Tuesday, January 17, 2023

Houston Person - Legends Of Acid Jazz: Truth!

Styles: Saxophone Jazz
Year: 1999
File: MP3@320K/s
Time: 78:54
Size: 182,9 MB
Art: Front

(5:24) 1. Snake Eyes
(4:55) 2. Never Let Me Go
(5:04) 3. Groovin' And A-Groovin'
(5:57) 4. What A Diff'rence A Day Made
(3:58) 5. Soul Dance
(6:03) 6. Here's That Rainy Day
(4:58) 7. Teardrops From My Eyes
(5:26) 8. Blue 7
(8:36) 9. Cissy Strut
(9:27) 10. On The Avenue
(8:39) 11. Wadin'
(5:04) 12. The Pulpit
(5:17) 13. For Your Love

Released in 1999 for Fantasy's Legends of Acid Jazz series, this CD unites two of Houston Person's classic Prestige sessions, 1968's Soul Dance and 1970s Truth!, on a single 78-minute CD. Soul Dance is heard in its entirety, but because the CD didn't have enough room to hold everything from Truth!, the track "If I Ruled the World" ended up being sacrificed. The personnel on the sessions differs while Soul Dance employed organist Billy Gardner, guitarist Boogaloo Joe Jones, and drummer Frankie Jones, Truth! united Person with Frankie Jones, guitarist Billy Butler, electric bassist Bob Bushnell, and percussionist Buddy Caldwell. But the albums are fairly similar in their outlook. Both of them are quite accessible, and both emphasize Person's strong points: funky boogaloos, gritty blues, standards, and sentimental ballads. The tenor titan plays soulfully and authoritatively on material that ranges from "What A Diff'rence a Day Made" and "Here's That Rainy Day" to Horace Parlan's "Wadin," Sonny Rollins' "Blue 7," the Meters' "Cissy Strut" and the Ruth Brown hit "Teardrops from My Eyes." When these albums first came out, they received their share of negative reviews from jazz critics, who had little use for those who set out to fuse hard bop with soul and funk. But the fact remains: much of the music that Person recorded for Prestige was exciting and quite rewarding. Those who like their jazz with a heavy dose of R&B will find a lot to admire on this CD. ~ Alex Henderson https://www.allmusic.com/album/the-truth%21-mw0000248230

Legends Of Acid Jazz Truth!

Chihiro Yamanaka - Ballads

Styles: Piano Jazz
Year: 2021
Time: 77:24
File: MP3 @ 320K/s
Size: 178,0 MB
Art: Front

(4:50) 1. For Heaven's Sake
(5:58) 2. Smoke Gets In Your Eyes
(6:29) 3. Good Morning, Heartache
(2:13) 4. Danny Boy
(8:01) 5. This Masquerade
(4:39) 6. Old Folks
(6:42) 7. On The Shore
(3:10) 8. I Loves You, Porgy
(5:10) 9. Can't Take My Eyes Off Of You
(2:38) 10. Ruby, My Dear
(5:10) 11. Dove
(6:21) 12. Caught In The Rain
(2:20) 13. I Can't Get Started
(4:32) 14. Orleans
(3:30) 15. Abide With Me
(5:35) 16. Thank You Baby

Chihiro Yamanaka, Universal Music/Blue Note recording artist, is one of the most exciting jazz pianists and composers of her generation, and the leader of the Chihiro Yamanaka Trio. The new Chihiro Yamanaka CD, Somethin' Blue, is her Blue Note Records debut.

Chihiro has been a Universal Music/Verve recording artist since 2005, the same year in which she was named Swing Journal’s “Best New Artist." On the occasion of Universal's recent acquisition of Blue Note Records in time for Blue Note’s 75th anniversary Chihiro made the move to Blue Note. As a newly minted Blue Note artist, she has been a big part of the 75th anniversary celebrations, including a concert at the Blue Note Tokyo in which she performed with all-stars including bassist Ron Carter.

Chihiro, who most often performs and records in trio format, assembled a sextet for the Somethin' Blue sessions and created a new compositional universe that places this 2014 album in the lineage of classic Blue Note recordings. Her impressive technical mastery of the piano combines with her improvisational command to make her a member of the pantheon of great pianists who have recorded for Blue Note throughout its history.

Chihiro’s music pivots between her strikingly original compositions and her unique arrangements in which she accomplishes the impressive feat of introducing the element of surprise into some of the most famous songs in the jazz repertoire, contemporary popular music, and even the works of classical composers.

On Chihiro's 2013 CD, Molto Cantabile, she lovingly fractures classical gems, including one that has become a staple of her live shows, Beethoven's "Für Elise," which is exposed to an improbable series of kaleidoscopic variations which could withstand the involvement of knuckles and which let loose a torrent of effects that could lead the listener to wonder whether it's the music of Beethoven or of Thelonious Monk. As this unusual music unfolds, one could easily imagine both Beethoven and Monk looking on with astonishment and, ultimately, complete approval.

