Showing posts with label Toni Harper. Show all posts
Showing posts with label Toni Harper. Show all posts

Tuesday, November 24, 2020

Toni Harper - Lady Lonely (1959) [Original Jazz Sound]

Styles: Vocal
Year: 2011
File: MP3@320K/s
Time: 47:23
Size: 109,5 MB
Art: Front

(3:20) 1. Lady Lonely
(3:02) 2. In The Dark of The Night
(4:05) 3. He Was a Man
(3:13) 4. My Hearth Is Lonely Hunter
(3:10) 5. The Lack of Love
(3:23) 6. Blue It Grows
(3:14) 7. I Love The Blues
(3:25) 8. You Taught Me How To Cry
(3:13) 9. The Velvet Hammer
(4:15) 10. The Other Woman
(3:45) 11. Nobody Home But The Blues
(2:58) 12. Busy Blues
(3:08) 13. Love Has Come, Love As Gone
(3:05) 14. River Weep

Toni Harper's childhood was made of the magic any aspiring adult artist would kill for: a platinum record, a performance at Carnegie Hall, evenings spent sharing a stage with such performers as Cab Calloway, and invitations to appear on television with Frank Sinatra, Perry Como, Milton Berle, and Ed Sullivan. And all of the magic unfolded before she'd turned 12 years old. The jazz vocalist, who now goes by the name Toni Dunlap, got her big break in 1945 when she went up against a couple hundred other kids at an audition held by choreographer Nick Castle. Harper, who had been a dance student of Maceo Anderson, passed muster as far as her dancing, but when she sang "Waitin' for the Train to Come In," she had the audition sewn up on the spot. Castle cast her in his production of Christmas Follies, which was staged at Los Angeles' Wilshire Ebell Theatre. Harper drew enthusiastic reviews and went on to earn a platinum record when she was eight years old with "Candy Store Blues." Harper paired with Herb Jeffries for "You're Too Tall 'n' I'm Too Small," the number for which she later paired live with Calloway at Los Angeles' Million Dollar Theatre. Television beckoned the young singer and she was a guest on numerous programs, among them Sullivan's weekly variety show. When she wasn't appearing on television, she was singing at numerous New York hot spots that included the Apollo, the Strand, and the Paramount. At the age of 11, Harper topped it all off by singing at Carnegie Hall.

Like many child stars, Harper's career slowed down as she began to mature. As a teenager, she was too old for the childhood image that had given her a great start, but too young to effectively take on a more adult image. She attended high school in Los Angeles, involving herself in such extracurricular activities as drama, choir, and the glee club. She continued to take professional singing jobs during the school's summer break. Having completed high school in the mid-'50s, and still hampered by her youth, she sang for the teenaged record-buying public. For a young woman of her age, "One Hamburger to Go" was more acceptable in the public eye than any of the more sophisticated songs that she would record in later years, such as "Love for Sale." The vocalist got her chance to sing the more adult songs when she recorded for Verve. In addition to "Love for Sale," Harper recorded such songs as "I Could Write a Book" and "Bewitched, Bothered, and Bewildered." Backing Harper on her self-titled first recording for Verve were pianist Oscar Peterson, drummer Alvin Stoller, guitarist Herb Ellis, and bassist Ray Brown. The vocalist later signed with RCA Victor, recording for the label for about four years and ending in 1963. Harper quit the business in 1966 after devoting more than 20 years to her singing career.~ Linda Seida https://www.allmusic.com/artist/toni-harper-mn0000616072

Lady Lonely (1959) [Original Jazz Sound]

Saturday, March 25, 2017

Toni Harper - Vocal & Jazz Essentials

Styles: Vocal Jazz
Year: 2011
File: MP3@320K/s
Time: 65:01
Size: 150,7 MB
Art: Front

