Monday, September 7, 2015

Mose Allison - I've Been Doin' Some Thinkin'

Bitrate: MP3@320K/s
Time: 29:15
Size: 67.0 MB
Styles: Jazz blues vocals, Piano blues
Year: 1968/2005
Art: Front

[1:44] 1. Just Like Livin'
[3:38] 2. City Home
[2:47] 3. If You're Goin' To The City
[2:28] 4. Now You See It
[2:07] 5. You Are My Sunshine
[2:07] 6. Your Molecular Structure
[2:32] 7. Look What You Made Me Do
[2:14] 8. If You Really Loved Me
[2:40] 9. Everybody's Cryin' Mercy
[2:50] 10. Feel So Good
[1:57] 11. Let It Come Down
[2:05] 12. Back On The Corner

Three years had gone by between this release and the previous Mose Allison outing on Atlantic, perhaps giving the artist time to concoct some of the really tasty lyrics he came up with. The opening track, "Just Like Livin'," alternates between absurd satire and to-the-point cynicism in a way that is completely unique to Allison, although many other artists have tried to imitate it. How many songwriters can sum up life in less than two minutes, after all? There are many other highlights as well, including the memorable structure of "City Home" and a rococo reworking of "You Are My Sunshine" that might cause a riot at a wedding if played as a request. A peak perhaps not only of this album but the entire Allison career is the ballad "Everybody's Cryin' Mercy," as powerful an indictment of hypocrisy as has ever been recorded. Bassist Red Mitchell is on hand with his fat but easy to digest sound, and he seems to prompt Allison to play aggressively. Some of the piano solos sound like they were rendered with various martial arts techniques. ~Eugene Chadbourne

I've Been Doin' Some Thinkin'

Ana Gasteyer - I'm Hip

Bitrate: MP3@320K/s
Time: 36:20
Size: 83.2 MB
Styles: Vocal
Year: 2014
Art: Front

[2:34] 1. One Mint Julep
[3:12] 2. I'm Hip
[2:17] 3. Cheek To Cheek
[2:34] 4. Sister Kate
[3:22] 5. The Book Of Love
[2:47] 6. Crazy People
[2:58] 7. Shopping Around
[3:15] 8. A Proper Cup Of Coffee
[3:38] 9. (Theme From) Valley Of The Dolls
[3:49] 10. Before He Cheats
[2:17] 11. I Wantcha Around
[3:32] 12. Defying Gravity

Broadway and television star Ana Gasteyer released her new solo album "I'm Hip" Sept. 30, 2014 following a celebrated in concert album celebration at Joe's Pub Sept. 29.

Gasteyer is a series regular on the ABC Family show "Suburgatory" and has performed on Broadway as Elphaba in Wicked, in The Rocky Horror Show, Threepenny Opera and Royal Family. Comedienne, SNL alum and Broadway belter, Gasteyer's new album blends comedy and sensational vocals in 12 tracks.

Here's how Joe's Pub billed the album release concert, "From songs like "One Mint Julep" and "Proper Cup of Coffee" to a surprisingly smooth rendition of Carrie Underwood’s "Before He Cheats," Gasteyer’s saucy selections tell stories with humor, heartbreak...and just a little splash of soda. Her vibe recalls that of a time when entertainers truly entertained, an era when a broad could bring home the bacon, swing a set of sultry standards and still be a gracious hostess. Ana’s heroes are those fun-loving dames who downed a cocktail, donned a dress and fronted a band of dapper gents in sharp suits wielding shiny horns—think Barbara Stanwyck in 'Ball of Fire' as she captures Gary Cooper’s heart. And then breaks it."
- See more at: http://www.playbill.com/news/article/ana-gasteyer-says-im-hip-with-new-album-332211#sthash.GBaebhMQ.dpuf

I'm Hip

Clarence Clemons - A Night With Mr. C

Bitrate: MP3@320K/s
Time: 44:22
Size: 101.6 MB
Styles: R&B, Rap (!)
Year: 1989
Art: Front

