Thursday, September 3, 2015

Various - Kenton Portraits: A Loving Salute (2-Disc Set)

The word breathtaking is over-used these days, so I must beg your indulgence as I use it to describe Kenton Portraits - A Loving Salute, which is indeed a loving and, yes, often breathtaking salute to one of the most admired and innovative bandleaders who ever lived, Stanley Newcomb Kenton. True, all of the material on the first disc in this two-disc set, and some on the second, has been released elsewhere, but hearing these splendid themes played consecutively on one marvelous anthology is simply—for lack of a better word—breathtaking. If you're an admirer of Kenton and his music, and this album doesn't move you to tears, perhaps nothing will.

Ten ensembles of various shapes and sizes are represented, all but two from North America. The exceptions are Kenton alumnus Bobby Lamb's Trinity Big Band from the UK and composer/pianist Francois Glorieux's Orchestra from Belgium. Even though Glorieux's three memorable tracks were included on his Tribute To Stan Kenton, that album isn't widely known or available, and they will be new to many listeners. Trinity's lone selection, "Stone Canyon, can be heard on its album Trinity Big Band Salute Stan Kenton, and on another of Tantara Productions' anthologies, Horns Of Plenty (Vol.3).

Four of the fourteen selections were recorded in concert, including the Chicago Metropolitan Jazz Orchestra's eloquent opener, "I Remember Stan. The composition is arguably one of the finest big band works ever written by Lennie Niehaus, who played saxophone and arranged for Kenton from 1951-52 and again from 1954-60. Other numbers recorded live are Bob Florence's expansive "Appearing In Cleveland, Herb Harrison's fast-moving "Bus To Nowhere and Bill Holman's "The Tall Guy." The first of these is from the Mike Vax Orchestra's album Next Stop, Live . . . On the Road, the second from Herb's Book by Vaughn Wiester's Famous Jazz Orchestra, and the last was recorded more than a dozen years ago by the Stan Kenton Alumni Band during a Bud Shank Jazz workshop in Port Townsend, WA. The soloists on that one include pianist Dave Barduhn, trumpeter Conte Candoli, soprano Bill Perkins and drummer Frank Capp.

The first disc closes with two dazzling selections by the U.S. Army Jazz Ambassadors: Hank Levy's lively swinger, "With The Old Man In Mind, and a medley of Kenton favorites smartly arranged by Ken McCoy, both of which are included on the AJA's The Legacy Of Stan Kenton. The second disc opens with a pair of gems by Galen Jeter and Dallas' Original Jazz Orchestra: the standard "My Foolish Heart (arranged Kenton-style by Dave Bowman) and another evocative composition by Niehaus, the buoyant "Tribute To Kenton. Trinity's picturesque "Stone Canyon, written and arranged by Lamb, uses French horns to good advantage, as do five other groups—the Glorieux, Wiester and Dallas orchestras, Kenton Alumni Band and Canadian Brass Jazz All-Stars, who close the second disc with Kenton alumnus Don Sebesky's powerful arrangement of Kenton's theme song, "Artistry In Rhythm.

Perhaps the most touching moments on the album are provided by the Paul Cacia Studio Orchestra's "Kenton In Portrait, wherein can be heard spoken tributes to Kenton by several of those who knew him best: Bob Gioga, Lee Konitz, Carl Fontana, Laurindo Almeida, Bob Cooper, Shorty Rogers, June Christy, Pete Rugolo, Milt Bernhart, Buddy Childers and Dick Shearer. The homage, we're told, was cobbled together in a hurry when a recording of Halls Of Brass (using classical musicians) proved unsatisfactory. Cacia and Rugolo fleshed out the idea in about four early-morning hours, Rugolo quickly wrote the chart, and the rest, as they say, is history. Cacia's closing remarks, preceding the wistful "Auld Lang Syne, were written by satirist Mort Sahl. Of course, there's no way to follow that except with "Artistry In Rhythm, which the Canadian Brass All-Stars perform brilliantly.