Chihiro took this concept in a different direction with her Beatles tribute, the 2012 CD Because, a groundbreaking disc that features some of the most creative reworkings of Beatles classics ever recorded. Along with the title track, “Because” (from Abbey Road), Chihiro transforms such great songs as “Yesterday” and “Michelle” into glittering vistas of her musical imagination.

Chihiro does all of her studio recording in New York City, working with some of the greatest talent in jazz. Her recordings have featured prominent artists such as Jaleel Shaw, Ben Williams, Jeff "Tain" Watts, Larry Grenadier, Jeff Ballard, Kendrick Scott, Gene Jackson, Vicente Archer, Robert Hurst, Yasushi Nakamura, Yoshi Waki, John Davis and Bernard “Pretty” Purdie.

Chihiro performs regularly on three continents. In New York City, Chihiro’s home base, her latest appearance was a spectacular March, 2015 concert with her trio at Dizzy's Club Coca-Cola at Jazz at Lincoln Center, where she played to a sellout crowd. Her New York appearances in recent years have also included Iridium Jazz Club, the Blue Note and Carnegie Hall.

Chihiro is active on the west coast (with repeat appearances at Yoshi’s San Francisco, Kuumbwa Jazz Center in Santa Cruz, and Dizzy's in San Diego), in Boston (Café 939, Regattabar), where her popularity is influenced by her status as a Berklee graduate, and in the Washington/Baltimore area (Blues Alley, Kennedy Center, An die Musik, Warner Theater). Among the highlights was her concert that opened the Mary Lou Williams Women In Jazz Festival at the John F. Kennedy Center in Washington, DC, a set that was selected for broadcast on National Public Radio's "JazzSet with Dee Dee Bridgewater."

In Japan, Chihiro performs to sellout audiences at large venues across the country, and all of her Universal CDs have topped the Japanese jazz charts. As a classical pianist, she has performed Gershwin’s Rhapsody In Blue with major symphony orchestras. She has become a multimedia celebrity in Japan, hosting her own radio show, making TV appearances, and authoring a book, The Landscape With Jazz.

Europe is fertile ground for Chihiro’s tours, which have included the Umbria Jazz Festival, Bologna Jazz Festival, Sunset-Sunside in Paris, Blue Note Milan, A-Trane in Berlin, the major venues and festivals in Rome including Auditorium Parco Della Musica, Roma Jazz Festival and Alexanderplatz, and a recent weeklong engagement at Marians Jazzroom in Bern, Switzerland.

Keeping pace with Chihiro’s whirlwind touring schedule is her prolific international recording career with Universal Music and Blue Note Records. In the past three years she has had six CD releases. Besides Somethin' Blue, Molto Cantabile and Because, they include After Hours 2, the U.S. release of Reminiscence, and a compilation, My Favorite Blue Note, on which Chihiro served as producer and contributed original music. In the same period Chihiro and Universal also have released an EP, Still Working, and two DVDs, Live In New York, videotaped at Iridium Jazz Club, and Live at Blue Note Tokyo. A Chihiro Yamanaka DVD gives her fans the opportunity to experience on video the spectacular visual presentation that has been seen by anyone who has witnessed the fireball of energy and virtuosity on display at a live Chihiro concert appearance.

Chihiro has received numerous awards, including Jazz Japan’s “Album of the Year” and the Japan Gold Disc Award for best-selling jazz record of the year, along with acknowledgments from critics, fans and musicians for her recordings and live performances. Jazz Life Magazine called Chihiro “one of the greatest jazz talents in decades,” and the late George Russell hailed her as “a very gifted and imaginative musician.”

In JazzTimes Magazine, Giovanni Russonello wrote an enthusiastic review of Chihiro's set at the 2011 Umbria Jazz Festival, opening for Herbie Hancock, Wayne Shorter and Marcus Miller. “Opening for the Tribute to Miles band with her trio, the Japanese pianist tore into two originals at the top of her set…When she announced ‘Take Five,’ the crowd let out a gleeful 'ahh' but they weren’t ready for the voracious reharmonization, full of upward-creeping bass lines and chromatic descents, or her mid-song interpolation of 'In Your Own Sweet Way,' retrofitted in 5/4 time. Right and left, jaws were dropping."
https://www.allaboutjazz.com/musicians/chihiro-yamanaka

Ballads

Eric Reed - The Adventurous Monk

Styles: Piano Jazz
Year: 2014
File: MP3@320K/s
Time: 46:01
Size: 105,7 MB
Art: Front

(3:26)  1. Thelonious
(6:37)  2. Work
(3:39)  3. Reflections
(5:05)  4. Evidence
(4:07)  5. 'Round Midnight
(4:47)  6. Nutty
(4:21)  7. Gallop's Gallop
(4:35)  8. Pannonica
(4:07)  9. Dear Ruby (Ruby, My Dear)
(5:12) 10. Ba-Leues Bolivar Ba-Lues-Are