(5:36)  1. Love For Sale
(3:30)  2. Can't We Be Friends?
(2:54)  3. Singin' In The Rain
(2:13)  4. Taking A Chance On Love
(3:05)  5. A Foggy Day
(2:46)  6. I Telephoned, I Telegraphed
(3:25)  7. Just a-Sittin' And a-Rockin'
(2:47)  8. Love Is A Wonderful Thing
(2:55)  9. Play Me The Blues
(2:34) 10. Bewitched (Bothered And Bewildered)
(2:39) 11. I Could Write A Book
(4:22) 12. Bewitched
(1:43) 13. Them There Eyes
(2:45) 14. We've Got To Live, Got To Grow
(2:24) 15. Gone With The Wind
(2:41) 16. You Took Advantage Of Me
(2:38) 17. You Don't Know What Love Is
(2:57) 18. Petals On The Pond
(3:27) 19. Little Girl Blue
(3:01) 20. My Memory Book
(4:26) 21. Like Someone In Love

Toni Harper's childhood was made of the magic any aspiring adult artist would kill for: a platinum record, a performance at Carnegie Hall, evenings spent sharing a stage with such performers as Cab Calloway, and invitations to appear on television with Frank Sinatra, Perry Como, Milton Berle, and Ed Sullivan. And all of the magic unfolded before she'd turned 12 years old. The jazz vocalist, who now goes by the name Toni Dunlap, got her big break in 1945 when she went up against a couple hundred other kids at an audition held by choreographer Nick Castle. Harper, who had been a dance student of Maceo Anderson, passed muster as far as her dancing, but when she sang "Waitin' for the Train to Come In," she had the audition sewn up on the spot. Castle cast her in his production of Christmas Follies, which was staged at Los Angeles' Wilshire Ebell Theatre. Harper drew enthusiastic reviews and went on to earn a platinum record when she was eight years old with "Candy Store Blues." Harper paired with Herb Jeffries for "You're Too Tall 'n' I'm Too Small," the number for which she later paired live with Calloway at Los Angeles' Million Dollar Theatre. Television beckoned the young singer and she was a guest on numerous programs, among them Sullivan's weekly variety show. When she wasn't appearing on television, she was singing at numerous New York hot spots that included the Apollo, the Strand, and the Paramount. At the age of 11, Harper topped it all off by singing at Carnegie Hall. Like many child stars, Harper's career slowed down as she began to mature. As a teenager, she was too old for the childhood image that had given her a great start, but too young to effectively take on a more adult image. She attended high school in Los Angeles, involving herself in such extracurricular activities as drama, choir, and the glee club. 

She continued to take professional singing jobs during the school's summer break. Having completed high school in the mid-'50s, and still hampered by her youth, she sang for the teenaged record-buying public. For a young woman of her age, "One Hamburger to Go" was more acceptable in the public eye than any of the more sophisticated songs that she would record in later years, such as "Love for Sale." The vocalist got her chance to sing the more adult songs when she recorded for Verve. In addition to "Love for Sale," Harper recorded such songs as "I Could Write a Book" and "Bewitched, Bothered, and Bewildered." Backing Harper on her self-titled first recording for Verve were pianist Oscar Peterson, drummer Alvin Stoller, guitarist Herb Ellis, and bassist Ray Brown. The vocalist later signed with RCA Victor, recording for the label for about four years and ending in 1963. Harper quit the business in 1966 after devoting more than 20 years to her singing career. ~ Linda Seida https://itunes.apple.com/cy/artist/toni-harper/id27522237#fullText

Vocal & Jazz Essentials

Thursday, March 23, 2017

Toni Harper - Night Mood

Styles: Vocal Jazz
Year: 1960
File: MP3@320K/s
Time: 35:47
Size: 82,1 MB
Art: Front

(2:41)  1. In The Still Of The Night
(2:53)  2. Paradise
(3:38)  3. 'Round Midnight
(3:10)  4. The Meaning Of The Blues
(3:00)  5. Saturday Night (Is The Loneliest Night In The Week)
(3:06)  6. Night After Night
(2:49)  7. Just Go
(2:43)  8. A Sleepin' Bee
(3:21)  9. My Ship
(2:11) 10. You And The Night And The Music
(2:57) 11. Petals on the Pond
(3:14) 12. Where Flamingos Fly

