Showing posts with label Ralph MacDonald. Show all posts
Showing posts with label Ralph MacDonald. Show all posts

Friday, September 10, 2021

Chuck Mangione - Main Squeeze

Styles: Crossover Jazz, Easy listening
Year: 1976
File: MP3@320K/s
Time: 34:32
Size: 80,0 MB
Art: Front

(8:04)  1. (The Day After) Our First Night Together
(8:01)  2. If You Know Me Any Longer Than Tomorrow
(4:46)  3. Love The Feelin'
(4:33)  4. I Get Crazy (When Your Eyes Touch Mine)
(3:36)  5. Doin' Everything With You
(5:28)  6. Main Squeeze

More and more a creature of the studio, Mangione employs a coterie of '70s New York session players on an album that wears its make-out-music intentions right on its velvet sleeve. All of the titles reflect some aspect of a love affair; the playing is intricate but highly controlled and not terribly exciting. Oddly enough, Chuck effectively attaches a wah-wah pedal to his flugelhorn on a few tracks shades of Miles Davis' "jungle band" period and he gets off his best non-electronically modulated solo on "If You Know Me Any Longer Than Tomorrow." There are orchestrations, but the arrangements are just decorations, not an integral part of the material. But then, after all of the warm, fuzzy stuff has run its course for five tracks, the last cut "Main Squeeze" acts as an ecstatic release, a fine, funky jam session where all seem to be thoroughly enjoying themselves. ~ Richard S.Ginell https://www.allmusic.com/album/main-squeeze-mw0000651826

Personnel: Chuck Mangione - Flugelhorn, Fender Rhodes; Tony Levin - Bass; Rubens Bassini - Percussion; Steve Gadd - Drums, Percussion; Ralph MacDonald - Percussion; Don Grolnick - Acoustic Piano, Fender Rhodes; Richard Tee - Organ; John Tropea - Electric & Acoustic Guitars; Bob Mann - Electric & Acoustic Guitars; Gene Orloff - Concertmaster; Bob Carlisle, Fred Griffen, Jimmy Buffington, John Clarke - French Horns; Bill Watrous, David Taylor, Tom Malone, Wayne Andre - Trombones; Alan Rubin, Jeff Tkazyik, Jon Faddis, Lew Soloff - Trumpets

Main Squeeze

Saturday, October 26, 2019

Tom Scott & The L.A. Express - Smokin' Section

Styles: Saxophone Jazz
Year: 1999
File: MP3@320K/s
Time: 69:05
Size: 160,3 MB
Art: Front

( 4:59)  1. Smokin' Section
( 4:48)  2. I'll Still Be Lovin' You
( 5:50)  3. Cruisin' Bayou
( 4:46)  4. Lonely One
( 6:07)  5. Ode to Billy Joe
( 5:35)  6. If I Could Cry
( 7:55)  7. A Short Visit
( 5:55)  8. Just Takin' A Walk
( 6:33)  9. Lost Again
( 6:10) 10. The Beat Is On
(10:23) 11. TCB in "E"

I am puzzled by the marketing of the new Tom Scott albumSmokin' Sectionas "Tom Scott & the L. A. Express," since there seems to be no identifiable group "feel" to this program, and the tunes were recorded with three different contingents of studio musicians. But this quibble aside, this is one of Scott's best albums in years. His traditional funky groove is present on several songs such as the opening title track (with Scott's trademark multi-sax-layered sound) and "Just Takin' a Walk" with horn section. Scott's past work on the lyricon is recalled on "Lost Again," only now he blows a wind synthesizer. "Lonely One" and "If I Could Cry" showcase Scott in sensitive ballad settings better than anything I can recall throughout his entire recording career. The compositions (six of the eleven are by Scott) are particularly inspired and well-realized, in contrast to the funky head charts we're used to hearing. 

