Sunday, June 16, 2019

Hubert Laws - Law's Cause

Styles: Flute Jazz 
Year: 2005
File: MP3@320K/s
Time: 34:20
Size: 79,8 MB
Art: Front

(2:32)  1. No More
(4:31)  2. If You Knew
(3:34)  3. A Day with You
(3:04)  4. Please Let Go
(6:44)  5. Shades of Light
(5:08)  6. Trio for Flute, Bassoon, and Piano
(8:42)  7. Windows

Laws' Cause is the third album by jazz flautist Hubert Laws released on the Atlantic label in 1969. https://en.wikipedia.org/wiki/Laws%27_Cause

Personnel:  Hubert Laws - flute, piccolo; Jimmy Owens - trumpet; Karl Porter - bassoon; Chick Corea - piano; Roland Hanna - harpsichord; Kenny Burrell - guitar; Sam Brown - sitar; Ron Carter - bass; Chuck Rainey - electric bass; Grady Tate - drums; Melba Moore - vocals

Law's Cause

Lauren White - At Last

Styles: Vocal 
Year: 2007
File: MP3@320K/s
Time: 49:27
Size: 113,5 MB
Art: Front

(3:01)  1. My One And Only
(4:01)  2. All I Do is Cry
(5:47)  3. Blue Bayou
(3:32)  4. Do You Remember
(4:06)  5. Mack the Knife
(7:02)  6. Love for Sale
(3:58)  7. Brand New Love
(4:33)  8. Superstar
(5:46)  9. My Funny Valentine
(3:14) 10. Why They Call it Falling
(4:21) 11. At Last

Musical suspicions are immediately raised when jazz singer Lauren White is described as a cross between Linda Ronstadt and Norah Jones. White is a twenty year-old native of Grapevine, Texas; a child prodigy singer from age four. She did, indeed, study with the same vocal coach as Jones, but the latter has little of White's smoky and seductive vocal assets as a jazz chanteuse. White performs Roy Orbison's "Blue Bayou"which was one of Ronstadt's biggest hits on At Last, and even sings it in a similar manner, Still, her demeanor is significantly more low-key, avoiding the range of "Blue Bayou on the rest of the album. Now for the good news. This is one impressive debut session. The set list research factor alone shows that roughly half of this album will be unfamiliar material to most listeners. Beginning as a slinky seductress in an after-hours boite on Ira Gershwin's "My One and Only," White follows it up with her original "All I Do Is Cry" in a very similar mode. A jolt of familiarity follows with "Blue Bayou," but then she provides a poignant original, Do You Remember." In order to please the masses, Kurt Weill's world-famous "Mack The Knife" follows. Although delivered in the standard swing format, drummer Mark Ferber makes it interesting with an Ahmad Jamal "Poinciana -type pattern. White takes a chance on the Cole Porter classic "Love For Sale," beginning with the spooky verse, and when the familiar melody sets in, it is played for the storytelling of a "woman of the streets." 

Over the past few decades, it seems that too few vocalists have presented the song in the style or tempo that Ella Fitzgerald did on her Cole Porter Songbook (Verve, 1956). Guitarist Anthony Wilson, who also did the arrangement, gets in some fine blues licks on his solo, as does the appropriate use of Joe Bagg's Hammond B-3 organ. White sings Rodgers & Hart's "My Funny Valentine"a tune which should be given a temporary rest. Her version is ameliorated, however, by Ricky Woodward's gutsy tenor sax solo. Country singer Lee Ann Womack's Why They Call It Falling" is an unexpected treat; a lighthearted look at love on which Norah Jones could also have done a fine job. With the appetite-whetting At Last, the only question is: what's next? ~ Michael P.Gladstone https://www.allaboutjazz.com/at-last-lauren-white-groove-note-records-review-by-michael-p-gladstone.php

Personnel: Lauren White: vocals; Bill Cunliffe: piano; Anthony Wilson: guitar; Ricky Woodard: tenor sax; Brian Piper: piano and arrangements; Chuck Berghofer: bass; Joe Bagg: Hammond B-3 organ; Mark Ferber: drums.

