Jack Reilly - Blue Sean Green

Styles: Piano Jazz
Year: 1974
File: MP3@320K/s
Time: 43:03
Size: 99,3 MB
Art: Front

(5:21)  1. Halloween
(6:19)  2. Waltz For Fall
(7:27)  3. Unichrom
(4:57)  4. 526, AKA(Resurrection)
(5:48)  5. Allegretto
(3:08)  6. La-No-Tib
(6:38)  7. Blue Sean Green
(3:22)  8. Floral Space

Jack Reilly Trio (Blue-Sean-Green) Unichrom Ltd. Jack Reilly is an interesting study in contrasts, Bill Evans is omnipresent in his playing, but there is a classical edge that gives him a unique style [with] musical depth. Jack Six on Bass and Drummer Joe Cocuzzo provide the ideal accompaniment. Ever the spear carriers, they do not overplay but perform superbly in support. 'Halloween' This tune is a treat with tricky machinations by Reilly. Delicious humor with a hint of darkness dancing just below the surface. Jack Reilly gleefully explores the 88's. Spirited playing by all. 'Waltz For Fall' Shades of Bill Evans with the leader's personal touch. '526' There is a musical story here played with much feeling, highlighted by a jazzy finish. 'Blue-Sean-Green' Some blues and some quirkily swinging piano with a mention of Monk in an early phrase. Hip stuff. 'Floral Space' A truly romantic theme with a touch of sadness. Beautifully executed by all. ~ AAJ Staff https://www.allaboutjazz.com/jack-reilly-trio-jack-reilly-unichrom-review-by-aaj-staff.php

Personnel: Jack Reilly, Piano, Jack Six, Bass, Joe Cocuzzo, Drums.

Blue Sean Green

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Jack Reilly Trio - November

Styles: Piano Jazz
Year: 2015
File: MP3@256K/s
Time: 45:42
Size: 83,9 MB
Art: Front

( 7:16)  1. With a Song in My Heart
(10:09)  2. January
( 7:34)  3. Minor Your Own Amos
( 8:42)  4. November
( 5:56)  5. Lento for Carol
( 6:03)  6. Kyrie

Pianist Jack Reilly has the unenviable position of being an artist well respected and admired by his peers for his composing and performing faculties, but never quite achieving that level of public acclaim his prodigious talents deserve. There was no one defining moment when the pianist decided jazz was to be his livelihood. It grew on him as he hung out at community jazz joints on Staten Island listening to the local piano players. He was pushed over the edge when he heard the modernism of the Lennie Tristano Quintet and made his musical debut with John LaPorta in 1958 at the Newport Jazz Festival. Over the years, he has worked with Ben Webster and with the George Russell Big Band. Reilly has an impressive musical education resumé. In addition to private studies with Tristano, Reilly also studied with the shadowy but influential Hall Overton and composer of contemporary music Ludmila Ulehla. It is this background that compelled Reilly's attention to the instrument. With his exceptional technical skills and musical sensitivity, he could have stuck to the tried-and-true form of standard jazz and pop repertoire. Rather, he took the high-risk but rewarding road of playing his own compositions which are vignettes of modern jazz. His highly engaging compositions can be heard to best advantage on The Brinksman, with a stunning "Masks," and two masterful albums Tzu-Jan: The Sound of the Tarot, Vol. 1 and a second volume covering the same theme. These extraordinary recordings provide an impressionist evocation of the exotic Thoth Tarot Cards. Even when working in the standard material idiom, there is a sense that the songs are being turned out in an entirely new set of clothes. Reilly's creative horizons extend beyond shorter works to larger ones such as a "Jazz Requiem," "Jazz Oratorio," and "Theme and Variations for Orchestra" as well as to classical forms. The world premier of "Orbitals, Piano Concerto took place in 2001 in Michigan. His more than 300 shorter pieces include blues, children's lullabies, jazz tunes, and music for the theater, including music for a play by Samuel Beckett. Given his history, his accomplishments, and his interests, Jack Reilly has made him a melodious Renaissance man, and because of this is clearly an artist deserving of far wider recognition. https://itunes.apple.com/us/album/november-feat-jack-six-ronnie-bedford/1068761621

November

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