Emigrants
(4:24) 6. Amazing Grace
(2:11) 7. Intimato
(3:55) 8. Taranta Funk
(5:43) 9. Tango, Fire and Sea
(2:56) 10. Day Tripper

Richard Smith was born in Detroit and raised in Eugene, Oregon. It was a Chick Corea concert at the age of 14 that initially fueled his passion for music. "I was so blown away by that concert that I rode my bike home, picked up the phone to promptly break up with my girlfriend, and tried to stay up all night practicing. Come to think of it, I have been working pretty hard at music ever since." At age 23, Smith received a teaching fellowship to U.S.C., in Los Angeles. This event changed his life and his music forever. Luminaries such as Lee Ritenour, Paul Jackson Junior, Larry Koonse, Christopher Parkening and the entire L.A. Guitar Quartet had attended USC, and Richard considered it an honor to have received such an award. Richard's first break came when guitar legend and U.S.C. instructor, Joe Diorio recommended him for a gig with contemporary jazz pianist Billy Mitchell. Mitchell introduced Smith to R&B/Jazz, a style that has become an indelible part of Richard’s sound. “I fell in love with all of the beats that were kicking around and when compared to the music in Eugene, it was such an amazing tapestry of sounds that I wanted to jump into everything head-first”. After leaving Mitchell's band, Smith began playing with the many L.A. based groups of the day – Siegel, Richard Elliot, Rick Braun, Guitars and Saxes, and Max Bennett among others. Smith joined Richard Elliot’s group and remained for 10 years, recording 6 number one albums for the Blue Note label. At the same time, Richard was rising in the ranks of the professorate at U.S.C., achieving the level of professor and department chair in the Studio/Jazz Guitar department all before the age of 30. "I spent the '90s running the program at U.S.C., touring the world 100 days a year, playing sessions and making records on my own. I loved it all and couldn’t say 'no' to any of it." Richard's first disc "Inglewood" was made with money from a U.S.C. student award and featured friends Kenny G and Dan Siegel. Ultimately "Ingelwood" was nominated for "album of the year" in Japan. Since then, every one of his 10 solo discs has reached the top of the music charts and have garnered awards such as 'Best New Artist' (Radio and Records Magazine) and best album of the year (Tune Up Magazine).

Richard Smith's Thirteen solo recordings have established him as a veteran of the contemporary music world - with critical success on every one of his releases. His albums have received accolations such as “Best Contemporary Jazz Guitar Album” (Tune Up Magazine), nomination for “Record of the Year” (Ad Lib Magazine), and “Best New Artist” (Radio & Records Magazine). His album 'SOuLIDIFIED' spent 17 weeks in the top 10 for radio airplay of American contemporary jazz radio (Radio and Records Magazine) and 3 weeks at number 1 in the World for satellite and cable airplay (Music Choice). His recent recording, “Tangos” - 2014, made the top 10 indie and contemporary jazz charts for over 5 months. “One World, Two Guitars” is an exciting duo project with the virtuoso Sicilian guitarist, Francesco Buzzurro. The duo tours regularly in America and Europe. His 2010 release ‘L.A. CHILLHARMONIC’ features Alex Acuna, Brian Bromberg, Vinnie Colaiuta, Jeff Lorber, Eric Marienthal, Michael Paulo, Greg Adams, and the Tower of Power horn section. The touring ensemble won a nomination for Best International Group of the year from the Canadian Smooth Jazz Awards. In 2012 touring and teaching took him to England, Norway, Denmark, Sweden, Holland, Italy, Australia and Tahiti. Richard is also full professor and former Chair of the Studio/Jazz Guitar department at the renowned Thornton School of Music at the University of Southern California in Los Angeles. He holds a dual appointment, and is also a member of the new Popular Music Performance Studies department - the first of its kind at the conservatory level. Richard developed a groundbreaking course entitled “Contemporary Music, a Global Perspective’, where USC students travel to London and collaborate with an international student roster at The Institute of Popular Music Performance (ICMP). Richard also developed the first DMA (Doctor of Musical Arts), Contemporary Guitar, program in the World at USC. Graduates of this program hold distinguished positions as professors, deans and department chairs, all over the World.