In seeking to describe accurately this remarkable series of tributes to the incomparable Stan Kenton, I can think of no better words than those used on the album's jacket: "A vivid canvas that captures the elegance, power, color, drama, thrill and awesome beauty of [Kenton's] orchestras. That about sums it up, but I would add one more word. It really is...breathtaking. ~Jack Bowers

Album: Kenton Portraits: A Loving Salute (Disc 1)
Bitrate: MP3@320K/s
Time: 63:36
Size: 145.6 MB
Styles: Big band
Year: 2006
Art: Front

[ 6:18] 1. Chicago Metropolitan Jazz Orchestra - I Remember Stan
[14:22] 2. Mike Vax - Appearing In Cleveland
[ 2:47] 3. Francois Glorieux Orchestra - Artistry In Trombones
[10:15] 4. Francois Glorieux Orchestra - Tribute To Stan Kenton
[ 5:30] 5. Francois Glorieux Orchestra - In Memoriam Stan Kenton
[ 7:09] 6. Vaughn Wiester Famous Jazz Orchestra - Bus To Nowhere
[ 8:38] 7. U.S. Army Jazz Ambassadors - With The Old Man In Mind
[ 8:35] 8. U.S. Army Jazz Ambassadors - Stan Kenton Medley

Kenton Portraits: A Loving Salute (Disc 1)

Album: Kenton Portraits: A Loving Salute (Disc 2)
Bitrate: MP3@320K/s
Time: 56:53
Size: 130.2 MB
Styles: Big band
Year: 2006
Art: Front

[ 5:09] 1. Dallas' Original Jazz Orchestra - My Foolish Heart
[ 5:39] 2. Dallas' Original Jazz Orchestra - Tribute To Kenton
[17:44] 3. The Stan Kenton Alumni Band - The Tall Guy
[ 9:09] 4. Trinity Big Band - Stone Canyon
[14:07] 5. Paul Cacia - Kenton Portrait Artistry In Rhythm Minor Riff Painted Rhythm Interlude
[ 5:03] 6. Canadian Brass - Artistry In Rhythm

Kenton Portraits: A Loving Salute (Disc 2)

Sammy Davis Jr. - Laughing Out Loud

Bitrate: MP3@320K/s
Time: 75:05
Size: 171.9 MB
Styles: Vocal
Year: 2013
Art: Front

[2:14] 1. Easy To Love
[2:21] 2. I'm Sorry Dear
[3:16] 3. That Old Black Magic
[2:55] 4. My Funny Valentine
[3:16] 5. Frankie And Johnny
[2:17] 6. Too Close For Comfort
[3:20] 7. Hey Won't You Play (Another Somebody Done Somebody Wrong Song)
[2:37] 8. Hey There
[2:52] 9. Glad To Be Unhappy
[2:00] 10. Lonesome Road
[2:41] 11. And This Is My Beloved
[3:11] 12. You're Gonna Love Yourself (In The Morning)
[2:41] 13. All Of You
[2:44] 14. Spoken For
[2:56] 15. Love Me Or Leave Me
[3:13] 16. We Could Have Been The Closest Of Friends
[2:44] 17. Be Bop The Beguine
[2:21] 18. Got A Great Big Shovel
[2:21] 19. Oh, Lonesome Me
[2:40] 20. September Song
[3:00] 21. Smoke! Smoke! Smoke! (That Cigarette)
[2:44] 22. What I've Got In Mind
[2:03] 23. Something's Gotta Give
[3:15] 24. Birth Of The Blues
[2:41] 25. The River's Too Wide
[3:06] 26. What Can I Do
[3:23] 27. Please Don't Tell Me How The Story Ends

Sammy Davis Jr. was an actor, comedian, singer and dancer, and part of the Rat Pack with Frank Sinatra and Dean Martin, with whom he starred in several films.

Born on December 8, 1925, in New York City, Sammy Davis Jr. overcame prevailing racism to become an entertaining legend. He was a successful comedian, actor, dancer and singer. As part of the Rat Pack, with Frank Sinatra and Dean Martin, Davis was known for his films and his partying ways. As his fame grew, his refusal to appear in any clubs that practiced racial segregation led to the integration of several venues in Miami Beach and Las Vegas. Davis died of throat cancer on May 16, 1990.