The use of singer Patti Smyth on "Ode to Billie Joe" seems like curious choices on both counts, but it's surprisingly effective; Scott's tenor sax adorns the emotive delivery by Smyth. The closest thing to a "group sound" happens on the closing cut, which was recorded live at the Blue Note club in Tokyo; band alumnus Max Bennett's (who contributed some of the best tunes in the original L.A. Express' repertoire) "TCB in E" is therealsmokin' section of this disc. It kicks butt!!! (Windham Hill Jazz 11379) ~ Dave Hughes https://www.allaboutjazz.com/smokin-section-tom-scott-windham-hill-records-review-by-dave-hughes.php

Personnel: Tom Scott, saxophones, strings, horns, woodwinds, WX-5 wind synthesizer; Buzzy Feiten, Paul Jackson Jr., Dean Parks, Wah-Wah Watson, Robbie Nevil, guitar; Tim Heintz, Alan Pasqua, Robbie Nevil, Steven Dubin, keyboards; John Pena, Andre Berry, Chuck Berghofer, bass; Harvey Mason, Vinnie Colaiuta, drums; Lenny Castro, Alex Acuna, Ralph MacDonald, percussion; Gary Grant, Oscar Brashear, trumpet; George Bohannon, trombone; Pete Christlieb, tenor sax; Joel Peskin, baritone sax; Phil Perry, Patti Smyth, lead vocals; Robbie Nevil, Phil Perry, Lynne Scott, Terry Wood, backgound vocals.

Smokin' Section

Friday, October 11, 2019

Junior Mance - That Lovin' Feelin'

Styles: Piano Jazz
Year: 1972
File: MP3@320K/s
Time: 32:43
Size: 76,0 MB
Art: Front

(3:00)  1. You've Lost That Lovin' Feelin
(3:58)  2. Mean Old Frisco Blues
(2:42)  3. Out South
(4:12)  4. The Good Life
(2:39)  5. Cubano Chant
(3:51)  6. Boss Blues
(2:39)  7. Blowin' In The Wind
(5:05)  8. When Sunny Gets Blue
(4:32)  9. Lee's Lament

That Lovin' Feelin' is an album by jazz pianist Junior Mance which was released on the Milestone label in 1972. The Allmusic site awarded the album 3 stars stating "That Lovin' Feelin' is essentially an album of acoustic-oriented jazz, but it is acoustic-oriented soul-jazz/hard bop that grooves in a funky, churchy, down-home fashion. Thankfully, That Lovin' Feelin' is not the sort of album that finds the artist playing note-for-note covers of rock and R&B hits and calling it "jazz" ...Although not quite essential, That Lovin' Feelin' is an enjoyable, swinging effort that deserves credit for having an interesting variety of material" https://en.wikipedia.org/wiki/That_Lovin%27_Feelin%27

Personnel:  Junior Mance - piano; Bob Cranshaw - electric bass; Harold Wing - drums; Ralph MacDonald - percussion

That Lovin' Feelin'

Sunday, October 6, 2019

Herbie Mann - Waterbed

Styles: Flute Jazz
Year: 1975
File: MP3@320K/s
Time: 37:42
Size: 86,7 MB
Art: Front

(3:50)  1. Waterbed
(5:35)  2. Comin' Home Baby
(4:57)  3. Paradise Music
(4:51)  4. Bang! Bang!
(4:37)  5. Deus Xango
(5:10)  6. Violet Don't Be Blue
(3:50)  7. I Got a Woman
(4:49)  8. Body Oil - Single Version

If you need an example of how jazz critics and soul/funk audiences didn't see eye to eye in the 1970s, you need look no further than Herbie Mann. Many jazz critics hated commercial Mann LPs like Discotheque and Waterbed with a passion, and saw them as examples of a gifted virtuoso dumbing his music down in order to sell more records. But young soul and funk lovers the ones who made 1975's "Hijack" a hit on black radio  were digging Mann and didn't understand why jazz snobs had it in for him. Although it contains a funky version of Ben Tucker's "Coming Home, Baby," Waterbed is a vocal-oriented soul/funk project first and foremost. In fact, it's one of the strongest commercial albums he recorded, thanks to memorable cuts that range from the infectious title song and the haunting "Body Oil" to remakes of Ray Charles' "I Got a Woman" and Joe Cuba's "Bang! Bang!." A dynamo of a singer, Cissy Houston (Whitney Houston's mother) has an excellent spot on the dusky "Violent Don't Be Blue" it's too bad she would eventually give up secular music altogether. Unfortunately, Waterbed has long been out of print, but it's worth trying to find if you're a fan of 1970s soul/funk. ~ Alex Henderson https://www.allmusic.com/album/waterbed-mw0000881633