[4:43] 1. Quarter To Three
[5:15] 2. Tonight You're Mine, Baby
[5:39] 3. Shotgun
[5:38] 4. The Man
[5:00] 5. Dance, Dance, Dance
[3:56] 6. Twistin' The Night Away
[5:27] 7. Big Blue
[3:34] 8. Cowboys And Indians
[5:05] 9. Forgiveness

As Bruce Springsteen`s right-hand man, Clemons sounds like the reincarnation of King Curtis. On his own, The Big Man needs to be reminded what he does best-play the saxophone. Apparently, a team of producers led by Narada Michael Walden aren`t the guys to do it. ``A Night`` won`t delight Springsteen aficionadoes looking for a dose of unadulterated R & B. Especially disappointing are flacid techno-funk versions of ``Quarter to Three`` (a longtime show closer for Springsteen), ``Shotgun`` and ``Twistin` the Night Away.`` Clemons does light a few sparks in a duet with Kim Carnes on ``Dance, Dance, Dance,`` and he enrolls in the Grover Washington Jr. School of Makeout Music on the sultry instrumental ``Forgiveness.`` But nowhere does Clemons really let it wail, and that`s a shame. ~Greg Kot

A Night With Mr. C

Sonny Stitt, Booker Ervin, Don Patterson - Soul People

Bitrate: MP3@320K/s
Time: 62:32
Size: 143.1 MB
Styles: Bop, Saxophone jazz
Year: 1993
Art: Front

[ 9:56] 1. Soul People
[ 8:54] 2. Sonny's Book
[ 9:58] 3. C Jam Blues
[11:14] 4. Medley: I Can't Get Started / The Masquerade Is Over
[10:11] 5. Flying Home
[ 4:24] 6. Tune-Up
[ 7:53] 7. There Will Never Be Another You

There are dozens of Sonny Stitt records available at any particular time; this CD reissue is one of the better ones. Mostly sticking to tenor, Stitt battles fellow tenor Booker Ervin with assistance from the fine organist Don Patterson and drummer Billy James on five selections and a ballad medley from 1964. Because both Stitt and Ervin always had very individual sounds, their tradeoffs are quite exciting and end up a draw. Among the "bonus" cuts of this CD are a feature for Patterson with a trio in 1966 ("There Will Never Be Another You") and a collaboration between Stitt, Patterson, James and guitarist Grant Green on a 1966 version of "Tune Up." Enjoyable and generally hard-swinging music. ~Scott Yanow

Soul People

Lisa Wahlandt & Mulo Francel - Bossa Nova Affair

Styles: Vocal And Saxophone Jazz
Year: 1998
File: MP3@320K/s
Time: 60:46
Size: 139,5 MB
Art: Front

(4:48)  1. Little Boat
(3:37)  2. O Meu Amor
(5:11)  3. As Everybody Sees I'm Oldfashioned
(5:38)  4. Você é Linda
(4:26)  5. Berimbau
(4:56)  6. Only Trust Your Heart
(3:57)  7. Soiree Mignonne
(5:06)  8. Un Homme et une Femme
(4:31)  9. Recado Bossa Nova
(4:13) 10. Greensleeves
(4:46) 11. Tu és a Flor
(6:14) 12. Senhor Gor
(3:18) 13. The Shadow of Your Smile

With swinging samba and sensitive bossa nova interpretations reminiscent of warm summer nights, warm summer rain, cold cocktails and the Brazil of the 60s, was kidnapped this music into a magical world of sound and color. The fabulously voice Lisa Wahlandts is ensnared charming of Mulo Francels extravagant saxophone playing. Bossanova Affair - the title of their new CD - dreamy and sensual, sometimes playful, full of desire and a touch of melancholy.

