Tuesday, December 29, 2015

The World's Greatest JazzBand Of Yank Lawson & Bob Haggart - What's New

Bitrate: MP3@320K/s
Time: 40:06
Size: 91.8 MB
Styles: Dixieland
Year: 1970/2007
Art: Front

[4:37] 1. Bourbon Street Parade
[3:17] 2. Smile
[2:58] 3. The Eel
[3:28] 4. What's New
[3:17] 5. Mercy, Mercy, Mercy
[3:24] 6. Root Dog
[3:51] 7. Walk Him Up The Stairs
[3:19] 8. Girl On The Beach
[4:25] 9. Dogtown Blues
[4:09] 10. Doodle Doo Doo
[3:17] 11. My Inspiration

This is one of the World's Greatest Jazz Band's better studio albums. The repertoire has standbys ("Bourbon Street Parade," "The Eel" and "What's New"), "Mercy Mercy Mercy" and some newer and lesser-known material. The all-star lineup (trumpeters Yank Lawson and Billy Butterfield, trombonists Vic Dickenson and Eddie Hubble, tenor saxophonist Bud Freeman, Bob Wilber on clarinet and soprano, pianist Ralph Sutton, bassist Bob Haggart and drummer Gus Johnson) is particularly strong and most of the players get features. Best are a Lawson-Haggart duet on "Smile," Freeman's "The Eel" and Butterfield's warm sound and lyrical style on "What's New." ~Scott Yanow

What's New

Earth, Wind & Fire - Greatest Hits

Bitrate: MP3@320K/s
Time: 70:27
Size: 161.3 MB
Styles: R&B
Year: 1998
Art: Front

[2:50] 1. Shining Star
[5:43] 2. That's The Way Of The World
[3:34] 3. September
[4:06] 4. Angie
[4:09] 5. Shining Star
[3:22] 6. Sing A Song
[3:27] 7. Gratitude
[3:50] 8. Serpentine Fire
[4:36] 9. Angie
[4:00] 10. Kalimba Story
[3:03] 11. Mighty Mighty
[4:57] 12. Reasons
[4:02] 13. Saturday Nite
[5:35] 14. Let's Groove
[4:48] 15. Boogie Wonderland
[4:24] 16. After The Love Has Gone
[3:55] 17. Getaway

For the first time ever-all of their biggest hits on a single CD! Seven of these are #1 R&B hits: Let's Groove; Serpentine Fire; Sing a Song; Getaway; Shining Star; September , and Got to Get You into My Life . Their best ballads, grooves, pop and R&B hits-17 EWF essentials in all, newly remastered to sound better than ever!

It's the most complete single-disc collection of EWF chart rockers, and Greatest Hits' splendid remastering makes one of the major exponents of '70s funk positivity sound sparkling. From the driving "Shining Star" to the syncopated mastery of "September" and "Boogie Wonderland" to the slow-jam heaven of "After the Love Is Gone," this is a reminder of what made the group so special. ~Rickey Wright

Greatest Hits

June Christy - The Misty Miss Christy

Bitrate: MP3@320K/s
Time: 37:16
Size: 85.3 MB
Styles: Vocal jazz
Year: 1956/1982/1992
Art: Front

[3:17] 1. That's All
[2:49] 2. I Didn't Know About You
[2:55] 3. Day Dream
[2:12] 4. Sing Something Simple
[2:47] 5. Maybe You'll Be There
[1:33] 6. Dearly Beloved
[3:54] 7. 'round Midnight
[2:20] 8. A Lovely Way To Spend An Evening
[3:44] 9. The Wind
[2:00] 10. This Year's Kisses
[2:46] 11. For All We Know
[2:08] 12. There's No You
[2:26] 13. You Took Advantage Of Me
[2:18] 14. Intrigue