Personnel: Herbie Mann - flute;  David Newman - tenor saxophone; Pat Rebillot - keyboards;  Jerry Friedman, Bob Mann, Hugh McCracken, Jeff Mironov - guitar;   Will Lee, Tony Levin - bass; Steve Gadd , Allan Schwartzberg , Darryl Washington - drums; Ray Barretto, Armen Halburian, Ralph MacDonald, Ray Mantilla - percussion; Anahid Ajemian, Matthew Raimondi - violin; Jean Dane - viola;  Michael Rudiakov - cello; The Hijackers: Cissy Houston, Sylvia Shemwell, Eunice Peterson - vocal

Waterbed

Sunday, July 21, 2019

David Sanborn - Straight To The Heart

Styles: Saxophone Jazz
Year: 1984
File: MP3@320K/s
Time: 52:11
Size: 120,2 MB
Art: Front

( 6:45)  1. Hideaway
( 5:09)  2. Straight to the Heart
( 6:27)  3. Run for Cover
(10:39)  4. Smile
( 5:07)  5. Lisa
( 6:51)  6. Love & Happiness
( 7:04)  7. Lotus Blossom
( 4:06)  8. One Hundred Ways

With bassist Marcus Miller acting as producer and some memorable tunes being performed (most notably "Hideaway" and "Straight to the Heart"), this is one of altoist David Sanborn's better R&B-ish recordings. Joined by keyboardist Don Grolnick, guitarist Hiram Bullock, bassist Miller, drummer Buddy Williams and various guest musicians, Sanborn sounds fairly inspired and is in top form. ~ Scott Yanow https://www.allmusic.com/album/straight-to-the-heart-mw0000649716

Personnel: David Sanborn – alto saxophone; Don Grolnick – keyboards; Hiram Bullock – guitar, background vocals; Buddy Williams – drums; Marcus Miller – bass guitar, synthesizer, background vocals; Ralph MacDonald – percussion (3, 5, 8); Errol Bennett – percussion (2); Michael White – percussion (6); Michael Brecker – tenor saxophone (8); Randy Brecker – trumpet (8); Jon Faddis – trumpet (8); Hamish Stuart – lead vocals (6); Lani Groves – background vocals (8); Frank Floyd – background vocals (8); Vivian Cherry – background vocals (8)

Straight To The Heart

Wednesday, May 8, 2019

Hubert Laws - Morning Star (CTI Records 40th Anniversary Edition)

Styles: Flute Jazz
Year: 1973
File: MP3@320K/s
Time: 35:39
Size: 81,9 MB
Art: Front

(7:55)  1. Morning Star
(4:51)  2. Let Her Go
(4:34)  3. Where Is The Love
(4:59)  4. No More
(7:18)  5. Amazing Grace
(6:01)  6. What Do You Think Of This World Now?

Morning Star - Hubert Laws: Recorded in late 1972 between Hubert Laws’ well-known CTI classic The Rite of Spring and the 1973 CTI performance recording Carnegie Hall, Morning Star may be one of the least known of flautist Hubert Laws’ recordings and among his very best. It’s hard to imagine a more perfect setting for the flautist, surrounded as he is by Bob James (electric piano), Ron Carter (bass), Billy Cobham (drums) and Don Sebesky’s sumptuously employed arrangements for horns and strings. Laws alternates between several flutes (flute, alto flute, bass flute, piccolo and an uncredited electric flute) and shares solo duties with Bob James, who is simply magnificent here. Sebesky’s suberbly lovely work here ranks among some of the very best he ever did for CTI. Laws covers a typical program of third-stream jazz (Rodgers Grant’s title track), spirituals (“Amazing Grace”), pop covers (Roberta Flack & Donny Hathaway’s hit “Where Is The Love,” co-written by this album’s percussionist, Ralph MacDonald) and interesting originals (“Let Her Go,” “No More” and “What Do You Think of This World Now?”). Surprisingly, Morning Star has never been issued on CD before, making this particular release substantially significant due to its very first appearance of availability in nearly four decades. Plus, it makes for excellent listening as well.

