Showing posts with label Ramsey Lewis. Show all posts
Showing posts with label Ramsey Lewis. Show all posts

Sunday, November 5, 2023

Ramsey Lewis - Back To The Roots

Styles: Piano Jazz
Year: 1971
File: MP3@320K/s
Time: 39:39
Size: 91,4 MB
Art: Front

(2:53) 1. Candida
(3:53) 2. We've Only Just Begun
(2:59) 3. Back To The Roots
(5:02) 4. Love Now On
(5:57) 5. Fool On The Hill
(3:02) 6. Since I Feel For You
(4:31) 7. Up In Yonder
(4:28) 8. Crescent Noon
(6:50) 9. He Ain't Heavy, He's My Brother

Pianist and composer Ramsey Lewis has been a major figure in contemporary jazz since the late '50s, playing music with a warm, open personality that's allowed him to cross over to the pop and R&B charts. Initially emerging with his jazz trio, Lewis broke through with his Grammy-winning 1965 album The In Crowd. He further developed his sound, experimenting with synthesizers and funk grooves on work such as 1974's Sun Goddess. He has remained a crossover icon, hosting his own radio and television programs and issuing albums like 2002's Meant to Be with Nancy Wilson, 2011's Taking Another Look, and 2019's VII with his long-running contemporary jazz collective Urban Knights.

Lewis was born in Chicago on May 27, 1935 and was introduced to music by his father, who directed the choir at a local church and enjoyed the music of Duke Ellington and Art Tatum. He began studying the piano when he was four years old and was soon accompanying the choir at Sunday services. At the age of 15, he joined a jazz combo called the Cleffs, who played at parties and dances. Lewis was interested in a leaner, more bebop-oriented sound, and when the group splintered after several members joined the military, he formed the Ramsey Lewis Trio with two other former Cleffs, bassist Eldee Young and percussionist Redd Holt. The trio became a fixture on the Chicago jazz scene, and they were signed to a deal with Chess Records, releasing their first album, Ramsey Lewis & His Gentlemen of Jazz, in 1956.

Lewis and his trio continued to record and tour steadily over the years, building a sizable audience among jazz fans, but their career received a serious boost in 1965, when they recorded a swinging version of Dobie Gray's hit "The In Crowd" at a gig in Washington, D.C. Chess released the track as a single, and it became a sizable pop hit, earning Lewis his first gold record, as well as a Grammy Award for Best Jazz Performance. As Lewis' star rose, he returned to the pop charts in 1966 with versions of "Hang on Sloopy" and "Wade in the Water." Meanwhile, Young and Holt left Lewis' trio to form their own group, Young-Holt Unlimited, and the pianist hired a new rhythm section of Cleveland Eaton on bass and Maurice White on drums.

In 1970, White resigned to form his own group, and Morris Jennings signed on as the trio's new percussionist. Lewis continued to record for Chess until 1972, when he moved to Columbia, and as his music developed a more contemporary groove, White's group, Earth, Wind & Fire (also on Columbia), was beginning to enjoy considerable success on the R&B charts. White produced Lewis' 1974 album Sun Goddess, in which he experimented with electronic keyboards for the first time, and several members of EWF played on the sessions; it became a major crossover hit and took Lewis to the upper ranks of the smooth jazz/fusion scene. Lewis would record R&B-influenced material throughout the '70s but continued to explore his roots in more traditional jazz sounds as well as Latin rhythms. In 1983, he went into the studio with Eldee Young and Redd Holt for the album Reunion; in 1984, he collaborated with Nancy Wilson on The Two of Us; in 1988, he recorded with London's Philharmonia Orchestra for the album A Classic Encounter, and in 1989, Lewis and Dr. Billy Taylor cut a set of piano duets, We Meet Again.

In 1992, Lewis signed with the successful jazz label GRP Records, and in 1995, he launched the side project Urban Knights, in which he collaborated with a handful of successful crossover jazz stars, including Grover Washington, Jr., Earl Klugh, and Dave Koz. In 1997, Lewis added disc jockey to his résumé, hosting a popular show on Chicago's WNUA-FM that ran until 2009; the show went into syndication in 2006 under the name Legends of Jazz with Ramsey Lewis, and is still on the air. In 2005, Lewis looked back on his roots in gospel music with the album With One Voice, which earned him the Stellar Gospel Music Award for Best Gospel Instrumental Album. In 2007, he was commissioned to write a jazz ballet for the Joffrey Ballet Company, and "To Know Her..." debuted at Highland Park, Illinois' Ravina Music Festival, where Lewis is artistic director of the festival's jazz series and helped found their Jazz Mentor Program.

Lewis has also written several pieces for string ensemble and orchestra that have premiered at Ravina; highlights were featured on the 2009 album Songs from the Heart: Ramsey Plays Ramsey, his first release from Concord Records. In addition to his work as a performer, composer, educator, and disc jockey, Lewis has received five honorary doctorate degrees, won the National Endowment for the Arts' Jazz Master Award in 2007, and is one of the few noted jazz artists to carry the Olympic Torch, having briefly escorted the flame as it passed through Chicago en route to the 2002 Winter Games. In 2011, he delivered Taking Another Look, a reworking of his classic 1974 electric jazz-funk album Sun Goddess. The album was reissued in a deluxe package with bonus tracks in 2015. Two years later, Lewis was a featured guest on pianist Alan Storeygard's trio album New Directions. In 2019, he rejoined Urban Knights for VII, which featured original songs as well as renditions of classics by John Coltrane, Chick Corea, and the Beatles. ~Mark Deminghttps://www.allmusic.com/artist/ramsey-lewis-mn0000334770/biography

Personnel: Ramsey Lewis - piano, electric piano; Cleveland Eaton - electric bass; Morris Jennings - drums; Henry L. Gibson - congas, percussion; Bobby Rush - harmonica; Charles Stepney - organ

Back To The Roots

Tuesday, September 19, 2023

Ramsey Lewis - Hang On Ramsey!/ Wade In The Water 1965/1966

Styles: Piano Jazz
Year: 1965/ 1966
File: MP3@320K/s
Time: 77:00
Size: 177,3 MB
Art: Front

(5:01)  1. A Hard Day's Night
(4:17)  2. All My Love Belongs To You
(2:30)  3. He's A Real Gone Guy
(5:40)  4. And I Love Her
(3:15)  5. Movin' Easy
(9:13)  6. Billy Boy / Hi-Heel Sneakers
(5:17)  7. The More I See You
(6:09)  8. Satin Doll
(3:09)  9. Hang On Sloopy
(3:51) 10. Wade In The Water
(2:58) 11. Ain't That Peculiar
(4:33) 12. Tobacco Road
(2:44) 13. Money In The Pocket
(3:10) 14. Message To Michael
(3:16) 15. Uptight (Everything's Alright)
(2:27) 16. Hold It Right There
(3:11) 17. Day Tripper
(3:05) 18. Mi Compasion
(3:05) 19. Hurt So Bad

In 2002, BGO released Hang on Ramsey/Wade in the Water, which contained two albums by jazz pianist Ramsey Lewis on one compact disc: Hang on Ramsey (1965) and Wade in the Water (1966), both originally issued by Cadet. ~ John Bush  http://www.allmusic.com/album/hang-on-ramsey-wade-in-the-water-mw0000467953

Personnel: Ramsey Lewis (piano); Maurice White, Redd Holt (drums).

