Sunday, November 29, 2015

Bud Shank - California Dreamin'

Styles: Flute Jazz
Year: 1966
File: MP3@320K/s
Time: 32:03
Size: 75,5 MB
Art: Front

(2:31)  1. California Dreamin'
(2:58)  2. Imprevu
(2:28)  3. Listen People
(2:52)  4. What The World Needs Now Is Love
(3:03)  5. In Times Like These
(2:37)  6. Norwegian Wood (The Bird Has Flown)
(2:23)  7. Woman
(2:28)  8. Monday, Monday
(3:03)  9. Daydream
(2:41) 10. Gotta Go
(2:42) 11. The End Of The World
(2:12) 12. Husbands & Wives

Bud Shank has been an integral member of the international jazz scene for 60 years. A respected saxophonist, composer, and arranger, his soaring dynamic performances have enlivened countless concerts, festivals, nightclubs, and recording sessions. Shank first came to prominence in the big bands of Charlie Barnet and Stan Kenton during the late 1940s. In the 1950s the saxophonist began a long tenure with Howard Rumsey's Lighthouse All Stars, as well as work with his own quartet. A charter member of the "West Coast" jazz movement, Shank's cool but always strongly swinging sound has made him one of a handful of sax players with an instantly recognizable and always exciting sound. In addition to club and concert dates this period found the musician producing some 50 diverse albums.

During the next two decades Shank augmented his club, university, and festival appearances with a healthy amount of studio work. A first call alto sax and flute player, he was a four-time winner of the coveted Most Valuable Player award from the National Academy of Recording Arts and Sciences (NARAS). In the 1970s and 80s Shank joined with Ray Brown, Jeff Hamilton, and Laurindo Almeida to form the world-renowned LA Four, who recorded and toured extensively through the decade. Shank helped to popularize both Latin-flavored and chamber jazz music, and as a musician's musician also performed with orchestras as diverse as the Royal Philharmonic, the New American Orchestra, the Gerald Wilson Big Band, Stan Kenton's Neophonic Orchestra, and the legendary Duke Ellington.

In the 1990s Shank continued to grow and explore, creating the multi-media jazz performance, "The Lost Cathedral," expanding the Bud Shank Jazz Workshop and Jazz Southwest Festival in Albuquerque, and touring with his quartet and sextet. Both bands feature exemplary writing, tight and fiery playing, and a joyous sense of collaboration. Today, Bud Shank juggles a packed schedule of touring, festivals, and teaching combined with select major club performances and time set aside for composing and arranging. He is in demand as a clinician, and is available in a duo, as leader of his own quartet and sextet, and as a feature soloist with orchestra or big band, or with all star groups. With over 60 years as a professional jazz musician, Bud Shank has more than earned his status as a legend.  http://www.budshankalto.com/Bio.html

Personnel:  Bud Shank - Flute, Alto Saxophone Chet Baker - Trumpet.

California Dreamin'

Don Lanphere Quintet - Stop

Styles: Saxophone Jazz
Year: 1986
File: MP3@320K/s
Time: 55:13
Size: 127,3 MB
Art: Front

(4:24)  1. New U.S. Moon
(3:59)  2. Stop
(6:14)  3. Body And Soul
(8:16)  4. A.L.C.
(5:19)  5. I Heard You Cry Last Night
(5:01)  6. Avalon
(5:08)  7. There's No You
(4:18)  8. The Preacher
(4:38)  9. Laura
(7:52) 10. Still Will

An excellent all-around set by Don Lanphere (who doubles on tenor and soprano), this release from the Scottish Hep label features Lanphere in several settings. He performs four numbers, including "There's No You" and "The Preacher," in a quintet with trumpeter Jon Pugh, pianist Marc Seales, bassist Chuck Deardorf and drummer Dean Hodges; he explores "Body and Soul" with the same group (without Pugh); he takes "Laura" as a spontaneous duet with bassist Deardorf, and teams up with Pugh on two other straight-ahead originals in a different quintet with pianist Don Friedman. No matter what the setting, the underrated Don Lanphere is heard throughout in top form. ~ Scott Yanow  http://www.allmusic.com/album/stop-mw0000246725

Personnel: Don Lanphere (soprano saxophone, tenor saxophone); Marc Seales (piano); Chuck Deardorf (acoustic bass, electric bass); Dean Hodges (drums); Jonathan Pugh (trumpet).