Personnel:  Flute, Alto Flute, Piccolo Flute – Hubert Laws; Bass – Ron Carter; Bassoon – Jack Knitzer; Cello – Charles McCracken, George Koutzen, Lucien Schmit; Drums – Billy Cobham; Electric Piano – Bob James;Flute, Alto Flute, Clarinet – Phil Bodner; Flute, Alto Flute, Piccolo Flute, English Horn – Romeo Penque; French Horn – Jim Buffington; Guitar – John Tropea; Harp – Gloria Agostini; Percussion – David Friedman, Ralph MacDonald; Trombone – Garnett Brown; Trumpet, Flugelhorn – Alan Rubin, Marvin Stamm; Vibraphone – David Friedman; Violin – David Nadien, Elliot Rosoff, Emanuel Green, Gene Orloff, Harry Cykman, Harry Lookofsky, Irving Spice, Max Ellen, Paul Gershman; Vocals – Eloise Laws, Lani Groves, Tasha Thomas

Morning Star (CTI Records 40th Anniversary Edition)

Saturday, April 13, 2019

Hubert Laws - Romeo & Juliet

Styles: Flute Jazz
Year: 1976
File: MP3@320K/s
Time: 37:50
Size: 87,6 MB
Art: Front

(6:12)  1. Undecided
(8:19)  2. Tryin' to Get the Feeling Again
(4:13)  3. Forlane
(7:43)  4. Romeo & Juliet
(5:36)  5. What Are We Gonna Do?
(5:45)  6. Guatemala Connection

Forget the Shakespearean reference in the title which might make you think the whole album's got a Renaissance bent because the album's a nice bit of funky flute jazz from Hubert Laws, done with the same groovy vibe as some of his earlier albums for the CTI label! The set was produced by Bob James, and has lots of strong James touches from the sweet work on Fender Rhodes and clavinet that works nicely with the flute on most tracks, to the full group rhythms that make the best tracks into nice smooth groovers! A few tunes get more introspective, in Hubert's Afro-Classic mode and titles include "Guatemala Connection", "What Are We Gonna Do", "Undecided", "Forlane", and "Tryin To Get The Feelin Again". 
© 1996-2019, Dusty Groove, Inc. https://www.dustygroove.com/item/856880/Hubert-Laws:Romeo-Juliet

Personnel:  Hubert Laws - Flute; Bob James - Fender Rhodes, Clavinet, Keyboards; Eric Gale, Richie Resnicoff, Barry Finnerty, Steve Khan - Guitar; Gary King - Bass; Andy Newmark, Steve Gadd - Drums; Ralph MacDonald - Percussion; Mark Gray - Clavinet, Keyboards; Alan Rubin, Randy Brecker, Jon Faddis, Marvin Stamm, Bernie Glow - Trumpet, Flugelhorn; Allen Ralph, David Taylor, Wayne Andre - Trombone; George Marge, David Sanborn, Howard Johnson, Phil Bodner, Jerry Dodgion, Harvey Estrin - Woodwinds; David Nadien - Concertmaster; Alan Schulman, Alfred Brown, Barry Sinclair, Charles McCracken, Emanuel Green, Emanuel Vardi, Guy Lumia, Harold Kohon, Harry Cykman, Harry Lookofsky, Matthew Raimondi, Max Ellen, Max Pollikoff, Paul Gershman, Seymour Barab - Strings; Denise Wigfall, Kenneth Coles, Robin Wilson, Shirley Thompson, Stanley Stroman - Vocals

Romeo & Juliet

Saturday, January 26, 2019

Bob James - Foxie

Styles: keyboards Jazz
Year: 1983
File: MP3@320K/s
Time: 33:18
Size: 77,1 MB
Art: Front

(6:46)  1. Ludwig
(2:50)  2. Calaban
(5:48)  3. Fireball
(6:09)  4. Zebra Man
(4:59)  5. Miranda
(6:44)  6. Marco Polo

Because so many of Bob James' albums have been devoid of integrity and epitomized musical prostitution at its most shameless, quite a few people in the jazz world (both fusionists and hard boppers) dismiss everything he's done since 1974. But it's best to judge the keyboardist on an album-by-album basis and not lump all of his releases together. Not a gem but certainly superior to Touchdown or Sign of the Times, Foxie has its moments. Some of the pop-jazz material is decent, including the delicate "Miranda," the reggae-influenced "Calaban," and the relaxed "Fireball." The playful "Zebra Man" employs David Sanborn on soprano sax; regrettably, he simply meanders and doesn't get a chance to stretch. None of the songs are brilliant, but with the exception of "Marco Polo," none of them are schlocky either. ~ Alex Henderson https://www.allmusic.com/album/foxie-mw0000645797