Hang On Ramsey!Wade In The Water

Tuesday, December 13, 2022

Ramsey Lewis - The Beatles Songbook

Styles: Piano Jazz
Year: 2022  
File: MP3@320K/s
Time: 37:04
Size: 85,8 MB
Art: Front

(4:07) 1. Here, There And Everywhere
(4:11) 2. And I Love Her
(3:44) 3. Hey Jude
(1:56) 4. Blackbird
(2:42) 5. Imagine
(4:00) 6. Hard Day's Night
(1:56) 7. Yesterday
(2:10) 8. Rocky Raccoon
(4:03) 9. Michelle
(3:10) 10. Golden Slumbers
(3:22) 11. The Long And Winding Road
(1:38) 12. Let It Be

Ramsey Lewis Celebrates The Music Of The Fab Four With Posthumous CD 'The Beatles Songbook,' His First Solo Piano Recording

The late, legendary pianist Ramsey Lewis offers an intimate, familiar affair with his solo piano recording The Beatles Songbook: The Saturday Salon Series, Volume One, to be released January 6 on Steele Records. This selection of tunes by the iconic songwriting duo of John Lennon and Paul McCartney, approved for release by Lewis, is also a surprising DIY project, created during livestreamed sessions in Lewis’s own Chicago home.

Lewis, of course, is no stranger to covering of postwar pop music. He had a smash 1965 hit with his cover of Dobie Gray’s “The In Crowd,” which he followed up with a successful version of “Hang on Sloopy.” He has even assayed the Beatles’ catalog before, scoring a minor hit with “A Hard Day’s Night” and even releasing Mother Nature’s Son, an homage to the Beatles’ White Album, in 1968.

He was a latecomer, however, to unaccompanied piano performance. Until recent years, Lewis had almost never performed as a soloist. But the COVID-19 pandemic made it impossible to perform any other way, and during the lockdowns Lewis initiated a series of monthly webcasts called “The Saturday Salon.” Always an artist with a populist touch, Lewis included the Beatles’ songs in his webcasts because it was music that, like his own, had demonstrated universal appeal.

“They have a catalog of songs that can stand up as standards that are fun to play and fun to solo on,” he said. “Their music has been recorded by symphonies and orchestras, rock bands, jazz bands. I don’t know any other pop act whose music has been recorded across the board like this.”

Even with their exhaustive coverage, Lewis is able to unlock new secrets and breathe new life into the tunes. His “And I Love Her” explores the possibilities of both the song’s harmonies and its famous four-note riff. “Rocky Raccoon” gets a beautiful reharmonization. Lewis plays up the gospel roots of “Hey Jude,” and in the ballads “Blackbird” and “Golden Slumbers” he finds previously unknown reservoirs of the blues.

Lifted directly from the 2020 livestream audio, The Beatles Songbook sounds like the home recording it is. But that sound is a feature, not a bug: It amplifies the intimacy of the performance, as if we were hearing a message from a friend, and reminds us that to the end, Lewis was able to work in any circumstances and create great art.

About Ramsey Lewis

Ramsey Lewis was born May 27, 1935 in Chicago. He began playing piano at the age of four, learning classical from teachers, gospel from the church, and jazz from his father’s record collection. Through Wells High School and into Chicago Musical College he intended to become a concert classical pianist, but fate intervened: While working at a record store, Lewis met bassist Eldee Young and drummer Red Holt, fellow jazz lovers who joined with him to form the Ramsey Lewis Trio.

In 1965, after a decade of working together both on bandstands and on Leonard and Phil Chess’s Argo Records, Lewis and the trio achieved a surprise top 10 pop hit with their version of “The In Crowd,” recorded live in Washington DC. The record made Lewis a star, which he compounded with subsequent hits “Hang on Sloopy,” “A Hard Day’s Night,” and “Wade in the Water.” After the trio disbanded, Lewis carried on with new ensembles and continued pursuing pop-jazz success, surfacing on the pop charts again with members of Earth, Wind & Fire on 1974’s Sun Goddess. His popular success continued into the 1980s and ‘90s, when he formed the popular crossover group Urban Knights.

In the 21st century, Lewis became a revered elder statesman of jazz, finding a career renaissance as a composer, broadcaster, educator, and artistic director of the Ravinia Jazz Festival. Lewis was awarded the NEA Jazz Masters fellowship in 2007. He spent his final year working with journalist Aaron Cohen on his memoir, Gentleman of Jazz (to be published May 2023 by Blackstone Publishing), before passing away at his Chicago home on September 12, 2022.
https://www.allaboutjazz.com/news/ramsey-lewis-celebrates-the-music-of-the-fab-four-with-posthumous-cd-the-beatles-songbook-his-first-solo-piano-recording-due-jan-6/

The Beatles Songbook

Sunday, January 9, 2022

Ramsey Lewis - Do What You Wanna (2 Parts)

World-famous jazz musician and composer Ramsey Emmanuel Lewis, Jr. was first given piano lessons at age four. He was born in Chicago on May 27, 1935, to hard-working, self-educated Southern farm workers who met in church.

Lewis attended Chicago Music College Preparatory School from 1947 to 1954. He credits his music teacher, Dorothy Mendelsohn, with teaching him how to listen with his inner ear. Other than his father’s Duke Ellington, Art Tatham and Mead Lux Lewis records, Lewis had no special exposure to jazz. After graduating from Wells High School in 1954, Lewis’ first music job was as an accompanist at the Zion Hill Baptist Church. He enrolled in Chicago Music College, but left at age eighteen to marry. In 1956, he formed the Ramsey Lewis Jazz Trio and signed with Chess Records in 1957 for the Trio’s first album. The Trio, composed of Eldee Young and Red Holt, played in famous New York jazz clubs and toured as full-time jazz musicians. Lewis recorded for Columbia Records from 1971 to 1974 and signed with GRP Records in 1991. He is the winner of three Grammy Awards, and from 1967 to 1976 earned five gold records. His major hits include “The In Crowd,” “Wade in the Water” and “Hang On Sloopy.”

