Saturday, April 4, 2015

Kenny Burrell - Blues The Common Ground

Bitrate: MP3@320K/s
Time: 37:16
Size: 85.3 MB
Styles: Bop, Guitar jazz
Year: 1968/2001
Art: Front

[3:16] 1. Everydays
[3:17] 2. Every Day (I Have The Blues)
[2:54] 3. The Preacher
[3:59] 4. Angel Eyes
[2:48] 5. The Common Ground
[1:07] 6. Were You There
[2:43] 7. Burning Spear
[3:57] 8. Wonder Why
[5:33] 9. Soulful Brothers
[3:28] 10. See See Rider
[4:10] 11. Sausalito Nights

Recording Date: December 15, 1967 - February 19, 1968. Bass – Ron Carter; Drums – Donald MacDonald, Grady Tate; Guitar – Kenny Burrell; Percussion – Johnny Pacheco; Piano – Herbie Hancock; Trombone – Bill Watrous, Jimmy Cleveland, Paul Faulise, Tony Studd, Urbie Green, Wayne Andre; Trumpet – Bernie Glow, Ernie Royal, Snookie Young, Jimmy Nottingham, Jimmy Owens, Thad Jones; Tuba – Don Butterfield, Harvey Phillips; Woodwind, Reeds – Jerome Richardson .

When it comes to Kenny Burrell, a title like Blues -- The Common Ground speaks volumes. His approach always keeps in mind the connection of jazz to the blues, infusing his guitar with a soulful, hard bop edge. Recorded in 1967 and 1968, Blues -- The Common Ground finds Burrell backed by lots of brass and wind instruments for most of the album, hardly his usual setting. But his guitar successfully weaves in and out of songs like "Every Day (I Have the Blues)" and "Burning Spear," blending with the band and creating a pleasant balance. Much of this works thanks to arranger Don Sebesky's tasteful settings.

Sebesky seems to have an instinctive grasp of when to sit on the band and when to let it fly loose. There's the late-night, gentle feel of "Angel Eyes," and the more animated setup on the title cut. The only time this doesn't work is on pieces like "The Preacher" and "See See Rider," where the upbeat horns and shrill flutes remind one of a "groovy" soundtrack from a bad '60s movie. It's also interesting to note that the album's unusual song choices, like "Everydays" by Stephen Stills, do find common ground in the blues. There's a beautiful, short solo piece, "Were You There?," and two quartet pieces, "Sausalito Nights" and "Soulful Brothers." Blues -- The Common Ground holds up well, and the 2001 reissue offers Burrell fans a cleaned-up version of this fine album. ~Ronnie D. Lankford Jr.

Blues The Common Ground

Marcus Shelby Trio - Un Faux Pas!

Bitrate: MP3@320K/s
Time: 53:48
Size: 123.2 MB
Styles: Contemporary jazz
Year: 2006
Art: Front

[4:35] 1. Je L'ai Vu En Permier (I Saw Her First)
[6:36] 2. Un Faux Pas! (One False Move)
[2:28] 3. Mademoiselle Mila (Enters)
[4:53] 4. J'ai Beaucoup De Chance (I'm So Lucky)
[4:27] 5. Desilusions De Grandeur (Delusions Of Grandeur)
[3:40] 6. Quest Coastings (West Coastings)
[6:32] 7. Femme Metisse
[4:50] 8. Rendez-Vous Avec Mila (Rendez-Vous With Mila)
[3:47] 9. Mademoiselle Mila (Exits)
[4:31] 10. Une Lettre Ouverte (An Open Letter)
[7:25] 11. Resolution D' Antoine (Antoine's Resolution)

The Marcus Shelby Trio was founded in 1997 and performs regularly in the San Francisco Bay Area, including national and international festivals. The trio consists of Marcus Shelby (bass), Matt Clark(piano) and Howard Wiley (drums). The MST performs original compositions, re-arranged Standards, spirituals, Rhythm and Blues, and pop music—all with a progressive influence of swing, ballads, and blues. The MST has released 2 CDs (“Un Faux Pas”, “The Sophisticate”), and serves as the rhythm section for the Marcus Shelby Orchestra, which has released 4 CDs, including their last recording on Porto Franco Records “Soul of the Movement”.

Un Faux Pas!

