Showing posts with label Ann Hampton Callaway. Show all posts
Showing posts with label Ann Hampton Callaway. Show all posts

Thursday, August 22, 2024

Ann Hampton Callaway - Jazz Goes To The Movies

Time: 54:12
File: MP3 @ 320K/s
Released: 2018
Styles: Jazz Vocals, Cabaret
Art: Full

01. 'S Wonderful (4:32)
02. Let's Face The Music And Dance (3:06)
03. Blue Skies (4:16)
04. The Folks Who Live On The Hill (4:12)
05. As Time Goes By (3:31)
06. The Way You Look Tonight (4:40)
07. This Time The Dream's On Me (2:47)
08. The Nearness Of You (6:06)
09. How Little We Know (3:30)
10. This Can't Be Love (3:40)
11. Just One Of Those Things (2:59)
12. Taking A Chance On Love (3:20)
13. Long Ago And Far Away (4:32)
14. From This Moment On (2:55)

World renowned Tony nominee, New York Cabaret Award "Best Jazz Vocalist" winner and Theater World Award winner Ann Hampton Callaway delivers a must have album. "Jazz Goes To The Movies is a spectacular collection of all-time great movie songs lovingly performed by Ann and her ensemble led by Ted Rosenthal, winner of the Thelonious Monk International Jazz Competition." Jazz Goes To The Movies" conjures stirring images from the golden age of Hollywood. Highlights include the iconic "As Time Goes By" from Casablanca, Irving Berlin's immortal "Blue Skies" from The Jazz Singer, Jerome Kern's "The Way You Look Tonight" from Swing Time and many more movie classics!

Jazz Goes To The Movies

Tuesday, June 25, 2024

Ann Hampton Callaway - Blues In The Night

Styles: Vocal Jazz
Year: 2006
File: MP3@320K/s
Time: 55:35
Size: 130,6 MB
Art: Front

(3:31) 1. Swingin' Away The Blues
(5:40) 2. Blue Moon
(6:22) 3. Spring Can Really Hang You Up The Most
(3:24)  4. Lover Come Back To Me
(5:14)  5. Stormy WeatherWhen The Sun Comes Out
(3:43)  6. The I'm-Too-White-To-Sing-The-Blues Blues
(6:21)  7. Willow Weep For Me
(2:45)  8. Hip To Be Happy
(5:55)  9. It's All Right With Me
(4:35) 10. No One Is Alone
(4:51) 11. Blues In The Night
(3:08) 12. The Glory Of Love

Ann Hampton Callaway shows off her persuasive pipes on this memorable program of familiar songs and originals. Backed by pianist Ted Rosenthal, bassist Christian McBride and drummer Lewis Nash, she explores the kind of songs that drive Broadway wild. Sherrie Maricle's Diva big band appears on four tracks, while band members Anat Cohen (tenor saxophone) and Jami Dauber (trumpet) fill in on three additional selections with a moving spirit. With a blues theme running through her album, Callaway aims for the dramatic. You can pick up traces of expressive singers in her presentation; singers who have made an impact on her interpretation of this material, such as Lena Horne, Sarah Vaughan, Peggy Lee and Ella Fitzgerald. Callaway's "Hip to be Happy differs from most of the program. Here, she has put on her "Annie Ross thinking cap and has come up with a highly original song that feels as hip as Lambert, Hendricks Ross. She sings it with her sister, Liz, in a cool and comfortable posture. 

Blues in the Night fills the room with big band sounds as Callaway turns on the charm. She enjoys playing the role with authority. Her big voice belts the blues strong enough, and this band turns on the power for emphasis. Quieter interpretations such as "It's All Right with Me, "Spring Can Really Hang You Up the Most and "Willow Weep for Me demonstrate the singer's heartfelt sincerity. Stephen Sondheim's "No One is Alone, from Into the Woods, brings a beautiful passion to the forum, magnified by Anat Cohen's sultry tenor statements. Tender ballads such as this one reveal the true blue side of Callaway's stage presence, while her program holds plenty of other surprises for her audience. Blues in the Night has all the right ingredients for a true jazz celebration.~ Jim Santella https://www.allaboutjazz.com/blues-in-the-night-ann-hampton-callaway-telarc-records-review-by-jim-santella.php

Personnel: Ann Hampton Callaway: vocals; Ted Rosenthal: piano; Christian McBride: double bass; Lewis Nash: drums; Liz Callaway: vocals; David Gilmore: guitar. Sherrie Maricle and the Diva Jazz Orchestra (1, 4, 6, 11): Sherrie Maricle: drums, leader; Noriko Ueda: double bass; Kristy Norter: alto saxophone, flute; Erica von Kleist: alto saxophone, clarinet, flute; Anat Cohen, Scheila Gonzalez: tenor saxophone, clarinet; Lisa Parrott: baritone saxophone; Tanya Darby, Jami Dauber, Nadje Noordhuis, Alicia Rau: trumpet; Deborah Weisz, Jennifer Krupa: trombone; Leslie Havens: bass trombone.

Blues In The Night

Friday, March 29, 2024

Ann Hampton Callaway - Bring Back Romance

Styles: Vocal
Year: 1994
File: MP3@320K/s
Time: 55:20
Size: 130,3 MB
Art: Front

(3:28) 1. Music
(4:46) 2. How long has this been going on
(5:10) 3. This might be forever
(5:09) 4. My one and only love
(3:38) 5. An affair to remember
(4:42) 6. Bring back romance
(3:23) 7. You can't rush spring
(3:59) 8. Out of this world
(3:25) 9. A quiet thing
(2:59) 10. There will never be another you
(4:43) 11. Where does love go
(4:39) 12. You go to my head
(1:49) 13. It could happen to yo
(3:23) 14. My shining hour - I'll be seeing you

If, as they say, "variety is the spice of life," Ann Hampton Callaway's second album forDRG is especially piquant. On a program of 14 numbers, including five she composed, Callaway brings a flock of people into the studio. There are three arrangers, including the eminent composer Richard Rodney Bennett, four different piano players, and at least three rhythm-section players along with an assortment of reeds, horns, and strings. The result is an interesting potpourri of more than 55 minutes of swirling but assured and confident singing. Although there's an assortment of arrangers, to their credit their charts complement and reinforce Callaway's vocal strengths. She has a way at least on some cuts of creating an almost eerie atmosphere with her voice, bringing to mind hazy afternoons and hushed foggy evenings with her voice floating overhead. Aiding and abetting in creating this atmosphere are not only the arrangers, but the musicians.