Album: Do What You Wanna (Part 1)
Bitrate: MP3@320K/s
Time: 90:17
Size: 206.7 MB
Styles: Piano jazz
Year: 2016
Art: Front

[5:23] 1. Do What You Wanna
[3:49] 2. Wade In The Water
[5:50] 3. The In Crowd
[4:01] 4. Hey Mrs. Jones
[3:03] 5. Function At The Junction
[3:09] 6. Look-A-Here
[3:11] 7. Spanish Grease
[3:25] 8. 1-2-3
[3:07] 9. Hang On Sloopy
[3:12] 10. Uptight (Everything's Alright)
[4:04] 11. Bold And Black
[2:44] 12. Sexy Sadie
[5:03] 13. A Hard Day's Night
[2:38] 14. Here Comes Santa Claus
[4:20] 15. Blue Bongo
[2:52] 16. Carmen
[2:48] 17. Soul Man
[4:31] 18. Black Bird
[2:47] 19. Christmas Blues
[2:36] 20. Cielito Lindo
[4:51] 21. Wanderin' Rose
[3:39] 22. I Got Plenty O' Nutin'
[2:40] 23. The Breeze And I
[3:33] 24. Thanks For The Memory
[2:50] 25. Dancing In The Street

Album: Do What You Wanna (Part 2)
Bitrate: MP3@320K/s
Time: 87:41
Size: 200.8 MB
Styles: Piano jazz
Year: 2016
Art: Front

[2:48] 1. Here 'tis
[3:46] 2. My Cherie Amour
[3:11] 3. Day Tripper
[3:08] 4. Summer Samba
[2:05] 5. Sometimes I Feel Like A Motherless Child
[3:12] 6. Cast Your Fate To The Wind
[2:41] 7. Black Eye Peas
[2:57] 8. Ain't That Peculiar
[3:50] 9. Cry Baby Cry
[3:15] 10. The Caves
[6:34] 11. Balle Del Alma (Dance Of The Soul)
[5:26] 12. Delilah
[3:38] 13. Blues For The Night Owl
[2:14] 14. Uhuru
[3:13] 15. Everybody's Got Something To Hide Except Me And My Monkey
[3:58] 16. The Shelter Of Your Arms
[3:15] 17. Back In The U.S.S.R
[3:50] 18. Consider The Source
[3:31] 19. Felicidade (Happiness)
[2:23] 20. Limelight
[4:01] 21. My Babe
[2:58] 22. Lonely Avenue
[4:54] 23. Dear Prudence
[3:43] 24. Down By The Riverside
[3:00] 25. Cecile

Do What You Wanna (Part 1),(Part 2)

Tuesday, December 7, 2021

Ramsey Lewis Trio - Sound Of Christmas

Styles: Piano, Christmas
Year: 1961
File: MP3@320K/s
Time: 29:14
Size: 67,9 MB
Art: Front

(4:01)  1. Merry Christmas Baby
(2:08)  2. Winter Wonderland
(2:22)  3. Santa Claus Is Coming To Town
(2:47)  4. Christmas Blues
(2:39)  5. Here Comes Santa Claus
(2:19)  6. The Sound Of Christmas
(3:15)  7. The Christmas Song
(3:16)  8. God Rest Ye Merry Gentlemen
(2:55)  9. Sleigh Ride
(3:27) 10. What Are You Doing New Year's Eve?

Those who purchase a Christmas album are mainly looking for festive music suitable for decorating the tree or baking cookies and not an introspective, challenging listening experience. Thus an artist who records such a record must take into account what the audience wants to hear and not his own musical aspirations, which may be why Mingus and Miles never recorded one. Ramsey Lewis, however, is the perfect guy for such a task, since he always approached playing jazz from the standpoint of creating a catchy hit with the public rather than arty noodling. Although recorded in 1961, a few years before he hit it big with "The 'In' Crowd," he still can swing harder than most at this early stage. Lewis and his trio barrel through the first five songs with a healthy dose of jubilant bounce and a penchant for uncovering the unexpected blue notes in carols. He glides through "Winter Wonderland" with heavy, funky chords and a propulsive snap but takes a more reverent approach on "Santa Claus Is Coming To Town," a slow, gospel-tinged treatment. The latter half of the album adds a string section (which fortunately doesn't oversaturate the music with glitz like on other Christmas albums) and Lewis tinkers around with the celeste a little bit here. "The Sound Of Christmas" is one of the most euphoric songs, a cascading wash of strings and bells awash with the glee of holiday tunes. While Lewis deserves most of the credit, Eldee Young and Redd Holt also deserve an extra candy cane for providing such enthusiastic support. Simply put, this is one of the most flat-out fun jazz Christmas albums you'll find. Lewis avoids the overly reverent no "Silent Night" or "What Child Is This?" in favor of songs he can tear through with the brisk gait of a sleigh ride and the delight of a full stocking. Lewis was later criticized for his eagerness to land on the charts, but his sensitivity to the tastes of the public served him well here. ~ David Rickert https://www.allaboutjazz.com/the-sound-of-christmas-ramsey-lewis-verve-music-group-review-by-david-rickert.php

Personnel: Ramsey Lewis - piano; Eldee Young - bass; Redd Holt - drums; string section on 6-10.

Sound Of Christmas

Thursday, November 14, 2019

Lem Winchester And Ramsey Lewis Trio - Tribute To Clifford Brown

Styles: Vibraphone Jazz
Year: 2000
File: MP3@320K/s
Time: 35:39
Size: 82,8 MB
Art: Front

(3:26)  1. Joy Spring
(4:30)  2. Where It Is
(6:14)  3. Sandu
(5:34)  4. Once In A While
(3:26)  5. Jordu
(3:41)  6. It Could Happen To You
(3:36)  7. Easy To Love
(5:09)  8. A Message From Boysie

This out of print LP, Lem Winchester's first as a leader, matches his vibes with the early Ramsey Lewis Trio on a tribute to the late trumpeter Clifford Brown. They perform two of Brownie's best compositions ("Joy Spring" and "Sandu"), four standards (including "Jordu"), the obscure "A Message from Boysie," and Winchester's "Where It Is." 

A good example of Ramsey Lewis' original piano style, the little-known set is actually excellent and would be easily recommended to straight-ahead jazz fans if it could be found. ~ Scott Yanow https://www.allmusic.com/album/release/tribute-to-clifford-brown-mr0001599019

Personnel: Lem Winchester - vibraphone; Ramsey Lewis - piano; El Dee Young - bass; Issac "Red" Holt - drums

Tribute To Clifford Brown

Thursday, July 4, 2019

Ramsey Lewis Trio - What's New

Styles: Piano Jazz
Year: 2013
File: MP3@320K/s
Time: 39:09
Size: 90,2 MB
Art: Front

(4:47)  1. What's New
(3:09)  2. Carmen
(4:06)  3. Old Devil Moon
(4:38)  4. Delilah
(3:27)  5. I'll Remember April
(3:58)  6. Bei Mir Bist Du Schon
(6:34)  7. Folk Ballad
(3:12)  8. C.C. Rider
(5:15)  9. But Not for Me

Lewis earned his first gold record, as well as a Grammy award for Best Jazz Performance, for their swinging version of Dobie Gray’s hit “The In Crowd.” He returned to the pop charts in 1966 with versions of “Hang On Sloopy” and “Wade In The Water.” Throughout the years, Lewis’ trio has undergone membership changes, all the while staying true to Lewis’ high musical standards. After Young and Holt left Lewis’ trio to form their own group, the pianist hired a new rhythm section with Cleveland Eaton on bass and Maurice White on drums. When White left the band to form Earth, Wind & Fire, Morris Jennings signed on as the trio’s new percussionist. White returned to produce Lewis’ 1974 smash album entitled Sun Goddess, in which Lewis first experimented with electronic keyboards and featured Earth, Wind & Fire on the album. In 1983, Lewis returned to the studio with Young and Holt for the album Reunion. Throughout his illustrious career, Lewis who is a NEA Jazz Master, has also joined forces with countless other artists to create new and innovative music. In 1984, he collaborated with Nancy Wilson on The Two of Us, in 1988he recorded with London’s Philharmonic Orchestra for the album A Classic Encounter, and in 1989 Lewis and Dr. Billy Taylor cut a set of piano duets in We Meet Again. In 1995, Lewis launched the side project Urban Knights, in which he collaborated with a handful of successful crossover jazz stars, including Grover Washington, Jr., Earl Klugh, and Dave Koz. In 1997, Lewis added disc jockey to his resume, hosting a popular show on Chicago’s WNUA-FM that ran until 2009. 