Using Anita Day as starting point -- but eschewing many of her scat-song histrionics in favor of pure tonal power and melancholic shading -- June Christy honed her singing skills with Stan Kenton's band before going solo in the '50s. Christy's relatively accessible vocal approach and blonde good looks eventually helped her gain success with such classic long players as Something Cool and The Misty Miss Christy. Less swinging than Something Cool, The Misty Miss Christy mostly stays on auto-stroll with a wealth of subtle and sophisticated orchestral charts. The jazz-pop environs come courtesy of longtime arranger Pete Rugolo and optimally frame the singer on highlights like "That's All," "I Didn't Know About You," and "Dearly Beloved." With West Coast-style brass and reed accents gliding atop the lush strings, Christy also turns in fine renditions of Monk's "Round Midnight" and Russ Freeman's expressionistically torchy "The Wind." Balancing out the predominant autumnal lull, Christy shows her swinging savvy on breezy gems like "Sing Something Simple," "There's No You," and "A Lovely Way to Spend an Evening." Both an essential Christy title and one of the best vocal albums from the '50s. ~Stephen Cook

The Misty Miss Christy

Scott Hamilton Quintet - The Right Time

Styles: Saxophone Jazz
Year: 1986
File: MP3@320K/s
Time: 41:07
Size: 94,6 MB
Art: Front

(4:16)  1. Just in Time
(6:39)  2. If I Love Again
(4:13)  3. Sleep
(4:20)  4. Eventide
(4:44)  5. Dropsy
(7:00)  6. All Through the Night
(4:59)  7. Skylark
(4:55)  8. Stealing Port

The choice of some offbeat material uplifts this otherwise fairly typical offering by tenor saxophonist Scott Hamilton's mid-1980s quintet, a group also including pianist John Bunch, guitarist Chris Flory, bassist Phil Flanigan and drummer Chuck Riggs. "Sleep," "If I Love Again," Hoagy Carmichael's "Eventide" and even Cole Porter's "All Through the Night" are not performed all that often, and one does not mind hearing additional versions of "Just In Time" and "Skylark"; the date is rounded out by a pair of Hamilton's originals. Everyone swings as usual, and Hamilton (who has yet to make an inferior recording) is in fine form. ~ Scott Yanow  http://www.allmusic.com/album/the-right-time-mw0000196941

Personnel: Scott Hamilton (tenor saxophone); John Bunch (piano); Chris Flory (guitar); Phil Flanigan (bass); Chuck Riggs (drums).

The Right Time

Flip Phillips - Try A Little Tenderness

Styles: Clarinet And Saxophone Jazz
Year: 2002
File: MP3@320K/s
Time: 70:24
Size: 161,9 MB
Art: Front

(6:32)  1. Try A Little Tenderness
(6:10)  2. A Cottage For Sale
(5:59)  3. Violets For Your Furs
(6:27)  4. Im Glad There Is You
(5:39)  5. You Don't Know What Love Is
(6:15)  6. This Is All I Ask
(4:14)  7. Street Of Dreams
(4:30)  8. All The Way
(4:49)  9. Dream
(4:08) 10. What Are You Doing The Rest Of Your Life
(4:38) 11. As Time Goes By
(5:02) 12. Goodbye
(2:35) 13. Jazzspeak
(3:22) 14. If I Had A Penny

A bit of a disappointment, this date matches together veteran tenor saxophonist Flip Phillips with a fine rhythm section (pianist Dick Hyman, Howard Alden or Bucky Pizzarelli on guitar, bassist Bob Haggart and drummer Ronnie Traxler) and 13 strings. Phillips sings his own "If I Had a Penny" and doubles a bit on bass clarinet; he plays fine but mostly sticks close to the melodies. The lack of tempo or mood variation in Hyman's ballad arrangements makes this CD better heard in small doses rather than as a whole. The music is pleasing but sometimes bordering on sleepy. ~ Scott Yanow  http://www.allmusic.com/album/try-a-little-tenderness-mw0000100100

Personnel: Flip Phillips (vocals, bass clarinet, tenor saxophone); Howard Alden, Bucky Pizzarelli (guitar); Stan Kurtis, Anthony Posk, Yuval Waldman, Carmel Malin, Peter Dimitriades, Alvin Rogers , Anahid Ajemian, Regis Iandiorio (violin); Lamar Alsop, Julien Barber (viola); Jesse Levy, Charles McCracken (cello); Dick Hyman (piano); Ron Traxler (drums).