Lou Marini's delicate flute and carefree alto sax are prominent on a slower than usual "How Long Has This Been Going On?" There's a jungle music-like introduction to the Callaway-penned title tune, "Bring Back Romance," then seguing into a soft rock tempo. Some of the arrangements on this CD are complex, but there are less ornate tracks like a jumping "There Will Never Be Another You," with Lee Musiker's piano providing the bulk of the support. Callaway's straight-ahead way with lyrics comes through loud (figuratively speaking) and clear on a jazzy "You Go to My Head," again with Marini's flute fluttering in the background before he takes out his sultry tenor. This track is one of the album's highlights, along with an upbeat and bouncy "It Could Happen to You." The result of all this is something for everybody, from heavily embellished arrangements through very emotional renditions like "My Shining Hour" to comparatively simple and basic jazz singing. Each track is like the weather. If you don't like it now, wait a few minutes and it will change.~Dave Nathanhttps://www.allmusic.com/album/bring-back-romance-mw0000627051

Bring Back Romance

Monday, March 4, 2024

Ann Hampton Callaway - Fever: a Peggy Lee Celebration!

Styles: Vocal
Year: 2023
File: MP3@320K/s
Time: 51:10
Size: 118,1 MB
Art: Front

(3:43) 1. Fever
(3:18) 2. Till There Was You
(2:36) 3. The Glory Of Love (Feat. John Pizzarelli)
(6:06) 4. The Folks Who Live On The Hill
(1:47) 5. Sing A Rainbow
(2:57) 6. I Don't Know Enough About You
(3:37) 7. Claire De Lune
(5:54) 8. Black Coffee
(3:51) 9. I Love Being Here With You
(3:26) 10. The Other Part Of Me
(3:22) 11. Johnny Guitar
(4:53) 12. Where Can I Go Without You?
(2:38) 13. This Is A Very Special Day / It's A Good Day
(2:55) 14. Angels On Your Pillow

Peggy Lee was a remarkable singer and songwriter, but to some listeners, deeply enigmatic. Her time, often well behind the beat, conveyed a subtle sense of irony. "Are you getting this?" she sometimes seemed to say, "or am I going too fast for you?" She could be exuberant and world weary almost in the same breath. It was seemingly up to the audience to decipher her meaning. Lee could convey expectation and experience simultaneously, as in her version of "Folks Who Live on The Hill." "Fever."

Well, it was not as if much imagination was needed, with a drummer dropping exclamation points, but tastefully, not bump and grind. As much as any singer of her generation, even more than Anita O'Day, Lee could convey emotional turmoil, never perhaps really distant from her personal life. She was a singer for adults, like O'Day or Billie Holiday. She could sing sweetly, but that was not her customary image by the time she reached the 1960s.

Those same qualities are gloriously evident in Ann Hampton Callaway's well-chosen celebration of Lee. Just in case the listener were inclined to miss them, Callaway's version and it is her version of "Fever" includes a wry commentary on Lee's first marriage to guitarist Dave Barbour, when she was in her apprenticeship to Benny Goodman in the 1940s. It is a nod to Lee's songwriting as well, like "Captain John Smith and Pocahontas," that Lee apparently added. It is instructive to listen to Callaway doing "Till There Was You."

This tune dates from the 1950s, and Lee sold it as a straight love song, no fireworks. Callaway gives a different impression, regret perhaps. When you think of Lee as the voice of experience as in "Is that All There Is?," Calloway's quality is strikingly different. It is the same on "Folks Who Live on the Hill." Lee could have been looking into the future, but Callaway leaves the impression that she has seen it all.

"Black Coffee" has been done by so many artists since Sarah Vaughan that it would take a book to compare them. Callaway gives it a solid blues treatment, and like some others, she has the right voice for it, down and dirty. Lee pretty much did it that way too, but not every singer has. Callaway is true to the original, but then so was Lee. Preference is a matter of taste.

On the other hand, some of the material is, well, if not obscure, probably new to some. "The Other Part of Me," for instance, or "Johnny Guitar," is presumably related to a Joan Crawford film made in 1954 about the risks an independent woman had to take on the Wild West. Lee started young and had a long career that included acting. Not everyone will be familiar with her entire trajectory, or coded allusions to aspects of her personal life.

As for Callaway, this recording only goes to show she has not chosen to coast on past successes, of which there have been many. She is, like Lee, quite versatile, ranging far beyond basic blues, and very much her own singer and songwriter, no matter who her formative influences were.

There are plenty of subtle clues about Callaway's outlook in her singing: anyone who can do a song like "Thoughts and Prayers" is not about to compromise artistry or talent for anyone. Nor, one suspects, would Peggy Lee either. Jazz can be complicated, and so too, its best exponents.By Richard J Salvucci https://www.allaboutjazz.com/fever-a-peggy-lee-celebration-ann-hampton-callaway-palmetto-records

Personnel: Ann Hampton Callaway: voice / vocals; John Pizzarelli: guitar; Ted Rosenthal: piano; Martin Wind: bass, acoustic; Tim Horner: drums; Bob Mann: guitar.

Fever: a Peggy Lee Celebration!