Richard's students are working professionally from Broadway and the Los Angeles Philharmonic, recording and touring with such luminaries as Chick Corea, Herbie Hancock, Dan Siegel, Marc Anthony, Josh Groban, Michael Buble, Elton John, Madonna, Michael Bolton, Bono, Maroon 5, Jenifer Lopez, John Mayer and performing on current hit television programs such as American Idol and Glee. In EUROPE Richard has performed master classes at the Institute of Contemporary Music Performance, London, The Academy of Contemporary Music, Guildford, The Leeds College of Music, The London College of Contemporary Music, the Academy of Popular Culture, Leeuwarden, Holland, The Rotterdam Conservatorium, The Utrecht Conservatorium, The Royal Academy of Music, Denmark, Music Academy 2000, Bologna, The Universtate d'Rome, Ionian University, Greece, The ESC Guitar Seminar, Siracusa and many more. In 2012 he spent a semester as visiting professor at Agder University, Norway. Richard also has on-going relationships with schools in Australia, Malaysia, Norway, England, Greece, Italy and Argentina. https://www.richardsmithguitar.com/about

Heart of the Emigrants

Friday, June 4, 2021

Francesco Buzzurro, Richard Smith - One Word, Two Guitars

Styles: Guitar Jazz
Year: 2017
File: MP3@320K/s
Time: 47:56
Size: 110,5 MB
Art: Front

(7:08) 1. Paisaje
(4:39) 2. Spain
(3:59) 3. Isn't She Lovely
(5:55) 4. Beyond the Mountains
(4:17) 5. Phase Dance
(4:49) 6. Cantaloupe Island
(6:04) 7. The Great North
(3:20) 8. L'ottavo Nano
(4:17) 9. Mercy, Mercy, Mercy
(3:22) 10. Pinball Wizard

Richard Smith's Thirteen solo recordings have established him as a veteran of the contemporary music world - with critical success on every one of his releases. His albums have garnished praise such as "Best Contemporary Jazz Guitar Album" (Tune Up Magazine), a nomination for "Record of the Year" (Ad Lib Magazine), and "Best New Artist" (Radio & Records Magazine). His album 'SOuLIDIFIED' spent 17 weeks in the top 10 for radio airplay of American contemporary jazz radio (Radio and Records Magazine) and 3 weeks at number 1 in the World for satellite and cable airplay (Music Choice). His most recent recording, "One World, Two Guitars" is an exciting duo project with Italian virtuoso Francesco Buzzurro - the duo tours regularly in America and Europe. 'L.A. CHILLHARMONIC' features Alex Acuna, Brian Bromberg, Vinnie Colaiuta, Jeff Lorber, Eric Marienthal, Michael Paulo, Greg Adams, and the Tower of Power horn section. The touring ensemble won a nomination for Best International Group of the year from the Canadian Smooth Jazz Awards. In 2012 his touring and teaching took him to England, Norway, Denmark, Sweden, Holland, Italy, Australia and Tahiti.

Francesco Buzzurro's lifelong privileged connection with guitar started at the tender age of six when his father gave him his first guitar, which will then lead him to study classical guitar. After earning his Diploma at "Conservatorio Bellini" in Palermo, he continues education with courses held by Aldo Minella and Oscar Ghiglia. He perfected himself at the "Arts Academy" in Rome under the guidance of Stefano Palamidessi and some big concert performers like David Russell, Alberto Ponce, Hopkinson Smith and John Duarte. After taking his Degree in Foreign Languages and Literatures, he started an intense concert activity that brought him to travel all over the world: from America, to Greece, to Germany, to Spain and Turkey. As a classical guitarist he won three national concerts: the "Citta di Alassio", the "Benedetto Albanese" in Caccamo, Sicily, and the "Savona in Musica". On top of his studies of classical music and of his passion for folk music, he soon develops an interest in jazz music, which bring him to graduate in Jazz Music with Honorable Mention. https://www.cduniverse.com/productinfo.asp?pid=11040067&style=music

One Word, Two Guitars

Tuesday, March 7, 2017

Richard Elliot - City Speak

Styles: Saxophone Jazz
Year: 1996
File: MP3@320K/s
Time: 52:58
Size: 125,2 MB
Art: Front

