Wednesday, September 1, 2021

Ruby Braff Trio - Me, Myself And I

Styles: Cornet Jazz
Year: 1988
File: MP3@224K/s
Time: 51:28
Size: 83,1 MB
Art: Front

(4:39) 1. Muskrat Ramble
(3:34) 2. Let Me Sing And I'm Happy
(4:10) 3. You've Changed
(4:10) 4. You're A Lucky Guy
(5:01) 5. Honey
(2:43) 6. No One Else But You
(3:21) 7. Me, Myself And I
(4:52) 8. Dream Dancing
(3:20) 9. When You're Smiling
(4:12) 10. When I Fall In Love
(4:32) 11. Swan Lake
(3:16) 12. That's My Home
(3:34) 13. Jubilee

Although often overlooked in popularity polls, cornetist Ruby Braff during the 1980s and '90s recorded many classics and near-classics. For this trio set with guitarist Howard Alden and bassist Jack Lesberg, Braff's repertoire ranges from the dixieland tunes "Muskrat Ramble" and "When You're Smiling" to superior popular numbers such as "You've Changed," "When I Fall in Love" and "You're a Lucky Guy." As usual he brings an individual sound, swing, melodic creativity and passion to each of his improvisations.~ Scott Yanow https://www.allmusic.com/album/me-myself-i-mw0000204639

Personnel: Cornet – Ruby Braff; Bass – Jack Lesberg; Guitar – Howard Alden

Me, Myself And I

Ralph Sutton - I Let A Song Go Out Of My Heart

Styles: Piano Jazz
Year: 2015
File: MP3@320K/s
Time: 49:12
Size: 113,4 MB
Art: Front

(8:02)  1. If I Could Be with You, Jitterbug Waltz, Say Yes, Slightly Less Than Wonderful
(3:07)  2. Morning Air
(7:48)  3. St. Louis Blues
(2:17)  4. I've Got The World On A String
(4:17)  5. Shine
(2:55)  6. Honky Tonk Train Blues
(4:30)  7. Old Fashioned Love
(2:46)  8. Handful Of Keys
(2:16)  9. Ain't Nobody's Business If I Do
(4:46) 10. I'm Gonna Sit Right Down And Write Myself A Letter
(6:23) 11. I Got Rhythm

Ralph Sutton was the greatest stride pianist to emerge since World War II, with his only close competitors being the late Dick Wellstood and the very versatile Dick Hyman. Nearly alone in his generation, Sutton kept alive the piano styles of Fats Waller and James P. Johnson, not as mere museum pieces but as devices for exciting improvisations. Although sticking within the boundaries of his predecessors, Sutton infused the music with his own personality; few could match his powerful left hand. Ralph Sutton played with Jack Teagarden's big band briefly in 1942 before serving in the Army. 

After World War II he appeared regularly on Rudi Blesh's This Is Jazz radio show and spent eight years as the intermission pianist at Eddie Condon's club, recording frequently. He spent time playing in San Francisco, worked for Bob Scobey, moved to Aspen in the mid-'60s, and became an original member of the World's Greatest Jazz Band with Yank Lawson, Bob Haggart, and Bud Freeman. In the 1970s, he recorded many exciting albums for the Chaz label and then cut albums for quite a few labels. Despite suffering a stroke in the early '90s, Sutton kept a busy schedule through the mid-'90s, playing at jazz parties and festivals. He died suddenly on December 29, 2001, in his car outside a restaurant in Evergreen, CO. Although he would have received much greater fame if he had been born 20 years earlier and come to maturity during the 1930s rather than the 1950s, at the time of his death it was obvious that Ralph Sutton had earned his place among the top classic jazz pianists of all time. ~ Scott Yanow  https://itunes.apple.com/us/artist/ralph-sutton/id1579569#fullText

I Let A Song Go Out Of My Heart

Clayton-Hamilton Jazz Orchestra - Groove Shop

Styles: Jazz, Big Band
Year: 1990
File: MP3@320K/s
Time: 52:07
Size: 119,9 MB
Art: Front

(3:20)  1. Georgia
(5:35)  2. Rain Check
(3:31) 3. 'Tain't What You Do (It's the Way That You Do It)
(5:27)  4. Brush This
(3:30)  5. How Great Thou Art
(5:48)  6. Groove Shop
(6:06)  7. Sashay
(5:34)  8. Melt Away/A Time for Love: Melt Away / A Time For Love
(3:22)  9. I Won't Dance
(9:52) 10. Night Train

This Capri CD was the debut of the Clayton-Hamilton Orchestra, a notable L.A.-based big band co-led by bassist John Clayton, altoist Jeff Clayton, and drummer Jeff Hamilton. The 18-piece group has many top soloists, most notably the three co-leaders; tenor saxophonist Rickey Woodard; trumpeters Snooky Young, Clay Jenkins, and Oscar Brashear; and trombonist George Bohanon. However, it is the arrangements of John Clayton that give the orchestra its own sound. Highlights include "Raincheck," Young's vocal and trumpet feature on "T'Aint What You Do," Hamilton's showcase on "Brush This," Oscar Brashear's "Sashay" (which has a Clayton chart that recalls Thad Jones), and "Night Train." Highly recommended. ~ Scott Yanow  http://www.allmusic.com/album/groove-shop-mw0000273728

Clayton-Hamilton Jazz Orchestra: Jeff Clayton (soprano & alto saxophones, flute, oboe); John Clayton (acoustic bass); Jeff Hamilton (drums); Bill Green (alto saxophone, clarinet, flute); Ricky Woodard, Bob Hardaway (tenor saxophone, clarinet); Lee Callet (baritone saxophone, bass clarinet); Bobby Bryant, Snooky Young, Oscar Brashear, Clay Jenkins (trumpet, flugelhorn); George Bohanon, Ira Nepus, Thurman Green (trombone); Maurice Spears (bass trombone); Mike Lang (piano); Doug MacDonald (guitar); Herb Mickman (acoustic bass).

