Sunday, July 24, 2016

Bill Doggett & His Orchestra - Jumping And Swinging

Bitrate: MP3@320K/s
Time: 38:21
Size: 87.8 MB
Styles: R&B, Big band
Year: 1967/2011
Art: Front

[3:07] 1. Honky Tonk Pt. 1
[2:35] 2. Honky Tonk, Pt. 2
[2:26] 3. Oof
[2:32] 4. Slow Walk
[2:48] 5. Afternoon Jump
[3:35] 6. Snuff Box
[2:33] 7. High Heels
[2:36] 8. Quaker City
[2:33] 9. Peacock Alley
[2:41] 10. When Your Lover Has Gone
[2:45] 11. Early Bird
[2:52] 12. On The Sunny Side Of The Street
[2:47] 13. Crackers
[2:25] 14. High And Wide

Bill Doggett (February 16, 1916 – November 13, 1996) was an American jazz and rhythm and blues pianist and organist. He is best known for his compositions "Honky Tonk" and "Hippy Dippy", and variously working with the Ink Spots, Johnny Otis, Wynonie Harris, Ella Fitzgerald, and Louis Jordan. His mother, a church pianist, introduced him to music when he was nine years old. By the time he was fifteen, he had joined a Philadelphia area combo, playing local theaters and clubs while attending high school. In 1951, Doggett organized his own trio and began recording for King Records. His best known recording is "Honky Tonk", a rhythm and blues hit of 1956 which sold four million copies (reaching No. 1 R&B and No. 2 Pop), and which he co-wrote with Billy Butler. The track topped the US Billboard R&B chart for over two months. He won the Cash Box award for best rhythm and blues performer in 1957, 1958, and 1959. He also arranged for many bandleaders and performers, including Louis Armstrong, Count Basie, Ella Fitzgerald, and Lionel Hampton.

As a jazz player Doggett started in swing music and later played soul jazz. His bands included saxophonists Red Holloway, Clifford Scott, Percy France, David "Bubba" Brooks, Clifford Davis, and Floyd "Candy" Johnson; guitarists Floyd Smith, Billy Butler, Sam Lackey and Pete Mayes; and singers Edwin Starr, Toni Williams and Betty Saint-Clair. His biggest hits, "Honky Tonk" (the Part 2 side of the record) and "Slow Walk" featured saxophonist Clifford Scott. He continued to play and arrange until he died, aged 80, of a heart attack in New York.

Jumping And Swinging

Paul Bley Trio - Bebop

Bitrate: MP3@320K/s
Time: 61:53
Size: 141.7 MB
Styles: Bop, Piano jazz
Year: 1990
Art: Front

[4:35] 1. Now's The Time
[7:43] 2. My Little Suede Shoes
[7:02] 3. Ornithology
[4:19] 4. A Night In Tunesia
[6:25] 5. Don't Blame Me
[7:35] 6. The Theme
[2:34] 7. Bebop
[6:28] 8. Lady Bird
[4:32] 9. Tenderly
[3:09] 10. Steeplechase
[3:48] 11. Barbados
[3:39] 12. 52nd Street Theme

Double Bass – Bob Cranshaw; Drums – Keith Copeland; Piano – Paul Bley. Recorded December 22, 1989.

A surprising album from Bley, long considered an outside player with little, if any, affinity for straight bop. He shatters that myth on this set, going through a dozen songs, including such anthems as "Ornithology" and "The Theme," with vigor, harmonic distinction, and rhythmic edge. He's brilliantly backed by bassist Bob Cranshaw, providing some of his best, least detached playing in quite a while, and drummer Keith Copeland, navigating the tricky changes with grace. ~Ron Wynn

Bebop

Larry Carlton - Plays The Sound Of Philadelphia

Bitrate: MP3@320K/s
Time: 38:46
Size: 88.8 MB
Styles: Guitar jazz
Year: 2010
Art: Front