Sunday, March 3, 2024

Ann Hampton Callaway - Finding Beauty, Originals, Vol. 1

Styles: Vocal
Year: 2023
File: MP3@320K/s
Time: 73:58
Size: 171,5 MB
Art: Front

(4:38) 1. The Moon Is A Kite
(4:19) 2. Look For The Love
(4:54) 3. Forever And A Day
(5:00) 4. Love And Let Love
(6:12) 5. Information, Please
(4:37) 6. You Can't Rush Spring
(4:33) 7. Finding Beauty
(3:51) 8. Revelation
(4:41) 9. Hold You In This Song
(4:45) 10. Stealin' Away
(4:13) 11. New Eyes
(5:05) 12. At The Same Time
(5:06) 13. Wherever You Are
(3:44) 14. If I Were
(4:18) 15. Be The Light
(3:54) 16. Perfect

LOS ANGELES, CA (August 21, 2023) – Tony-nominated, multiplatinum-selling pop/jazz singer-songwriter Ann Hampton Callaway will release her new album, Finding Beauty, Originals Volume 1, on Sept. 29 via Shanachie Entertainment. Comprised of 16 sumptuous tracks, immaculately produced and arranged by Trey Henry and Paul Viapiano for the Chemistry Set, Finding Beauty is a milestone for Callaway recently inducted into the Women Songwriters Hall of Fame in that it’s her first album to feature all-original songs.

“This is my most personal record,” Callaway says. “Throughout my career, I’ve loved singing the great jazz classics and selections from the Great American Songbook, but I’ve always snuck my original songs on various projects. The pandemic made me think, ‘I don’t know if I’ll live through this, but if I do, what’s at the top of my bucket list?’ And I realized that I wanted to tell my story and share the deepest part of me. What better way than by sharing and singing songs I’ve written?”

Over the years, Callaway’s compositions have been recorded and performed by some of the biggest names in the business among them, Carole King, Patti Lupone, Liza Minnelli, Karrin Allyson, and Michael Feinstein, to name a few. Barbra Streisand has featured Callaway’s songs on seven albums, including 1997’s No. 1 platinum smash Higher Ground, which featured “At the Same Time.” In addition, Callaway wrote and sang the memorable theme song to the beloved TV series The Nanny.

Finding Beauty took three years to complete, during which Callaway, Henry, and Viapiano combed through the singer’s vast catalog of material, stretching from 1986 to the present. “It was a true collaboration,” Callaway says. “Some songs were ones that Trey and Paul really wanted to work on, and I trusted their instincts. Most of all, I wanted a cohesive statement that would share my stories of love, from my first to my last.”

Select tracks on Finding Beauty see Callaway singing alongside a number of notable guests – superstar Melissa Manchester, nine-time Grammy nominee Tierney Sutton, Grammy-winning jazz legend Kurt Elling, celebrated pop and R&B singer Niki Haris, Grammy-nominated singer Jarrett Johnson, and Callaway’s frequent musical partner (and real-life sister), the Tony-nominated and Emmy-winning Liz Callaway. “I’ve recorded CDs with my sister, of course, but this was my first time recording with the other artists,” Callaway says. “It was thrilling to explore these songs together.”

Before Streisand recorded “At the Same Time,” the song was featured in the 1987 world peace event The Harmonic Convergence. Callaway once performed the number herself a capella for former Russian president Mikhail Gorbachev. For Finding Beauty, she and Henry tried different iterations before arriving at a haunting and intimate arrangement, with muted military drums, on which Callaway’s passionate vocals shine. “I wanted to evoke a feeling of urgency while the war continues on,” she notes.

The gorgeous smooth pop/R&B “Love and Let Love” is another gem. Callaway and film/TV composer Michele Brourman wrote the song as a pride/human rights anthem, which Callaway has long sung as a stirring ballad. Henry reimagined it as a more upbeat and funky cut, which surprised and delighted Callaway. “It was incredible jamming on it with Kurt Elling,” she says. “We created a happening. I could envision singing it for thousands of people, with everybody embracing how we’re all different and we’re all supposed to be who we are.”

On an album brimming with standouts, there’s the fun and frisky “Stealin’ Away,” co-written with Tony-nominated composer Dan Levine. An unabashed ode to romantic love and passion, the song was penned for Al Jarreau, who sadly passed before he could record it. With her smoldering, sultry performance, Callaway transports the listener to a private place of sensuality and warmth. Callaway’s “You Can’t Rush Spring” has been covered by numerous artists over the years, including Ann herself on her 1994 album Bring Back Romance, and here she duets with Tierney Sutton on a gripping, beautifully atmospheric version on which their two voices blend magically. “I love the cinematic mood that Trey created,” Callaway enthuses. “Singing with Tierney was extraordinary. We think like flutes and cellos when we blend our voices together. It’s one of my favorite tracks on the record.”

The lush, bossa nova-tinged “Forever and a Day” gently works its way into the thicket of your senses and doesn’t let go. Written with Alan Bergman, the song fulfills a long-held dream of Callaway to collaborate with the iconic, multi-Oscar-winning composer. “That’s what I call a friendship,” she says, “where I can have the audacity to say, ‘Would you like to write a song? Here’s a melody.’”

Callaway champions the musicians who contributed to Finding Beauty – she’s worked with pianist Christian Jacob and drummer Ray Brinker since the ‘90s, but this marks her first time recording with pianist Josh Nelson. Working with producer-arrangers Henry and Viapiano was, at times, “a leap of faith” in that she relinquished her go-to “this is how the songs should go” and put her trust in their vision. “But it’s an experience that I cherish,” she says. “Their instincts were always right on the money.”

And as the full title suggests, fans can expect a sequel. “There will be another album,” Callaway says. “This isn’t ‘we should do more of this.’ We definitely will.”

Starting August 25 in Minneapolis, the Broadway World Entertainer of the Year will hit the road for an international tour that stretches into the Spring of 2024. At select dates, Callaway will celebrate the release of her new album with a show called Finding Beauty: Inspired Classics and Originals.
https://www.annhamptoncallaway.com/news.html

Finding Beauty, Originals, Vol. 1

Tuesday, October 10, 2023

Ann Hampton Callaway - Easy Living

Styles: Vocal
Year: 2005
File: MP3@320K/s
Time: 57:28
Size: 132,2 MB
Art: Front

(3:52) 1. Easy To Love
(4:15) 2. Come Rain Or Come Shine
(5:50) 3. Skylark
(2:33) 4. Nice Work If You Can Get It
(5:32) 5. The Very Thought Of You
(5:59) 6. 'Round Midnight
(3:37) 7. Come Take My Hand
(5:42) 8. Easy Living
(3:25) 9. All Of You
(3:43) 10. Bluesette
(3:28) 11. It Had To Be You
(5:24) 12. In A Sentimental Mood
(4:03) 13. You Don't Know What Love Is

This is Ann Hampton Callaway's seventh recording, Easy Living, is one of her very best. It's a program of well-known standards and fairly stock arrangements, but in the middle is her pristine, well-defined, flexible voice. She retains a lower-end range in her style that suggests only one singer: Sarah Vaughan. She's joined by several different rhythm sections and soloists, including pianists Benny Green (six cuts), Bill Charlap (five), and Kenny Barron (two); bassists Peter Washington or Neal Miner; drummers Clarence "Tootsie" Bean and Lewis Nash; percussionist Jim Saporito; saxophonists Andy Farber, Nelson Rangell, and Gerry Niewood; and on three selections, trumpeter Wynton Marsalis.