Betty Johnson - The Take Five Sessions

Bitrate: MP3@320K/s
Time: 31:27
Size: 72.0 MB
Styles: Cabaret, Standards
Year: 1995/2008
Art: Front

[1:04] 1. It's Been A Long, Long Time
[0:58] 2. After You've Gone
[1:31] 3. Two Faces In The Dark
[1:24] 4. September Song
[1:30] 5. That Old Feeling
[1:41] 6. I'm Confessin' That I Love You
[1:01] 7. You Are In Love
[1:03] 8. Somebody Loves Me
[2:40] 9. You Stepped Out Of A Dream
[1:19] 10. I Concentrate On You
[1:18] 11. Everybody Loves A Lover
[1:21] 12. Lazy River
[1:43] 13. You Go To My Head
[1:30] 14. So Rare
[1:42] 15. The Party's Over
[1:30] 16. Whispering
[1:03] 17. Taking A Chance On Love
[1:04] 18. Just In Time
[1:08] 19. Comes Love
[1:48] 20. Once In A While
[1:40] 21. I Only Have Eyes For You
[1:19] 22. Sand In My Shoes

Betty Johnson's first career in music coincided with the music career of her family, the Johnson Family Singers. Starting in 1938 and throughout the 1940s, the young soprano sang hymns with her parents and three brothers. The family had a daily broadcast on the powerful WBT radio in Charlotte, North Carolina and appeared at churches, military bases, and all-night sings throughout the South. Singing in the vein of the Carter Family and Speer Family, the Johnsons garnered enough attention to appear on the Grand Ole Opry and record for RCA-Victor and Columbia records.

As the 1950s dawned, Betty charted a course that would take her away from the Johnson Family Singers and toward popular music stylings. In New York City, Johnson shared the top prize on Arthur Godfrey's Talent Scouts and also found a regular Sunday evening radio job singing with the CBS orchestra as well as a Saturday morning spot on the Galen Drake Show.

Johnson kept a breathless pace. In addition to her recordings and television, she was the spokeswoman for Borden dairy products and starred in summer stock performances of Brigadoon, The King And I and South Pacific. She met live dates at the Copacabana in New York, the Roosevelt Hotel in New Orleans, the Drake Hotel in Chicago, the Fairmont Hotel in San Francisco, the Sands in Las Vegas, the Cocoanut Grove in Los Angeles, and other clubs around the nation.

Betty Johnson works hard on her third career in music, a career that's defined by pop standards and cabaret performances. Betty draws from the Johnson Family Singers who groomed her voice and a 1950s solo tenure that proved her ability to sell whimsical pop records in the midst of the rock revolution. She presses on in the 1990s. "I feel like I'm about 23 years old. I feel very young because this is all so challenging for me and a little scary and very rewarding." -- Adapted from Discoveries Magazine

The Take Five Sessions

Jens Fuglsang & Rêve Bohème - Cafe Django

Bitrate: MP3@320K/s
Time: 53:13
Size: 121.8 MB
Styles: Gypsy jazz
Year: 2009
Art: Front

[3:44] 1. Embraceable You
[3:41] 2. Cherifa Says
[4:25] 3. Don’t Worry About Me
[3:24] 4. Flaxen Hair
[3:35] 5. I’ve Got You Under My Skin
[4:32] 6. R&R Heart
[2:46] 7. Them There Eyes
[4:56] 8. Partyoverkill
[4:00] 9. Old Moon
[4:02] 10. I Can’t Get Started
[3:59] 11. Just One Of Those Things
[3:39] 12. Trying To
[3:30] 13. Red Lights
[2:51] 14. Tiger Rag

Jens Fuglsang (vocal & lead guitar); Finn Poulsen (harmonica & vocal); Robert Pilgaard (rhythm guitar); Jesper Riis (bass).

The inspiration from the guitarplayer Django Reinhardt is the key to Rêve Bohème’s music and characteristic acoustic sound. Did the famous French guitarist Django Reinhardt ever play in the North? Yes, actually Django did visit Denmark back in February 1939 just before the outbreak of World War 2. With his “Le Quintette du Hot Club de France” he played 4 concerts in two days in the city of Copenhagen – for an enthusiastic crowd and with great reviews in the newspapers.

Obviously Rêve Bohème never had a chance to see the concerts back in 1939 but the spirit from Django’s music still lives on 73 years after his visit to Denmark. Over the years Rêve Bohème has performed in different line-ups and musical settings. Their fusion between the Nordic and South-European traditions always creates a unique musical universe which can be heard on their four previous albums: Café Django 2009 (Calibrated), Best of Rêve Bohème 2007 (Hot Club Records), Django’s Dream 2005 (Calibrated) and Django Jalousie 2002 (Cope). These albums feature Jens Fuglsang, Robert Pilgaard (guitars), Kasper Fredholm (sax), Morten Ravn (bass) and various guest appearances by Karina Kappel (voc), Lisa Haavik (voc), Knut Haavik (perc) and Bjarke Falgren (vio).