A new show was syndicated in 2006 under the name Legends of Jazz with Ramsey Lewis and was broadcast on jazz radio stations across the country. In 2006,a well-received 13-episode Legends of Jazz television series hosted by Lewis was broadcast by PBS on public TV nationwide and featured live performances by a variety of jazz artists including Larry Gray, Lonnie Smith, Joey Defrancesco, Dave Brubeck, Chick Corea, Kurt Elling, Benny Golson, Pat Metheny and Tony Bennett. Lately, Ramsey has been touring with Philip Bailey (Earth, Wind & Fire), John Pizzarelli and Ann Hampton Callaway. After having played for years in an acoustic trio, Lewis returned to his electric roots. The three time Grammy winner released a new CD Taking Another Look Deluxe Edition, featuring a new electric quintet with Henry Johnson on guitar, Michael Logan on keys, Joshua Ramos on bass and Charles Heath on drums. On the CD, Lewis rekindles his 1974 career-defining album Sun Goddess through a collection of re-recorded tracks from the original disc perfectly balanced with five new tunes. “Jungle Strut” had all the attitude of its 1974 original and Lewis made magic on the Fender Rhodes in “Tambura.” 

And rather than re-recording the title track “Sun Goddess”, Lewis beautifully re-edited the original studio recording featuring Earth, Wind and Fire. Lewis and his Electric Band breathed new life into classic covers, such as the high octane rendition of Stevie Wonder’s “Living For The City” for which Ramsey shot a great video and the tender interpretation of the timeless “Betcha By Golly Wow.” The CD also featured three bonus tracks. The legendary Dr. John served up some Cajun style funk with his rendition of “Jungle Strut”. Then up and comers and jazz fusion funksters Kung Fu turned in a mesmerizing version of “Tambura.” Finally, TAUK delivered an amazing take on “Sharing Her Journey” that clearly established them as a band to watch. "I've recorded maybe 70-80 albums, and this album is definitely among the top five" said Lewis. Showing no signs of slowing down, Ramsey is currently working on a new record which he will begin recording in August with his long time band known as the Urban Knights.  An all-star jazz, R&B and funk band which features Grammy nominated guitarist Henry Johnson, drummer Charles Heath, bassist Joshua Ramos and keyboardist Tim Gant. https://www.ramseylewis.com/biography

What's New

Wednesday, June 5, 2019

Ramsey Lewis Trio - Never On Sunday

Styles: Piano Jazz
Year: 2000
File: MP3@320K/s
Time: 29:46
Size: 69,8 MB
Art: Front

(2:00)  1. The Ripper
(3:40)  2. I Got Plenty of Nothing
(3:02)  3. Waterboy
(3:35)  4. Thanks for the Memory
(2:37)  5. Cielito Lindo
(3:11)  6. You Just Don't Care
(2:13)  7. Never On Sunday
(4:10)  8. You've Changed
(2:36)  9. The Breeze and I
(2:38) 10. Exactly Like You

The playing time on this LP (under half an hour) means that the ten selections are a bit briefer than usual. Pianist Ramsey Lewis, bassist Eldee Young, and drummer Red Holt had one of the most popular groups in jazz of the era, playing soulful and melodic versions of standards that were both swinging and accessible. Highlights of this LP include "I Got Plenty of Nothing," "The Breeze and I," and "Exactly Like You." ~ Scott Yanow https://www.allmusic.com/album/never-on-sunday-mw0000471478

Personnel:  Ramsey Lewis - piano; El Dee Young - bass; Issac "Red" Holt - drums

Never On Sunday

Monday, April 8, 2019

Ramsey Lewis Trio, Jean DuShon - You Better Believe Me

Styles: Vocal And Piano Jazz
Year: 1965
File: MP3@320K/s
Time: 38:09
Size: 89,4 MB
Art: Front

(2:37)  1. You'd Better Believe Me
(2:51)  2. Who Can I Turn To (When Nobody Needs Me)
(2:37)  3. Night Time
(2:44)  4. Something You Got
(3:31)  5. He Was Too Good To Me
(3:59)  6. Goodbye Lover, Hello Friend
(3:01)  7. Corcovado (Quiet Nights)
(3:20)  8. Ain't Nobody's Business
(3:09)  9. Let It Be Me
(2:57) 10. It Had Better Be Tonight
(4:13) 11. My Coloring Book
(3:05) 12. I'm Beginning To See The Light

Jean Du Shon chases her Argo debut with this collaboration with the Ramsey Lewis Trio. (John Levy managed both at the time.) The pairing was a stroke of genius that went unnoticed to the masses. They groove on Woodrow "Buddy" Johnson's "You'd Better Believe Me" and mix Latin rhythms with cocktail vibes on Antonio Jobim's "Corcovado." "Goodbye Lover, Hello Friend," "It Had Better Be Tonight," and "Night Time" are other well-crafted joints from the out-of-print album's eight tracks. ~ Andrew Hamilton https://www.allmusic.com/album/you-better-believe-me-mw0000852572

Personnel:  Piano – Ramsey Lewis; Vocals – Jean DuShon;  Alto Saxophone, Flute – Ronald Wilson; Bass – Cleveland Eaton, Eldee Young; Cello – Eldee Young; Drums – Red Holt; Guitar – Roland Faulkner 

You Better Believe Me

Tuesday, April 2, 2019

Ramsey Lewis - Keys To The City

Styles: Piano Jazz
Year: 1987
File: MP3@320K/s
Time: 42:00
Size: 97,1 MB
Art: Front

(5:58)  1. Keys To The City
(5:20)  2. You're Falling In Love
(4:15)  3. 7-11
(4:49)  4. Strangers
(6:16)  5. My Love Will Lead You Home
(6:09)  6. Melody Of Life
(4:12)  7. Shamballa
(4:57)  8. Love And Understanding

Keys to the City is a studio album by Ramsey Lewis released in 1987 on Columbia Records. The album peaked at No. 11 on the Cashbox Jazz Albums chart. The track "7-11" reached No. 67 on the Billboard Hot R&B Singles chart. The album was Lewis' penultimate release on Columbia Records. 