Laughing Out Loud

Junior Mance - I Believe To My Soul

Bitrate: MP3@320K/s
Time: 36:45
Size: 84.1 MB
Styles: Soul-jazz
Year: 1966/2005
Art: Front

[3:09] 1. I Believe To My Soul
[5:03] 2. A Time And A Place
[5:39] 3. Sweet Georgia Brown
[5:08] 4. Golden Spur
[5:03] 5. Don't Worry 'bout It
[3:47] 6. Home On The Range
[2:05] 7. Sweets For My Sweet
[6:47] 8. My Romance

Recorded in New York over three recording sessions from September of 1966 to August of 1967, the soul/blues-inflected pianist Junior Mance finds himself in a variety of instrumental combinations with a variety of musical stablemates. In the first he is in the company of top players, including David "Fathead" Newman, Frank Wess, Joe Newman, Haywood Henry, and Hubert Laws. This larger group is responsible for three of the tracks. Then Mance steps back into a trio mode with Richard Davis and Freddie Waits on bass and drums, respectively. They also do two tracks, including one of the more impressive ones on the album, an Erroll Garner-like "My Romance." This same group gets together once again, but backed by strings, for a different arrangement of "Home on the Range." Mance also combines with Bob Cunningham and Alan Dawson for two tracks. Vocalist Sylvia Shemwell joins in on the title tune, "I Believe to My Soul." Regardless of the setting and the company, Mance's piano dominates with its immediately recognizable rhythmically discerning style, which was strictly Mance's pianistic domain. Even on the Latin-cadenced "Sweets for My Sweet" with Ray Barretto doing his conga thing, Mance never ventures far from that jazzy soulfulness which characterized his playing. This is a good representative recording by an artist who was never able to raise himself to the top tier of jazz pianists. This album has been reissued on CD by the Collectables label in combination with Mance's Harlem Lullaby. ~Dave Nathan

I Believe To My Soul

Laura Theodore - Tonight's The Night

Styles: Vocal Jazz
Year: 1994
File: MP3@320K/s
Time: 29:35
Size: 68,0 MB
Art: Front

(4:49)  1. Better Days
(5:36)  2. I'll Never Get Over You
(4:09)  3. Tonight's the Night
(5:10)  4. Shooby Do
(5:34)  5. Where Did the Love Go?
(4:15)  6. You Got the Love

Laura Theodore's debut CD was co-written with jazz pianist Don Rebic, and features Big Band charts arranged by Alan Foust. This recording contains six originals and three cover tunes, and features some of New York’s finest musicians, including Randy Brecker on trumpet, Joe Beck on guitar, Chip Jackson on bass, Michael Berkowitz on drums, Andy Snitzer and Lou Marini on sax.

"I am so proud to finally be releasing "Tonight's the Night," on CD Baby. This CD has to be my favorite over all because it is an extension of me, my life, and my music in all forms. It started one spring afternoon when I got a call from my musical director and long time friend Don Rebic: “I was thinking”he hesitated “let’s write and produce our own jazz record. Let’s record our own music, the music we enjoy playing.” Thus, Tonight’s the Night was born. For the following year we wrote, recorded, edited, wrote again, mixed, recorded, edited again, recorded again, mastered, and finally finished our “labor of love” project. I am so grateful to Don, Alan Foust, and all of the incredible, virtuoso musicians who lent their talents to this recording to make it so special. The lyrics come from the bottom of my heart, and the music speaks my story." ~ Laura Theodore

"Laura Theodore’s powerful voice is lined with velvet and versatility. The New Yorker’s fantastic four-octave range is showcased on six originals co-written with polished pianist Don Rebic." ~ Patricia Myers, Jazz Times

"For the last few weeks I have had the pleasure of playing Laura Theodore - Tonight's The Night  on my radio show, ‘Nite Owl Jazz,’ WWCD-101-FM, Columbus, Ohio. Listener response has been terrific and I’ll be using many tracks from the CD for months to come. She is the most dynamic, exciting, and versatile singer I’ve heard in a long time and I’ve been a professional DJ since 1959. Voice, feeling, style, drama she has it all. Count me in as one of her most enthusiastic fans." ~ Fritz the Nite Owl, Smooth Jazz Radio, Columbus, Ohio

