Monday, March 17, 2025

Hilary Kole - The Judy Garland Project

Size: 149,3 MB
Time: 65:02
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals
Art: Front

01. Zing! Went The Strings Of My Heart (4:12)
02. The Boy Next Door (4:14)
03. Just In Time (2:55)
04. You Made Me Love You (4:59)
05. Stompin' At The Savoy (3:34)
06. The Man That Got Away (4:21)
07. A Cottage For Sale (6:28)
08. I Wish I Were In Love Again (3:13)
09. Look For The Silver Lining (3:41)
10. The Trolley Song (3:27)
11. Get Happy (3:38)
12. Embraceable You (4:33)
13. As Long As He Needs Me (5:19)
14. It Never Was You (4:21)
15. Over The Rainbow (6:01)

A great singer is a method actor. Within each song is a role, a character. And what we refer to as interpretation is acting. The caveat of course is, to ring true and be believable, it has to be real. The actor must reach down to the deepest depths and up to the highest heights of her own experience to deliver a performance that completes the electrical/emotional circuit of truth.

Hilary Kole, on this stunningly fresh collection of performances of songs from the well-worn repertoire of Judy Garland, reveals and brings new life to the emotional core of each tune while revealing herself as a consummate interpreter. A goddess, wielding lightning bolts of electricity and emotion that break through the clouds and reach our very souls. While never attempting to imitate Garland, she succeeds in telling Judy’s story — relaying the joy of falling in love, the hope that love will prevail, the heartbreak when love fails. And most importantly, the gathering of the will and desire to pick oneself up again to give it one more try.

Accompanied by pianist John DiMartino, bassist Paul Gill, and drummer Aaron Kimmel, this album cooks. These are swingin' jazz interpretations, loaded with improvisation and solos, like a late-night set in a smoky Village jazz club. The ballads luxuriate you in washes of tone and texture, then wrap you in vocal and instrumental silks and satins.

The song choices are based on Hilary’s successful live performances of the Judy canon, her “Over the Rainbow” tribute concerts held the world over. It was fresh from a series of these performances in Japan that Hilary came to the studio, bringing the energy and vitality of the live concert hall into the studio on Manhattan’s Lower East Side. With the tape machine rolling, Hilary and the boys performed at a remarkable level of focus and concentration; a well-oiled jazz machine of intricate interplay and in-the-moment flourishes that only those well versed in the language of jazz can provide.

And then, finally the icing on the cake: Hilary Kole’s stunning interpretation of the most famous song of all. The signature tune that followed Judy through her whole life, changing meanings constantly from her teen years through her battles with demons of all kinds. The song that was almost cut from its famous movie because it was “too sad”. The song written in 1939, as World War II was brewing in Europe, the Great Depression was in full swing here at home, and storm clouds were gathering. It is from that starting point that Kole sat with pen to paper and began writing her remarkable string quartet arrangement to that remarkable song. In her equally stunning vocal performance, she embodies every measure of despair yet every measure of hope the composers intended. It is a show stopper.

This album is the work of a true artist in every sense of the word. It is an honor and privilege to have captured these performances, and to share them with you now. ~Richard Barone

The Judy Garland Project

Sullivan Fortner - Southern Nights

Styles: Piano Jazz
Year: 2025
Time: 49:19
File: MP3 @ 320K/s
Size: 113,6 MB
Art: Front

(5:37) 1. Southern Nights
(5:13) 2. I Love You
(3:45) 3. 9 Bar Tune
(6:36) 4. Tres Palabras
(4:07) 5. Waltz For Monk
(7:13) 6. Again, Never
(5:26) 7. Discovery
(5:46) 8. Daahoud
(5:31) 9. Organ Grinder

There’s a smile to the music Sullivan Fortner makes. It can be über serious, but inside, it smiles because that’s Sullivan Fortner a pianist of unabashed charm and incredible technique all wrapped up in a bit of New Orleans showmanship. New Orleans. That’s where Fortner comes from even though he now lives in New York City. And New Orleans remains the center of his musical heart.

As a result, it’s not surprising that his latest recording, Southern Nights, brims with the spirit conjured by that title. Written by Allen Toussaint, truly a patron saint of New Orleans musical history, the title track became a hit for pop legend Glen Campbell back in the 1970s, but leading off this album, Fortner’s version is a breezy, lovely lope that conjures the best of that southern city on a spring morning. But don’t let that fool you. What he’s doing with his left and right hands is crazy complex yet incredibly catchy. “Southern Nights” is the opening tune on this terrific nine-song set, which includes tunes from other great composers as well.