A collection of love songs sung convincingly and with no frills, Callaway shows great depth in ballad singing. Hard evidence is presented in her takes of "Skylark" and "The Very Thought of You," with Charlap's glistening piano tones ringing bells for the singer and Farber's tenor sax replies. "'Round Midnight" is the penultimate interp with Barron's wistful piano and Marsalis' spare trumpet offering advice on ol' midnight. Callaway can swing well when she chooses; "Easy to Love" brings home her lower dulcet tones, while Farber's tenor cops a Stan Getz-Joe Henderson type plea bargain.

Green's intro to "Nice Work If You Can Get It" has a "Giant Steps" quote before the singer digs into this lyric. She scats a little during the middle of the program, on the melody line, and the coda, of "Bluesette," and more in the improvised bridge during "It Had to Be You." Bossa nova is always a sidebar for singers, and Callaway uses this Brazilian rhythm on an interesting arrangement of "You Don't Know What Love Is" spiked with high drama, Saporito's Latin percussion, Barron's deft piano, and Niewood's flavorful tenor.

The lone composition of the vocalist "Come Take My Hand" is also bossa, with Rangell's flute chirping on this definitive love anthem. Marsalis is also bolder on the stark ballad title track and a nice version of "In a Sentimental Mood," while it's the singer getting brash and daring in a lower tone than normal for perhaps the highlight "All of You," Green's piano matching the depths of Callaway's yearnings.

It's not hyperbole to understand this is the perfect singer with a perfect voice that sounds so effortless, mature, and flowing. Though the others six recordings are just fine, this one really hits the spot, especially instrumentally. Callaway proves up to the challenge with every measure, phrase, and inflection. By Michael G. Nastos
https://www.allmusic.com/album/easy-living-mw0000253203

Personnel: Vocals, Liner Notes – Ann Hampton Callaway; Alto Saxophone – Nelson Rangel; Bass – Neal Miner (tracks: 1, 4, 8, 13), Peter Washington (tracks: 2, 3, 5 to 7, 9 to 12); Drums – Clarence "Tootsie" Bean (tracks: 1, 4, 8, 13), Lewis Nash (tracks: 2, 3, 5 to 7, 9 to 12); Flute – Nelson Rangel (tracks: 3); Piano – Benny Green, Bill Charlap (tracks: 1, 4, 8, 11, 13), Kenny Barron (tracks: 2, 9); Tenor Saxophone – Andy Farber (tracks: 1, 6, 11, 13), Gerry Niewood (tracks: 6, 9); Trumpet – Wynton Marsalis (tracks: 2, 4, 8)

Easy Living

Friday, April 8, 2022

Liz Callaway - Anywhere I Wander: Liz Callaway Sings Frank Loesser

Styles: Cabaret
Year: 1993
File: MP3@320K/s
Time: 64:10
Size: 147,9 MB
Art: Front

(3:46)  1. How To Succeed/I Believe In You
(2:58)  2. Standing On The Corner
(4:25)  3. What Are You Doing New Year's Eve?
(4:52)  4. Joey, Joey, Joey
(5:11)  5. Never Will I Marry
(2:45)  6. On A Slow Boat To China
(5:05)  7. I'll Know/Somebody Somewhere
(4:08)  8. If I Were A Bell
(5:37)  9. Anywhere I Wander
(3:11) 10. Inchworm
(4:00) 11. I Wish I Didn't Love You So
(4:05) 12. Brotherhood Of Man
(6:56) 13. My Heart Is So Full Of You
(3:24) 14. More I Cannot Wish You
(3:40) 15. Spring Will Be A Little Late This Year

Introductory notes on “Anywhere I Wander: Liz Callaway Sings Frank Loesser,” from Oscar Winner, David Shire:
"1958. I’m sitting in the back of the balcony of New York’s Imperial Theatre. Jo Sullivan is singing “My Heart Is So Full of You” as Frank Loesser’s The Most Happy Fella soars towards curtain. I’m crying.

1982. I’m sitting at a ringside table in the King Cole Room of the St. Regis Hotel listening to Liz Callaway sing “I Don’t Want to Walk Without You, Baby”, one of the songs in an all-Loesser revue she’s appearing in. Richard Maltby has brought me here because he feels that Liz is perfect for one of the leads in BABY, a new show we’re writing. I lean over and tell him he’s right.

1983. I’m in the back of another Broadway Theatre, the Barrymore. Liz Callaway is singing “The Story Goes On,” the finale of the first act of BABY. I’m crying again.

1993. I’m driving along a Connecticut highway listening to an advance cassette of Liz Callaway’s first solo album, “Anywhere I Wander” comprised of Frank Loesser songs. She’s making “My Heart Is So Full of You” come alive again, and I only wish Frank could hear it too. He spent a lot of time looking for the most exciting vocal instruments to sing his music, and nothing pleased him more than finding one. I think Liz Callaway would have blown him away as she blew away Richard and me and a lot of other people night after night during the run of BABY. This album is a feast for anyone who appreciates some of the greatest theatre (and pop) music ever written and one of the purest voices to sing it that God ever made.

