Monday, October 21, 2024

Roy Eldridge - Happy Time

Styles: Swing
Year: 1975
Time: 48:36
File: MP3 @ 320K/s
Size: 112,5 MB
Art: Front

(4:20) 1. Sweethearts On Parade
(7:02) 2. Willow Weep For Me
(4:43) 3. Makin' Whoopee
(3:33) 4. Gee Baby Ain't I Good To You
(4:45) 5. All Of Me
(4:10) 6. I Want A Little Girl
(6:55) 7. On The Sunny Side Of The Street
(4:43) 8. I Can't Get Started
(5:18) 9. Stormy Monday
(3:04) 10. Let Me Off Uptown

Roy Eldridge actually spends as much time singing as playing during the ten standards here, but the solos he takes (although concise) have their explosive moments. With pianist Oscar Peterson, guitarist Joe Pass, bassist Ray Brown, and drummer Eddie Locke providing the support, the music always swings in an exuberant fashion. This CD reissue, although not essential, is worth acquiring.
By Scott Yanow https://www.allmusic.com/album/happy-time-mw0000674713

Personnel: Roy Eldridge - trumpet, vocals; Oscar Peterson – piano; Joe Pass – guitar; Ray Brown – double bass; Eddie Locke – drums.

Happy Time

Jeanne Newhall - E'Sensual

Styles: Jazz
Year: 2001
File: MP3@320K/s
Time: 68:18
Size: 156,7 MB
Art: Front

(4:48)  1. The Chase
(4:37)  2. Grey Mist At Dawn
(4:45)  3. Animal Attraction
(5:09)  4. Workin' on a Groovy Thing
(4:33)  5. Taboo You
(3:47)  6. Bunco Man
(4:07)  7. Grevy's Waltz
(4:32)  8. The Hissing Of Summer Lawns
(4:46)  9. Race Thru The Clouds
(4:20) 10. Rascalette
(3:46) 11. Oh, Heaven
(4:46) 12. Neptune's Beach
(4:31) 13. Surrender, My Heart
(4:49) 14. Inspire Me
(4:54) 15. Duende

E'Sensual

The Don Cherry & George Gruntz Group - Maghreb Cantata, Live 1969

Styles: Jazz, Folk, World
Year: 2023
Time: 73:42
File: MP3 @ 128K/s
Size: 68,8 MB
Art: Front

( 0:47) 1. Intro
( 5:25) 2. Buanuara
( 3:45) 3. Alaji
( 1:39) 4. Salhe
( 5:07) 5. Nemeit
( 5:00) 6. Fazani
(11:26) 7. Is Tikhbar/Ghitta/Alaji
(22:21) 8. Djerbi/M‘rabaa/Buanuara
(18:08) 9. Nemeit/Hayadanumuyama/Fazani

A marvelous double album as document of the historical collaboration between Don Cherry and Swiss pianist, composer George Gruntz, a central figure in European jazz who always showed a special interest in extending his solid post bop skills through other languages such as ethnic or even baroque music. This is North-African, deep-flavored jazz recorded live in Tunisia and Germany in May and September 1969, with Cherry (cornet, flute) and Gruntz (piano, celeste) leading a highly mixed line-up featuring multi reeds player Sahib Shihab, bassists Henry Texier and Eberhard Weber, and Swiss drummer extraordinaire Daniel Humair, plus four North African musicians on traditional instruments like bendir, ney, bagpipes, tabla and darbouka. A trance-inducing jazz ritual.

Line-up: George Gruntz - piano, celeste; Don Cherry - cornet, flute; Sahib Shihab - flute, alto flute, soprano saxophone; Henri Texier - bass; Daniel Humair - drums; Salah El Mehdi - ney, flute; Moktar Slama - bendire, bagpipe, mezuette, soukra; Jelloud Osman - ney, bendire, mezzuette, bagpipe; Hattab Jouini - tabla, darbouka, bendire; Eberhard Weber - bass (tracks 7-9). 

Tracks 1-6 Recorded in Tunisia, May 1969; tracks 7-9 Recorded in Stuttgart, Germany at Beethovensaal der Linderhalle, September 5, 1969.

Maghreb Cantata, Live 1969

Lucky Thompson, Barney Wilen - Four Brothers

Bitrate: MP3@320K/s
Time: 76:15
Size: 174.5 MB
Styles: Bop, Contemporary jazz
Year: 2015
Art: Front

[6:17] 1. This Here
[3:46] 2. Why Weep
[4:05] 3. Have A Light
[3:16] 4. Oleo
[4:44] 5. I Want To Be Happy
[6:56] 6. Jahrgang'37
[4:20] 7. Autumn Leaves
[4:49] 8. One Last Goodbye
[5:23] 9. Take The A Train
[4:26] 10. Düsseldorf Süd Wuppertal West
[4:13] 11. Iris
[3:49] 12. I Surrender Dear
[6:12] 13. Easy
[5:11] 14. The Mysterioso Mr. X
[4:05] 15. Edith
[4:35] 16. Einsames Mädchen Am Meer

Baritone Saxophone – Helmut Brandt (tracks: 1 to 6, 8 to 14, 16); Bass – Jürgen Ehlers; Drums – Rudy Pronk; Guitar – Larry Atwell (tracks: 1 to 14, 16); Piano – Roland Kovac (tracks: 1 to 7, 9 to 16); Soprano Saxophone, Tenor Saxophone – Barney Wilen (tracks: 1 to 6, 8 to 14, 16), Lucky Thompson (tracks: 1 to 6, 8 to 14, 16); Tenor Saxophone – Bent Jaedig (tracks: 1 to 6, 8 to 14, 16). Recorded November 25, 1960 at Funkhaus Hamburg .