The first duo project by Lisa Wahlandt and saxophonist Mulo Francel after many years of collaboration with Mind Games is dedicated to here again the old love, the Bossa. That which is never boring, but the musicians provide outstanding (DD Lowka, Walter Lang, Rüdiger and Gerwin Eisenhauer, Christian Diener, Robert Wolf, etc.), especially the Wahlandt with her gentle voice precise and idiosyncratic selection. In addition to Bossa classics like "berimbau" or "Voce e linda" are traditionals like "Greensleeves", the theme song from "Un homme et une femme" by Francis Lai and original compositions of the two. Since (in Portuguese!) The distant and unattainable love sung "O meu amor", and Mulo Francel tailors Lisa the song "As everybody sees I'm oldfashioned" in the body. Warm Music for cold winter evenings by the fireplace.~ Ursula Gaisa, Jazzzeitung

.... This album is not only the 'Friendship of music styles' meant, but also between the princess's voice, Lisa Wahlandt, and her prince of rhythm, Mulo Francel. Of course, stands at the forefront of Wahlandt Combo; Her voice is straightforward, warm and extremely sensitive. In addition to "their fabulous Bossa Band" is her Francel as a saxophonist and arranger aside. 

Before such behind the instrument he convinces through imagination and enjoyment of the game. About the exemplary addition, some songs come from the hands of King children themselves ~ Jazzdimensions, Jan Lautenbach  Translate by google http://www.lisa-wahlandt.com/en/shop/bossa-nova-affair

Personnel:  Lisa Wahlandt vocal;  Mulo Francel tenor sax;  Robert Wolf guitar;  Robert Kainar percussion;  Walter Lang piano;  D. D. Lowka acoustic bass; Ruppert Stamm vibraphone; Andreas Hinterseher accordeon;  Borel de Sousa accordeon

Bossa Nova Affair

GRP All-Star Big Band - All Blues

Styles: Big Band
Year: 1995
File: MP3@320K/s
Time: 61:05
Size: 140,4 MB
Art: Front

(5:41)  1. Cookin' At the Continental
(5:16)  2. Stormy Monday
(7:38)  3. All Blues
(6:03)  4. Birk's Works
(5:19)  5. Goodbye Pork Pie Hat
(6:16)  6. Senor Blues
(5:31)  7. Blue Miles
(8:12)  8. Mysterioso/Ba-Lue Bolivar Ba-Lues-Are: Mysterioso
(3:46)  9. Some Other Blues
(7:19) 10. Aunt Hagar's Blues

When one considers the large number of great players who participated in this project (including trumpeters Arturo Sandoval, Randy Brecker and Chuck Findley, trombonist George Bohanon, the reeds of Eric Marienthal, Nelson Rangell, Tom Scott, Ernie Watts and Bob Mintzer, such keyboardists as Dave Grusin, Chick Corea, Ramsey Lewis and Russell Ferrante, bassist John Patitucci, drummer Dave Weckl, and guests B.B. King and tenor great Michael Brecker), the rather predictable results are a disappointment. With the exception of Chick Corea's recent "Blue Miles," this album could have been titled "Warhorses" due to the very familiar material. The arrangements by Michael Abene, Scott, Grusin, Mintzer and Ferrante contain no real surprises (other than some unexpected moments on "Misterioso"), and none of the solos are long enough to really build. 

There is a certain novelty in hearing some of the crossover players like Rangell, Scott and Lewis playing hard bop tunes such as "Birks Works," "Senor Blues" and "Cookin' at the Continental," but why waste B.B. King on yet another version of "Stormy Monday Blues?" ~ Scott Yanow http://www.allmusic.com/album/all-blues-mw0000124778

GRP All-Star Big Band: Eric Marienthal (alto & soprano saxophones), Nelson Rangell (alto & soprano saxophones, flute), Ernie Watts (tenor & soprano saxophones), Bob Mintzer (tenor & soprano saxophones, bass clarinet), Tom Scott (baritone, soprano & tenor saxophones), Arturo Sandoval, Randy Brecker, Chuck Findley (trumpet, flugelhorn), George Bohanon (trombone), Dave Grusin, Chick Corea, Ramsey Lewis (piano), Russel Ferrante (piano, Hammond B-3 organ), B.B. King (guitar, vocals), John Patitucci (acoustic & electric bass), Dave Weckl (drums).