Rest in peace, Frank. A new generation is taking good care of your music. And if I’m not careful I’m going to be crying again."~ David Shire  http://www.cdbaby.com/cd/lizcallaway2

Personnel: Liz Callaway, Ann Hampton Callaway (vocals); Scott Kuney (guitar); Michelle Stewart (violin); Nick Armstrong (viola); Ted Hoyle (cello); Dave Weiss (reeds); Dan Higgins (saxophone); Dave Rogers (trumpet); Kenny Rupp, Marco Katz (trombone); Alex Rybeck (piano); Rich Ruttenberg (keyboards, programming); Mark Minkler, Jay Leonhart (bass); Ron Tierno (drums).

Wednesday, December 1, 2021

Ann Hampton Callaway & Liz Callaway - Boom! Live At Birdland

Styles: Vocal
Year: 2011
File: MP3@256K/s
Time: 79:06
Size: 152,1 MB
Art: Front

(4:03)  1. Got To Get You Into My Life / Happy Together
(6:26)  2. Come Together
(3:53)  3. Always Something There To Remind Me
(5:50)  4. A Case Of You
(0:49)  5. "Do You Remember Those Long Car Trips..."
(3:59)  6. Back-Seat-Of-The-Car Medley
(3:41)  7. Yesterday
(0:49)  8. "We Would Like To Take This Time..."
(4:46)  9. You've Lost That Lovin' Feelin'
(0:38) 10. "Having A Dad Who Was A Reporter..."
(4:36) 11. Blowin' In The Wind
(0:52) 12. "I Wanted To Be The 6th Dimension..."
(5:24) 13. Didn't We / MacArthur Park
(4:27) 14. I Know A Place / Downtown
(3:49) 15. These Boots Are Made For Walkin'
(1:38) 16. "We Were Very Different..."
(5:16) 17. That's The Way I've Always Heard It Should Be
(2:58) 18. The Way We Were
(0:50) 19. "The Ed Sullivan Show..."
(8:54) 20. Stevie Wonder Medley
(0:16) 21. "One Album That Unites Us..."
(5:02) 22. You've Got A Friend

Broadway veteran Liz Callaway and cabaret/jazz vocalist Ann Hampton Callaway joined forces for an extended engagement at Birdland in 2011, exploring favorite pop songs from the 1960s and early '70s. The two sisters explain a little bit about their influences and thoughts about some of the songs between performances and connect with their attentive audiences. Whether singing together or individually, they capture the essence of each song, supported by pianist Alex Rybeck's lively arrangements. They're equally effective interpreting ballads like Carly Simon's "That's the Way I Always Heard It Should Be" and Marvin Hamlisch's "The Way We Were" as a duo, complementing one another's voices. They have a lot of fun playing off the Beatles' stoner favorite "Come Together" and offer a "Back-Seat-of-the-Car" medley that includes snippets of many favorites from the late '60s and early '70s. But the strongest songwriter represented in this collection is easily Stevie Wonder, who is honored with an extended medley of songs that mostly have been widely recorded by jazz artists. This live recording is an enjoyable look at the past that never bogs down into predictability. ~ Ken Dryden   
http://www.allmusic.com/album/boom!-live-at-birdland-mw0002159883

Personnel: Liz Callaway (background vocals); Ann Hampton Callaway (background vocals); Alex Rybeck (piano, background vocals); Ron Tierno (drums); Jered Egan (background vocals).

Wednesday, March 17, 2021

Ann Hampton Callaway - Signature

Styles: Vocal
Year: 2005
File: MP3@320K/s
Time: 50:27
Size: 116,9 MB
Art: Front

(4:27) 1. Tenderly
(3:36) 2. You Turned the Tables On Me
(3:47) 3. Route 66
(3:05) 4. A Kiss To Build A Dream On
(4:09) 5. The Best Is Yet To Come
(5:06) 6. For All We Know
(3:49) 7. Mr. Paganini
(4:17) 8. In The Wee Small Hours Of Morning
(4:16) 9. Is That All There Is?
(3:25) 10. Twisted
(6:16) 11. Good Morning Heartache
(4:08) 12. Pick Yourself Up

With each release, cabaret singer, Broadway performer and apparently soon to become TV star with her own show on PPBS, Ann Hampton Callaway amazes with her versatility. Becoming even more adventurous than ever on this latest release with a play list that brims with interesting and varied material, from the Vocalese gem, "Twisted", made famous by Annie Ross, to the Louis Armstrong favorite "A Kiss to Build a Dream on" with lots of good stuff in between. On top of that, Callaway has managed to garner some of the top musicians around including Wynton Marsalis, Rodney Jones, Kenny Barron, Frank Wess and Lewis Nash. They provide the instrumental underpinning for the singer as she recognizes the great ones who have gone before. It turns out that one of the more poignant, and unintentionally melancholy, tributes the is the one to the irreplaceable Peggy Lee who died after this album was recorded. Callaway does Lee's "Is That all There Is?" and includes the narrative recitation that Lee used.

There's some fine Dan Block clarinet on this cut. Other singers whom Callaway celebrates include Billie Holiday ("Good Morning Heartache"), Sarah Vaughan ("Tenderly") and Ray Charles and Betty Carter ("For All We Know"). Freddie Cole shows up to duet with Callaway on this tune. Marsalis does an especially ardent solo on "Good Morning Heartache" as does Frank Wess on "Tenderly", while Kenny Barron's piano lay down a soft, supple cushion for Callaway on virtually all the cuts. It's important to recognize that while this is a tribute album, Callaway doesn't simply duplicate what these singers who helped make the music famous. She stamps her own imprimatur on each of them. So you have the best of two worlds. Music made famous by great artists sung by another of similar caliber backed by some of the best musicians in the business. Signature is one of the first really outstanding vocal albums for 2002 and is easily recommended. Visit Ann's web home at www.annhamptoncallaway.com.~ Dave Nathan https://www.allaboutjazz.com/signature-ann-hampton-callaway-n-coded-music-review-by-dave-nathan.php?width=1920

Personnel: Ann Hampton Callaway, New York Voices*, Freddy Cole** - Vocal; Kenny Barron - Piano; Rodney Jones - Guitar; Wynton Marsalis - Trumpet; Frank Wess - Alto Sax; Dan Block - Clarinet; Ben Wolfe - Bass; Lewis Nash, Neil Smith - Drums