[4:26] 1. Could It Be I'm Falling In Love
[3:29] 2. Back Stabbers
[3:00] 3. If You Don't Know Me By Now
[3:27] 4. Drownin' In The Sea Of Love
[3:31] 5. I'll Be Around
[4:54] 6. You Make Me Feel Brand New
[3:22] 7. Bad Luck
[3:03] 8. Never Give You Up
[3:47] 9. Mama Can't Buy You Love
[3:02] 10. Only The Strong Survive
[2:40] 11. Mighty Love

Larry Carlton: guitar; Tony Desare: piano; Paul Shaffer: organ; Tommy Byrnes: rhythm guitar; Christopher Li'Nard Jackson: bass; Andrea Valentini: drums; Vic Stevens: percussion; Bill Labounty: vocals; Carla Benson: background vocals; Charlene Holloway: background vocals; Mark Douthit: saxophone; Darcy Hepner: baritone saxophone; Steve Guttman: first trumpet; Nick Marchione: trumpet; Dale Kirkland: trombone; Chris Komer: French horn.

Regardless of context, guitarist Larry Carlton has built a reputation as one of the tastiest guitarists around, whether he's supporting singer/songwriter Joni Mitchell, jazz/pop hybrid Steely Dan or soulful jazz/funksters The Crusaders. His own records, while always accessible—at times, crossing the line into smooth jazz territory—demonstrate a distinctive blend of sweet and gritty tone, bluesy soulfulness, and plenty of jazz chops, often surfacing in the most unexpected places. Live in Tokyo With Special Guest Robben Ford (335 Records, 2009), was harder-hitting than usual, suggesting that though Carlton (and Ford) chooses easier-on-the-ears contexts, he never sacrifices the core qualities that make him worth scoping out.

Plays the Sound of Philadelphia is Carlton's homage to the songwriting team of Kenny Gamble and Leon Huff, who were responsible for a seemingly endless string of soul/R&B hits in the 1960s and '70s. The songwriting/production duo, responsible for massive hits by artists including The O'Jays ("Backstabber"), Jerry Butler ("Only the Strong Survive"), Harold Melvin & The Blue Notes ("If You Don't Know Me By Now") and Joe Simon ("Drownin' in the Sea of Love"), built a sound that, ultimately, became directly associated with the town they called home.

Rather than taking these iconic songs and stretching them out for extended soloing, Carlton keeps them short—radio-friendly, and single-length, just as they were back in the day. A couple of background vocalists deliver familiar choruses throughout as a backdrop for Carlton's ever-perfect tonal and melodic choices, and Bill Labounty sings lead on a couple tunes, including the bright "Drowning in the Sea of Love" and anthemic "Only the Strong Survive," these reverent arrangements never stretching far from their original sources. Six horns drives a five-piece rhythm section that includes, along with pianist/arranger Tony DeSare, Late Show with David Letterman stalwart, Paul Shaffer, on organ.

But, at the end of the day, with a collection of songs near-Jungian in their familiarity, and terrific charts from DeSare and trumpeter Steve Guttman, it's Carlton's visceral tone and ability to get to the heart of each song in an unfailingly personal way that make this 11-song set, at just under forty minutes, a thoroughly appealing look back, for those who miss the days when The Sound of Philadelphia ruled the airwaves. All the while, Carlton's broader harmonic knowledge bolsters his chordal work on "Could It Be I'm Falling in Love"—his warm, clean tone and octave-style playing clearly referencing Wes Montgomery—while at the end of the more up-tempo "Back Stabber," Carlton combines bluesy bends with the barest hint of bebop sensibility.