"Tonight’s the Night (digital version) is co-written by Laura Theodore and keyboard player Don Rebic. The Theodore-Rebic compositions include “I’ll Never Get Over You,” a smoky torch song that shows off Theodore’s range and versatility, with notes dipping to throaty growls, then climbing to Sarah Vaughan-like soprano." ~ Dianne Zuckerman, Denver Daily Camera http://www.cdbaby.com/cd/theodore3

Personnel: Laura Theodore (vocals); Don Rebic (piano, synthesizer); Andy Snitzer (alto saxophone); Lou Marini (tenor saxophone); Bob Milikan, Randy Brecker (trumpet); Jim Pugh (trombone); Alan Faust (synthesizer); Joe Beck (guitar); Chip Jackson (bass); Michael Berkowitz, Graham Hawthorne (drums); Sue Evans (percussion); Norma Garbo, Maria Bartolotta (background vocals).

Tonight's The Night

Peter Fesperanto Fessler - Lovers, Fools And Dreams

Styles: Vocal
Year: 2004
File: MP3@320K/s
Time: 48:25
Size: 111,0 MB
Art: Front

(3:25)  1. If You Never Come To Me
(5:02)  2. Strangers In The Night
(4:07)  3. Blue Moon
(4:56)  4. Memories of Moments
(5:21)  5. Hello
(4:15)  6. Smoke Gets In Your Eyes
(4:13)  7. Agua De Beber
(4:51)  8. I Remember You
(4:10)  9. My Romance
(4:35) 10. Poinciana
(3:25) 11. I Wish You Love

Born in Cologne, Germany, and at the age of twelve, he began studying jazz guitar with his supporter and mentor Rick Abao. At the age of 20 he crossed the Atlantic for the first time, embarking on a musical journey that would take him into the world of sessions. Upon his return to Europe, Fessler began a concentrated shortstudy of jazz vocal technique at the renowned Cologne Music Conservatory. Soon after, Fessler became the front man and voice of the succesfull TRIO RIO - group (New York-Rio-Tokyo). Since his return to Europe he has continued to tour, performing live on the concert stage and logging numerous television and radio productions along the way. Fessler's voice can be heard by children all over Germany in the title role of the Walt Disney film "Aladdin", the German version. Following the release of his recording "Don't Tell Me", Fessler dedicated his next album-recordings to jazz and latin-jazz repertoire while simultaneously exploring the territory covered by his own compositions. Since his spectacular duet performance with Al Jarreau at the Montreux Jazz Festival, Peter Fessler has been considered the premiere jazz voice of Germany.

Randy Crawford, Bobby Mc Ferrin, Toots Thielemanns, and many other stars also recognize his unique talent and singular ability. As one of the next generation's jazz stars, he has earned his place on the international stage untill today. Fessler's recent recording and his performance as a "solophonic" musician is a breathtaking fusion of voice and classical guitar. He has found the perfect sound asthetic: High emotional, fascinating and virtuoso.

It all started for German-Canadian Peter Fessler in 1987 with the Top 10 hit "New York, Rio, Tokyo" and the band Trio Rio. Even then many of his breezy pop miniatures bore the influence of Bossa Nova legend Antonio Carlos Jobim. Today Fessler is regarded without a doubt as the most competent interpreter of modern Brazilian sounds in our European climes. A relocation to San Francisco made a decisive mark on him, promptly expressed in songs with a quintessential California "easy feeling".These years of artistic self-searching in the realms of Latin pop, jazz standards, Bach vocalizing or just the barest guitar accompanying his song miniatures have made him a sound to be reckoned with. Nowadays making his home near Cologne, Germany, the inimitably personal style of multi-voice FESSLER is ranked as the European counterpart to such grand masters as Jon Hendricks, Al Jarreau or Bobby McFerrin. Bio ~ http://www.mymusicbase.ru/PPB/ppb35/Bio_3548.htm

Lovers, Fools And Dreams

Randy Brecker - Hangin' In The City

Styles: Trumpet Jazz
Year: 2001
File: MP3@320K/s
Time: 61:46
Size: 141,9 MB
Art: Front