Signature

Wednesday, November 8, 2017

Frank Mantooth - Ladies Sing For Lovers

Bitrate: MP3@320K/s
Time: 62:23
Size: 142.8 MB
Styles: Swing, Jazz vocals
Year: 2005
Art: Front

[5:14] 1. If You Could See Me Now (With Karrin Allyson)
[4:48] 2. When Did You Leave Heaven (With Kristen Gustafson)
[5:14] 3. You'll See (With Paula West)
[4:50] 4. You Don't Know What Love Is (With Sunny Wilkinson)
[4:59] 5. It Never Entered My Mind (With Jay Clayton)
[4:50] 6. Good Morning Heartache (With Margaret Carlson)
[4:28] 7. My Heart Won't Lie (With Oleta Adams)
[5:59] 8. Imagination (With Rebecca Parris)
[5:22] 9. Why Stars Come Out At Night (With Stacy Rowles)
[4:52] 10. Ballad Of The Sad Young Men (With Sheila Jordan)
[5:41] 11. The Nearness Of You You're Nearer (With Anne Hampton Callaway)
[5:59] 12. I Got It Bad And That Aint' Good (With Diane Schuur)

The late Frank Mantooth was best known for his swinging big-band arrangements. For what would be his final major project, Mantooth arranged a dozen love songs for a string orchestra, featuring 12 talented female jazz singers on a tune apiece. The results are rather light on jazz with just occasional brief solos, usually from saxophonist Kim Park, and not much improvising from the singers. The vocalists generally stick close to the melodies while the strings and horns play unadventurous parts. Due to the quality of the singers, some of the performances are touching, particularly Karrin Allyson on "If You Could See Me Now," Margaret Carlson on "Good Morning Heartache," and Rebecca Parris during "Imagination," while Diane Schuur's wide range and powerful voice rather overwhelm "I Got It Bad (And That Ain't Good)." But overall, this ambitious outing is much safer than expected and a slight disappointment. Considering the singers, Mantooth's abilities, and the excellent musicians, one would expect more surprises and adventure. ~Scott Yanow

Ladies Sing For Lovers

Thursday, April 20, 2017

Ann Hampton Callaway - Slow

Bitrate: MP3@320K/s
Time: 59:45
Size: 136.8 MB
Styles: Vocal jazz
Year: 2005
Art: Front

[5:10] 1. Slow
[4:27] 2. You Belong To Me
[6:51] 3. Will You Love Me Tomorrow
[3:41] 4. Tonight You're All Mine (With Carole King)
[5:50] 5. Someone To Light Up My Life
[5:06] 6. I've Dreamed Of You
[5:13] 7. Lullaby In Blue
[3:59] 8. Moondance (With Liz Callaway)
[4:17] 9. Never Really Mine To Lose
[5:58] 10. Love Dance
[4:28] 11. Never Let Me Go
[4:39] 12. My Answered Prayer

The sultry, sweet-molasses voiced veteran singer/songwriter has an impressive pedigree as an entertainment Renaissance woman, with a Tony nomination for Swing!, the theme song to TV's The Nanny, and some 40 CDs as a soloist and guest artist to her credit. Best of all, she lives up to her promises, most notably, the vibe she hints at in the album title. Her goal was to make a dreamy "make out" album and she succeeds, creating a lush, moody, sparsely arranged atmosphere-rich collection of sweet originals played at very slow tempos. Those arrangements are geared towards allowing her voice to stand out and ultimately caress the listener, but the drawback is that there's not a great deal of variety in rhythm and movement from track to track. Those who love the original version of Carole King's "Will You Love Me Tomorrow?" may be maddened by its languid pace (despite its shimmering beauty), but King loved it so much that she wrote the following track, the much more engaging, AC radio-accessible "Tonight You're All Mine," with Callaway co-producing and singing backup on the track. Callaway also picks up the pace to joyous effect, singing beautifully with her sister Liz (with whom she performs cabaret shows) on a lightly swinging version of "Moondance." Other familiar tracks include a thoughtful reading of Ivan Lins' "Love Dance," and "I've Dreamed of You" (Callaway's song which Barbra Streisand sang at her wedding to James Brolin and later included on three albums.) ~Jonathan Widran

Slow

Wednesday, February 15, 2017

Ann Hampton Callaway - After Ours

Bitrate: MP3@320K/s
Time: 59:30
Size: 136.2 MB
Styles: Vocal jazz
Year: 1997/2009
Art: Front

[5:12] 1. Time After Time
[3:25] 2. Teach Me Tonight
[6:40] 3. My Funny Valentine
[4:07] 4. Old Devil Moon
[4:44] 5. The First Time Ever I Saw Your Face
[4:57] 6. All Blues
[4:30] 7. They Can't Take That Away From Me
[6:03] 8. The Music You Leave Inside My Mind
[4:53] 9. You Are My Sunshine
[6:57] 10. It Never Entered My Mind
[3:33] 11. Fallin In Love Again
[4:22] 12. Untitled Track

Ann Hampton Callaway is one of the top cabaret singers of the past decade. She has always been influenced a bit by jazz, and this 1997 release was her first full jazz recording. Callaway has a haunting voice and, as with most cabaret singers, a great respect for the lyrics she interprets; her singing on "The First Time Ever I Saw Your Face" is a bit eerie. Pianist Kenny Barron, Bob Mintzer on tenor and soprano, and trumpeter Randy Brecker all get a generous amount of solo space, while bassist Jay Leonhart and percussionist George Jinda are fine in support; considering the high quality of her sidemen, it is a major compliment to the singer to say that her vocals do not cause the set to sag or the listener to lose his interest. On "All Blues" and "Old Devil Moon" in particular, she shows the potential of becoming a significant jazz singer in the future if she sticks to this path. Strangely enough, an intriguing original blues (clocking in around four-and-a-half minutes) is included at the end of the program, but not mentioned on the back cover or in the liners. Recommended. ~Scott Yanow

After Ours

Monday, January 16, 2017

VA - Shades Of Beautiful: The Tracy Stark Songbook

Size: 147,1 MB
Time: 63:07
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals
Art: Front