Cole Porter’s “I Love You” kicks off with an avant garde-ish intro before taking off on a quick-paced thrill ride with Fortner backed beautifully by bassist Peter Washington and drummer Marcus Gilmore. From there, Fortner makes even more interesting song choices. Osvaldo Farres’ “Tres Palabras” sends shivers with an awesome solo by Washington; Donald Brown’s “Waltz For Monk” is quirky cool; Bill Lee’s “Never Again” shows Fortner’s love for getting inside a ballad; Consuela Lee’s “Discovery” packs in the drama and pianistic glitter; Clifford Brown’s “Daahoud” has Gilmore setting the tone with a tasteful, tight drum solo to kick off the piece; and Woody Shaw’s “The Organ Grinder” swings just right.

There’s one Fortner original on the set, “9 Bar Tune,” a Monkish tip of the cap that suits the program perfectly. Throughout, it’s amazing to listen to what this trio accomplishes: complex rhythms and chord changes, beautiful melodies and quirky “out” passages, all presented as if gliding on air. The album was recorded right after Fortner, Washington and Gilmore finished a week at the Village Vanguard in New York. So, the music was selected, rehearsed, minted and audience-approved before taking it into the studio. We’re lucky they did. It’s is a wonderful document of one of our true rising stars on the piano and a trio that refines its presentation with each live performance. Hopefully, they’ll tour.
https://www.jazzmusicarchives.com/forum/forum_posts.asp?TID=32157&title=sullivan-fortner-southern-nights-review

Southern Nights

Jo Stafford - Autumn In New York And Other Classics

Styles: Vocal
Year: 2010
File: MP3@320K/s
Time: 65:37
Size: 153,6 MB
Art: Front

(2:42)  1. Autumn In New York
(2:47)  2. Smoke Gets In Your Eyes
(2:57)  3. If I Loved You
(2:58)  4. Almost Like Being In Love
(2:27)  5. Make Believe
(2:39)  6. Through The Years
(3:10)  7. Sometimes I'm Happy
(2:48)  8. In The Still Of The Night
(3:12)  9. Some Enchanted Evening
(2:25) 10. The Best Things In Life Are Free
(2:42) 11. Just One Of Those Things
(2:46) 12. Haunted Heart
(2:54) 13. Alice Blue Gown
(2:33) 14. Tell Me Why
(2:40) 15. Let The Rest Of The World Go By
(2:44) 16. Gee, It's Good To Hold You
(2:35) 17. The Wish That I Wish Tonight
(2:51) 18. As Long As I Know You're Somewhere
(3:03) 19. Rockin' Chair
(3:02) 20. Georgia On My Mind
(2:49) 21. Dream - Edit
(3:13) 22. Jamboree Jones
(3:29) 23. Temptation (Tim-Tayshun) - 1949 Version

An early LP for Jo Stafford (and the LP format itself), 1950's Autumn in New York assembled a dozen standards set at ballad tempo and arranged with crying strings by Stafford's primary arranger (and husband), Paul Weston. Most of them were show tunes, some dating back to the '20s, and all seemed tailor-made for Stafford's sweet, pure tone and way with a lovelorn lyric. The title song and "Smoke Gets in Your Eyes" earned pride of place, but there simply wasn't a deficient tune in the bunch "Sometimes I'm Happy," "Some Enchanted Evening," "Just One of Those Things" and Stafford treated them all with the reverence and devotion they deserve. The LP was released in several formats, including a collection of 78-rpm EPs, while a 2009 reissue by DRG boasted 11 bonus tracks, including a few previously unreleased songs as well as a pair of big hits: "Jamboree Jones" (featuring Johnny Mercer) and "Tim-Tayshun (Temptation)" (Stafford's cornpone sendup of the Bing Crosby standard). ~ John Bush https://www.allmusic.com/album/autumn-in-new-york-mw0000814176

Autumn In New York And Other Classics

Judy Wexler - Crowded Heart

Styles: Vocal
Year: 2019
File: MP3@320K/s
Time: 47:49
Size: 110,8 MB
Art: Front

(4:40)  1. Circus Life
(5:00)  2. Parisian Heartbreak
(5:23)  3. Crowded Heart
(3:51)  4. Painted on Canvas
(4:45)  5. Stars
(4:55)  6. The Last Goodbye
(4:33)  7. Take My Breath Away
(4:17)  8. I Took Your Hand
(4:53)  9. It's Only Smoke
(5:27) 10. And We Will Fly