Personnel: Bob James - keyboards, synthesizer; David Sanborn - saxophone; Steve Khan - guitar; Marcus Miller, Will Lee - bass guitar; Peter Erskine, Steve Gadd - drums; Ralph MacDonald - percussion

Foxie

Monday, December 31, 2018

Maynard Ferguson - New Vintage

Styles: Trumpet Jazz
Year: 1977
File: MP3@320K/s
Time: 35:30
Size: 82,2 MB
Art: Front

(4:13)  1. Main Title from "Star Wars"
(6:30)  2. Oasis
(6:27)  3. Maria
(7:18)  4. El Vuelo (The Flight)
(7:02)  5. Scheherazade
(3:58)  6. Airegin

Trumpeter Maynard Ferguson's 1977 album New Vintage was yet another foray into the gluttonously epic, rock-infused jazz he had already perfected on such albums as Primal Scream and Conquistador  the latter of which contained Ferguson's popular version of "Gonna Fly Now," the theme from Rocky. Featuring his cheekily named MF Big Band, New Vintage once again centers around the high-note horn man's take on a movie song, this time "Star Wars (Main Title)" gets the disco-funk treatment. Utterly gimmicky and bereft of any actual jazz, the track works now as a time capsule of late-'70s kitsch. This is not to say it's bad, just cheesy. Yeah, no self-respecting post-bopper really wanted anything to do with this stuff back then, but for classes of middle- and high-school-age kids lucky enough to catch one of the MF Big Band's school tours, this was the proof that "band geeks" could have fun and be cool at the same time. However, why he thought anyone would ever have a need for a disco-funk version of Rimsky-Korsakaov's "Scheherazade" may never be known. ~ Matt Collar https://www.allmusic.com/album/new-vintage-mw0000302153

Personnel:  Trumpet - Maynard Ferguson;  Alto Saxophone, Soprano Saxophone – Mike Migliore; Baritone Saxophone, Flute – Bobby Militello; Drums – Peter Erskine; Electric Guitar, Acoustic Guitar, Guitar [Classical] – Steve Khan; Electric Piano, Piano [Acoustic], Synthesizer – Biff Hannon; French Horn – Brooks Tillotson, Donald Corrado, Earl Chapin, Jim Buffington; Percussion – Ralph MacDonald; Tenor Saxophone, Soprano Saxophone – Eric Traub, Mark Colby; Trombone – David Taylor, Nick Lane, Randy Purcell, Roger Homefield; Trumpet, Flugelhorn – Dennis Noday, Ron Tooley, Stan Mark; Trumpet, Flugelhorn, Congas, Percussion – Joe Mosello

New Vintage

Monday, October 22, 2018

David Sanborn - Voyeur

Styles: Saxophone Jazz
Year: 1981
File: MP3@320K/s
Time: 29:47
Size: 69,3 MB
Art: Front

(4:37)  1. Let's Just Say Goodbye
(5:11)  2. It's You
(5:41)  3. Wake Me When It's Over
(3:41)  4. One in a Million
(3:14)  5. Run for Cover
(5:47)  6. All I Need Is You
(1:34)  7. Just for You

This 1980 recording is an excellent example of David Sanborn's music. The highly influential altoist is joined by familiar studio veterans (including guitarist Hiram Bullock and drummer Steve Gadd) with bassist/composer Marcus Miller being a key figure in creating the funky rhythms and colorful backgrounds. Miller, who shared the writing chores with Sanborn, not only contributed his powerful bass, but backed the altoist during a duet version of "Just for You" on piano. Easily recommended to fans of R&B-ish jazz. ~ Scott Yanow https://www.allmusic.com/album/voyeur-mw0000188718

Personnel:  David Sanborn – alto saxophone, saxello;  Marcus Miller – bass, Moog bass, guitar, Fender Rhodes, Prophet Synthesizer, piano, bells;  Hiram Bullock – electric guitar, percussion;  Steve Gadd – drums;  Lenny Castro, Ralph MacDonald – percussion;  Buzzy Feiten – electric and acoustic guitar;  Buddy Williams – drums;  Tom Scott – flute, tenor saxophone;  Michael Colina – OBX & Prophet synthesizers;  Ray Bardani - gong;  Valerie Simpson, Patti Austin, Kacey Cisyk, Lani Groves - backing vocals;  Lani Groves, Diva Gray, Gordon Grody, Hamish Stuart - backing vocals.

