Tuesday, October 23, 2018

Brandon Wright - Boiling Point

Styles: Saxophone Jazz 
Year: 2010
File: MP3@320K/s
Time: 55:18
Size: 134,7 MB
Art: Front

(6:40)  1. Free Man
(5:37)  2. Drift
(7:59)  3. Odd Man Out
(5:58)  4. Boiling Point
(8:00)  5. Here's That Rainy Day
(9:15)  6. Castaway
(5:12)  7. Interstate Love Song
(6:31)  8. You're My Everything

The word tenor, in Latin, refers to "a continuous holding to a course," and tenor saxophonist Brandon Wright does just that on Boiling Point. Whether Wright is engaging in a musical boxing match with trumpeter Alex Sipiagin or crooning over pianist David Kikoski on an established ballad, he always seems to maintain a consistent musical presence that transcends tempo, feel and style. Perhaps it's his tone, which is big but not too brash and attractive, yet far from smooth, that ties it altogether. Regardless of what it is, Wright makes it work across these eight tracks.  Of course, some of the credit must also go to the rest of the band. Bassist Hans Glawischnig is the rock at the center of it all, making sure that everything lines up and is held together in just the right way. Drummer Matt Wilson, one of the most creative and enjoyable forces on the jazz scene today, has the rare ability to be fully interactive, while also maintaining his role as a key rhythmic element that locks in the time for the rest of the band. Kikoski occasionally shows a fondness for McCoy Tyner's piano playing in his own sound, but he isn't nearly as percussive as Tyner often was on his classic recordings. He also happens to have tremendous range as an artist and an incredible touch on the piano. Sipiagin is the perfect frontline partner for Wright and he finds a good balance between bold and controlled. He creates some musical fireworks on Wright originals like "Odd Man Out" and "Castaway" but he can also turn it down a few notches for gentler material. While the aforementioned "Castaway" and the title track demonstrate Wright's ability to write and play in a more aggressive manner, he works equally well in a more relaxed setting. His "Drift" sounds like it could have been an outtake from Herbie Hancock's Maiden Voyage (Blue Note, 1965) and his performance on "Here's That Rainy Day" is soothing and refined. His tone takes on a velvet-like quality here as he gently glides over Kikoski's piano. While his playing often heats up the material on this album, it's Brandon Wright's ability to go from cool to hot and everything in between that proves to be his greatest strength on Boiling Point. ~ Dan Bilawsky https://www.allaboutjazz.com/boiling-point-brandon-wright-posi-tone-records-review-by-dan-bilawsky.php

Personnel:  Brandon Wright: tenor saxophone;  Alex Sipiagin: trumpet;  David Kikoski: piano;  Hans Glawischnig: bass;  Matt Wilson: drums.

Boiling Point

Billy Larkin & The Delegates - Ain't That A Groove!

Styles: Jazz, Pòst Bop
Year: 1966
File: MP3@320K/s
Time: 36:06
Size: 84,3 MB
Art: Front

(2:30)  1. Don't Mess With Bill
(2:24)  2. Playboy Theme
(2:21)  3. Tarantula
(3:56)  4. Soul Sister
(2:49)  5. Goin' Out Of My Head
(3:27)  6. Willow Weep For Me
(2:43)  7. Ain't That A Groove
(3:33)  8. G'won Train
(5:41)  9. Where Did The Blues Go
(4:29) 10. Puget Sound
(2:07) 11. Ain't Gonna Move

One of the greatest records ever cut by organist Billy Larkin  lean, mean batch of soul jazz instrumentals, recorded with the Delegates combo, featuring tenor work by a young Fats Theus! The tracks are short tight jazz dancers with a mixture of stepping grooves and some more full on rhythmic modes  and titles include "Tarantula", "Soul Sister", "Playboy Theme", "Puget Sound", "Gwon Train", "Ain't That A Groove", "Ain't Gonna Move", and "Goin Out Of My Head"! One of his great ones and darn hard to find! (Black label World Pacific pressing with deep groove. Cover has some marker & minor seam splitting.)  © 1996-2018, Dusty Groove, Inc. https://www.dustygroove.com/item/8772/Billy-Larkin-The-Delegates:Ain%27t-That-A-Groove

Personnel:  Billy Larkin - organ;  James “Fats” Theus - tenor sax;  Jimmy Daniels - guitar;  Jessie Kilpatrick - drums

Ain't That A Groove!

