Monday, May 20, 2024

Kristine Mills - Looking Back - Moving Forward

Styles: Vocal
Year: 2021
Time: 25:30
File: MP3 @ 320K/s
Size: 58,5 MB
Art: Front

(4:33) 1. Blue Isn't Blue Anymore
(3:55) 2. Go Fly Away
(4:08) 3. Reach Out To Me
(4:12) 4. Infinite Love
(3:56) 5. Hold Fast
(4:43) 6. Dip My Toe in the Waters

Winner of the Houston Press Music Awards, Best Female Vocalist and Best Songwriter, Mills was also nominated for Best Pop Artist, Best Jazz, and Musician of the Year. She was among the 2013 Houston Press Rocks of 100 - Houston’s Most Distinguished Artists and a 2012 Houston Arts Alliance for Established Individual Artists Grant Recipient. Mills wrote the soundtrack for the Gold REMI award-winning documentary film Collector’s Waltz. A member of the Recording Academy, Mills has been recognized for Grammy nomination consideration in several categories.

In addition to many New York City appearances at the Metropolitan Room, Duplex and Zinc Bar, Kristine played sold-out shows as a guest vocalist with the Duke Ellington Orchestra and as a headliner for the Brazilian International Jazz Festival tour in Sao Paolo, Recife, Rio, and Belo Horizonte. She also performed at New Orleans's Snug Harbor, The Miami Music Festival, Houston's Cezanne’s and House of Blues. Mills was Artist-In-Residence at Hotel ZaZa Houston, and Music Director and featured performer at Giorgio's Hotel Granduca Houston. She now includes Pizza Express, Piano Smithfield in London as well as Bert's Jazz Bar at the Merchant Hotel, Belfast among her regular venues.

Since her move to London in the summer of 2021, Kristine has had the pleasure of working with acclaimed pianist, writer and producer Janette Mason in performances along with other fabulous musicians, Darren Beckett, Tom Mason, Simon Little, Sophie Alloway to name a few.

"I just love London!" said Kristine Mills. "I’m enjoying performing and collaborating with a new coterie of London-based jazz and world music musicians for a fresh perspective. The city and its musicians are inspiring."

Mills is known in Houston as being a constant and persistent voice in the jazz scene. With her latest album project, a key moment in her three-decade-long career, she received critical acclaim and media support back. She premiered the single “Hold Fast” with Houston CityBook (see here for the premiere) and celebrated with a sold-out show at Warehouse 72.

"Both songs hold true to the infectiously jazzy sound that has propelled Mills into headliner gigs at events like the Brazilian International Jazz Festival and allowed her to play sold-out shows in theaters and performing arts centers around the world from Houston to Sao Paolo," said Houston CityBook.

She followed up with two EP release concerts, in Austin, Texas at Parker Jazz Club with the critically-acclaimed house band, led by Kris Kimura, and back to Houston at Warehouse 72 with a band led by Chad Wesselkamper.

The new album, as well as her other releases, are available on Spotify, Apple Music and all streaming platforms.

“Looking Back. Moving Forward." EP is the retrospective of my songwriting career,” expressed Kristine Mills. “It encompasses songs written at different times in my life, but they share universal truths about love, life, and death that we all can relate to. Many of the songs are collaborations with other artists which then pull from their experiences to enrich the writing and feelings found in the songs.”

This album was different for Kristine, as she pulled from previously unreleased recordings. Songs on “Looking Back. Moving Forward.” were conceived in pairs from various “sessions” recorded in 2008 to the present. The first set of songs, “The HOUSTON Sessions,” was co-produced by Gabriel Santiago, recorded in Houston then mixed and mastered in Brazil. Kristine’s first two singles are a contrast in love - “Hold Fast” was written in honor of her new husband, whereas “Dip My Toe In The Water” was written amidst the ending of a long marriage. Additional "sessions" recorded in New York and Austin included many well-known musicians such as GRAMMY-nominated American songwriter Jeff Franzel, prolific writer and producer Askold Buk, Sade's touring drummer, Steve Williams, Dave Byrne's tour bassist Paul Frasier, cellist Dave Eggar and Austin-based writer/producer David Rice.

Raul da Gama with World Music Reports says, “Kristine Mills’ talent for songwriting goes well beyond that realm. She is a fine writer of The Song, an even better writer of The Ballad and best of all she writes a compelling narrative. In short, Mills may be considered a complete musician." https://www.kristinemillsmusic.com/bio

Looking Back. Moving Forward.