He would leave his longtime label the following year after releasing another album. Keys to the City was co-produced by Maurice White and Larry Dunn of Earth, Wind and Fire, their fourth collaboration, and the first since 1977's Tequila Mockingbird. https://en.wikipedia.org/wiki/Keys_to_the_City_(Ramsey_Lewis_album)

Personnel:  Ramsey Lewis: DX-7, Piano, Primary Artist; Roland Bautista: Guitar; Tony Brown: Guitar (Bass); Chris Brunt: Composer, Drums, Percussion; Chris Cameron: Synthesizer; Larry Dunn: Bass, Drums, Keyboards, Percussion; Steven Dunn: Drums, Percussion; Byron Gregory: Guitar (Electric); Luisa Justiz: Vocals; Brenda Mitchell-Stewart: Vocals (Background); Don Myrick: Saxophone; Joe Pusteri: Percussion; Bill Ruppert: Guitar (Electric); Robyn Smith: Drum Programming, Percussion, Synthesizer; Morris Stewart: Synthesizer, Vocals (Background); Wayne Stewart: Drums; Maurice White: Percussion

Keys To The City

Tuesday, February 19, 2019

Ramsey Lewis - Songs From The Heart: Ramsey Plays Ramsey

Styles: Piano Jazz
Year: 2009
File: MP3@320K/s
Time: 75:06
Size: 172,8 MB
Art: Front

(8:58)  1. To Know Her Is To Love Her
(7:17)  2. Touching, Feeling, Knowing
(4:02)  3. Clouds In Reverie
(5:46)  4. The Spark
(8:33)  5. Conversation
(5:44)  6. The Way She Smiles
(9:39)  7. Exhilaration
(5:06)  8. The Glow Of Her Charm
(4:22)  9. Rendezvous
(4:16) 10. Long Before She Knew
(8:30) 11. Sharing Her Journey
(2:48) 12. Watercolors

Whether considering his style jazzy pop or popular jazz, Chicagoan Ramsey Lewis has always kept one foot firmly in the jazz mainstream, often tapping to a gospel beat. Here the pianist has recorded an all-original set that will satisfy both audiences by mixing classical elegance with blues preaching. Backed by veteran colleagues, bassist Larry Gray's technical prowess and drummer Leon Joyce's exuberant beats perfectly complement their leader's serene composure. Culling tunes he wrote for the ballet To Know Her..., and from a suite for piano trio and string quartet, Lewis presents them in pared-down versions. Tracks like the episodic "To Know Her is to Love Her," the lush, through-composed "Clouds in Reverie," the uptown swagger of "The Way She Smiles" and a pensive solo rendition of "Long Before She Knew" all from the ballet demonstrate his encyclopedic grasp of voicings and techniques, delicately expressing his train of musical thought. Rounding out the menu are numbers like "The Spark," "Conversation" and "Rendezvous," varying the mood from gentle to festive. Live at New York's BB King's (Nov. 28, 2009) only confirmed that little, if anything, of what this talented trio plays needs fixing in the mix. Revisiting "To Know Her," "The Way She Smiles" and "Conversation" along with an arrangement of a movement from Brahms' second symphony, by the fifth number, a Ray Charles-style rendition of "Wade in the Water," things got funky and stayed that way, segueing through spirituals like "Precious Lord," Duke Ellington's "Come Sunday" and "Motherless Child" as well as snippets of soul-jazz standards like "On Broadway," "Listen Hear" and "After Hours." The encore, starting with an obligatory stab at "The In Crowd," followed by a succession of bluesy vamps, more than satisfied the house. ~ Tom Greenland https://www.allaboutjazz.com/songs-from-the-heart-ramsey-plays-ramsey-ramsey-lewis-concord-music-group-review-by-tom-greenland.php

Personnel: Ramsey Lewis: piano; Larry Gray: bass; Leon Joyce: drums.

Songs From The Heart: Ramsey Plays Ramsey

Monday, April 9, 2018

VA - Oscar, With Love: The Songs Of Oscar Peterson

Styles: Piano Jazz
Year: 2015
File: MP3@320K/s
Time: 178:47
Size: 412,8 MB
Art: Front

(6:18)  1. The Contessa (Makoto Ozone)
(3:39)  2. Blues For Smedley (Robi Botos)
(5:43)  3. Celine's Waltz (Oliver Jones, Dave Young)
(5:11)  4. Bossa Beguine (Gerald Clayton)
(3:31)  5. Cool Walk (Benny Green)
(8:16)  6. Dream Of Me (Michel Legrand)
(4:34)  7. Sushi (Renee Rosnes, Bill Charlap)
(3:00)  8. If I Love Again (Ramsey Lewis)
(3:49)  9. On Danish Shore (Justin Kauflin)
(8:51) 10. Ballad For Benny Carter (Kenny Barron)
(2:28) 11. A Little Jazz Exercise (Makoto Ozone)
(5:56) 12. Tranquille (Monty Alexander, Dave Young)
(4:58) 13. Take Me Home (Hiromi)
(3:35) 14. Announcement (Bill Charlap)
(5:20) 15. If You Only Knew (Benny Green)
(6:39) 16. Love Ballade (Renee Rosnes)
(5:22) 17. The Gentle Waltz (Monty Alexander, Dave Young)
(6:14) 18. Summertime (Justin Kauflin)
(6:22) 19. Laurentide Waltz (Ramsey Lewis)
(4:58) 20. Morning (Gerald Clayton)
(7:59) 21. Harcourt Nights (Michel Legrand)
(4:19) 22. Wheatland (Robi Botos)
(5:11) 23. Why Think About Tomorrow (Oliver Jones, Dave Young)
(6:28) 24. One For Oscar (Chick Corea)
(5:06) 25. The Smudge (Kenny Barron)
(4:58) 26. Sir Lancewell (Lance Anderson)
(4:13) 27. Dear Oscar (Makoto Ozone)
(6:03) 28. I Remember OP (Oliver Jones, Dave Young)
(4:03) 29. Oscar's New Camera (Hiromi)
(2:38) 30. OP's Boogie (Lance Anderson)
(4:28) 31. Trust (Monty Alexander, Dave Young)
(4:03) 32. Emmanuel (Robi Botos)
(3:13) 33. Look What You’ve Done To Me (Audrey Morris)
(3:16) 34. Goodbye Old Friend (Dave Young)
(5:18) 35. Hymn To Freedom (Gerald Clayton)
(2:29) 36. When Summer Comes (Robi Botos)

To mark the ninetieth anniversary of the legendary jazz pianist Oscar Peterson's birth (August 15, 2015), Peterson's widow, Kelly Peterson, produced a tribute album for the ages: Oscar, with Love, a marvelous three-disc set comprising ten never-before-recorded Peterson compositions, nineteen of his better-known works and seven compositions written especially for him, performed by sixteen contemporary piano masters on Peterson's personal Boesendorfer Imperial piano at his private studio in Mississauga, Ontario, Canada. Makoto Ozone has the honor of opening Disc 1 with a warm-hearted reading of Peterson's lovely ballad, "The Contessa." He is followed, in order, by a veritable who's who of noteworthy (no pun intended) keyboard artists: Robi Botos, Oliver Jones, Gerald Clayton, Benny Green, Michel Legrand, Renee Rosnes, Bill Charlap, Ramsey Lewis, Justin Kauflin, Kenny Barron, Monty Alexander, Hiromi, Chick Corea, co-producer Lance Anderson and Peterson's close friend, Chicagoan Audrey Morris. While most tracks showcase the solo piano, Peterson's longtime bassist, Dave Young, accompanies Jones ("Celine's Waltz," "Why Think About Tomorrow," "I Remember OP"), Alexander ("Tranquille," "The Gentle Waltz") and performs alone on "Goodbye Old Friend." Morris plays and sings on "Look What You've Done to Me," while Charlap and Rosnes appear separately on "Announcement" and "Love Ballade," respectively, and together on "Sushi."