For her fifth album, Judy Wexler has embraced a concept that's oddly foreign in the jazz vocal realm. Instead of walking her way down the all-too-familiar avenues for singers classic Broadway-cum-jazz material, canonical works written by revered jazz figures, pop tunes reshaped with harmonic facelifts, self-penned originals she takes the road less traveled by focusing on the work of jazz composers thriving in the present. In doing so she magnifies the importance of these artists, highlights material worthy of greater attention, and elevates her own standing as a gifted stylist and interpreter. Wexler winds her way through this series of new jazz standards with comfort and ease, telling stories and shaping melodies with smarts and sophistication. Whether exploring love's various shades and shapes, peeling back the many layers of emotion in the human experience, moving deftly through simile and metaphor, or unpacking day-to-day life in all its turbulence, she remains a font of feeling and truth. Working closely with pianist Alan Pasqua, her longtime musical partner and co-producer/arranger on this project, Wexler manages to inhabit these songs and deal with them on her own terms while still remaining true to the source material. That's apparent right from the start, as she steps into a world of Luciana Souza's making for "Circus Life." The adrenaline rush and buoyancy of the original prove influential, but there's added weight and poignancy in Wexler's performance. She doesn't simply work from the mold here, and this performance is all the richer because of that fact. 

There are times and places where Wexler and Pasqua choose to create by ironing out some aspects of the model Gregory Porter's "Painted On Canvas," for example, is coolly paved in 4/4 here but they're just as quick to uncover or explore an illustrative wrinkle heretofore unseen. That point shows true and clear on "It's Only Smoke," a Larry Goldings original with lyrics penned by Cliff Goldmacher. Rather than wring sentiment from Goldmacher's pen, Wexler lets his words and Goldings' melody shine under the light of their inherent beauty. She reminds us that sometimes a song just needs to be appreciated, not mined. In choosing to explore the work of artists like Porter, Souza, Kurt Elling, and Rene Marie, Wexler shows a fondness for individualism and demonstrates a keen ear for strong material. That gift is not terribly surprising, given her sterling reputation and high standing in the vocal community, but it still deserves to be noted. ~ Dan Bilawsky https://www.allaboutjazz.com/crowded-heart-judy-wexler-jewel-city-jazz-review-by-dan-bilawsky.php

Personnel: Judy Wexler: vocals; Alan Pasqua: piano, melodica , whistling; Larry Koonse: guitar; Josh Johnson: alto saxophone; Bob Sheppard: alto flute; Stefanie Fife: cello; Darek Oles: bass; Steve Hass: drums; Aaron Serfaty: percussion.

Crowded Heart

Rebecca Kilgore - With Hal Smith's California Swing Cats

Bitrate: MP3@320K/s
Time: 65:03
Size: 148.9 MB
Styles: Jazz vocals
Year: 2015
Art: Front

[2:47] 1. With Plenty Of Money And You
[3:48] 2. 'deed I Do
[4:30] 3. Sleepy Time Down South
[2:40] 4. Swing, Brother, Swing
[3:51] 5. Georgia On My Mind
[4:13] 6. You
[3:59] 7. I Can't Believe That You're In Love With Me
[4:09] 8. Thou Swell
[4:30] 9. A Kiss To Build A Dream On
[2:43] 10. Piano Man
[4:32] 11. When My Dreamboat Comes Home
[4:03] 12. Drum Boogie
[3:57] 13. What A Little Moonlight Can Do
[5:08] 14. Sing, Sing, Sing
[3:12] 15. Pardon My Southern Accent
[3:30] 16. Cow Cow Boogie
[3:24] 17. La Vie En Rose

As an interpreter of classic American popular songs from the 1930s and 1940s, vocalist and guitarist Rebecca Kilgore helped revive the hits of yesterday for modern-era jazz audiences. Born in Waltham, MA, in 1949, she relocated to Portland, OR, at the age of 30, beginning her music career fronting an area swing band dubbed the Wholly Cats and recording a 1982 LP titled Doggin' Around. Following the group's 1984 breakup, she formed her own unit, the Rebecca Kilgore Quintet, which quickly emerged as a mainstay of the Northwest jazz scene, and in 1989, she released the cassette-only I Hear Music. Most of Kilgore's subsequent recordings were in conjunction with other performers: In 1990, she teamed with John Miller for Put on a Happy Face, and in 1993 appeared with Portland's Tall Jazz Trio on their Plays Winter Jazz disc. However, Kilgore's most fruitful collaborations were in conjunction with pianist Dave Frishberg; after teaming for 1993's Looking at You, they reunited a year later for I Saw Stars, followed in 1997 by Not a Care in the World and again in 2001 with The Starlit Hour. At the same time, Kilgore also fronted a '60s-style country band, Beck-a-Roo, and in 1994 contributed vocals to the score of the CBS animated special Tales From the Far Side, inspired by the popular Gary Larson comic strip. ~ bio by Jason Ankeny

With Hal Smith's California Swing Cats