Cory Weeds - Just Like That

Styles: Saxophone Jazz
Year: 2011
Time: 62:34
File: MP3 @ 320K/s
Size: 144,1 MB
Art: Front

(7:03) 1. Just Like That
(5:14) 2. Adanac
(6:40) 3. Have a Little Faith in Me
(4:59) 4. Noah's Dance
(6:28) 5. One a Clear Day
(5:03) 6. The Big H
(6:34) 7. Waltz for Someone Special
(5:29) 8. Rat Race
(7:29) 9. The Way She Was
(7:30) 10. You're as Right as Rain

Saxophonist Cory Weeds has been a professional musician for the better part of 15 years.

As a member of popular Vancouver band People Playing Music he toured Canada, the United States and Europe and recorded was a key part in the success of the band's Sette CD released in 1997. In 1998 he formed his instrumental band CRASH that he co-led with tenor saxophonist Jerry Cook. The band released its first CD entitled Crash in 1998 and toured Canada the same year playing at the prestigious Montreal Jazz Festival. The band went back into the studio in 1999 to record their sophomore release Candyshop. In 2003 the band was booked to back up Hammond B3 organ guru Dr. Lonnie Smith. This chance meeting resulted in the band's 3rd CD The Dr. Is In on Cellar Live featuring the renowned B3 Organist. The CD was a huge success and led to several tours of the Pacific Northwest.

Weeds is a member of The Night Crawlers which released their debut CD, Presenting on Cellar Live in 2007, and was nominated for Album Of The Year at the National Jazz Awards in 2008. The Night Crawlers released their second CD/Record in early 2011 titled Down In The Bottom featuring a big band. The album won a Western Canadian Music Award for Best Album Of The Year. The B3 Kings is a seasonal quartet featuring Denzal Sinclaire on voice / drums, Chris Gestrin on b3 organ and Bill Coon on guitar. The band recorded a CD that was released in 2005 that has been a hit worldwide and their first full length Christmas CD You Better Watch Out! was released in December of 2011. The band continuously sells out venues in Western Canada during the Christmas season. Weeds is a charter member of Melody Diachun's EQ that released their debut CD in 2008 and Jennifer Scott's Brasiliera. They will be releasing a CD in mid 2012.

In 2006 Weeds was a member of the saxophone section that backed up Paul Anka and has also graced the horn section with singing sensation Nikki Yanoffsky. Weeds has also shared the stage with international superstars such as Lou Donaldson, David Fathead Newman, Charles McPherson, Harold Mabern, Scott Hamilton, Ian Hendrickson-Smith and Mike DiRubbo. He has also shared the stage with locals like Brad Turner, Mike Allen, Hugh Fraser, Don Thompson, Oliver Gannon, Cam Ryga and Ross Taggart.

Perhaps Weeds' biggest musical accomplishment came in January, 2008 when he recorded his first CD as a leader featuring New York heavyweights guitarist Peter Bernstein, organist Mike Ledonne and drummer Joe Farnsworth. Big Weeds was released to critical acclaim across the continent. The CD debuted on the JazzWeek chart at #49 and made it all the way up to #17. Big Weeds also graced Bob Parlocha's Top 40 Jazz Chart making it as high as #9. Big Weeds was nominated for Album Of The Year at the 2009 National Jazz Awards and was selected by Jazz Week as one of the Top 100 Releases of 2008.

In August, 2008 Weeds shared the stage with yet another New York heavyweight, trumpeter Jim Rotondi. The band recorded their first CD in January, 2009 in New York City featuring pianist Ross Taggart, bassist John Webber and drummer Willie Jones III. Everything's Coming Up Weeds shot up JazzWeek Charts making it as high as #6 and was voted #32 out of the Top 100 Jazz Recordings of 2009.

The Many Deeds Of Cory Weeds features the dynamic duo of organist Joey Defrancesco and drummer Byron Landham as well as trumpeter Chris Davis. The record debuted on the JazzWeek Chart at number 26 and remained in the Top 50 for 10 weeks.