And that's the beauty of Plays The Sound of Philadelphia, which also comes with a bonus "Making of" DVD. As much as this fits more in the adult contemporary category than jazz, Carlton peppers the session with plenty of markers that make clear his jazz roots remain an undercurrent beneath everything to which he sets his mind. It may not be edgy or forward-thinking, but it grooves to its sources with plenty of booty-shaking soul, all the while providing the ever-tasteful Carlton with plenty of room to deliver. And deliver he does, from start to finish. ~John Kelman

Plays The Sound Of Philadelphia

Jack Sheldon - Playing For Change

Bitrate: MP3@320K/s
Time: 63:04
Size: 144.4 MB
Styles: Bop, West Coast jazz
Year: 1986/2007
Art: Front

[4:38] 1. Angel Eyes
[5:51] 2. Along Came Betty
[5:10] 3. Ne Quittez Pas
[3:44] 4. You Better Go Now
[4:52] 5. The Chase
[5:19] 6. Dear Ann
[3:17] 7. Wait And See
[5:39] 8. That Old Feeling
[4:02] 9. Follow Me
[4:58] 10. Just For A Thrill
[4:43] 11. Trane's Strain
[4:57] 12. No Trump
[5:48] 13. Nancy

Alto Saxophone – Jerry Dodgion; Bass – Rufus Reid; Drums – Ben Riley; Flugelhorn – Don Sickler (tracks: 2); Piano – Barry Harris (2); Trumpet – Jack Sheldon. Recorded May 24 & 25, 1986 at Englewood Cliffs, NJ.

Jack Sheldon is probably better known for his trumpet playing on other musicians' record dates, but this 1986 studio date more than proves he is a capable leader. With fellow veterans Barry Harris on piano, alto saxophonist Jerry Dodgion, bassist Rufus Reid, and drummer Ben Riley, Sheldon is in top form. Also known for his humorous vocals, he sticks exclusively to trumpet on this occasion, delivering a lyrical solo in "Angel Eyes" and trading licks with Dodgion in a brisk rendition of "The Chase." Fluegelhornist Don Sickler (who did most of the arrangements for the date) sits in during "Along Came Betty." Sheldon also contributed the original ballad "Wait and See," an emotional work that connects with the listener without the need of a lyric. Recommended. ~Ken Dryden

Playing For Change

The Stryker/Slagle Band - Keeper

Styles: Guitar and Saxophone Jazz
Year: 2010
File: MP3@320K/s
Time: 57:28
Size: 135,4 MB
Art: Front

(5:30)  1. Keeper
(5:28)  2. Bailout
(5:42)  3. Ruby My Dear
(6:27)  4. Came To Believe
(5:48)  5. Bryce's Peace
(5:07)  6. Blue State
(6:29)  7. Sister
(5:42)  8. Gold Dust
(6:13)  9. Convergence
(4:58) 10. Good 4 U

Guitarist Dave Stryker is one of the most prolific talents in jazz, with almost two dozen releases as a leader, and stints with artists including Stanley Turrentine and Jack McDuff. His unique style has garnered him a number of prestigious awards. No less productive is Stryker's long-time co-leader, saxophonist Steve Slagle, who has led his own bands for twenty years and played with a highly impressive roster including Carla Bley, Steve Kuhn and Joe Lovano. Having worked together for the past decade, The Stryker/Slagle Band incorporates collective experience and talent in Keeper, a fine and diverse collection of originals.

Stryker's title track opens the set with a brisk, R&B feel and an infectious hook. Slagle's fluid work is complimented by Stryker's structured but free-flowing guitar typically hovering closer to the lower register while drummer Thelonious Monk's "Ruby My Dear," giving it a soulful reading that showcases Slagle's liquid textures and Stryker's complimentary mix of chord melodies and crystalline notes.

Virtuoso bassist Jay Anderson, another long-time collaborator, comes front and center as he anchors "Bryce's Peace," a poignant acknowledgment of Stryker's late father, whose artwork decorates the CD's cover. The slow tempo ballad segues nicely into "Blue State," which is, appropriately, the most blues flavored track on Keeper and a fine platform for Slagle's soulful alto and Stryker's somewhat gospel-influenced playing, reminiscent of Otis Rush. 