The songs written for Peterson include Corea's earnest "One for Oscar" (composed especially for this album), and his bravura performance, which leads off Disc 3, is one of the set's myriad highlights. As for others, any song on which Barron, Jones, Legrand, Lewis, Charlap or Rosnes are in the driver's seat is almost by definition a highlight, and none of them is less than inspired, nor are Ozone, Alexander, Anderson, Botos, Clayton, Green, Hiromi, Kauflin or Morris. Jones, who like Peterson was born in Montreal, is closest to his fellow Canadian in spirit, and even though he was roughly eighty years old when the album was recorded, plays with the agility and vigor of someone many years his junior. Lewis, another newly minted octogenarian, shows no deference to Father Time on his opulent features, "If I Love Again" and "Laurentide Waltz," while the (now) eighty four year old Legrand is sublime on "Dream of Me" and "Harcourt Nights." That's not to demean the (relatively) younger lions Botos, Clayton, Hiromi and Kauflin each of whom makes an auspicious impression. And for brio emblematic of Peterson himself, dig Ozone's busy fingers on "Dear Oscar" and "A Little Jazz Exercise." This is an album on which every participant seems entirely aware that he or she is not merely playing another song but is offering his or her homage to one of the most renowned jazz pianists who ever lived. That fondness and appreciation are palpable from start to finish, which is one (of many) reasons why Oscar, with Love is an album to be applauded and treasured. Others include immaculate sound, splendid packaging, erudite and inclusive liner notes by Basie trumpeter Scotty Barnhart, and warm personal remembrances by Peterson's daughter, Celine. An exemplary tribute worthy of the name and the monarch to whom it is inscribed. ~ Jack Bowers https://www.allaboutjazz.com/oscar-with-love-oscar-peterson-two-lions-records-review-by-jack-bowers.php

Personnel: Monty Alexander: piano; Lance Anderson: piano; Kenny Barron: piano; Robi Botos: piano; Bill Charlap: piano; Gerald Clayton: piano; Chick Corea: piano; Benny Green: piano; Hiromi: piano; Oliver Jones: piano; Justin Kauflin: piano; Michel Legrand: piano; Ramsey Lewis: piano; Audrey Morris: piano, vocal; Makoto Ozone: piano; Renee Rosnes: piano; Dave Young: bass.

Oscar, With Love: The Songs Of Oscar Peterson

Thursday, November 2, 2017

Ramsey Lewis - Fantasy

Styles: Piano Jazz
Year: 1985
File: MP3@320K/s
Time: 40:01
Size: 92,0 MB
Art: Front

(4:16)  1. This Ain't No Fantasy
(4:01)  2. Ram Jam
(4:28)  3. It's Gonna Change
(3:43)  4. Les Clefs De Mon Coeur (The Keys To My Heart)
(4:13)  5. Victim Of A Broken Heart
(4:16)  6. Slow Dancin'
(4:58)  7. Never Give Up
(4:34)  8. Part Of Me
(5:29)  9. The Quest

Pianist and composer Ramsey Lewis has been a major figure in contemporary jazz since the late '50s, playing music with a warm, open personality that's allowed him to cross over to the pop and R&B charts. Lewis was born in Chicago, Illinois on May 27, 1935, and was introduced to music by his father, who directed the choir at a local church and enjoyed the music of Duke Ellington and Art Tatum. Lewis began studying the piano when he was four years old, and was soon accompanying the choir at Sunday services. At the age of 15, he joined a jazz combo called the Cleffs, who played at parties and dances. Lewis was interested in a leaner, more bebop-oriented sound, and when the group splintered after several members joined the military, he formed the Ramsey Lewis Trio with two other former Cleffs, bassist Eldee Young and percussionist Redd Holt. The trio became a fixture on the Chicago jazz scene, and they were signed to a deal with Chess Records, releasing their first album, Ramsey Lewis & His Gentlemen of Jazz, in 1956.  Lewis and his trio continued to record and tour steadily over the years, building a sizable audience among jazz fans, but their career received a serious boost in 1965, when they recorded a swinging version of Dobie Gray's hit "The In Crowd" at a gig in Washington, D.C. Chess released the track as a single, and it became a sizable pop hit, earning Lewis his first gold record, as well as a Grammy Award for Best Jazz Performance. As Lewis' star rose, he returned to the pop charts in 1966 with versions of "Hang on Sloopy" and "Wade in the Water." Meanwhile, Young and Holt left Lewis' trio to form their own group, Young-Holt Unlimited, and the pianist hired a new rhythm section, Cleveland Eaton on bass and Maurice White on drums. n 1970, White resigned to form his own group, and Morris Jennings signed on as the trio's new percussionist. Lewis continued to record for Chess until 1972, when he moved to Columbia Records, and as his music developed a more contemporary groove, White's group, Earth, Wind & Fire (also on Columbia), was beginning to enjoy considerable success on the R&B charts. White produced Lewis' 1974 album, Sun Goddess, in which he experimented with electronic keyboards for the first time, and several members of EWF played on the sessions; it became a major crossover hit and took Lewis to the upper ranks of the smooth jazz/fusion scene. Lewis would record R&B-influenced material through the '70s, but continued to explore his roots in more traditional jazz sounds as well as Latin rhythms. In 1983, he went into the studio with Eldee Young and Redd Holt for the album Reunion; in 1984, he collaborated with Nancy Wilson on The Two of Us; in 1988, he recorded with London's Philharmonia Orchestra for the album A Classic Encounter, and in 1989, Lewis and Dr. Billy Taylor cut a set of piano duets, We Meet Again.