01 Ann Hampton Callaway - Woman On The Stage (4:59)
02 Lesley Gore - Find My Strength (5:05)
03 Lillias White - You Changed Me (3:54)
04 Jane Monheit - Mr. Moon (4:28)
05 Nona Hendryx - Walk With Me (5:09)
06 Janis Siegel - Camera (5:00)
07 Nicolas King - The Only One (3:40)
08 Johnny Rogers & Tracy Stark - Morning Light (4:26)
09 Tanya Holt - Let Love In (3:56)
10 Karen Black - Greatest Nightmare (3:31)
11 Barb Jungr - Portrait (4:15)
12 Janice Pendarvis - Hungry (3:23)
13 Marcus Simeone - Fluffy World (3:27)
14 Tonya Pinkins - Life's Been Kind (3:45)
15 Tracy Stark - Welcome Home (4:02)

Tracy Stark’s newest CD, Shades of Beautiful:?The Tracy Stark Songbook, is proof that this multi-award-winning, busy lady is much more than a skilled piano partner who is a great arranger. She is an accomplished songwriter who deserves more recognition. In his liner notes, James Gavin quotes Stark: “… Cabaret used to be a genre: the Great American Songbook, show tunes, standards. In the present world, I see it as a giant umbrella of any genre, as long as you can create a sense of intimacy.” Mission accomplished. Those words describe a CD that is sure to make a mark. It’s an intimate album for sure and it touches several genres with intelligence and great style.

The new release on Miranda Music is proof of the scope of Stark’s songwriting talent. The songs, sung by various gifted artists—with the last cut performed solo by the songwriter (who also provides back-up vocals on a number of cuts)—should be rated on what they are and what they offer. They are sublime—some darn good stuff with terrific songs about the midnight hour and some longing pieces straight from the heart. Some have an optimistic, timeless quality. Others are reflective and come to life with pieces of a pop/soul craft that are pensive, echoing a likeness to ladies like the late Laura Nyro, as on “Walk with Me” (sung by Nona Hendryx), which repeats its message of believing, supported by a subtle backup chorus. This is carried through on a reflective ballad called “Life’s Been Kind” sung with passion by Tonya Pinkins.

With so many wonderful artists, it’s hard to single out one over the other. Ann Hampton Callaway kicks off the CD on a light, yet discreetly powerful nod with a cool reading of “Woman on the Stage” that makes a statement about ladies in the spotlight. “Fluffy World,” sung by frequent musical partner Marcus Simeone, is a personalized, melancholic, sleepy ballad about waking up next to her husband after a hard night’s work in a smoky, crowded place (a piano bar?): “… You are everything supreme and the reason I can truly love.” “Morning Light” has Stark in a bluesy, jazz-tinged duet with Johnny Rodgers that is a highlight. The great Lillias White offers a soulful “You Changed Me” that really cooks. It’s about a tough woman who admits to poor life choices, who gave up, and ultimately found someone. A strong cut. Jazz artist Jane Monheit flawlessly caresses “Mr. Moon” with a sexy reading that could melt butter: “… I lay myself down, but I’m gonna get up again… It’s all under wraps.” And so it goes.

All the cuts are so special and all reflect a songwriter who deserves a wider platform. There’s more to be said indeed. For now, Stark, whose songs often lean toward jazz stylings, are introspective and memorable with simple challenges. Most exemplify the relevance of how less is more. There are fifteen cuts by impressive artists that stand out for their interpretive and musical gifts. However, Tracy Stark is the real winner here on a haunting album that is worthy of attention.

The album is produced by Richard Barone. Other singing artists include the late Lesley Gore, Janis Siegel, Nicolas King, Tanya Holt, Barb Jungr, Janice Pendarvis and the late Karen Black.

In addition to Stark on piano for most tracks, the musicians including: guitarists Gene Bertoncini, Ronald Drayton; drummers Trevor Gale, Ratso Harris, Donna Kelly (percussion, too), Danny Mallon, David Silliman; bassists Warren McRae, Maryann McSweeney, Michael Visceglia, Skip Ward; keyboardist Etienne Stadwijk; and a special nod to Sean Harkness whose guitar brilliance is on almost every cut. ~by John Hoglund

Shades Of Beautiful

Sunday, August 28, 2016

Ron Helman - It Never Entered My Mind

Size: 150,0 MB
Time: 64:36
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz
Art: Front

01. You've Changed (5:39)
02. Just Friends (5:38)
03. Close Your Eyes (5:11)
04. Born To Be Blue (5:28)
05. All Or Nothing At All (7:34)
06. When Sunny Gets Blue (8:11)
07. Sweet Georgia Brown (5:41)
08. Desafinado (5:17)
09. Don't Explain (5:49)
10. Overjoyed (3:59)
11. It Never Entered My Mind (6:06)

Personnel:
Ron Helman: flugelhorn
Mike Mainieri: vibraphone
David Spinozza: guitar
Rachel Z Hakim: piano & fender rhodes
James Genus: bass
Joel Rosenblatt: drums

Special Guests:
Ann Hampton Callaway: vocals
Steve Wilson: alto & soprano sax

Proud to be part of jazz trumpeter Ron D Helman's beautiful CD "It Never Entered My Mind" singing the Mel Torme classic "Born to Be Blue." Finally got to listen to this romantic, late night collection of elegant standards played in every shade of blue with the great band he assembled- Steve Wilson, James Genus, Mike Mainieri, Rachel Z, David Spinozza and Joel Rosenblatt. Love the songs- every one is a jewel- and Ron's playing is stunning. Check it out! ~Ann Hampton Callaway

It Never Entered My Mind

Wednesday, November 11, 2015

Lee Lessack - In Good Company

Styles: Jazz, Vocal
Year: 2005
File: MP3@320K/s
Time: 74:21
Size: 170,9 MB
Art: Front