All Blues

Clayton-Hamilton Jazz Orchestra - L.A. Treasures Project

Styles: Jazz, Big Band
Year: 2014
File: MP3@320K/s
Time: 63:29
Size: 145,9 MB
Art: Front

(3:21)  1. I Love Being Here with You
(3:56)  2. Exactly Like You
(5:02)  3. The Jug and I
(6:40)  4. Hat's Dance
(5:19)  5. I'm Getting Sentimental Over You
(3:47)  6. Got To Get Back To L.A.
(6:18)  7. Goodbye Porkpie Hat
(4:25)  8. River's Invitation
(3:19)  9. Beautiful Friendship
(7:14) 10. I Ain't Got Nothin' But the Blues
(4:53) 11. Time After Time
(4:36) 12. Fever
(4:34) 13. Jazz Party

For nearly thirty-years now the Grammy-nominated Clayton-Hamilton Jazz Orchestra (CHJO) has been easily recognizable as one of the best big bands in the business. Led by bassist John Clayton, saxophonist and brother Jeff Clayton and drummer Jeff Hamilton, the group embarked on a mission to document their various rehearsals with West Coast vocal legends Ernie Andrews and Barbara Morrison, and do so with The L.A. Treasures Project recorded live in the famous Showroom of Alva's Dance Studio and Music Store in San Pedro, California.  Presenting a mixture of instrumentals and vocal numbers, the opening "I Love Being Here With You" seemed an appropriate start and message for the intimate crowd in the Showroom and features excellent solos from each member of the trombone section. Having 20 recordings to her credit, Morrison steps up to lay down a soulful rendition of the Dorothy Fields classic "Exactly Like You" with a little solo help from Lee Callet on the baritone saxophone. The crisp vocals of local legend Andrews takes over the music with a bluesy and sprite interpretation of the Percy Mayfield standard "The Jug and I," superbly aided by the big band orchestrations of the CHJO.

Co-leader Hamilton and pianist Tamir Hendelman take center stage on their composition "Hat's Dance" with the duo playing the lead as the band grooves gently behind them in fine support for one of the tender moments of the disc. The Clayton brothers take their turn in the spot light on the Charles Mingus piece "Goodbye Porkpie Hat" as Jeff Clayton's bluesy alto flute begins the journey that eventually leads to brother John's bowed bass play in unison with Christoph Luty's own bass performance. The two singers get back to form with Andrews getting sentimental on the standard "I'm Getting Sentimental Over You," while the swinging Gospel vocalist Morrison belts the lyrics to "Got To Get Back To L.A.," one of her own compositions telling the world how she feels about the City. Morrison delivers the lyrics on "River's Invitation" and the classic "Fever" as the veteran Andrews does the same on "Beautiful Friendship" and the Sammy Cahn favorite "Time After Time" completing their vocal contribution to this historic night but, the CHJO was not finished. The ensemble plays a powerful opening statement on "I Ain't Got Nothin' But The Blues" only to turn it over to the electric guitar of Graham Dechter as he picks his way all through this terrific blues. In fitting form the CHJO ends the evening with "Jazz Party" elevating the excitement level with salvos fired by saxophonists Rickey Woodard and Charles Owens accompanied by one final pounding drum solo by Hamilton. 

It's obvious that The L.A. Treasures Project refers to singers Andrews and Morrison but, not to be overlooked, is the CHJO, an unquestioned treasure that this time delivers a meaty program of standards and mainstream jazz with a vocal twist perfect as a precursor to the group's thirtieth anniversary in 2015. ~ Edward Blanco http://www.allaboutjazz.com/the-la-treasures-project-the-clayton-hamilton-jazz-orchestra-capri-records-ltd-review-by-edward-blanco.php

Personnel: John Clayton: arco bass, Jeff Clayton: alto saxophone; Jeff Hamilton: drums; Bijon Watson: trumpet; Gilbert Castellanos: trumpet; James Ford: trumpet; Brian Swartz: trumpet; Jamie Hovorka: trumpet; Ira Nepus: trombone; George Bohanon: trombone; Ryan Porter: trombone; Maurice Spears: trombone; Keith Fiddmont: alto saxophone; Ricky Woodard: tenor saxophone; Charles Owens: tenor saxophone; Lee Callet: baritone saxophone; Tamir Hendelman: piano; Christopher Luty: bass; Graham Dechter: electric guitar; Ernie Andrews: vocals; Barbara Morrison: vocals.