Try A Little Tenderness

Jo Stafford & Gordon MacRae - Golden Voices! Golden Memories!

Styles: Vocal
Year: 2001
File: MP3@320K/s
Time: 69:26
Size: 160,2 MB
Art: Front

(3:09)  1. Whispering Hope
(3:02)  2. No Other Love
(3:15)  3. Bluebird of Happiness
(2:26)  4. 'A' You're Adorable
(2:32)  5. Steppin' Out with My Baby
(2:14)  6. Bibbidi Bobbidi Boo
(2:11)  7. Where Are You Gonna Be When the Moon Shines
(3:16)  8. Our Very Own
(2:30)  9. Dearie
(3:11) 10. To Think You've Chosen Me
(2:28) 11. A Rosewood Spinet
(2:13) 12. Say Something Sweet to Your Sweetheart
(2:44) 13. Need You
(2:39) 14. Always True to You in My Fashion
(3:10) 15. I'll String Along with You
(2:29) 16. Down the Lane
(2:51) 17. The Little Old Church Near Leicester Square
(2:15) 18. Tea for Two
(2:58) 19. Neapolitan Nights
(2:58) 20. Why Can't You Behave
(3:16) 21. Girls Were Made to Take Care of Boys
(3:02) 22. Love's Old Sweet Song
(2:55) 23. Evelyn
(2:48) 24. Wunderbar
(2:43) 25. The Pagan Love Song

One of the most technically gifted and popular vocalists of the immediate postwar period, Jo Stafford effortlessly walked the line between breezy pop and the more serious art of post-big-band jazz singing. With the help of her husband, top-flight arranger and Capitol A&R director Paul Weston, Stafford recorded throughout the '40s and '50s for Capitol and Columbia. She also contributed (with Weston) to one of the best pop novelty acts of the period, a hilariously inept and off-key satire that saw the couple billed as Jonathan & Darlene Edwards.

Born near Fresno, CA, Stafford sang from an early age and was classically trained, though she later joined her sisters in a country-tinged act (associated for a time with Joe "Country" Washburne). At the age of just 17, she became the first female voice in the seven-man vocal act known as the Pied Pipers. Soon after the group joined the Tommy Dorsey Orchestra in 1939, however, it was pruned to a quartet (which also included Stafford's first husband, co-founder John Huddleston). The group appeared on several of the Dorsey band's hits of the early '40s, a few of which paired them with Frank Sinatra. Stafford gained her first solo spots on a pair of Dorsey band hits, "Yes, Indeed!" and "Manhattan Serenade." She finally left the Pied Pipers for a solo contract in 1944 (she was replaced by June Hutton), though the group provided backup for many of her initial solo hits.

Not only signed to Capitol but able to preview hit songs as the co-host of label founder Johnny Mercer's radio program, Stafford hit the charts with the mid-'40s songs "Long Ago (And Far Away)," "I Love You," and "Candy." The latter, a duet with Mercer and the Pied Pipers, became her first number one. In 1948, her duet with Gordon MacRae on "My Darling, My Darling" became her second. She later moved to Columbia and recorded the two biggest hits of her career, 1952's "You Belong to Me" and 1954's "Make Love to Me." Stafford gained her own television program during the mid-'50s, and also recorded the first LP by Jonathan & Darlene Edwards, American Popular Songs. (It wasn't the first time Stafford had used a pseudonym, however; in 1947, she billed herself as Cinderella G. Stump to record a cover of the cornpone single "Temptation [Tim-Tay-Shun].") Though she slipped from the charts in the late '50s and retired from performance, Stafford continued to record for many years and issued the LP Getting Sentimental Over Tommy Dorsey on Reprise in 1963. She also founded Corinthian Records, with Weston, to reissue the couple's various recordings. ~ John Bush  http://www.allmusic.com/artist/jo-stafford-mn0000112017/biography

With his handsome boy-next-door looks, deep baritone, and glorious smile, Gordon MacRae found success as a recording artist, film actor, and television and radio personality. He recorded for Capitol Records for more than two decades, and starred in two of the most popular musicals of the 1950s, the movie versions of Richard Rodgers' and Oscar Hammerstein's Oklahoma! and Carousel, both of which had appeared previously on Broadway. Beginning in 1947, MacRae's releases for Capitol were quite successful. Through 1954 he scored numerous hits, among them "Rambling Rose," "So in Love," "It's Magic," "I Still Get Jealous," "Hair of Gold, Eyes of Blue," and "At the Candlelight Café." Following an absence of four years from the charts, "The Secret" brought about his return.