(4:35)  1. Lee Lessack With Nita Whitaker - The First Time Ever I Saw Your Face
(3:50)  2. Lee Lessack With Susan Egan - The Look Of Love
(3:09)  3. Lee Lessack With Jon Philip Alman - Sweet Mystery
(4:39)  4. Lee Lessack With  Mary Jo Mundy - Never Saw Blue Like That
(4:56)  5. Lee Lessack With  Brian Lane Green - Opens Arms
(6:15)  6. Lee Lessack With Ann Hampton Callaway - Bring Back Romance
(3:50)  7. Lee Lessack With Johnny Rodgers - Here's To You
(5:13)  8. Lee Lessack With Joanne O'Brien - Summer Wine
(4:54)  9. Lee Lessack With Franc D'Ambrosio - Vincero Perdero
(4:54) 10. Lee Lessack With Maureen McGovern - If You Go Away
(4:05) 11. Lee Lessack With Stephen Schwartz - For Good
(3:15) 12. Lee Lessack With Susan Werner - Blue Guitar
(3:58) 13. Lee Lessack With David Burnham - Let It Be Me
(3:31) 14. Lee Lessack With Amanda McBroom - The Rose
(4:42) 15. Lee Lessack With Ken Page - Vincent
(3:54) 16. Lee Lessack With Stacy Sullivan - Stay the Night
(4:34) 17. Lee Lessack With Michael Feinstein - May I Suggest

No one is working harder than Lee Lessack to keep the increasingly fragile art of cabaret singing on life support. To date, he has released more than 100 discs by some 70 artists (including himself) on his L.A.-based LML label. But never before has Lessack launched so overt an assault as with this 17-track collection that pairs him with a brigade of the genre's top singers and players. The results are uniformly lovely, especially when Lessack joins forces with Susan Egan on "The Look of Love," Maureen McGovern on "If You Go Away," David Burnham on a slow-roasted "Let It Be Me" and composer Stephen Schwartz on the magical "For Good" from his score for Broadway's Tony-winning Wicked.

Trouble is, despite the accuracy of its title, In Good Company lacks cabaret's most essential spice-variety. The all-ballad assortment is like a damask table runner: beautiful and tasteful, but ultimately just passively decorative. The one notable-indeed, soaring-exception is his teaming with keyboardist Johnny Rodgers (who coproduced the album with Lessack and whose band backs each track) on the Rodgers-penned "Here's to You" that pays superlative homage to Simon and Garfunkel. ~ Christopher Loudon  http://jazztimes.com/articles/16099-in-good-company-lee-lessack

Personnel: Lee Lessack (vocals); David Burnham , Franc d'Ambrosio, Joanne O'Brien, Ken Page, Michael Feinstein, Amanda McBroom, Nita Whitaker, Ann Hampton Callaway, Stacy Sullivan, Stephen Schwartz, Susan Egan, Susan Werner, Maureen McGovern, Jon Philip Alman, Mary Jo Mundy, Johnny Rodgers, Brian Lane Green (vocals); Joe Ravo (guitar); Una Tone (violin); Wolfram Koessel (cello); John F. Rodgers (piano, organ); Danny Colfax Mallon (drums); Tom Harrell (trumpet, flugelhorn).

In Good Company

Monday, October 26, 2015

Ann Hampton Callaway - Hope Of Christmas

Size: 121,2 MB
Time: 51:49
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals, Holidays
Art: Front

01. On Union Street (A Christmas Toast) (4:10)
02. The Hope Of Christmas (4:07)
03. One Star (4:31)
04. Discovery (5:08)
05. I Believe (3:46)
06. I Saw A Sparrow (3:15)
07. Santa Doesn't Like Me (3:36)
08. Christmas Isn't Christmas At All (4:41)
09. I Want To Play Santa (4:27)
10. What Good Is Being Cranky (When It's Christmas Time) (4:02)
11. My Gift Of Thanks (4:18)
12. Fly With The Angels (5:44)

HE HOPE OF CHRISTMAS is a new collection of Christmas songs interpreted by multiplatinum-selling singer, Tony nominated actress, pianist and leading champion of the American songbook, Ann Hampton Callaway, with lyrics by two-time Emmy® Award winner William Schermerhorn, and featuring twenty-nine of the world's best jazz musicians, including Five Play, New York Voices, Hubert Laws, Claudio Roditi, Gerald Albright, The Ted Rosenthal Trio and more.

Hope Of Christmas

Monday, August 31, 2015

Ann Hampton Callaway - To Ella With Love

Bitrate: MP3@320K/s
Time: 58:38
Size: 134.2 MB
Styles: Vocal jazz
Year: 2005
Art: Front

[2:44] 1. Let's Fall In Love
[3:50] 2. Do Nothin' Till You Hear From Me
[3:35] 3. A Fine Romance
[4:56] 4. Embraceable You
[5:07] 5. How High The Moon
[4:24] 6. But Not For Me
[3:27] 7. I'm Beginning To See The Light
[5:03] 8. Body And Soul
[3:06] 9. That Old Black Magic
[5:35] 10. Little Girl Blue
[3:37] 11. Lullaby Of Birdland
[4:48] 12. Ev'ry Time We Say Goodbye
[5:07] 13. I Got It Bad (And That Ain't Good)
[3:12] 14. Oh, Lady Be Good

Ann Hampton Callaway has a strong reputation as one of the top cabaret singers of the 1990's but, unlike most others in that idiom, she is also a talented jazz singer. Callaway, who has a beautiful voice with a wide range, always swings while giving strong emphasis to the lyrics she is interpreting. Her ambitious and successful Ella Fitzgerald tribute uses on some songs a string section (recorded in Estonia), an American big band, a trio consisting of pianist Cyrus Chestnut, bassist Christian McBride and drummer Lewis Nash and (On "Do Nothin' Till You Hear From Me" and "How High The Moon") guest trumpeter Wynton Marsalis. Although Callaway does not sound that much like Ella, she pays tribute to the First Lady of Song through her repertoire (14 superior standards), phrasing and joyful swing. Highpoints include "A Fine Romance," "But Not For Me," an emotional "Little Girl Blue" and a stomping rendition of "Lady Be Good." This is a highly recommended elease that both serves as a memorial to Ella and as a strong introduction for jazz listeners to Ann Hampton Callaway. ~Scott Yanow

To Ella With Love