Eric Dolphy - Muses

Styles: Clarinet, Saxophone Jazz
Year: 2013
File: MP3@320K/s
Time: 37:22
Size: 86,1 MB
Art: Front

(12:07)  1. Alone Together
( 8:48)  2. Muses
( 8:27)  3. Iron Man
( 3:39)  4. Love Me
( 4:18)  5. Mandrake

Undelivered collection of waiting Douglas session. Anyway, attention is the duo with Richard Davis by bus clarinet , which is another take of the world first debut title drama "Muses" and "Alone Together" by world clarinet . (In addition, I imagined another take of "Iron Man" "Love Me" " Mandrake " and I imagined it actually, as you can imagine, the sound quality is not good).  First of all, from "Alone Together" at the beginning. The basic composition is the same as this take, but Dollfie is an unexpected development that plays the theme melody quite clearly from the beginning, it is totally scary or loose, after all the original is not enemy. Expected "Muses" has a gloomy mood that is hard to say, and it is certain that it is one song different from the composition of Dolphy 's compositions. However, I still feel that it is incomplete. I guess that it was for that reason that it was not included in the original (and it will also float completely from other songs). However, I think that the significance of the existence of this performance became clear. If you lived long, you probably had become an ECM musician. I could not think of anything like that at all. https://translate.google.com.br/translate?hl=en&sl=ja&u=http://outwardbound.hatenablog.com/entry/2013/11/28/010918&prev=search

Personnel:   Eric Dolphy - bass clarinet, alto saxophone, composer;  Woody Shaw - trumpet;  Bobby Hutcherson - vibraphone;  Richard Davis - double bass;  Eddie Khan - double bass.

Muses

Diane Hoffman - Do I Love You

Styles: Vocal Jazz
Year: 2018
File: MP3@320K/s
Time: 58:56
Size: 138,0 MB
Art: Front

(3:26)  1. Do I Love You
(4:19)  2. Crazy in the Heart
(5:13)  3. Something in Your Smile
(5:16)  4. Small Day Tomorrow
(4:27)  5. Devil May Care
(2:56)  6. I Like You You're Nice
(3:47)  7. Can't Get out of This Mood
(4:27)  8. You Are out of My Life
(3:39)  9. I'm Gonna Go Fishin'
(4:44) 10. Mad About the Boy
(5:32) 11. Love Dance
(4:18) 12. When You're in Love
(2:57) 13. Kindly
(3:48) 14. I Like It Here

Vocalist and visual artist Diane Hoffman will release her third album entitled Do I Love You on October 9, 2018. On the recording, Hoffman once again chose to feature drummer/percussionist Ulysses Owens, Jr. with whom she previously worked and, who for this project, produced and assembled a formidable ensemble that includes Billy Test, piano; Jacob Kelberman , guitar; Yasushi Nakamura, bass; Yoshi Waki, bass; Daniel Dickinson, tenor saxophone; Vitaly Golavnev, trumpet; Erich Miller, trombone; and Joseph Doubleday, vibraphone. Hoffman, a formally trained visual artist, has had her work exhibited extensively throughout North America and has maintained an equal balance between her painting and music. As a vocalist, she has studied with notable entertainers such as Anita Darian, Bernard Fisher and Barbara Maier Gustern, and has performed across the eastern United States in a range of music venues, performing arts centers, cruises, and festivals, in addition to having appeared on radio and television. On her newest project, Hoffman chose to cover numerous standards including “Do I Love You,” “I’m Gonna Go Fishin’,” “Crazy In The Heart,” and “Small Day Tomorrow,” among others, which are brought to life by her rich vocals paired with the hard-swinging ensemble led by Owens. She also selected several less known songs written by the late actress and vocalist Anita Darian as a result of their connection. The pieces offer a nice compliment to the classic repertoire and hold a special meaning to her; the songs include “You Are Out Of My Life,” “When You’re In Love,” and “Kindly.” Do I Love You was inspired by a commitment to share aspects of Hoffman’s personal life. In preparation, the singer tirelessly searched catalogs of songs to select lyrics that deeply touched her. She felt strongly that it was important that listeners share a personal connection to the story painted through the lyrics, and that the words chosen needed to be entirely authentic for both her and her audience. Hoffman states “If I am able to give truth to the handling of the lyrics, then my mission as a singer is successful.” She adds “To give love, to be in love, and to hold onto love is to spread wings that fly and lift your feet right off the ground. This CD takes on the ecstasy of love, the secrets of private love, and the loss of great love.” Hoffman is dedicating Do I Love You to her first grandchild whose eyes are just opening to the love that surrounds her. The album was recorded at Big Orange Sheep Studios in Brooklyn, NY (March 28-29, 2018) and Mixed & Mastered by Dave Darlington at Bass Hit Studios (May 30-31 and June 28, 2018). It will be available on all major music platforms on October 9, 2018. ~ Are Group https://news.allaboutjazz.com/performance-and-visual-artist-diane-hoffman-to-release-third-album-do-i-love-you-produced-by-ulysses-owens-jr-featuring-a-dynamic-ensemble.php

Do I Love You