Voyeur

Saturday, July 14, 2018

John Tropea - Short Trip to Space

Styles: Guitar Jazz
Year: 1977
File: MP3@320K/s
Time: 36:27
Size: 85,4 MB
Art: Front

(3:12)  1. The Funk You See, Is the Funk You Do!
(4:15)  2. Can't Hide Love
(3:43)  3. Southside
(5:18)  4. You Can't Have It All
(7:14)  5. Short Trip to Space
(6:16)  6. Blue Too
(2:06)  7. Love's Final Moment
(4:20)  8. Twist of the Wrist

John Tropea is one of the most admired and highly regarded guitar players of his generation. His playing shows a vast knowledge and respect for the tradition of the instrument as well as an original style that continues to define how the guitar best serves a wide variety of musical styles. He is a musician’s musician who attracts the finest players for his own projects. Tropea has written for and played with major recording artists from around the world. In his long career, his contributions to other artist’s successes have been numerous, including his solo work with Deodato, (2001 theme), projects with Laura Nyro, Harry Chapin (Cat’s in the Cradle), Paul Simon (Fifty Ways), Alice Cooper (Goes to Hell), Eric Clapton (Journey Man), Dr. John, and many others. He is also a composer, arranger, and producer whose vital work is ably demonstrated by his personal projects. Tropea has a deserved worldwide reputation as an artist of quality among both audiences and other musicians. Tropea began guitar studies at the age of 12. His musical education continued at Berklee School of Music in Boston, where he studied jazz guitar, harmony, composition, and big band arranging. Immediately after arriving in Boston, Tropea began playing live R & B and jazz gigs with many different bands in the area, including The Three Degrees. Influenced by Wes Montgomery, Johnny Smith, Louis Bonfa, Pat Martino, and George Benson, it was at this time that Tropea began to absorb those influences into an original style of his own. Also among his mentors at the time were the great B3 organ players Jack McDuff and Jimmy Smith. After Berklee, Tropea recorded and toured with Deodato. Moving to New York in 1967, Tropea quickly became one of the most sought after session players. He soon became a peer among New York’s finest studio musicians. As well as world touring, Tropea wrote and produced three critically acclaimed solo albums with TK records. His first solo album “Tropea,” was released in 1975, followed by “Short Trip to Space,” and “To Touch You Again.” With those early recordings and other projects, Tropea formed close musical alliances with other great New York musicians including: David Spinozza, Warren Bernhardt, David Sanborn, Randy and Michael Brecker, Steve Gadd, Anthony Jackson, Don Grolnick, and Richard Tee (Tropea played in The Richard Tee band).

During this time Tropea also wrote and arranged music for film and broadcast advertising. With his frequent co-producer and friend Will Lee, Tropea went on to release “Simple Way to say ‘I Love You,’ and “Something Old, New, Borrowed and Blues” Live gigs from that era by The Tropea Band at Mikell’s, in New York City, remain legendary. Along with his own projects, Tropea currently plays with the Original Blues Brothers Band. Recently, Tropea has formed an astonishing band that not only gives voice to his “standard influences” but also defines him as a player, composer, and arranger of consummate musicianship and exciting presence. “When I was in college at Berklee School of Music, I was introduced to the Hammond B3 Bands and it was a heavy influence in my development. At this time in my life now, it is my passion to continue to play with this format.” Tropea’s band plays live regularly these days and has produced two CDs, “Standard Influence,” and “Standard Influence II/Rock Candy,” both “must haves” in any CD collection. Made up of world-class players, this is no pick up band; this is a REAL band that plays with the refined sense of ensemble one finds in the finest string quartet or chamber music group. Made up of: Ronnie Cuber, baritone sax, Clint de Ganon, drums, or Steve Gadd, drums, Anthony Jackson, electric bass, Dave Mann, tenor sax, Lou Marini, tenor sax, and Chris Palmaro, Hammond B3; everyone in this band is a virtuoso, yet no one ever over-plays.