Groove Shop

Alan Broadbent - Broadbent plays Brubeck

Styles: Piano Jazz
File: MP3@320K/s
Time: 62:47
Size: 144,6 MB
Art: Front

(6:00) 1. The Duke
(4:58) 2. One Moment Worth Years
(5:09) 3. Bossa Nova USA
(5:56) 4. Summer Song (feat. London Metropolitan Strings)
(4:55) 5. Blue Rondo A La Turk (feat. London Metropolitan Strings)
(7:20) 6. Strange Meadowlark (feat. London Metropolitan Strings)
(7:48) 7. In Your Own Sweet Way (feat. London Metropolitan Strings)
(4:58) 8. Weep No More (feat. London Metropolitan Strings)
(5:40) 9. When I Was Young (feat. London Metropolitan Strings)
(5:39) 10. Theme for June
(4:21) 11. Home at Last

In 1961 when Alan was 14 he found Howard Brubeck’s transcriptions, in two volumes, of Dave Brubeck’s solo album “Brubeck plays Brubeck” in a music store in Auckland, New Zealand. By this time he was aware of Dave Brubeck as “Take 5” was the rage on the radio, even in the then remote corner of the world where Alan lived. He had no idea how the music was supposed to be played, having no reference to Dave’s LP, which was impossible to find anyway. So being a good sight reader, Alan began to play the pieces as written, without any knowledge of, or feeling for, jazz rhythm. From the first pages, beginning with “The Duke”, to the last, “Swing Bells”, Alan was enthralled with the harmony and melodies. He had never heard such rich and beautiful chord progressions before. So he played his heart out, lingering over passages, savoring a chord here, dwelling on a bar there, finding meaning and expression in the music that Dave probably didn’t know was there. In fact, many years later, before the youtube encyclopedia of music, Broadbent finally got his hands on an old, well-worn, LP and was surprised, shocked really, at how Dave would nonchalantly rush through a bar that he had had a religious experience with.

Then Alan found the music to “Strange Meadowlark” and others that he has included in “Broadbent plays Brubeck”, as well as one by Dave’s brother, Howard; a tribute to him and his hard work (without the aid of digital devices!) that enabled that young fellow down under to revel in the music. Alan Broadbent has sought, in his arrangements, to recreate those feelings about these pieces that have never left him in all these years and to offer another dimension to them through the expressiveness of the peerless musicians of The London Metropolitan String Orchestra. Again “Broadbent plays Brubeck” is a dream come true album for 2-time Grammy Award winner Alan Broadbent, much like Alan’s earlier Album „Developing Story“. Long time partner and close friend Ralf Kemper, a Grammy winning producer, invited Alan again to record „Broadbent plays Brubeck“ at Abbey Road Studios in London. Alan accepted and the recording took place in 2018 at the famous Abbey Road Studio 2. Alan recorded the piano part a little later at Ralf’s Riverside Studios Cologne in Germany.

Alan has received 14 Grammy Award nominations and won 2 Grammy Awards for “Best Orchestral Arrangement Accompanying a Vocal", one for Natalie Cole and one for Shirley Horn. He was nominated for "Best Improvised Jazz Solo" alongside Keith Jarrett, Herbie Hancock and Wayne Shorter. Alan has arranged and conducted for Sir Paul McCartney, Diana Krall, Pat Metheny, Linda Ronstadt, Michael Bublé and many more.

The London Metropolitan Orchestra is one of the best symphonic orchestras in London and is regularly booked by major Hollywood studios and record companies, including live performances with artists such as Paul McCartney, U2, Eric Clapton, Annie Lennox, Sting, Bryan Adams, Quincy Jones, Pink Floyd, Jon Bon Jovi, Vangelis, Simply Red, Pet Shop Boys etc. Ralf Kemper shares mixing and mastering credits with Jonathan Allen. In 2013 Jonathan won the BAFTA Sound Award for the recording and mixing of the movie "Les Misérables". He recently also recorded for Gregory Porter and Eliane Elias. The producer, Ralf Kemper, is himself a Grammy Award winner in 2010 for Best Instrumental Record and Best Producer Of The Year at the Latin Grammys for Arturo Sandoval’s “A Time For Love". His film “Jimmy Scott: I Go Back Home“ premiered at the prestigious SXSW festival, was introduced by Quincy Jones at the 50th Montreux Jazz Festival and has won several awards at international film festivals. All songs composed by Dave Brubeck except „Theme for June“, composed by Howard Brubeck https://riverside-studios-cologne.com/news/detail/broadbent-plays-brubeck

Alan Broadbent – arranger, conductor & piano; Harvie S – bass; Hans Dekker – drums; David Juritz – Concertmaster and Solo Violin on "Strange Meadowlark"; London Metropolitan Strings

Broadbent plays Brubeck