Toni Harper's final Rca session pairs the singer with arranger Marty Paich to create the richly atmospheric after-hours album that she was born to make. By alternating between pop standards and jazz originals, Night Mood underscores the complete breadth of Harper's talents. Even better than her sophisticated and poignant interpretations of chestnuts like "Round Midnight" and "My Ship" is a swinging rendition of "Saturday Night Is the Loneliest Night of the Week" that deserves serious consideration as the song's definitive treatment. Paich's soulful arrangements further enhance the dusky beauty of Harper's vocals, even making room for some lovely alto saxophone solos courtesy of the great Art Pepper. ~ Jason Ankeny http://www.allmusic.com/album/night-mood-mw0000477334

Personnel:  Toni Harper (vcl), Marty Paich (dir, arr), Jack Sheldon, Conte Candoli, Stu Williamson (tp), Vince De Rosa (frh), Frank Rosolino (tb), Bob Enevoldsen (v-tb), Art Pepper, Bud Shank, Bill Perkins, Jack Montrose, Jack Nimitz (saxes), Eddie Beal, Jimmy Rowles (p), Joe mondragon (b), Mel Lewis (d)

Night Mood

Tuesday, March 21, 2017

Toni Harper - Toni Harper With The Oscar Peterson Quartet

Bitrate: MP3@320K/s
Time: 64:52
Size: 148.5 MB
Styles: Jazz vocals
Year: 2012
Art: Front

[3:30] 1. Can't We Be Friends
[2:39] 2. I Could Write A Book
[2:24] 3. Gone With The Wind
[2:54] 4. Singin' In The Rain
[5:37] 5. Love For Sale
[3:26] 6. Just A-Sittin' And A-Rockin'
[3:05] 7. A Foggy Day
[2:38] 8. You Don't Know What Love Is
[4:23] 9. Bewitched, Bothered And Bewildered
[3:28] 10. Little Girl Blue
[2:42] 11. You Took Advantage Of Me
[4:26] 12. Like Someone In Love
[2:13] 13. Taking A Chance On Love
[2:56] 14. Play Me The Blues
[2:47] 15. Love Is A Wonderful Thing
[2:46] 16. I Telephoned, I Telegraphed
[2:46] 17. We've Got To Live, Got To Grow
[3:01] 18. My Memory Book
[1:44] 19. Them There Eyes
[2:19] 20. Bewitched (Bothered And Bewildered)
[2:57] 21. Petals On The Pond

Toni harper (vcl), Oscar Peterson (p), Herb Ellis (g), Ray Brown (b), Alvin Stoller (d) / Dizzy Gillespie, Harry Edison (tp), Melba Liston (tb), Willie Smith (as),Curtis Amy (ts), Clyde Dunn (bar), Eddie Beal (p), George Bledsoe (b), Albert Bartee (d).

In 1956, when Toni Harper was just eighteen years old, she made her first album for Norman Granzs Verve, the label he had started earlier that year. For her debut Harper, who had already made an impact as an almostbaby singer, was backed by none other than Oscar Peterson, Herb Ellis, Ray Brown, and Alvin Stoller. On display were all the traits that had made her a success: a good voice, a knack for swing, and brilliant intonation. She had traces of Sarah Vaughan in her singing, without ever becoming derivative or getting stuck in any one style. All I want now, she said, is to become a good, versatile singer. To underline that, this fine release also includes two recordings she did with Dizzy Gillespie, four tunes issued on two singles with an orchestra under the direction of Buddy Bregman; two tracks from her appearance on the TV show Stars of Jazz, and one last song arranged and conducted by Marty Paich - a handful of great performances by an outstanding singer.

Toni Harper With The Oscar Peterson Quartet