While the band has a refined sense of time and a compelling groove that makes it impossible to sit still while listening, the arrangements have, at the same time, a transparency that allows the listener in, where all the intricacies become apparent. The sound is always balanced. You hear what everyone is playing. The musicians in this band know how to use space in their playing. And while all the solo playing is creative, musical, and virtuosic, it is the rhythmic component, the sense of accent, the power of the ensemble playing that drives this group to astonishing heights of excitement. The comping, the back up playing, is as vital, as intricate, as interesting as the solo playing integrated with it. Here is a refined group of musicians whose playing complements one another, whose aim is the sound, the quality of the band as a whole. They achieve this goal to the highest degree.  The band plays jazz, R&B, and Funk standards, along with original compositions. But each tune is made up of an original, tightly constructed, and sophisticated arrangement. This quality is a delight for the listener and makes an audience eagerly look forward to the next tune and what wonderful surprises that next tune will bring. Don’t look for long solos, endless choruses from this band. That is not what they are about. There is no dross here. While the band demonstrates complete understanding and mastery of a variety of musical styles, they play entirely without cliché. And this band knows how to program a set. Offering a wide dynamic balance, The Tropea Band plays with a savvy and wit that is appreciated by its audiences. Continually bringing new elements and surprises with each new tune, they know how to drive a set to an unbelievably energetic and satisfying conclusion. With the respect he has gained from some of the finest musicians playing today, Tropea has been able to put together a group that shares his vision, that continues to re-define venerable traditions, and that makes music together that is of lasting beauty and significance. Tropea has once again gotten back to his live audience, as well as those who follow his recordings, and with this band, he has found his apotheosis. https://store.cdbaby.com/cd/johntropea5

Personnel:  Guitar – David Spinozza , John Tropea;  Bass – Richard Davis, Will Lee ;  Drums – Rick Marotta, Steve Gadd ;  Keyboards – Don Grolnick;  Organ – Leon Pendarvis;  Percussion – Ralph MacDonald, Rubens Bassini;  Producer – John Tropea;  Reeds – George Young , Lew Delgatto, Lou Marini, Michael Brecker;  Trombone – Dave Taylor, Sam Burtis;  Trumpet – Alan Rubin, Jon Faddis, Randy Brecker;  Tuba – Tony Price ;  Vibraphone – Mike Mainieri

Short Trip to Space

Friday, June 29, 2018

Quincy Jones - Mellow Madness

Bitrate: MP3@320K/s
Time: 44:11
Size: 101.2 MB
Styles: Jazz/Funk/Soul
Year: 1975
Art: Front

[3:52] 1. Is It Love That We're Missin'
[2:55] 2. Paranoid
[3:27] 3. Mellow Madness
[6:12] 4. Beautiful Black Girl
[4:16] 5. Listen (What It Is)
[3:28] 6. Just A Little Taste Of Me
[5:25] 7. My Cherie Amour
[3:02] 8. Tryin' To Find Out About You
[4:29] 9. Cry Baby
[7:00] 10. Bluesette

Backing Vocals – Carolyn Willis, Jesse Kirkland, Jim Gilstrap, Joe Greene, Leon Ware, Myrna Matthews, Paulette McWilliams, Quincy Jones, Tom Bahler; Bass – Louis Johnson; Congas, Percussion – Ralph MacDonald; Drums – Harvey Mason; Featuring [Introducing] – Brothers Johnson, Paulette McWilliams; Guitar – George Johnson, Wah Wah Watson, Toots Thielemans; Keyboards – Dave Grusin, Don Grusin, Jerry Peters, Quincy Jones; Saxophone – Ernie Krivda, Jerome Richardson, Sahib Shihab; Trombone – Frank Rosolino, George Bohanon; Trumpet – Bill Lamb, Chuck Findley, Quincy Jones, Tom Bahler. Recorded at The Record Plant, Los Angeles, Westlake Audio, Los Angeles.

