Tuesday, October 13, 2020

Lauren Hooker - Life of the Music

Styles: Vocal
Year: 2010
File: MP3@320K/s
Time: 49:32
Size: 114,6 MB
Art: Front

(6:34) 1. Life of the Music / Your Music Brings Out the Poetry In Me
(3:24) 2. If That's What You Feel
(3:42) 3. Love Me or Leave Me
(4:14) 4. I Am Doing Very Well
(6:57) 5. Songs to a Seagull
(3:59) 6. I Lied
(4:47) 7. Spring Is Here
(3:52) 8. Countin' on the Blues
(3:48) 9. Hey This Is Me
(2:51) 10. Walkin' on Down the Line
(5:20) 11. Some Other Time

In 2007, vocalist Lauren Hooker turned out an impressive debut, Right Where I Belong (Musical Legends, Inc., 2007), which highlighted her solid, yet flexible, voice, and an ability to graft her own lyrics onto familiar instrumental jazz standards. Three years later, Hooker returns with a program that largely focuses on her own lyrics and music, demonstrating interests in the blues, straight-ahead jazz, funk, pop and Brazilian music. The opening track a collaboration between Hooker and poet Jeanette Curtis Rideau has some bite to it, featuring a burning solo from Scott Robinson's molten soprano saxophone. "If That's What You Feel" begins with Hooker's wordless vocals moving along with Robinson's flugelhorn, over a swaying Brazilian beat. One of the most emotionally powerful originals on the album is "I Am Doing Very Well" a break-up song that touches on all of the conflicting emotions and pain that comes with that territory. Bassist Martin Wind adds a little Brazilian bounce to "I Lied," but John Hart's guitar work is the focal point on this one. Wind and drummer Tim Horner are a solid team behind Hooker on "Countin' The Blues," which features a terrific walking-the-bar-type saxophone solo from Robinson. "Hey This Is Me" is Hooker's take on contemporary pop with a slight R&B tinge to the music and "Walkin' On Down The Line" features some funky drumming from Horner and raunchy guitar sounds from Hart. While Hooker's compositional craft is at the core of the album, she also finds time to tackle four standards, shaped to her own liking. Her vocals cut like a knife on "Love Me Or Leave Me," which features some sublime scatting, and she soars on a waltzing "Spring Is Here." The latter tune is underscored by Horner's crisp, dry and articulate ride cymbal work, and Robinson's fluttery flute is a treat here. "Some Other Time" gently glides long as Hooker is intimately accompanied by Mike Richmond on bass and Hart on guitar. Seagulls had their place on Hooker's first album with "Seagulls (Seagulls of Kristiansund)" and this particular fowl found its way onto this record through Joni Mitchell's "Song To A Seagull." Hooker manages to create wide dramatic range coming off with full throated vocals that Mitchell couldn't match when she penned this early-career classic and the pairing of cello and piano is a nice touch. While this song has a sunny veneer, darker moods seem to lurk around. Life Of The Music, with its engaging original material and intelligently crafted covers, might just get plenty of people hooked on Lauren Hooker.~ Dan Bilawsky https://www.allaboutjazz.com/life-of-the-music-lauren-hooker-miles-high-records-review-by-dan-bilawsky.php

Personnel: Lauren Hooker: vocals, acoustic piano, electric piano; djembe; Jim Ridl: acoustic piano; Tim Horner: drums, congas, pandera, shaker, whistle, flute; Scott Robinson: flute, soprano saxophone, tenor saxophone, alto saxophone, flugelhorn, trumpet; John Hart: acostic guitar, electric guitar; Jeanette Curtis Rideau: spoken word (1); Mike Richmond: cello (5), acoustic bass (11)

Life of the Music

Júlia Karosi, Ben Monder - Without Dimensions

Styles: Vocal And Guitar Jazz
Year: 2020
File: MP3@320K/s
Time: 58:20
Size: 135,7 MB
Art: Front

(6:38) 1. Without Dimensions
(4:26) 2. Rebirth
(7:08) 3. Epigrams No. 7, 8
(2:15) 4. "Only from the Purest Source" Hommage Á Béla Bartók: Bluebeard's Castle Prologue
(4:11) 5. "Only from the Purest Source" Hommage Á Béla Bartók: Mikrokosmos III, No. 92
(1:18) 6. "Only from the Purest Source" Hommage Á Béla Bartók: Romanian Folk Dances No. 3
(2:18) 7. "Only from the Purest Source" Hommage Á Béla Bartók: Outro for Romanian Folk Dances No.3
(1:45) 8. "Only from the Purest Source" Hommage Á Béla Bartók: Sorrow
(1:25) 9. "Only from the Purest Source" Hommage Á Béla Bartók: Mikrokosmos IV, No. 115
(5:08) 10. "Only from the Purest Source" Hommage Á Béla Bartók: Mikrokosmos IV, No. 113
(7:06) 11. Insomnia
(3:42) 12. Words and Beyond Pt. 1
(2:31) 13. Words and Beyond Pt. 2
(3:05) 14. Words and Beyond Pt. 3
(5:20) 15. Madeleine Moment

Júlia Karosi: "I have always wondered if music belongs to one of the dimensions as theorized in the 'Standard Model' of modern physics. I summarized my subjective answer as the title of this album. I believe that the obvious lack of dimensions of music Their unique ability to lift us humans into a sphere of existence in which we are no longer aware of time and space. I also believe that these timeless experiences are usually associated with certain events in our lives that we often experience Getting caught ignorance of their meaning - the very moments that make our lives worth living in. With the programmatic titles in my original compositions in this album, I have contemplated some unforgettable moments in my own life.Rebirth reflects on the birth of my son, followed by Insomnia (obviously), Words andBeyond is a conflict between verbal and non-verbal expressions. Madeleine Moment is a musical quote from Marcel Proust's poetic description of involuntary memory in his work In Search of Lost Time. In this album I would like to pay a "jazz homage" to two of the greatest Hungarian composers of the twentieth century, Béla Bartók and Zoltán Kodály, with arrangements and jazz transcriptions of their works. I hope you don't mind! "Madeleine Moment is a musical quote from Marcel Proust's poetic description of involuntary memory in his work In Search of Lost Time. In this album I would like to pay a "jazz homage" to two of the greatest Hungarian composers of the twentieth century, Béla Bartók and Zoltán Kodály, with arrangements and jazz transcriptions of their works. I hope you don't mind! "Madeleine Moment is a musical quote from Marcel Proust's poetic description of involuntary memory in his work In Search of Lost Time. In this album I would like to pay a "jazz homage" to two of the greatest Hungarian composers of the twentieth century, Béla Bartók and Zoltán Kodály, with arrangements and jazz transcriptions of their works. I hope you don't mind! "https://translate.google.com.br/translate?hl=en&sl=de&u=https://www.jazz-fun.de/julia-karosi-without-dimensions.html&prev=search&pto=aue

Personnel: Júlia Karosi - Vocals; Ben Monder - Guitar; Áron Tálas - Piano; Ádám Bögöthy - Double Bass; Bendegúz Varga - Drums

Without Dimensions