L.A. Treasures Project

Denver Brass - Hot Hot Hot

Styles: Chamber Music
Year: 2012
File: MP3@320K/s
Time: 74:36
Size: 171,5 MB
Art: Front

(3:25)  1. Fanfare for the New
(4:55)  2. Malaguena
(4:02)  3. Libertango
(9:23)  4. Danzon No. 2
(3:06)  5. Manteca
(5:23)  6. La Sangre Derremada/España Cañi
(3:37)  7. Coyote Angel
(3:17)  8. Milagro
(2:28)  9. Fiesta
(5:07) 10. Besame Mucho
(3:47) 11. Hot, Hot, Hot!
(5:57) 12. Circular Illogic
(4:32) 13. Woodbrook Jam
(3:42) 14. Picadillo
(4:39) 15. Duerme Negrito
(3:14) 16. Que Rico El Mambo
(3:54) 17. "Danza Final" from Estancia

The Denver Brass was founded in 1981 by Kathy and Chuck Brantigan, as an all-new, one-of-a-kind brass chamber ensemble which would be in the forefront of performance, entertainment, commissions and education.  Today, The Denver Brass is an elite ensemble recognized throughout the U.S. and the world as one of the premier ensembles of its kind setting itself apart through its sound, original repertoire, recordings and concert productions.  With 14 world-class musicians, the Denver Brass performs its own original compositions and arrangements and reaches 60,000+ persons annually through more than 150 concerts and outreach services.  The ensemble has more than 30 recordings and is heard daily on radio stations throughout the world.The Denver Brass works diligently and methodically to increase outreach and exposure, not just to be heard or appreciated, but to provide inspiration, pleasure, and sustenance to as many people as possible.

The trademark sound of The Denver Brass features a dazzling array of more than 13 distinct brass instruments plus percussion, utilizing mutes, technique and sound expertise to produce a rainbow of sound phenomena - not a band, not an orchestra, an entirely new sound.  Originally a classically-oriented ensemble, today’s Denver Brass features a musical palate as diverse as the culture of the western US to present a sound experience that makes an impression long past the final chord of the concert.  People from every background find inspiration in diverse programming classical, jazz, Broadway, Latin, multi-cultural fusions, and new sound sensations created by brass with bagpipes, steel drums, hand-bells, fiddles, voices, and a variety of distinguished soloists. “Shows,” instead of “concerts,” are carefully designed to enhance the listening experience through strong concert themes and story lines, character hosts, guests from a wide variety of artistic genre, and theatrical lighting, staging, and multi-media techniques.

The Denver Brass is also unique in the world for its cohesive and enthusiastic team.  Musicians are selected not only for exceptional technical and creative skills, but also for their integrity, dedication to community, and support of fellow musicians and mission. In addition to remarkable musicians, the Denver Brass team boasts a creative and resourceful staff, forward-thinking Board, large and dedicated volunteer core, and creative artists engaged in new music composition, story line, choreography, and state-of-the art lighting and staging.  The Denver Brass received the Mayor’s Award for Excellence in the Arts in 2008. http://www.denverbrass.org/about/who-we-are.htm

Hot Hot Hot

Gordon Goodwin's Big Phat Band - Swingin' For The Fence

Styles: Big Band
Year: 2001
File: MP3@320K/s
Time: 59:50
Size: 137,5 MB
Art: Front

(5:33)  1. Sing Sang Sung
(7:31)  2. Count Bubba
(6:56)  3. Samba Del Gringo
(7:48)  4. Bach 2 Part Invention in D Minor
(5:47)  5. I Remember
(5:06)  6. Swingin' For the Fences
(4:48)  7. Mueva los Huesos
(5:03)  8. Second Chances
(5:43)  9. There's the Rub
(5:30) 10. A Few Good Men