Slagle then switches to soprano for the first time on "Gold Dust," an appealing composition that also features Stryker on nylon string guitar. Both offer deceptively complex solos, disguised by the piece's overall tranquil atmosphere. Keeper closes with Slagle's Latin-influenced "Good 4 U," adding yet another stylistic dimension to the collection and allowing Slagle to reach back to his earlier work with Machito and Ray Barretto. The piece also provides a solo opportunity for Lewis, who gets to show his innovative and rhythmic style at various points throughout the song. Keeper is the fifth collection from The Stryker/Slagle Band; a multi-talented group that is not only resilient, but shows, with each successive release, that it is not content to rest on its creative laurels. Stryker and Slagle continue to grow musically both independently and as collaborators and have a knack for surrounding themselves with world-class rhythm sections that play to their strengths while contributing to the group's overall energy. ~ Karl Ackermann  https://www.allaboutjazz.com/keeper-stryker-slagle-band-panorama-records-review-by-karl-ackermann.php
 
Personnel: Dave Stryker:guitar; Steve Slagle: alto and soprano sax; Jay Anderson: bass; Victor Lewis; drums.

Keeper

Cab Calloway - The Swinging Big Band Leader with Chu Berry 1937-1944

Styles: Big Band, Swing
Year: 2000
File: MP3@320K/s
Time: 61:54
Size: 143,1 MB
Art: Front

(2:46)  1. Queen Isabella
(2:35)  2. Savage Rhythm
(2:29)  3. Bugle Blues
(2:17)  4. Three Swings and Out
(3:25)  5. Penguin Swing
(2:50)  6. Peck-A-Doodle-Do
(2:50)  7. Hoy Hoy
(2:59)  8. Jive
(2:24)  9. Do You Wanna Jump Children
(2:20) 10. Floogie Walk
(2:41) 11. Pluckin' The Bass n'2
(3:05) 12. Paradiddle
(2:31) 13. The Lone Arranger
(3:19) 14. Hardtimes (Topsy-Turvy)
(2:55) 15. Bye Bye Blues
(2:54) 16. A Chicken Ain't Nothing But A Bird
(3:01) 17. Special Delivery n'2
(3:00) 18. The Great Lie
(2:41) 19. Tappin' Off
(2:53) 20. 105 In The Shade
(2:53) 21. Ghost Of a Chance n'2
(2:58) 22. Lonesome Nighns

One of the great entertainers, Cab Calloway was a household name by 1932, and never really declined in fame. A talented jazz singer and a superior scatter, Calloway's gyrations and showmanship on-stage at the Cotton Club sometimes overshadowed the quality of his always excellent bands. The younger brother of singer Blanche Calloway (who made some fine records before retiring in the mid-'30s), Cab grew up in Baltimore, attended law school briefly, and then quit to try to make it as a singer and a dancer. For a time, he headed the Alabamians, but the band was not strong enough to make it in New York. The Missourians, an excellent group that had previously recorded heated instrumentals but had fallen upon hard times, worked out much better. Calloway worked in the 1929 revue Hot Chocolates, started recording in 1930, and in 1931 hit it big with both "Minnie the Moocher" and his regular engagement at the Cotton Club. Calloway was soon (along with Bill Robinson, Ethel Waters, Louis Armstrong, and Duke Ellington) the best-known black entertainer of the era. He appeared in quite a few movies (including 1943's Stormy Weather), and "Minnie the Moocher" was followed by such recordings as "Kicking the Gong Around," "Reefer Man," "Minnie the Moocher's Wedding Day," "You Gotta Hi-De-Ho," "The Hi-De-Ho Miracle Man," and even "Mister Paganini, Swing for Minnie." Among Calloway's sidemen through the years (who received among the highest salaries in the business) were Walter "Foots" Thomas, Bennie Payne, Doc Cheatham, Eddie Barefield, Shad Collins, Cozy Cole, Danny Barker, Milt Hinton, Mario Bauza, Chu Berry, Dizzy Gillespie, Jonah Jones, Tyree Glenn, Panama Francis, and Ike Quebec. His 1942 recording of "Blues in the Night" was a big hit. With the end of the big band era, Calloway had to reluctantly break up his orchestra in 1948, although he continued to perform with his Cab Jivers. Since George Gershwin had originally modeled the character Sportin' Life in Porgy and Bess after Calloway, it was fitting that Cab got to play him in a 1950s version. Throughout the rest of his career, Calloway made special appearances for fans who never tired of hearing him sing "Minnie the Moocher." ~ Scott Yanow http://www.allmusic.com/artist/cab-calloway-mn0000532957/biography

