Wednesday, March 15, 2023

Sylvia Syms - Syms By Sinatra

Styles: Vocal
Year: 1982
File: MP3@320K/s
Time: 36:32
Size: 83,8 MB
Art: Front

(2:25) 1. Hooray for Love
(4:40) 2. All My Tomorrows
(3:06) 3. By Myself
(4:43) 4. You Go to My Head
(3:17) 5. Close Enough for Love
(3:16) 6. Them There Eyes
(3:44) 7. Someone to Light Up My Life
(4:12) 8. I Thought About You
(3:59) 9. You Must Believe in Spring
(3:06) 10. That Old Devil Moon

Not to be confused with the English actress of the same name, Sylvia Syms was born Sylvia Blagman in Brooklyn, New York on December 2, 1917. Perhaps less well known for her acting career, Syms became a premier jazz and cabaret singer, remarkable for a versatility that encompassed many genres of music. She was dubbed by close friend, Frank SInatra, as the “world’s greatest saloon singer.” Syms had just begun a month-long residency at the Algonquin Oak Room in Sylvia Syms Sings Sinatra, and famously collapsed on stage as she was about to begin her encore, “This Will Be My Shining Hour.” She was pronounced dead of a heart attack, on May 10, 1992, age 74. She was also about to celebrate the release of a new album, You Must Believe in Spring

Syms’ interest in performing began at an early age her first performance being in front of family and friends. She has said of that, “My parents didn’t know how to cope with my singing. They were poor and their backgrounds had taught them that the life of a singer or actress led directly to the gutter.” She revealed that she was singing in her carriage before she was talking, and later would sit on the stoop of her home in Brooklyn singing at the top of her lungs. Overcoming childhood polio, Syms began haunting clubs in Manhattan as a teenager, where she met the likes of Dean Martin and Mae West (who put her in a revival of “Diamond Lil” as Flo the shoplifter in 1948). She made her first meaningful singing debut in 1941 at Kelly’s Stable, a famous club among famous clubs on West 52nd Street in New York City.

As an actress,she often played the part of Bloody Mary in South Pacific and had the lead in a production of Hello, Dolly! Her other roles were in musicals and plays such as Dream Girl, Thirteen Daughters, Funny Girl, Flower Drum Song and Camino Real. In 1972, Syms had a lung removed, which did not stop her from performing as Bloody Mary at the Chateau de Ville Dinner Theater in Framingham, Massachusetts.

At the beginning of her recording career, Syms released albums on the DRG label, the Bainbridge label and several other independents, producing hits such as “Wild Is the Wind” and “Cuando Te Fuiste De Mi.” Eventually signed to the Decca label, she had a major success with her 1956 release of “I Could Have Danced All Night,” which sold over one million copies and earned her a gold record certification by the Recording Industry Association of America.

She recorded with jazz greats Milt Hinton, Kenny Burrell and Bucky Pizzarelli, among others. Frank Sinatra produced her 1982 album, Syms By Sinatra. Notably, she conducted master classes in singing for 14 years at the Northwood Institute, a performing arts university in Dallas. Syms also appeared regularly at the Cafe Carlyle in Manhattan and would sometimes, impromptu, would join Bobby Short during his set. At the time of her death, Sylvia Syms had recorded more than 15 albums in several different genres, leaving a rich legacy of music to the ages.
https://nitelifeexchange.com/actress-cabaret-and-jazz-doyenne-sylvia-syms-known-for-her-versatility/

Personnel: Sylvia Syms - vocals; Frank Sinatra - conductor; Don Costa - arranger;

Syms By Sinatra

The Capp-Pierce Juggernaut Feat.Joe Williams - Live At The Century Plaza

Styles: Jazz, Bop
Year: 1978
File: MP3@320K/s
Time: 42:40
Size: 98,1 MB
Art: Front

( 3:57) 1. Fiesta In Brass
( 5:42) 2. Basie's Deep Fry
( 4:35) 3. Souvenir
( 5:08) 4. Capp This!
( 5:02) 5. Tarragon
( 4:44) 6. Swing Shift
(10:51) 7. Joe's Blues
( 2:39) 8. What The World Needs Now Is Love

The packaging for this reissue CD could be better (it leaves out the personnel listing and even the recording date) but the Capp/Pierce Juggernaut is heard throughout the live session in fine form. The main soloists in the 1978 version of the 17-piece orchestra are pianist co-leader Nat Pierce, trumpeter Al Aarons, trombonist Buster Cooper, tenors Bob Cooper and Herman Riley, and altoist Marshall Royal; the other co-leader, Frank Capp, has a drum feature on "Capp This."

The Count Basie sound-alike band (which sounds surprisingly like Duke Ellington's on "Fiesta in Brass") performs Pierce's arrangements with swing and spirit. An added plus is that Joe Williams sits in for "Joe's Blues" (during which he sings some of his favorite blues stanzas) along with a throwaway version of "What the World Needs Now Is Love." By Scott Yanow https://www.allmusic.com/album/the-live-at-the-century-plaza-mw0000187957

Personnel: Drums – Frankie Capp; Piano – Nat Pierce; Bass – Chuck Berghoffer; Guitar – Ray Pohlman; Saxophone – Bob Cooper, Herman Riley, Lanny Morgan, Marshal Royal*, Bill Green; Trombone – Alan Kaplan, Britt Woodman, Buster Cooper, Garnett Bown; Trumpet – Al Aarons, Bill Berry, Bobby Shew, Frank Szabo; Vocals – Joe Williams

Live At Century Plaza

Bill Charlap, Sandy Stewart - Love Is Here To Stay

Styles: Vocal And Piano Jazz
Year: 2005
File: MP3@320K/s
Time: 57:05
Size: 132,9 MB
Art: Front

(5:09)  1. Love Is Here To Stay
(5:35)  2. After You
(4:29)  3. The Boy Next Door
(5:44)  4. A Sleepin' Bee
(3:34)  5. Always
(5:18)  6. Here I Am In Love Again
(6:16)  7. I've Got a Crush On You
(4:38)  8. Where Is Me?
(5:05)  9. Dancing On The Ceiling
(7:34) 10. It Might As Well Be Spring
(3:36) 11. I'll Never Go There Anymore

It is unusual to hear a son and his mother record together in a jazz setting, but this collection of ballads by Bill Charlap and Sandy Stewart is a stunning duo date. Charlap is best known as the leader of a superb piano trio, along with having worked extensively with Gerry Mulligan and Phil Woods, but he may find himself in great demand by other vocalists following this CD. Stewart has recorded only sporadically over the years, though she has worked with her son on a number of club dates. Her instrument has mellowed like a fine wine, with a slight vibrato that adds to the intimacy of each performance. Charlap's interludes between phrases are lush yet never overdone, while he makes great use of space in his accompaniment.

While there are quite a few standards present, they also chose songs that have been unjustly neglected. "Here I Am in Love Again," written by the late Moose Charlap (the singer's husband and the pianist's father), is a hopeful song about love in its early stages, which they approach with tenderness. Another Charlap composition, "I Never Go There Anymore," is just the opposite, a sentimental look back at a distant past that can never be recaptured. The standards are just as enticing. Stewart restores the frequently omitted verse to a moving take of "Love Is Here to Stay" and perfectly captures the wistful air of "The Boy Next Door." Singer/pianist Barbara Carroll's engaging liner notes capture the essence of this very romantic CD. ~ Ken Dryden http://www.allmusic.com/album/love-is-here-to-stay-mw0000350948

Personnel: Bill Charlap (piano); Sandy Stewart (vocals).

Love Is Here To Stay