Thursday, July 26, 2018

Eric Le Lann - New York

Styles: Trumpet Jazz
Year: 1989
File: MP3@320K/s
Time: 57:43
Size: 133,1 MB
Art: Front

(7:33)  1. Sandra
(7:25)  2. 14 Rue Hegesippe Moreau
(4:45)  3. Tgv
(5:49)  4. Sans Lendemain
(6:06)  5. Viva
(5:11)  6. Taormina
(8:49)  7. Stomelen in Blue
(5:26)  8. Blue in Green
(6:35)  9. Viva (Alternate)

Éric Le Lann (born 1957 in Brittany) is a French jazz trumpeter. He moved to Paris in 1977 where he had his professional debut and gained notice in 1980. He has worked with Aldo Romano, Henri Salvador, and others. He also did music for films including those of Bertrand Tavernier. In 2005 he and guitarist Jean-Marie Ecay did an album in tribute to Antonio Carlos Jobim. https://en.wikipedia.org/wiki/%C3%89ric_Le_Lann

Personnel:  Eric Le Lann (trumpet), Mino Cinelu (percussions), Eddie Gomez (bass), Paco Sery (drums), Mike Stern (guitar)

New York

Teddy Edwards - Sunset Eyes

Styles: Saxophone Jazz
Year: 1959
File: MP3@320K/s
Time: 46:46
Size: 107,4 MB
Art: Front

(4:46)  1. Tempo de Blues
(7:12)  2. Vintage '57
(3:32)  3. I Hear a Rhapsody
(3:06)  4. Up in Teddy's New Flat
(5:27)  5. Sunset Eyes
(6:11)  6. Teddy's Tune
(6:32)  7. Takin' Off
(2:16)  8. The New Symphony Sid
(5:11)  9. My Kinda Blues
(2:28) 10. Takin' Off (first version)

Teddy Edwards, who took part in classic tenor battles with Dexter Gordon and Wardell Gray in Los Angeles during the mid- to late '40s, remained a major tenorman for more than half a century. However, his decision to live in L.A. resulted in him being greatly underrated through the years. Fortunately, the superior hard bop tenor (who showed that there was more than just cool jazz being played on the West Coast in the 1950s) recorded on a fairly frequent basis throughout his career. This set features music from 1959-1960 with Edwards joined by either Amos Trice, Joe Castro or Ronnie Ball on piano, Leroy Vinnegar or Ben Tucker on bass, and Billy Higgins or Al Levitt on drums. Edwards, an underrated composer, performs six of his originals (including his most famous composition, "Sunset Eyes," and two versions of "Takin' Off"), Vinnegar's "Vintage '57," and a pair of standards. Although there are short solos for Castro and Vinnegar, the focus throughout is on the leader's distinctive and likable tenor. Since the great Teddy Edwards never recorded an uninspiring record, this date is easily recommended to fans of straight-ahead jazz. ~ Scott Yanow https://www.allmusic.com/album/sunset-eyes-mw0000599920

Personnel:  Teddy Edwards - tenor saxophone;  Ronnie Ball, Joe Castro , Amos Trice - piano;  Leroy Vinnegar, Ben Tucker  - bass;  Billy Higgins, Al Levitt - drums

Sunset Eyes

Bob Mintzer Big Band - Gently

Styles: Saxophone And Flute Jazz
Year: 2002
File: MP3@320K/s
Time: 57:26
Size: 135,2 MB
Art: Front

( 6:39)  1. Gently
( 7:20)  2. Timeless
( 5:26)  3. Original People
(11:48)  4. Body And Soul
( 8:10)  5. Who's Walkin' Who?
( 6:37)  6. Don't Ever Leave Me
( 7:01)  7. Bright Lights
( 4:22)  8. Saxophone Quartet #2