(4:29)  1. City Speak
(5:16)  2. Walk The Walk
(4:43)  3. Unspoken Words
(4:50)  4. Amazon
(4:28)  5. I'll Make Love To You
(4:29)  6. Scotland
(4:32)  7. Sweet Surrender
(4:30)  8. Down Hill Run
(5:50)  9. When The Lights Go Out
(5:11) 10. All I Need
(4:34) 11. That's All She Wrote

Although he's called a "smooth jazz" artist, saxophonist Richard Elliot is equally at home with most rock & roll and the kind of classic R&B performed by the group Tower of Power. For five years in the 1980s, he was a big part of the classic R&B band's horn-based sound. The Scottish-born Elliot was raised in Los Angeles, where he quickly became a fan of classic West Coast R&B. Elliot landed his first job while still a teenager with Natalie Cole and the Pointer Sisters. A few years later, he was tapped to record with some of his idols from Motown Records, which had relocated from Detroit to Los Angeles. In the 1970s, he had the chance to record with Smokey Robinson, the Four Tops, and the Temptations. Elliot was later tapped to record with the Yellowjackets on their second album. After touring with Melissa Manchester for a time, he was asked to become a full-fledged member of the Tower of Power horns in 1982. He stayed with the group until 1987 and looks back fondly on those years, since they shaped the style he has today. When he's not playing his over 100 dates a year, Elliot pilots a small aircraft; he was also a partner in PacificNet, an Internet multimedia company that developed websites for the music and entertainment industries. As a solo artist, Elliot debuted with his self-produced City Speak (1996), followed by After Dark (1994), On the Town (1991), Power of Suggestion (1988), Take to the Skies (1989), Trolltown (1986), What's Inside (1990), and Initial Approach (1987), all for Blue Note/Capitol Records. Two albums he had recorded for the now-defunct Enigma label were re-released on Capitol. His 1993 album, Soul Embrace, rocketed to the top of the Billboard contemporary jazz charts. Elliot's 1999 effort, Chill Factor, proved to be his final studio album for Blue Note. 

The label issued The Best of Richard Elliot in 2000. The following year he moved over to GRP, where he debuted with Crush. After a world tour in late 2001 and 2002, he returned with Ricochet in 2003. Produced by keyboardist Jeff Lorber, who also played on the date, the album also featured contributions from guitarist Jonathan Butler, keyboardist Rex Rideout, percussionist Lenny Castro, and others. After parting ways with GRP, Elliot founded ARTizen Music Group with trumpeter Rick Braun. His debut for the imprint was Metro Blue in 2005, which reached number two on Billboard's contemporary jazz chart. Its single, a cover of the Stylistics' "People Make the World Go Round," spent 11 weeks at number one on the Radio & Records airplay chart. Two years later, he and Braun collaborated again on RnR. The title track from the album spent over two months at number one on the smooth jazz chart. Elliot and Braun eventually sold their label to Artistry Music, which is distributed by Mack Avenue. The first album for Artistry was 2009's Rock Steady. Inspired by Elliot's love of R&B, the album featured both originals and covers, including readings of Aretha Franklin's title track and Curtis Mayfield's "Move on Up." Musicians Braun, Gerald Albright, and Lorber all made key contributions to the set. As with its two predecessors, Rock Steady charted, spending 40 weeks on Billboard's contemporary jazz chart. Elliot and Lorber teamed again to produce 2011's In the Zone, a collection of nine originals and a striking cover of Marvin Gaye's "Inner City Blues (Make Me Wanna Holler)." The album was released in mid-October and marked Elliot's 25th anniversary as a recording artist. 

He then joined saxophonists Dave Koz, Mindi Abair, and Albright for the all-star collaboration Summer Horns, which garnered a Grammy nomination for Best Instrumental Pop Album. Elliot returned to his own work in 2014 with Lip Service, his first album for the Heads Up/Concord Music Group. Inspired by his love for his wife, the album featured a mix of originals and covers, including reworkings of Brian McKnight's "Anytime," Bruno Mars' "When I Was Your Man," and a version of the Manhattans' "Shining Star" arranged by fellow Tower of Power alumnus trumpeter Greg Adams. In 2016, Elliot delivered his second album for Heads Up/Concord, the '70s funk and fusion-influenced Summer Madness. Produced by and featuring longtime creative partner Braun, the album also showcased contributions from saxophonist Curt Waylee, bassist Nathaniel Phillips, and others. Included on Summer Madness was a cover of Spyro Gyra's "Cachaca." ~ Richard Skelly & Thom Jurek https://itunes.apple.com/us/artist/richard-elliot/id409346#fullText