(5:07)  1. Overture
(4:26)  2. Wayne Out
(5:43)  3. Hangin' in the City
(7:18)  4. I Talk to the Trees
(4:38)  5. Down For the Count
(7:09)  6. Pastoral (to Jaco)
(5:25)  7. Then I Came 2 My Senses
(5:21)  8. Seattle
(4:56)  9. Never Tell Her U Love Her (Less She's 3000 Miles Away)
(5:55) 10. I Been Through This Before
(5:43) 11. One Thing Led to Another

This album is not at all representative of Randy Brecker's "normal" output as a jazz trumpeter. Subtitled "Songs of Rhyme, Reason, Romance & Raunch," it marks the debut of "Randroid," a sort of alter-ego fashioned from a nickname given to Brecker some years before by alto saxophonist Gary Bartz. Taking on this shady, decadent persona, Brecker sings and raps about sexual exploits, partying, and other aspects of the musician lifestyle. Musically, the result is somewhere between Frank Zappa and Donald Fagen. Lyrically, it's really kind of bizarre, at times downright embarrassing. But once you get over the shock, you find that the tracks are actually pretty hip. Producer George Whitty handles keyboards and drum programming throughout, giving the disc a contemporary urban funk feel.

Brecker blows a mean trumpet and flügelhorn and is joined by brother Michael Brecker on tenor sax, bassists Chris Minh Doky, Richard Bona, and Will Lee, guitarists Adam Rogers, Dean Brown, and Hiram Bullock, and more. Four of the 11 tracks are instrumental. The cheesy sexual double entendre of "Then I Came 2 My Senses" and the Lolita fantasy of "One Thing Led to Another" are pretty near unforgivable, but the hip beats, involved harmonies, and searing Adam Rogers guitar solos on "Wayne Out" and "Seattle" are redeeming. George Whitty's Rhodes solo on "Never Tell Her You Love Her ('Less She's 3000 Miles Away)" is also one of the hotter moments. ~ David R.Adler http://www.allmusic.com/album/hanging-in-the-city-mw0000006440

Personnel: Trumpet/Flugelhorn & Pre-Production Programming by Randy Becker; all lead vocals by Randroid. Randy Brecker: trumpet, flugelhorn; Michael Brecker: tenor saxophone; George Whitty: keyboards and programming; Hiram Bullock: guitar, background vocals; Adam Rogers: guitar; Dean Brown: guitar; Joe Caro: guitar; Chris Minh Doky: acoustic and electric bass; Will Lee: electric bass, background vocals; Richard Bona: electric bass; Joe Locke: vibraphone; Don Alias: percussion; Mike Harvey: background vocals; Katreese Barnes: background vocals; and Randroid!

Hangin' In The City

Cornell Dupree - Mr 2500 - Live at Birdland

Styles: Guitar Jazz
Year: 2003
File: MP3@256K/s
Time: 75:34
Size: 138,8 MB
Art: Front

( 8:07)  1. Them Changes
(17:00)  2. The Ghetto
( 6:43)  3. Pick Up the Pieces
(11:00)  4. What's Going On?
( 7:25)  5. Something
( 6:29)  6. Bass Instinct
( 6:32)  7. Spirit in the Dark
( 5:52)  8. Memphis Soul Stew
( 6:21)  9. Watching the River Flow

A veteran of over 2,500 recording sessions, guitarist Cornell Dupree worked most prolifically in R&B and blues, but he was equally at home in jazz, particularly funky fusion and soul-jazz. Dupree was born in Fort Worth, TX, in 1942, and by the age of 20 was playing in King Curtis' R&B group. He became a session musician soon after, playing on Brook Benton's "Rainy Night in Georgia," as well as records by stars like Lou Rawls, Paul Simon, Barbra Streisand, Harry Belafonte, Lena Horne, Roberta Flack, Joe Cocker, Michael Bolton, Mariah Carey, and countless others. 

Dupree was also a member of Aretha Franklin's touring band from 1967-1976, and during that time also became a presence on many jazz-funk recordings, the sort that would find favor with rare groove and acid jazz fans in the years to come. Dupree's first jazz session as a leader was 1974's Teasin', which was followed by Saturday Night Fever in 1977, and Shadow Dancing in 1978. During the same period, Dupree was a member of the studio-musician fusion supergroup Stuff, which signed with Warner Bros. in 1975 and recorded four albums. 