Released not long after Quincy Jones was operated upon for life-threatening brain aneurysms, the music community was glad to have this album around (you can almost sense Q's own relief as he holds his forehead on the cover). Basically, though, it continues the polished, percolating soul direction that Q initiated with Body Heat, alienating purists but entertaining R&B audiences that rushed to buy it. The album is given its commercial edge by two new Jones discoveries, George Johnson (guitar, vocals) and Louis Johnson (bass), who would leap to fame the following year on their own as the Brothers Johnson. One attraction for jazz listeners is Toots Thielemans' "Bluesette," in which the Belgian virtuoso does a nice guitar/whistle cameo and Frank Rosolino blows some fine trombone, but the track is not helped by the overdubbed soul voices. ~Richard S. Ginnell

Mellow Madness mc
Mellow Madness zippy

Ralph Macdonald - The Path

Styles: Jazz Funk
Year: 1978
File: MP3@320K/s
Time: 35:24
Size: 81,5 MB
Art: Front

(5:44)  1. The Path (Part One)
(5:06)  2. The Path (Part Two)
(6:19)  3. The Path (Part Three)
(5:20)  4. Smoke Rings And Wine
(4:43)  5. I Cross My Heart
(4:35)  6. It Feels So Good
(3:34)  7. If Im Still Around Tomorrow

With an all-star cast that rivals if not surpasses his Sound of a Drum solo debut, Ralph MacDonald's sophomore effort, The Path, remains his most ambitious and successful solo record. The 18-minute title cut is a mind-boggling journey charting the progression of African-American music from its roots in tribal drumming through evolutions from blues to jazz to funk aided by drummers Idris Muhammad, Steve Gadd, and Rick Marotta as well as soloists including Michael Brecker, David Sanborn, and Bob James, MacDonald creates a virtual primer in percussion, navigating the twists and turns of his musical narrative with stunning precision. 

The record's second half can't help but suffer by comparison, although even the slightest material retains MacDonald's flair for deeply funky rhythms.~ Jason Ankeny https://www.allmusic.com/album/the-path-mw0000857331

Personnel:   Congas, Percussion – Ralph MacDonald;  Bass – Chuck Rainey, Will Lee, William Salter;  Clavinet – Arthur Jenkins, Jr.;  Drums – Charles Collins, Rick Marotta, Steve Gadd;  Guitar – Eric Gale, Hugh McCracken;  Guitar – Eric Gale, Hugh McCracken;    Strings – Al Brown, Gene Orloff, Guy Lumia, Harold Kohon, Jesse Levy, Joe Malin, Julien Barber, Kermit Moore, Matthew Raimondi, Mitsue Takayama, Paul Gershman, Sanford Allen, Selwart Clarke

The Path

Monday, June 25, 2018

Ralph MacDonald - Sound of a Drum

Styles: Jazz-Funk, Latin Jazz 
Year: 1976
File: MP3@320K/s
Time: 35:59
Size: 82,5 MB
Art: Front

(7:04)  1. Sounds Of A Drum
(5:58)  2. Where Is The Love
(4:51)  3. Only Time You Say You Love Me (Is When We're Making Love)
(5:53)  4. Jam on the Groove
(4:18)  5. Mister Magic
(7:53)  6. Calypso Breakdown

New York session great and longtime Harry Belafonte percussionist Ralph MacDonald made his solo debut with Sound of a Drum, successfully fusing the strong Latin flavor of his previous work with the funk and disco sounds dominating clubs in bicentennial America. The title is no misnomer -- each song is a showcase for MacDonald's blistering percussion talents, but he never loses the humility and instincts of a sideman, allowing an expert cast including Grover Washington, Jr., Bob James, and Toots Thielemans their own turns in the spotlight as well. The eight-minute "Calypso Breakdown" is by far the best-known cut here, thanks to its inclusion on the mega-selling Saturday Night Fever soundtrack -- it remains a monster groove that's dated much better than many disco-era instrumentals, thanks in large part to William Eaton's clever, jazz-inspired arrangement and Eric Gale's ferocious guitar solo.~ Jason Ankeny https://www.allmusic.com/album/sound-of-a-drum-mw0000713033

Personnel:  Congas, Percussion – Ralph MacDonald;  Drums – Rick Marotta;  Guitar – Eric Gale;  Piano – Richard Tee;  Soprano Saxophone, Tenor Saxophone – Grover Washington, Jr.;   Soloist, Synthesizer – Bob James;   

Sound of a Drum