To carry the baseball metaphor a step further, the hard hitting Big Phat Band not only swings for the fences on skipper Gordon Goodwin’s dynamic new album, it slams almost every fastball or curve thrown its way well beyond the fence and out of the park. And even when the ensemble misses, it does so by no more than a whisker. From this vantage point the first eight tracks are towering home runs, while the last two are solidly struck triples that barely miss clearing the center field wall (others may deem them round–trippers as well). The charts, all of which are Goodwin’s, shine, sizzle and (for the most part) satisfy, and his talent laden ensemble rips into them like scavengers sundering a fresh carcass. As a result, everything swings, even J.S. Bach’s “Two Part Invention in D Minor” or perhaps we should say, especially Bach’s “Two Part Invention,” as it is one of the more high powered selections on offer (and the competition in that arena is indeed formidable).

The Big Phat Band takes dead aim at Goodwin’s opening delivery, “Sing Sang Sung,” a stylish update of the Louis Prima classic that helped make Benny Goodman a household name back in ’38, and crushes it out of sight, thanks to razor sharp ensemble work, superb drumming by Bernie Dresel and breathtaking solos by guest artists Eddie Daniels and Arturo Sandoval. That sets the tone for the rest of the date, as the band romps through eight more originals by Goodwin and the other by Johann Sebastian. To his credit, Goodwin waits until the last two tracks to get funky with “There’s the Rub” and “A Few Good Men.” They’re not bad, but as noted earlier, no more than triples on this reviewer’s scorecard. But hey, even Mark McGuire or Sammy Sosa would do almost anything short of sacrificing his first–born to hammer eight round–trippers in ten trips to the plate, and Goodwin has ample reason to be pleased with Swingin’ for the Fences. The other barn burners are “Count Bubba,” “Samba del Gringo,” “Mueva Los Huesos” and, of course, “Swingin’ for the Fences," while moments of repose are the rule on "I Remember" and "Second Chances." Daniels solos again on "Two-Part Invention," Sandoval on "Mueva Los Hesos." Goodwin has invited no less than three talented alto soloists to sit in Dan Higgins ("Count Bubba," "I Remember"), Brandon Fields ("Samba del Gringo," "There's the Rub") and Eric Marienthal ("Swingin' for the Fences," "Mueva Los Hesos"). 

Guitarist Carl Verheyen picks, scrapes and wails on "A Few Good Men." Goodwin solos twice on tenor, once each on piano ("I Remember") and soprano ("Second Chances"), while trombonist Andy Martin and pianist Tom Ranier are heard on "Swingin' for the Fences," Martin again on "Samba del Gringo," and pianist Jim Cox (uncredited) on "Two-Part Invention." Goodwin says he loves big bands, an avowal that's easy to believe when listening to Swingin' for the Fences, which resonates with high spirits and abiding love for an oft-maligned but enormously creative and pleasurable art form. Goodwin and his Big Phat murderer's row have won the pennant and the Series with this album. ~ Jack Bowers http://www.allaboutjazz.com/swingin-for-the-fences-gordon-goodwin-review-by-jack-bowers.php

Personnel: Gordon Goodwin (woodwinds, soprano saxophone, alto saxophone, piano); Grant Geissman, James Harrah, Carl Verheyen (guitar); Dan Higgins (woodwinds, tenor saxophone); Sal Lozano, Greg Huckins, Bill Liston (woodwinds); Eric Marienthal (alto saxophone, horns); Brandon Fields (alto saxophone); Dan Savant, Gary Grant, Jerry Hey, Larry Hall , Wayne Bergeron, Dennis Farias, Arturo Sandoval (trumpet); Alex Iles, Steven Holtman, Bill Ricenbach, Andy Martin , Craig Ware, William Frank "Bill" Reichenbach Jr. (trombone); Jim Cox, John Pena, Tom Ranier (piano); Dave Stone (acoustic bass); Bernie Dresel (drums, percussion); Gregg Bissonette (drums); Luis Conte (percussion).

Swingin' For The Fence