In 1992, Lewis signed with the successful jazz label GRP Records, and in 1995, he launched the side project Urban Knights, in which he collaborated with a handful of successful crossover jazz stars, including Grover Washington, Jr., Earl Klugh, and Dave Koz. In 1997, Lewis added disc jockey to his résumé, hosting a popular show on Chicago's WNUA-FM that ran until 2009; the show went into syndication in 2006 under the name Legends of Jazz with Ramsey Lewis, and is still on the air. In 2005, Lewis looked back on his roots in gospel music with the album With One Voice, which earned him the Stellar Gospel Music Award for Best Gospel Instrumental Album. In 2007, he was commissioned to write a jazz ballet for the Joffrey Ballet Company, and "To Know Her..." debuted at Highland Park, Illinois' Ravina Music Festival, where Lewis is artistic director of the festival's jazz series, and helped found their Jazz Mentor Program. Lewis has also written several pieces for string ensemble and orchestra that have premiered at Ravina; highlights were featured on the 2009 album Songs from the Heart: Ramsey Plays Ramsey, his first release from Concord Records. In addition to his work as a performer, composer, educator, and disc jockey, Lewis has received five honorary doctorate degrees, won the National Endowment for the Arts' Jazz Master Award in 2007, and is one of the few noted jazz artists to carry the Olympic Torch, having briefly escorted the flame as it passed through Chicago en route to the 2002 Winter Games. In 2011, he delivered Taking Another Look, a reworking of his classic 1974 electric jazz-funk album Sun Goddess. The album was reissued in a deluxe package with bonus tracks in 2015. Two years later, Lewis was a featured guest on pianist Alan Storeygard's trio album New Directions. ~ Mark Deming https://www.allmusic.com/artist/ramsey-lewis-mn0000334770/biography

Personnel: Ramsey Lewis (piano, keyboards).       

Fantasy

Tuesday, October 31, 2017

Ramsey Lewis - Funky Serenity

Styles: Piano Jazz
Year: 1973
File: MP3@320K/s
Time: 48:02
Size: 111,5 MB
Art: Front

(5:17)  1. Kufanya Mapenzi (Making Love)
(5:22)  2. If Loving You Is Wrong I Don't Want to Be Right
(2:40)  3. What It Is!
(5:12)  4. My Love for You
(5:35)  5. Nights in White Satin
(4:09)  6. Serene Funk
(9:36)  7. Dreams
(5:08)  8. Betcha by Golly Wow!
(4:58)  9. Where Is the Love

Cleveland Eaton, Ed Greene, and Morris Jennings accompany Ramsey Lewis on this commercial-flavored 1973 release. While jazz/pop/soul versions of "Where Is the Love" and "If Loving You Is Wrong" come off limp, spacy renditions of "Nights in White Satin"; Eaton, Jennings, and Lewis' two compositions, "Serene Funk" and "Dreams"; and a beautiful interpretation of Thom Bell and Linda Creed's "Betcha by Golly Wow" make this an enjoyable and essential reissue. Originally issued on Columbia Records (1973). 
~ Andrew Hamilton https://www.allmusic.com/album/funky-serenity-mw0000010670  

Personnel: Ramsey Lewis (piano, Fender Rhodes piano, Wurlitzer piano, electric harpsichord); Ed Green (electric violin, percussion); Cleveland Eaton (bass, percussion); Morris Jennings (drums, conga, percussion).   

Funky Serenity

Friday, March 10, 2017

Ramsey Lewis - Hang On Sloopy

Bitrate: MP3@320K/s
Time: 43:53
Size: 100.5 MB
Styles: Piano jazz, Soul-jazz
Year: 1965/1988
Art: Front

[4:58] 1. A Hard Day's Night
[4:18] 2. All My Love Belongs To You
[2:28] 3. He's A Real Gone Guy
[5:46] 4. And I Love Her
[3:16] 5. Movin' Easy
[5:18] 6. The More I See You
[6:11] 7. Satin Doll
[3:00] 8. Hang On Sloopy
[5:48] 9. The In Crowd
[2:45] 10. High Heel Sneakers

Bass – Eldee Young; Drums – Red Holt; Piano – Ramsey Lewis. Recorded At The Lighthouse, Hermosa Beach, CA.

This 1965 live album marks Lewis' move to more popular music capitalizing on his earlier single, In Crowd, that put him in the pop charts. In addition, this is his second live album in a row. The preceding one was The In Crowd, which contained a rendition of the title song. Although this album capitalizes on a number of pop tunes that have a wider appeal (Hard Day's Night, And I Love Her and Hang On Sloopy), the arrangements and playing were pure jazz. ~Mike Tarrani

Hang On Sloopy

Tuesday, November 15, 2016

Ramsey Lewis & Nancy Wilson - The Two of Us

Styles: Vocal And Piano Jazz
Year: 1984
File: MP3@320K/s
Time: 40:15
Size: 92,5 MB
Art: Front

(5:15)  1. Ram
(3:53)  2. Midnight Rendezvous
(4:17)  3. Breaker Beat
(4:45)  4. Slippin' Away
(4:32)  5. The Two of Us
(4:14)  6. Quiet Storm
(3:15)  7. Never Wanna Say Goodnight
(4:56)  8. Closer Than Close
(5:04)  9. Song Without Words (Remembering)

This is an interesting album, to say the least. Two very well-known names in jazz unite for this album, but the music contained within is not really what one would call “jazz” despite the former of the headliners’ inclusion; it’s more along the lines of what track number 6 indicates the “quiet storm” of R&B with hints of jazz. Boasting production by Stanley Clarke, this album launches from a not-so-quiet start in “Ram” and lands softly with the closer, “Songs Without Words (Remembering)”. Upon the first listen, this album really did sound like they were two separate albums combined to form one, an impression that was not that far off the mark other reviews of this album have indicated that Ramsey and Nancy were not in the studio together when making this album, and that they were two distinct projects produced by Stanley that were compiled to make this one album.

It’s also interesting to note that despite the array of keyboards heard on this record (especially in the earlier tracks), Ramsey Lewis’s contributions are restricted to his trusty Steinway Grand piano. In fact, on songs like “Closer Than Close” (featuring the superb lead vocals of one Daryl Coley, who also duets with Nancy Wilson on the title track), Ramsey falls into a trap not unlike Herbie Hancock in the same period, where he seems like a sideman on an album bearing his name. All these notes aside, the music here is very pleasing, no matter how it was assembled. “Ram” and “Breaker Beat” sound like outtakes from Stanley’s Time Exposure sessions, featuring the late (and ever understated) Robert Brookins in various keyboard roles. The latter especially sounds like a number of songs that came in the wake of “Rockit”, meant for windmilling on cardboard, or blasting from a JVC portable radio/tape deck. Taking songs from this set, Stanley’s Time Exposure, and Rodney Franklin’s Marathon (look for it on this blog soon) flow right together.

Nancy’s side of the album is much easier listening. A cover of “Midnight Rendezvous” from David Roberts’s 1982 All Dressed Up album introduces Nancy to the listener, and on songs like “Never Wanna Say Goodnight”, and the title track, which has the pleasant air of a Quiet Storm R&B-radio ready television theme song from the era, she really shines. Though, as noted above, if one were really looking to hear a more organic collaboration between the two headline artists, you most likely won’t find it here. However, Ramsey and Nancy did record several albums together after this one, in which they weren’t separated by recording sessions. The real draw to this album, besides the excellent songs, is Stanley Clarke’s production, which doesn’t fail to impress, though, it does result in a somewhat disjointed experience this time around.