Previously unreleased studio concert from Hamburg in 1960, featuring four jazz saxophone legends: Lucky Thompson (ss/ ts), Barney Wilen (ss/ ts), Helmut Brandt (bars) and Bent Jaedig (ts), recorded with the quartet of Dr. Roland Kovac (p) in a unique workshop. Excellent blend of Modern, Bebop, Cool and Progressive: Full ensemble pieces in a sound made famous by Giuffre's Four Brothers, from original material to standards, plus musical essays in small groups.

Four Brothers mc

Crosby & Nash - Graham Nash & David Crosby

Bitrate: MP3@320K/s
Time: 35:17
Size: 80.8 MB
Styles: Soft rock
Year: 1972/2000
Art: Front

[3:55] 1. Southbound Train
[4:32] 2. Whole Cloth
[0:57] 3. Blacknotes
[2:25] 4. Strangers Room
[3:21] 5. Where Will I Be
[2:54] 6. Page 43
[2:18] 7. Frozen Smiles
[4:00] 8. Games
[3:25] 9. Girl To Be On My Mind
[4:25] 10. The Wall Song
[2:59] 11. Immigration Man

This self-titled release is one of if not arguably the most impressive side project to arise from CSN. Taken beyond face value, Graham Nash/David Crosby is a direct reflection, if not an extension, of the musical and personal relationship between its co-creators. Likewise, the results remain true, enhancing rather than detracting from the very individualistic styles of Crosby and Nash. The best elements of each are readily available here, punctuated at every turn by their complicated vocal arrangements and air-lock harmonies. In the wake of the enormous successes garnered by the albums Crosby Stills & Nash, Déjà Vu, and Four Way Street, the principal members were essentially given carte blanche studio access to pursue solo projects as well. This release is the first in what would turn out to be a series of collaborative efforts between Crosby and Nash. Musically it continues in much the same vein as their respective debut solo releases, If I Could Only Remember My Name and Songs for Beginners.

Nash's contributions include "Girl to Be on My Mind," "Stranger's Room," and "Southbound Train"a twangy piece of Americana featuring a high and lonesome steel guitar solo from Jerry Garcia that likewise hearkens to the Grateful Dead's American Beauty, Elton John's Tumbleweed Connection, or the Band's Music From Big Pink. These tracks co-exist in stark contrast to Crosby's more cerebral and incisive contributions, such as "Whole Cloth," "Games," and "The Wall Song." The latter features some outstanding instrumental support from the Grateful Dead's Jerry Garcia (guitar), Phil Lesh (bass), and Billy Kreutzman (drums). The core band revolves around another set of all-stars: Russell Kunkel (drums), Leland Skylar (bass), Craig Doerge (keyboards), and Danny "Kootch" Kortchmar (guitar). This same band would more or less continue to back up Crosby and Nash's duo efforts throughout the remainder of the '70s. Graham Nash/David Crosby offers much of the same unique songwriting and personal style which informed their better contributions not only to the CSN-related efforts, but as far back as their offerings with the Hollies and the Byrds. Interested enthusiasts are also urged to locate Another Stoney Evening a live acoustic release from October 10, 1971 which includes seminal live versions of "Southbound Train," "Where Will I Be," "Immigration Man," and "Stranger's Room." By Lindsay Planer

Graham Nash & David Crosby

Doug Webb Quartet - Sets the Standard

Styles: Saxophone Jazz
Year: 2016
File: MP3@320K/s
Time: 64:35
Size: 148,8 MB
Art: Front

(4:18)  1. My Shining Hour (Master)
(5:08)  2. Trouble Is a Man
(6:09)  3. Star Eyes
(5:30)  4. Little Girl Blue
(6:39)  5. These Things
(8:45)  6. Gone with the Wind
(6:13)  7. Jitterbug Waltz
(6:20)  8. Chelsea Bridge
(4:33)  9. Ask Me Now
(5:14) 10. I Remember You
(5:41) 11. My Shining Hour (Alternate)

On May 26, 2014 Doug Webb brought together Alan Broadbent, Putter Smith and Paul Kreibich to record this set at Nolan Shaheed's studio in Pasadena, CA. This was a rare opportunity to record Alan Broadbent playing a set of all improvised music on the West Coast in a small group . The music chosen had to be standards that all the participants knew well. It was also understood that Alan's wonderful approach to ballads had to be a focal point. Doug also wanted to get a chance to play more lyrically than on previous recordings. The result is this engrossing set of standards that effectively sets the standard of good taste and musicality for any quartet session. ~ Editorial Reviews  http://www.amazon.com/The-Doug-Webb-Quartet-Standard/dp/B019KDX9K0

Personnel:  Doug Webb (tenor, stritch, soprano sax);  Alan Broadbent (piano);  Putter Smith (bass);  Paul Kreibich (drums).

Sets the Standard