Weeds' most recent release Just Like That featuring The Tilden Webb Trio has received critical acclaim. It graced the JazzWeek charts for 12 weeks making it as high as #7 and continues to receive airplay around the world. https://www.allaboutjazz.com/musicians/cory-weeds/

Personnel: Acoustic Bass – Jodi Proznick; Alto Saxophone – Cory Weeds; Congas – Chris Davis (tracks: 4); Drums – Jesse Cahill; Piano – Tilden Web

Just Like That

Joe Magnarelli - Persistence

Styles: Trumpet Jazz
Year: 2008
File: MP3@320K/s
Time: 57:16
Size: 132,2 MB
Art: Front

(6:06)  1. Presistence
(7:59)  2. the Village
(7:01)  3. I Had the Craziest Dream
(6:10)  4. D Train Boogaloo
(9:36)  5. Haunted Heart
(6:34)  6. You and the Night and the Music
(5:41)  7. Ballad for Barretto
(8:06)  8. Soul Sister

The stark black and white cover photo of trumpeter Joe Magnarelli peering out at you from the cover of Persistence emits a brooding and a blandness that is light years away from the robust, enjoyable musical experience offered by the music on the disc itself. Magnarelli, a first-call trumpeter among first-callers, leads an exciting group of other New York musicians (stars all) in eight selections originals and standards that are both intriguing and satisfying. There is such a sense of spontaneity and excitement in this recording that it gives the impression of being recorded live: each tune has that wonderful on-the-edge sense to it. "Persistence," the first cut (and one of five Magnarelli originals), sends you back in jazz time to a smoke-filled, excitement-laden, 1960s Blue Note session. After a hip intro and a Kenny Washington drum fill with echoes of Max Roach, the quintet steams ahead on the head. Heavenly shades of Art Blakey and the Jazz Messengers inspire the team as they roll it out for hard bop at its hottest. It's clear, as he fires away on his tasteful solos, that Magnarelli has regularly visited the jazz trumpet pantheon and tuned his ear to the greats. He is a player of excitement, inspiration, fire and control. The band is impeccable too. 

Baritone saxophonist Gary Smulyan shines throughout the session; his bellowing sound is never too heavy to swing. Washington's cymbal work is fireworks, worthy of Tony Williams. Pianist David Hazeltine fits in beautifully, both when comping and playing some marvellously engineered solos. Bassist Peter Washington is supremely solid always right there. "The Village" lays down an easy bossa nova groove under a lazy, carefree melodic line. Hazeltine builds a tasteful solo. No dragging here, only sway. Magnarelli cascades over the horn and constantly surprises the listener, never falling into cliche or hollow pyrotechnics in lieu of inspiration. Reaching into the Great American Songbook, "I Had the Craziest Dream" spotlights Magnarelli's beautiful soft swing approach. There's no hokey here, no schmaltzy vibrato or syrupy swinging. This track is on a par with a classic version by trumpeter Jack Sheldon. Magnarelli is pure taste. He uses rhythm and melody to construct his solos. Hazeltine's solo is a gem (catch the "Stella By Starlight"-copped cliche: cute!) There's a nice Washington solo too. "D Train Boogaloo," a funky blues head, sidewinders over a go-go beat and a Lee Morgan quote, spectacularly so. 

You can bet there are aspiring trumpeters out there who right now are transcribing, copping and wood-shedding Magnarelli licks. The Dietz-Schwartz standard "Haunted Heart" is given a bluesy feel. Magnarelli carries the lead with Smulyan haunting us with a second melodic take and a marvelously lyrical solo. The extended lines intrigue. Hazeltine's comps and interplay with the soloists are perfection before he goes tasteful on his own. The non-related Washingtons capitalize here together. "You and the Night and the Music"and the race flag! Magnarelli's Dizzy Gillespie ish Harmon mute work fires at a tempo reminiscent of Clifford Brown's "Cherokee" he even throws in a Brown lick drawn from that classic's intro. Magnarelli spent many years performing with the great bandleader Ray Barretto. His "Ballad for Barretto" has such a beautifully classic melodic approach similar to Benny Golson's "I Remember Clifford" that other instrumentalists will probably embrace this tune down the jazz road. 

Triple-metered over "Body and Soul" chord changes, "Soul Sister" opens with Magnarelli and Smulyan lightly carrying the melody. The superimposition of new melodic material over standard harmonic changes is as old as jazz. For Magnarelli to use his marvelous compositional chops to take such a standard and turn it into a hip waltz is slick genius. There are no gimmicks in Persistence. Magnarelli and his colleagues sound comfortably secure in themselves. All have paid dues in the shed, studios and pits, on the road and wherever. It's that persistence that results in performance perfection. Magnarelli presents us with an honest, no frills attempt at that goal. And, yes, he does indeed come close. Very, very close. A terrific, persistently satisfying disc. ~ Nicholas F.Mondello https://www.allaboutjazz.com/joe-magnarelli-persistence-by-nicholas-f-mondello.php

Personnel: Joe Magnarelli: trumpet; Gary Smulyan: baritone saxophone; David Hazeltine: piano; Peter Washington: bass; Kenny Washington: drums.

Persistence