Time: 48:03
Size: 110.0 MB
Styles: Afro-Cuban jazz
Year: 1991
Art: Front
[2:22] 1. Go Snow Go
[5:41] 2. L4 Cuero
[4:26] 3. Theres Nothing Like This
[4:39] 4. Havana Club
[7:30] 5. What The Hell's Going On
[6:39] 6. Mambo Tumbadora
[4:46] 7. Little Man (Machito)
[8:05] 8. The East Harlem Quickstep
[2:23] 9. The Sound Of The Berimbau
[1:28] 10. Toque Y Canto Para Dada
Alto Saxophone, Tenor Saxophone – Gary Plumley; Bass – Andres Lafone; Bongos, Drums [Okonkolo], Vocals – Dave Pattman; Congas, Producer – Snowboy; Drums, Timbales, Percussion [Itotele], Lead Vocals – Davide Giovannini; Piano [Fender Rhodes], Organ [Farfisa Compact Minor] – Neil Angilley; Trombone – Paul Taylor; Trumpet – Sid Gauld. Recorded at Goldust Studios, Bromley.
Musically this is nearer to the sound and direction I'd been looking for; specifically the 'Rhodes and Organ' sound on both Eddie and Charlie Palmieri's albums of the early 70's. We still use this sound currently. I still think 'What The Hell's Going On' and particularly 'The East Harlem Quickstep' are the best two tracks I've ever recorded. If there is a 'Snowboy sound' these represent it the closest.
I don't regret recording Omar's UK Soul classic 'Theres Nothing Like This', but I resent it being picked up and played on Smooth Jazz radio shows. I never intended this. The reviews were mixed for this album, although I loved it. A few people thought that the title had a bit of a right-wing thuggery connotation which is outrageous. In fact it was an expression used to explain my music. This was Joe De Jesus' last album with us. Joe joined Incognito. This was also keyboard virtuoso Neil Angilley's debut with us. Lastly, my intention was to overlap Berimbau over 'Dada' but I couldn't quite get the two rhythms - one Brazilian and one Afro Cuban - to fit.
Musically this is nearer to the sound and direction I'd been looking for; specifically the 'Rhodes and Organ' sound on both Eddie and Charlie Palmieri's albums of the early 70's. We still use this sound currently. I still think 'What The Hell's Going On' and particularly 'The East Harlem Quickstep' are the best two tracks I've ever recorded. If there is a 'Snowboy sound' these represent it the closest.
I don't regret recording Omar's UK Soul classic 'Theres Nothing Like This', but I resent it being picked up and played on Smooth Jazz radio shows. I never intended this. The reviews were mixed for this album, although I loved it. A few people thought that the title had a bit of a right-wing thuggery connotation which is outrageous. In fact it was an expression used to explain my music. This was Joe De Jesus' last album with us. Joe joined Incognito. This was also keyboard virtuoso Neil Angilley's debut with us. Lastly, my intention was to overlap Berimbau over 'Dada' but I couldn't quite get the two rhythms - one Brazilian and one Afro Cuban - to fit.
Pit-Bull Latin Jazz