They also reunited periodically in the '80s and spawned a mid-'80s spin-off group called the Gadd Gang, which Dupree also belonged to. Some of Dupree's most rewarding jazz albums came in the late '80s and early '90s; 1988's Coast to Coast was nominated for a Grammy, and funky sessions like 1991's Can't Get Through, 1992's live Uncle Funky, and 1993's Child's Play received positive reviews. 1994's Bop 'n' Blues was his most straight-ahead jazz album, also ranking as one of his best. Bio ~ Steve Huey  http://www.allmusic.com/artist/cornell-dupree-mn0000118597/biography

Live at Birdland

Mike Mainieri - Wanderlust

Styles: Vibraphone Jazz
Year: 1992
File: MP3@320K/s
Time: 48:52
Size: 112,5 MB
Art: Front

(4:47)  1. Bullet Train
(8:20)  2. Bamboo
(4:32)  3. Flying Colours
(7:59)  4. L' Image
(5:50)  5. Pep's
(6:38)  6. Crossed Wires
(7:31)  7. Sara's Touch
(3:11)  8. Wanderlust

A real killer from vibesman Mike Mainieri a set that's got a darker edge than some of his previous work, while still hanging onto all the warm touches of his own instrument in the lead! Backings are full, but never uptight and there's a loosness to the record that really works well with the vibes an electric mode that's warm and often a bit spontaneous – served up with help from Warren Bernhardt and Don Grolnick on keyboards, Jeremy Steig on flute, and Kazuo Watanabe on guitar! Tunes are pretty darn fresh some really inventive writing that pushes the edges, but not in a jamming fusion way and titles include "Crossed Wires", "Bullet Train", "L'Image", "Flying Colours", "Wanderlust", and "Bamboo". https://www.dustygroove.com/item/766346

Personnel: Mike Mainieri (vibraphone, marimba, percussion); Kazumi Watanabe, Steve Khan (guitar); Manolo Badrena (berimbau, percussion); Jeremy Steig (flute); Michael Brecker (saxophone, soprano saxophone, tenor saxophone, trumpet); Randy Brecker (trumpet); Warren Bernhardt (piano, synthesizer); Don Grolnick (keyboards); Ed Walsh (synthesizer); Peter Erskine (drums); Roger Squitero, Sammy Figueroa (percussion).

Wanderlust

Richard 'Groove' Holmes - Comin' On Home

Styles: Soul Jazz, Jazz Funk
Year: 2002
File: MP3@320K/s
Time: 35:35
Size: 81,7 MB
Art: Front

(4:09)  1. Groovin' For Mr. G
(3:34)  2. Theme From "Love Story"
(5:00)  3. Mr. Clean
(5:17)  4. Down Home Funk
(6:42)  5. Don't Mess With Me
(5:45)  6. Wave
(5:04)  7. This Here

Revered in soul-jazz circles, Richard "Groove" Holmes was an unapologetically swinging Jimmy Smith admirer who could effortlessly move from the grittiest of blues to the most sentimental of ballads. Holmes, a very accessible, straightforward and warm player who was especially popular in the black community, had been well respected on the Philadelphia/Southern New Jersey circuit by the time he signed with Pacific Jazz in the early '60s and started receiving national attention by recording with such greats as Ben Webster and Gene Ammons. Holmes, best known for his hit 1965 version of "Misty," engaged in some inspired organ battles with Jimmy McGriff in the early '70s before turning to electric keyboards and fusion-ish material a few years later. The organ was Holmes' priority in the mid- to late '80s, when he recorded for Muse (he also had stints throughout his career with Prestige Records and Groove Merchant) . Holmes was still delivering high-quality soul-jazz for Muse (often featuring tenor titan Houston Person) when a heart attack claimed his life at the age of 60 in 1991 after a long struggle with prostrate cancer. He was a musician to the end, playing his last shows in a wheelchair. ~ Alex Henderson & Steve Leggett https://itunes.apple.com/gb/artist/richard-groove-holmes/id65745449#fullText

Personnel:  Bass [Electric] – Jerry Jemmott;  Congas – Ray Armando;  Drums – Darryh Washington;  Electric Piano – Weldon Irvine;  Guitar – Gerald Hubbard;  Organ – Richard Groove Holmes

Comin' On Home