Bitrate: MP3@320K/s
Time: 66:49
Size: 153.0 MB
Styles: Piano jazz
Year: 1998
Art: Front
[6:02] 1. The Surrey With The Fringe On Top
[5:18] 2. Cool Blues
[5:53] 3. Ain't She Sweet
[5:43] 4. You Are My Sunshine
[4:26] 5. Easy Does It
[5:31] 6. One Morning In May
[5:40] 7. Nancy (With The Laughing Face)
[4:21] 8. There Is No Greater Love
[3:51] 9. Just Friends
[4:59] 10. I've Got The World On A String
[4:40] 11. Wave
[4:49] 12. Why Don't You Do Right
[5:31] 13. When Lights Are Low
Eddie Thompson on piano with Len Skeat on bass and Martin Drew on drums from 1978. Recorded BBC Kensington House, London. September 23, 1978.
Pianist Eddie Thompson was born in London in1929. He attended the same school for the blind (Linden Lodge, Wandsworth), as George Shearing and was introduced to jazz through listening to the family radio and listening to Fats Waller, Earl Hines, and especially Art Tatum. By 1947 he was part of the London jazz scene and was able to supplement his jazz income, always precarious, with a career as a piano tuner.In the late 1940's he recorded with Johnny Dankworth and a very young Victor Feldman. In 1949 he played at the Paris Jazz Fair with Carlo Krahmer band and worked for a time with Victor Feldman's Sextet. He had his own quintet and trio during the early 1950s and also worked with Tony Crombie, Vic Ash, Ronnie Scott and Tommy Whittle (1957/8). At the end of the 1950s he again had his own trio and quintet. He was pianist at Ronnie Scott's 1959-60 and also did solo work at the Downbeat Club, London during 1960 before emigrating to the USA in 1962. He secured a residency at the Hickory House between 1963-67 and made many musical friendships including Duke Ellington, Erroll Garner, and Thelonious Monk. Thompson returned to the London area in 1972 for regular BBC Jazz Club gigs, and he recorded for the German BASF label and Doug Dobell's 77 label. He led his own group during the mid 1970s for a residency at the Jazz Cellar in Stockport and led his own trio as well as playing regularly at the Pizza Express in London. He was a frequent first choice for accompanying visiting US musicians until the mid 1980s.
He was at home playing mainstream or bop and possessed a prodigious technique and the ability, when he felt it necessary, to drop into the style of his heroes Garner, Peterson, and Nat Cole. Although blind he travelled to evening work in London clubs by the Underground, and also to clubs throughout the UK. Due to a lifelong smoking habit, he developed emphysema which contributed to his early death in November, 1986.
Ain't She Sweet