Personnel:  1-20 - Cab Calloway & His Orchestra with Chu Berry (19, 20); Shad Collins, Irving Randolph, Lammar Wright, Dizzy Gillespie, Jonah Jones (tp), Claude Jones, Keg Johnson, De Priest Wheeler, Tyree Glenn (tb), Garvin Bushell, Andrew Brown, Chauncev Haughton (cl, as), Walter Thomas, Chu Berry, Ted McRae (ts), Hilton Jefferson (as), Bennie Paine (p), Morris White, Danny Barker (g), Milton Hinton (b), Leroy Maxey, Cozy Cole, J. Heard (dm), Cab Calloway (vo) and others... New York, 1937/1944;  21-22 - Chu Berry with Cab Calloway & His Orchestra – 1940

The Swinging Big Band Leader with Chu Berry 1937-1944

Stan Killian - Unified

Styles: Saxophone Jazz
Year: 2011
File: MP3@320K/s
Time: 53:28
Size: 122,9 MB
Art: Front

(7:30)  1. Twin Dark Mirror
(8:17)  2. Elvin's Sight
(6:32)  3. Unified
(9:30)  4. Center
(6:42)  5. Isosceles
(7:52)  6. Window Of Time
(7:01)  7. Eternal Return

Unified is tenor saxophonist Stan Killian's third album and his debut for the Sunnyside label. It's high-quality, straight-ahead modern jazz, played with a real swing by Killian and his band, and enlivened by the contributions of three top-drawer guest horn players. Leader/composer Killian hails from Texas, home of Texas tenors like Arnett Cobb and Illinois Jacquet. Killian's own sound certainly has a big, wide open, feel to it but there's a gentleness there as well, a warmth and friendliness of tone. Venezuelan pianist Benito Gonzalez has a lightness of touch that enables him to create some delicate but swinging solos, as well as some finely tuned rhythms. Killian and Gonzalez play on all seven tunes, interlacing their instrumental lines with a skill and confidence that suggests a longstanding musical relationship. Bassists Corcoran Holt and Bryan Copeland, and drummers Darrell Green and McClenty Hunter share rhythm section duties. Whatever the combination of players, each of the quartets is impressive in its own right the rhythm playing of Gonzalez, Hunter and Holt that underpins Killian's lyrical solo on "Center" being particularly fine. The addition of a guest player to each of the numbers simply puts icing on the musical cake.

The three guest musicians on Unified are all bona fide stars of modern jazz and they more than repay Killian's invitation. Of the two trumpeters, Jeremy Pelt's brighter sound is a fine contrast to Killian's. Roy Hargrove's tone is a little warmer, less bell-like, and complements rather than contrasts with the tenor player. David Binney adds alto sax to three numbers, his sound also complementing Killian and adding depth to their unison playing. On Gonzalez's "Elvin's Sight" dedicated to drummer Elvin Jones and featuring excellent percussion from Green the pair swings beautifully, while on the hauntingly dreamlike "Unified," both saxophonists give controlled but emotionally engaging performances. The guests on Unified all play beautifully, and their presence certainly attracts attention. But Killian's own contributions as lead musician/writer are stylish and engaging, and the core quartets on the album demonstrate their ability to stand alone as musical ensembles , just as the album title suggests. ~ Bruce Lindsay https://www.allaboutjazz.com/unified-stan-killian-sunnyside-records-review-by-bruce-lindsay.php
 
Personnel:  Stan Killian: tenor saxophone;  Benito Gonzalez: piano;  Corcoran Holt: bass (1, 4, 5, 7);  Bryan Copeland: bass (2, 3, 6);  Darrell Green: drums (1-3, 5, 6);  McClenty Hunter: drums (4, 7);  Roy Hargrove: trumpet (1, 5);  Jeremy Pelt: trumpet (4, 7);  David Binney: alto saxophone (2, 3, 6).

Unified