The third in pianist Eric Reed's ongoing exploration of the music of pianist Thelonious Monk, 2014's The Adventurous Monk is a highly engaging, deeply swinging celebration of the bebop innovator's sound. The album follows up Reed's previous Monk-themed albums, 2011's The Dancing Monk and 2012's The Baddest Monk. Backing Reed here is his adept rhythm section of bassist Ben Williams and drummer Gregory Hutchinson. Also joining Reed is tenor saxophonist Seamus Blake, who appeared on The Baddest Monk, and vocalist Charenée Wade, who lends her urbane, soulful style to Monk's classic "Ruby, My Dear." More than just making a covers album or homage, Reed never fails to seize the opportunity to truly explore the complexities and nuances of Monk's music, endeavoring to find his own voice in the compositions. ~ Matt Collar  http://www.allmusic.com/album/the-adventurous-monk-mw0002618615

Personnel: Eric Reed (piano); Seamus Blake (tenor saxophone); Gregory Hutchinson (drums); Charenée Wade, Ben Williams

John Bailey - Time Bandits

Styles: Trumpet Jazz
Year: 2023
File: MP3@320K/s
Time: 53:00
Size: 122,5 MB
Art: Front

(5:12) 1. Time Bandits
(5:39) 2. Various Nefarious
(5:15) 3. Long Ago And Far Away
(6:00) 4. Ode To Thaddeus
(4:05) 5. Oh Man, Please Get Me Out Of Here!
(4:36) 6. She's Leaving Home
(4:20) 7. Rose
(5:55) 8. How Do You Know?
(5:42) 9. Lullaby
(6:13) 10. Groove Samba

Versatile and in-demand trumpeter and composer John Bailey has played alongside Ray Charles, Frank Sinatra, Jr., and Latin jazz giants Ray Barretto and Arturo O’Farrill as well as with major jazz musicians in NYC. The backing ensemble he has recruited for Time Bandits, his third album as a leader, is testament to his talent. Fronting a quartet that included mainstay drummer Victor Lewis, esteemed pianist George Cables, and virtuoso bassist Scott Colley, Bailey and crew deliver a varied set of seven originals, five by Bailey and one each by Lewis and Cables. In addition, they tackle a well-known standard, a Beatles tune, and a nod to Bailey’s original mentor, trumpeter Ira Sullivan. Bailey can swing with the best of them and quickly downshift into lovely ballads played on his flugelhorn.

The program opens with Bailey’s title track, the sharp, repetitive bursts from his trumpet inviting his bandmates to join in a swinging tune that bears elements of a New Orleans second line parade, and the bustling bebop heard on NYC’s 52nd street in the ‘50s. Cables is in his element, pushing the rhythm along with Lewis and Colley, each of whom step forward with brief statements of their own. “Various Nefarious” may well be inspired by the COVID viruses and whatever viral element is plaguing our political system (as we write, the Republicans can’t even decide on their leader). Musically, its soul-jazz shuffle fits into an Art Blakey-like groove, one perfectly suited to Blakey alumnus Cables, and perhaps the soulful strains that Bailey absorbed while working with Brother Ray. Colley impresses with his walking bassline and Lewis navigates the combo through those ‘various’ changes.

Bailey and Cables put their own harmonious stamp on Jerome Kern’s “Long Ago and Far Away,” making it a brisk swinger, while the first ballad, “Ode to Thaddeus,” nods to major trumpet influence, Thad Jones with Bailey’s sustained, warm tone and deeply emotive lines leaving no doubt to the degree ofc reverence which he holds for the iconic bandleader. It’s gorgeous statement. Lewis stirs the group to more nodding in his own “Oh Man, Please Get Me Out of Here” as strains of Dizzy, Freddie Hubbard, Joe Henderson, and Woody Shaw echo through Bailey’s high-pitched jabs and the strolling rhythms from Cables, Colley, and Lewis.

The slowed tempo arrangement for The Beatles’ “She’s Leaving Home” is another opportunity to digest the balladry elegance of Bailey and Cable, drawing out a deeper sense of melancholy than the song’s original. Bailey’s “Rose” is the freest flowing of the pieces with a challenging pattern built on five 12-tone rows, with surprises at each turn, like a game of hide-and-seek set to music.

Colley introduces “How Do Know,” by Gary Dial, originally appearing on the 1982 Sprint from Red Rodney and the Ira Sullivan Quintet, this a tribute to Bailey’s aforementioned mentor. We hear Bailey’s flugelhorn on Cable’s standout track, “Lullaby.” The piece originally appeared on Frank Morgan’s 1989 Mood Indigo and has Bailey and Cables in lockstep as a duo rendering the tune with stunning tenderness. Given Bailey’s stints in Latin jazz, he’d be remiss to not include at least one piece of that ilk and does so with his own rollicking closer, “Groove Samba.”

Bailey’s Time Bandits speaks to tradition and a mastery of the various jazz idioms that only a group of this caliber could execute so deftly. It’s a clinic in tone, harmony, swing, balladry, and precise, declarative soloing.By Jim Hynes https://www.makingascene.org/john-bailey-time-bandits/

Personnel: John Bailey - Trumpet; Victor Lewis - Drums; George Cables - Piano; Scott Colley - Bass

Time Bandits