Bob Mintzer, who is known to favor fiery Latin rhythms and big-band charts with an abundance of punch and power, has a softer side too, one that is laid bare on this understated but no less invigorating new release, his fourteenth (or fifteenth? I've lost count) on the dmp label. 'I think I've... reached a point,' Mintzer writes, 'where I can appreciate the subtlety factor in music and in life, where I would just as soon be gently caressed rather than smacked with a large stick.' With that in mind, Mintzer says, he designed his latest album as 'a gentle approach to big-band instrumentation, using clarinets and flutes in place of saxophones; muted brass; the addition of French horns on two numbers, and writing for the band in a range and style [that] projects a soothing, warm sound.' The climate is especially sultry on Mintzer's ballad feature, Johnny Green's 'Body and Soul,' which he calls 'every tenor's measuring stick' (except for Pavarotti, Domingo and Carreras, of course), while the reed section (deftly backed by drummer Peter Erskine's improvised counterpoint) is front and center on the gossamer 'Saxophone Quartet #2' (middle movement), written for Miles Osland's talented undergrads at the University of Kentucky. Less heated tempos, however, don't necessarily denote an absence of warmth; Mintzer's concept, gentle as it is, can still stir one's blood, thanks to his seductive charts, shapely solos by such old hands as trumpeter Scott Wendholt and Michael Phillip Mossman, alto saxophonists Pete Yellin and Charles Pillow, soprano Lawrence Feldman, tenor Bob Malach, baritone Roger Rosenberg, trombonists Larry Farrell and Keith O'Quinn, pianist Phil Markowitz and bassist Jay Anderson, and unremitting support from the ever-reliable Erskine. 'Timeless' unveils a bossa-style Brazilian fa'ade, while 'Who's Walkin' Who' (inspired by Mintzer's labrador retrievers, Davis and Yosemity) is a softly ambling blues and 'Bright Lights,' written in '92 for his small group, the Yellowjackets, a funky shuffle that opens calmly and builds to a less-than-muted climax. "This one was hard to play soft,' Mintzer writes, 'but I think we got it.' They did. 'Gently,' inspired by Gil Evans, is an unassuming 4 / 4 swinger (with more perceptive work by Erskine) that uses woodwinds and cup-muted brass to state its theme, Thad Jones' 'Don't Ever Leave Me' a winsome ballad that Mintzer says he's always wanted to record. Gently is a conspicuous change of pace for the usually upbeat Mintzer, but one that underlines his structural resourcefulness and never fails to please. Easily recommended. ~ Jack Bowers https://www.allaboutjazz.com/gently-bob-mintzer-dmp-records-review-by-jack-bowers.php

Personnel: Bob Mintzer, tenor sax, flute, leader; Lawrence Feldman, Charles Pillow, alto sax, flute; Pete Yellin, alto sax; Bob Malach, tenor sax, flute; Roger Rosenberg, baritone sax, clarinet; Bob Millikan, Frank Greene, Michael Phillip Mossman, Scott Wendholt, Jim Seeley, trumpet, flugelhorn; Keith O'Quinn, Michael Davis, Larry Farrell, trombone; David Taylor, bass trombone; John Clark, Fred Griffin, French horn; Phil Markowitz, piano; Jay Anderson, bass; Peter Erskine, drums.

Gently

Jane McDonald - Cruising With Jane McDonald

Styles: Vocal
Year: 2018
File: MP3@320K/s
Time: 49:55
Size: 116,3 MB
Art: Front

(3:38)  1. Club Tropicana
(4:16)  2. Caledonia
(4:24)  3. Vienna
(3:41)  4. Let It Go
(3:56)  5. The Winner Takes It All
(3:44)  6. Cuba
(2:32)  7. Mambo Italiano
(3:59)  8. Lost In France
(3:45)  9. It's Oh So Quiet
(5:37) 10. (Something Inside) So Strong
(2:42) 11. California Dreamin'
(4:27) 12. Proud Mary
(3:07) 13. Step Back In Time

One of the U.K.'s first successful reality TV recording artists, cabaret singer Jane McDonald became an overnight sensation after appearing in BBC docu-soap The Cruise. Born in Wakefield in 1963, McDonald started her singing career performing at various workingmen's clubs across the North of England, employing her father as her roadie. After working as an entertainer on several cruise ships, she retired from the business for nine months until a call from her agent persuaded her to take up one final job, a residency on The Galaxy. Coincidentally, the BBC was filming a fly-on-the-wall documentary about the day-to-day running of the cruise liner and asked McDonald if she would like to appear. Thanks to her down to earth nature and Northern sense of humor, she became the show's biggest star, and following its huge ratings success, she was signed to Focus Records. In 1998, her self-titled debut album reached number one in the U.K. charts, where it stayed for three weeks; she performed a sold-out show at the London Palladium, and her televised marriage to Henrik Brixen attracted 14 million viewers. In 2000, she returned with second album Inspiration (number six) and became a TV presenter for the BBC, fronting both The National Lottery and Star for a Night, a talent show which helped launch Joss Stone. A year later, her third album, Love at the Movies, reached number 24 and she appeared in the West End production of Romeo and Juliet: The Musical. In 2005, she released her fourth album, You Belong to Me (number 21) and became a regular panelist on ITV chat show Loose Women. In 2008, following an appearance on a program revisiting the stars of The Cruise, her fifth studio album, Jane, saw her return to the Top Ten for the first time in eight years and she embarked on a sold-out theater tour across the U.K. In 2014, she released the album Singer of Your Song, and the same year embarked on a tour in support of the album. Two years later the singer launched the Making Memories tour, and the popularity of the performance extended the show's run into 2017. That same year, McDonald released her seventh album. Hold the Covers Back featured original material, and a guest spot from Spandau Ballet's Tony Hadley. ~ Jon O'Brien https://itunes.apple.com/gb/album/cruising-with-jane-mcdonald/1387824485

Thank You Dave! 

Cruising With Jane McDonald