Personnel:  Bass – Naoki Yanai;  Drums, Percussion – Dave Reinhardt ;  Guitar – Richard Smith; Keyboards – Ron Reinhardt;  Percussion – Luis Conte;  Tenor Saxophone – Richard Elliot

City Speak

Friday, March 3, 2017

Richard Elliot - After Dark

Styles: Saxophone Jazz
Year: 1994
File: MP3@320K/s
Time: 64:35
Size: 148,9 MB
Art: Front

(4:37)  1. Street Beat
(3:07)  2. Song For Her
(4:59)  3. As I Sleep
(4:23)  4. After Dark
(5:13)  5. El Anio
(4:05)  6. Tonight
(5:28)  7. On The Run
(4:22)  8. If Tomorrow Never Comes
(4:34)  9. Hold Me Tight
(5:15) 10. Bridge Over Troubled Water
(5:03) 11. The Boys From The Bay
(4:39) 12. Candlelight
(3:55) 13. So Special
(4:49) 14. Slow It Down

Some might dub Richard Elliot the James Brown of contemporary jazz for the way his tenacious tenor exploded around some of the freshest R&B tinged hooks in the genre. After more than a handful of albums, the moniker still applies, though it is slightly maddening that he seems to best maintain his popularity by refusing to stretch beyond the simple energy that originally garnered it. After Dark is trademark Elliot a rich and urgent flow over essentially generic melodies and typical pop-jazz production. A pop cover here ("Bridge Over Troubled Water"), a vocal there. But where's the spark? He certainly teases us, slamming some horns, hip-hop and improv on the best cut, "The Boys From The Bay," and shifting gears towards the breezes of Latin America on "El Anio." A later house mix number ("So Special") perfectly captures the trend towards fusing traditions with boom box excitement. But between these gems is a sea of so-so material that, while certainly easy to listen to, once again fails to capture the fire of Elliot's explosive live shows. Then again, the feeling might be that it's worked well for seven albums, why mess with crowd pleasing success? ~ Jonathan Widran http://www.allmusic.com/album/after-dark-mw0000626518

Personnel: Richard Elliot (tenor saxophone); Richard Smith (guitar); Ron Reinhardt (keyboards); Dave Reinhardt (drums, percussion); Luis Conte (percussion).

After Dark

Saturday, July 25, 2015

Richard Smith - First Kiss

Bitrate: MP3@320K/s
Time: 43:21
Size: 99.3 MB
Styles: Guitar jazz, Smooth jazz
Year: 1997
Art: Front

[4:17] 1. First Kiss
[4:40] 2. Rhythm Method
[4:28] 3. Midnight Run
[5:51] 4. A Minor Love Affair
[4:52] 5. Never Too Much
[5:04] 6. Impulsive
[4:19] 7. Mission Of Love
[4:43] 8. Like A Dream
[5:03] 9. Put It Where You Want It

Richard Smith, guitars; Tim Redfield, keyboards & programming, Larry Antonino, bass; Special Guests: Richard Elliot, Peter White, Brandon Fields, Michael Lington, Tony Guererro, Greg Vale.Richard Smith’s debut released in 1997 on Heads Up International is an imaginative full-length music CD and multimedia CD-Rom with a video, artist profile, free internet access for 30 days and much more.

This innovative concept advances smooth jazz toward the next millennium with Richard Smith playing nine songs on acoustic and electric guitar. Smith produced a major technical accomplishment and wrote five of the compositions. The CD is a compliment to technology and to his special guests, Richard Elliot, Peter White, Brandon Fields and Tim Redfield. The title track “First Kiss,” reflects his passion and love for his wife as well as his work and provides the listener with an exciting blend of guitar and saxophone melodies. New Media and the Smooth Jazz genre continue to be the perfect coupling of jazz and state-of-the-art-technology on First Kiss. ~Paula Edelstein

First Kiss