Stop

Trisha O'Brien - They Say It's Wonderful

Styles: Jazz, Vocal
Year: 2003
File: MP3@320K/s
Time: 74:13
Size: 170,8 MB
Art: Front

(3:27)  1. Where Or When
(3:50)  2. Crazy He Calls Me
(3:53)  3. On The Street Where You Live
(4:16)  4. They Say It's Wonderful
(6:11)  5. Les Feuilles Mortes (Autumn Leaves)
(2:44)  6. Let's Fall In Love
(5:04)  7. I've Grown Accustomed To His Face
(5:24)  8. Am I Blue
(5:02)  9. Like A Lover
(3:19) 10. Loverman (Oh, Where Can You Be?)
(4:46) 11. Dindi
(4:58) 12. I Wish You Love
(4:25) 13. Bewitched, Bothered, Bewildered
(6:22) 14. But Beautiful
(3:22) 15. Guess Who I Saw Today
(3:18) 16. Falling In Love Again
(3:41) 17. Smile

Trisha O'Brien is a vocalist and interpreter of classic jazz standards from the Great American Songbook. Her passion for music comes through in her heartfelt interpreations of love songs. ~ Editorial Reviews  http://www.amazon.com/They-Say-Wonderful-Trisha-OBrien/dp/B0009AD3TG

They Say It's Wonderful

Clarence Penn - Play-Penn

Styles: Straight-ahead/Mainstream
Year: 2001
File: MP3@320K/s
Time: 67:28
Size: 154,8 MB
Art: Front

( 6:59)  1. Teo
( 5:05)  2. Grace-Ann
( 9:42)  3. You Must Believe in Spring
( 6:37)  4. Blues for Paris
( 6:13)  5. The Charm
( 5:09)  6. Consistent-Seay
( 8:28)  7. Red Alert
( 8:45)  8. Essence
(10:26)  9. Preston's Theme

Change is a necessary factor in the musical development of jazz musicians and listeners. It's the fuel for the creative process that expands the boundaries for this thing we call jazz music. Clarence Penn's 1997 debut recording Penn's Landing, won him critical acclaim in many jazz circles. The essence of that recording highlighted an immensely talented drummer who displayed deep skills in musical composition,arrangement, and musicianship. Penn's group for that session featured a piano-less quartet that was in many cases more creative and tight than most typical jazz ensemble with keys. The piano was not missed at all. In fact, it was a refreshing change that in many aspects allowed more freedom. The extremely talented musicians for that session were trumpeter John Swana, Ron Blake on sax, and Rodney Whitaker on bass. The recording featured a heavy swing and post bop orientation with tight arrangements that transcended the typical jazz quartet. Mr. Penn has been changing in one form or another throughout his musical career, whether playing with the Detroit Civic Symphony, to touring and recording with jazz statesmen such as Makoto Ozone, Michael Brecker, or Dave Douglas.

For the new recording, Penn expresses himself even further with the same musicians on his debut, but with a lighter feel. This is jazz that can't be easily classified into a particular category. There are various traces of many influences e.g. Monk, Coltrane, Elvin Jones, and Mingus, but Penn propels his own voice cloud and clear. Penn also added new flavor with the addition of notable European guitarist Jesse Van Ruller whose hollow body expertise sparked new texture to the already talented group. Selections such as Monk's timeless "Teo" are given Penn's personal stamp as well as more mellow selections like the dreamy cut, "The Charm". The musicians are all up to the challenge of change. Swana on trumpet is as smooth and free as ever and contributes one of the session's most aggressive selections, "Red Alert". Rodney Whitaker is one of today's top bassists and shines thought out the recording giving choice solos as well. Ron Blake is a killer saxophonist who displays great depth and soul throughout the recording. Jesse Van Ruller, a Thelonious Monk Competition guitar winner; swings, grooves, and flows throughout the session with skill and talent which shows why he won the prestigious award. Clarence Penn shows exceptional skills that are still evolving. The evidence of Penn's talent is displayed throughout the recording with great aplomb. Intricate solos, exquisite rhythms, percussive exploits, and tender brush strokes showcase the multifaceted Penn. The listener is treated to a musician who adapts to change in a creative way. It will be interesting to see what changes are in store from the ever changing skills of Clarence Penn. Recommended. ~ Mark F.Turner  http://www.allaboutjazz.com/play-penn-clarence-penn-criss-cross-review-by-mark-f-turner.php

Personnel: Clarence Penn (drums); Ron Blake (tenor saxophone); John Swana (trumpet); Jesse Van Ruller (guitar); Rodney Whitaker (bass).

Play-Penn