The Two of Us

Monday, November 14, 2016

Ramsey Lewis - Maiden Voyage

Styles: Piano Jazz
Year: 1968
File: MP3@320K/s
Time: 47:12
Size: 109,2 MB
Art: Front

(4:47)  1. Maiden Voyage
(3:17)  2. Mighty Quinn
(3:00)  3. Sweet Rain
(2:32)  4. Lady Madonna
(3:37)  5. Do You Know The Way To San Jos
(4:45)  6. Ode
(4:41)  7. Les Fleur
(2:58)  8. Since You've Been Gone
(3:57)  9. In The Heat Of The Night
(2:37) 10. Afro-Boogaloo Twist
(4:03) 11. Only When I'm Dreaming
(6:53) 12. Eternal Journey

One of the key records from the Cadet/Concept scene in late 60s Chicago a tremendous collaboration between pianist Ramsey Lewis and arranger Charles Stepney and the kind of record that took soul and jazz to a whole new level! Ramsey on his own is great enough at this point but add in Stepney's touch, and the record becomes something really brilliant a blend of soaring strings, groovy rhythms, and spaciously stepping piano lines all held together with a tremendous amount of creative imagination! The group here features a young Maurice White on drums and Cleveland Eaton on bass both hitting a groove that's quite different than the Ramsey Lewis Trio sound of years back, with a lot more space, a lot hipper rhythms, and just the right sort of groove to match Stepney's sophisticated touches. The piano gets a bit electric at times, but is mostly acoustic overall and titles include a great version of Minnie Riperton's "Les Fleur", a funky version of "Mighty Quinn", and the cuts "Afro Boogaloo Twist", "Maiden Voyage", "Ode", "Do You Know The Way To San Jose", "Only When I'm Dreaming", and "Eternal Journey". (Blue label stereo pressing.) © 1996-2016, Dusty Groove, Inc. https://www.dustygroove.com/item/2160?s=Ramsey+Lewis&incl_oos=1&incl_cs=1&kwfilter=Ramsey+Lewis

Personnel:  Ramsey Lewis – piano;  Cleveland Eaton - bass, arranger;  Maurice White – drums;  Charles Stepney - arranger

Maiden Voyage

Friday, October 7, 2016

Patrolman Lem Winchester - New Faces At Newport/A Tribute To Clifford Brown

Bitrate: MP3@320K/s
Time: 51:56
Size: 118.9 MB
Styles: Vibraphone jazz
Year: 2012
Art: Front

[0:51] 1. Presentation
[4:38] 2. Now's The Time
[5:49] 3. Polka Dots And Moonbeams
[4:56] 4. Take The A Train
[3:26] 5. Joy Spring
[4:31] 6. Where It Is
[6:15] 7. Sandu
[5:31] 8. Once In A While
[3:27] 9. Jordu
[3:41] 10. It Could Happen To You
[3:37] 11. Easy To Love
[5:09] 12. A Message From Boysie

Lem Winchester (vib), Ray Santisi, Ramsey Lewis (p), John Neves, Eldee Young (b), Jimmy Zitano, Issac Redd Holt (d). Tracks #1-4 originally released on Side B of the album "New Faces at Newport" (Metrojazz E 1005); Recorded in Newport Jazz Festival, Newport, R.I., on July 6, 1958. Tracks #5-12, from the Lem Winchester-Ramsey Lewis Trio LP "Perform a Tribute to Clifford Brown" (Argo LP(S) 642); Recorded in Chicago, on October 8, 1958.

Active for some years as a semi-professional jazz vibist, Lem Winchester, a police officer in Wilmington, Del., was largely unknown when jazz critic Leonard Feather first heard him in 1958 and brought him to the Newport Jazz festival that year. There, his stellar performance astounded audiences, musicians and critics alike. Issued as part of the album New Faces at Newport, it opened up for him the prospect of a career in jazz. Backed by Ramsey Lewiss well integrated trio, he made his first record as leader a few months later, working beautifully with Lewis on the tribute album to the late trumpeter, Clifford Brown, a boyhood friend of the vibist, included here.

As a cop, however, Winchester was violating police regulations by working as a weekend musician in his home town and in Philadelphia jazz spots. So, having recorded few highly praised albums, after eleven years of trying to decide between pounding a beat and keeping one, he turned in his badge and gun in the summer of 1960 and joined the jazz fraternity full time. Unfortunatelyand ironicallya few months later he shot himself in a tragic bit of pistol horseplay in an Indianapolis club.

New Faces At Newport/A Tribute To Clifford Brown

Thursday, January 7, 2016

Ramsey Lewis, Billy Taylor - We Meet Again

Bitrate: MP3@320K/s
Time: 56:05
Size: 128.4 MB
Styles: Piano jazz, Crossover jazz
Year: 1990
Art: Front

[4:35] 1. I'm Just A Lucky So And So
[6:19] 2. Django
[4:35] 3. Cookin' At The Continental
[5:42] 4. Somewhere Soon
[7:41] 5. We Meet Again
[7:20] 6. Quite Now
[5:15] 7. Soul Sister
[6:52] 8. Waltz For Debby
[7:41] 9. Nigerian Marketplace

Features Billy Taylor as Lewis and Taylor played duets on several songs composed by Taylor as well as songs composed by Duke Ellington, Chick Corea (who wrote the title song of the album), Oscar Peterson, Bill Evans and Horace Silver.

We Meet Again

Wednesday, December 23, 2015

Ramsey Lewis & Nancy Wilson - Simple Pleasures

Bitrate: MP3@320K/s
Time: 54:11
Size: 124.1 MB
Styles: Crossover jazz, Vocal jazz, Piano jazz
Year: 2003
Art: Front

[4:26] 1. In The Name Of Love
[6:03] 2. Slippin Into Darkness
[5:03] 3. All This Love
[6:38] 4. In My Life
[3:57] 5. Give Me Something Real
[3:16] 6. Lost Up In Loving You
[4:49] 7. Ooh Child
[5:56] 8. One True Thing
[6:07] 9. God Bless The Child
[7:52] 10. Gentle Persuasion

Longtime fans of these two jazz legends may know that they met originally in the early '60s as clients of the same manager; and recorded their first duet album in 1984, Two of Us, which was produced by Stanley Clarke. Based on the wonderful piano-vocal rapport (with brilliant horn arrangements courtesy of Llew Matthews) on this disc and 2002's Meant To Be, it's a good thing that Ramsey Lewis and Nancy Wilson caught up with each other in 2001, when Wilson played the Ravinia Festival (Lewis serves as Artistic Director). Simple Pleasures features both vocals and instrumentals with a wide range of dynamics, from his romantic but too subtle piano melody on "In My Life," to Wilson's fiery belting over a sea of snazzy horns on "Give Me Something Real." It's great to hear her let loose, but the slower, sensual side of her vocal prowess (on tunes like "Lost Up in Loving You") is even more inviting. They choose their material wisely, from the hip classic pop of Debarge's "All This Love" to "God Bless The Child," which they do in a late night, torchy style. The best of the five, Lewis' only performance is the swinging trio rendition of the R&B classic "Ooh Child," which takes the original melody in fast and furious directions. Let's hope the conversation between them continues indefinitely. ~Jonathan Widran

Simple Pleasures