At Last

Jeff Lorber - Worth Waiting For

Styles: Jazz Fusion, Jazz Funk 
Year: 1993
File: MP3@320K/s
Time: 57:31
Size: 132,6 MB
Art: Front

(5:19)  1. Rain Song
(4:46)  2. The Underground
(4:26)  3. Yellowstone
(5:02)  4. Punta Del Este
(5:20)  5. Lost With You
(5:28)  6. Worth Waiting For
(5:58)  7. High Wire
(6:04)  8. Wavelength
(5:24)  9. Columbus Ave
(5:16) 10. Do What It Takes
(4:22) 11. Jazzery

After a seven year layoff, feisty veteran funkmaster Lorber steps out from the producer's chair with a fun filled all star project. The keyboardist, best known for his fusion years, has been far from idle during that time, producing for pop jazz sax gods Kenny G and Eric Marienthal, and mixing for U2 and Paula Abdul. His latest lives up to its title...though not resoundingly so. As he did with Marienthal's brilliant Oasis, Lorber divides his keyboard time between punchy, soulful rhythms and mellifluous textures that pour on the romance. Easygoing exercises like "Yellowstone" and the Latin tinged "Punta Del Soul" inspire a cool charm, but it's danceable cookers like "High Wire" and "Jazzery" that keep the disc spiraling. The only track that seems out of step is "Do What It Takes," whose production takes on a dated, 70s Crusaders sheen. Spirited performances surround Lorber's tasty keywork, most notably those of Art Porter, Gary Meek, Dave Koz and Bruce Hornsby. ~ Jonathan Widran https://www.allmusic.com/album/worth-waiting-for-mw0000097821

Personnel:  Alto Saxophone – Art Porter (tracks: 1), Dave Koz (tracks: 7), Gary Meek (tracks: 11); Drum Programming, Hihat – Curt Bisquera (tracks: 10); Drums – John Robinson  (tracks: 1, 3, 6, 7, 9, 11); Electric Bass – Alec Milstein (tracks: 1-4, 6-11); Flute – Gary Meek (tracks: 3); Guitar – Buzz Feiten (tracks: 8), Oliver Leiber (tracks: 7), Paul Jackson Jr. (tracks: 1-4, 6-10); Guitar [Nylon] – Lee Ritenour (tracks: 10);  Percussion – Paulinho Da Costa (tracks: 1-6, 8-10); Piano [Additional] – Bruce Hornsby (tracks: 3); Producer, Written-By – Jeff Lorber (tracks: All); Soprano Saxophone – Art Porter (tracks: 9), Dave Koz (tracks: 6), Gary Meek (tracks: 2, 3, 8); Vocals – Alec Milstein (tracks: 4), Eric Jordan (tracks: 5), Janis Siegel (tracks: 4)

Worth Waiting For

Pablo Held - Investigations

Styles: Piano Jazz
Year: 2018
File: MP3@320K/s
Time: 53:41
Size: 124,1 MB
Art: Front

(7:47)  1. Investigations
(4:20)  2. Dr. Freeds
(5:18)  3. I'll Dream of Flowers
(6:24)  4. Yearning
(4:58)  5. Stubborn
(5:38)  6. April Sonne
(6:13)  7. Birkenhain
(4:45)  8. Haiku Kit
(3:13)  9. Pinatubo - Bonus Track
(5:01) 10. Sonja's Rumba - Bonus Track

The complex title perfectly characterises Pablo Held's compositional approach. Here he utilises light and shade to mix swathes of tranquillity with petulant stabbing phrases accompanied by equally sharp drum retorts. However, and this is crucial, the piece flows together seamlessly. The lissome nature of "Dr Freeds" betrays an influence of Bill Evans but the ethereal, searching quality encapsulating "I'll Dream Of Flowers" is more reminiscent of compositions by Held's erstwhile mentor, the British jazz piano virtuoso John Taylor. The integrated tightness of the trio on the opening to "Yearning" is phenomenal as is the coiled-spring tension that's released half way through that number. The lyricism of "April Sonne," the sonic contours of "Birkenhain" or the questioning staccato piano runs on the spacey "Haiku Kit," here embellished by guest keyboardist Hubert Nuss, all add up to a very superior studio session indeed. 

Investigations is the tenth album by Held as leader with his regular rhythm section comprising Robert Landfermann on bass and Jonas Burgwinkel on drums which he's used since their first record together in 2007, Forest Of Oblivion. The trio gel together as well as any jazz unit could hope to aspire and even exude something of the near-supernatural compatibility of the legendary Keith Jarrett/Gary Peacock/Jack DeJohnette line-up. In 2014 the Held's trio recorded a live album in Cologne with guitarist John Scofield The Trio Meets John Scofield, (Pirouet Records, 2016); and whilst mostly recognised as a European outfit, as evidenced by this stunningly beautiful album, the group really needs to be recognised as a world class trio of exceptional talent. ~ Roger Farbey https://www.allaboutjazz.com/investigations-pablo-held-edition-records-review-by-roger-farbey.php

Personnel: Pablo Held: piano; Robert Landfermann: double bass; Jonas Burgwinkel: drums plus Hubert Nuss: keyboards.

Investigations