MacRae's chart success was not limited to solo efforts. He also collaborated with Jo Stafford, who previously sang for Tommy Dorsey's outfit. MacRae and Stafford hit the top of U.S. charts with "My Darling, My Darling." The duo also released the singles "A  You're Adorable," "Say Something Sweet to Your Sweetheart," "Whispering Hope," "Bluebird of Happiness," "Dearie," and "Bibbidi-Bobbidi-Boo." MacRae also put out an album in collaboration with his first wife, Sheila MacRae, an actress and singer. The performer's full name at birth was Albert Gordon MacRae. Born in New Jersey, he grew up in Syracuse, NY. During his high school years he was a member of the drama club. In addition to singing, he also could hold his own on the saxophone, clarinet, and piano. During his late teens, a contest win took him to New York, where he performed for several weeks during the World's Fair. The engagement gave him the opportunity to sing with professionals such as Les Brown and Harry James. The following year, Horace Heidt hired MacRae as a vocalist for his band. The singer stayed with Heidt's outfit for a couple of years before enlisting in the armed forces, where he received training in navigation.

After his war service, MacRae debuted on Broadway, taking over for Tommy Arbuckle in Junior Miss. In 1946 he moved on to Three to Make Ready, Ray Bolger's Broadway revue. The production brought him to the attention of Capitol and led to his contract with the company. During the late '40s MacRae landed a starring role in the music-based program The Railroad Hour, where he remained through 1954 despite a change of networks. During this period Warner Brothers snapped him up for its motion pictures, giving MacRae a seven-year deal and launching him in The Big Punch. A number of movie roles followed, casting him opposite such actresses as Doris Day, June Haver, Shirley Jones, Jane Powell, and Kathryn Grayson. MacRae bowed out of the movies in the mid-'50s and concentrated on television work and live concerts. He hosted his own program, The Gordon MacRae Show, and frequently turned up on such popular television shows as The Colgate Comedy Hour. He began struggling with alcoholism by the end of the 1950s, but by the 1970s he claimed to have wrested control over the addiction. In 1982 MacRae was struck down by a stroke, but he endured until 1986, when he died of pneumonia. He also suffered from cancer. MacRae and his first wife divorced in 1967. The marriage produced four children, among them actresses Meredith MacRae and Heather MacRae. He wed Liz Schrafft in 1967, and the couple raised one child. ~ Linda Seida  http://www.allmusic.com/artist/gordon-macrae-mn0000018796/biography

Golden Voices! Golden Memories!

Jackie McLean - Right Now!

Styles: Saxophone Jazz
Year: 1965
File: MP3@320K/s
Time: 48:11
Size: 111,4 MB
Art: Front

( 6:08)  1. Eco
(10:12)  2. Poor Eric
(10:34)  3. Christel's Tune
( 9:29)  4. Right Now
(11:47)  5. Right Now (alt tk)

With the exception of a beautiful ballad version of Larry Willis' "Poor Eric," the music here (also available in Mosaic's four-disc Jackie McLean box set) is hard-charging, intense, and fairly free. The altoist was at the peak of his powers during this period and, inspired by the versatile rhythm section (pianist Larry Willis, bassist Bob Cranshaw, and drummer Clifford Jarvis), he plays explorative versions of his own "Eco," Willis' "Christel's Tune," and Charles Tolliver's "Right Now"; an alternate version of the latter is added on the reissue. This date offers a particularly strong example of McLean's unique inside/outside music of the 1960s. ~ Scott Yanow  http://www.allmusic.com/album/right-now!-mw0000675287

Personnel: Jackie McLean (alto saxophone); Larry Willis (piano); Bob Cranshaw (bass); Clifford Jarvis (drums).

Right Now!