The band debutised at the famous gypsy jazz restaurant Bistro d'Eustache in Paris, 1998. Since then they have been touring and playing at clubs and festivals in Norway, Sweden, Finland, France, England, Germany, Holland, Greece and Poland. The band have played and performed with international gypsy jazz artists such as Dorado Schmidt, Robin Nolan, Andreas Öberg, Jon Larsen & HCN, Basily, Paulus Schäfer, Angelo Debarre, Gary Potter, Biel Ballester…and many others.

Cafe Django

Von Freeman Quartet - Dedicated To You

Bitrate: MP3@320K/s
Time: 64:22
Size: 147.3 MB
Styles: Post bop, Saxophone jazz
Year: 1994
Art: Front

[10:08] 1. There Is No Greater Love
[ 7:38] 2. Dedicated To You
[ 7:37] 3. Song For My Father
[11:55] 4. My Foolish Heart
[10:22] 5. Anthropology
[ 7:41] 6. There Goes My Heart
[ 8:57] 7. Four

Not nearly as famous as his son Chico Freeman (also a tenor saxophonist), Von Freeman was nevertheless an equally -- if not more so -- accomplished jazz musician. While not a free jazz player per se, Von exhibited traits commonly associated with the avant-garde: a roughly hewn, vocalic tone; a flexible, somewhat imprecise approach to rhythm, and a fanciful harmonic concept. The son of a ragtime-loving policeman and guitar-playing housewife, Freeman himself began playing music around the age of two, beginning on the family piano. He was surrounded by music from a young age; his maternal grandfather and uncle were guitarists, and his brothers George and Bruz also became jazz musicians (on guitar and drums, respectively). At the age of seven, Freeman made a primitive saxophone by removing the horn from his parents' Victrola and boring holes in it. Shortly thereafter he began playing clarinet, then C-melody saxophone. Louis Armstrong was an early influence.

Freeman attended Chicago's DuSable High School, where his band director was the famed educator Captain Walter Dyett. He also learned harmony from the school's chorus director, Mrs. Bryant Jones. Freeman worked for about a year with Horace Henderson's Orchestra (1940-1941). He played in a Navy band while in the military (1941-1945). Following that, he played in the house band at Chicago's Pershing Ballroom (1946-1950), and for a time with Sun Ra (1948-1949). While at the Pershing, he played with many of the top jazz musicians who passed through town, including Charlie Parker. Freeman developed an underground reputation among Chicago-area musicians, and purportedly influenced members of the city's Association for the Advancement of Creative Musicians (AACM). Freeman seldom left Chicago and recorded infrequently, therefore never achieving a great measure of fame.

Freeman recorded with Milt Trenier for Cadet in the mid-'60s; Rahsaan Roland Kirk produced a Freeman session for Atlantic in 1972. In the late '70s (as his son Chico became well-known) Von was discovered by a somewhat wider audience. In 1982, Chico and Von shared a Columbia LP with pianist Ellis Marsalis and his sons Wynton and Branford (Fathers & Sons). In the '90s Freeman recorded for the Steeplechase and Southport labels. Freeman was one of the great individualists of the tenor saxophone, and remained creatively vital through the end of the millennium. Freeman died of heart failure in 2012. ~bio by Chris Kelsey

Dedicated To You

Gabor Szabo - Spellbinder

Bitrate: MP3@320K/s
Time: 36:11
Size: 82.8 MB
Styles: Post bop, Guitar jazz
Year: 1966/1998/2015
Art: Front

[5:25] 1. Spellbinder
[4:33] 2. Witchcraft
[2:43] 3. It Was A Very Good Year
[5:08] 4. Gypsy Queen
[2:24] 5. Bang Bang (My Baby Shot Me Down)
[4:04] 6. Cheetah
[5:25] 7. My Foolish Heart
[2:53] 8. Yearning
[3:31] 9. Autumn Leaves/Speak To Me Of Love

Released just six months after Gypsy '66, Gabor Szabo's second album as a leader (after leaving a sublime Chico Hamilton band that also included Charles Lloyd) remains one of his finest moments in the studio. Szabo utilized the tales of bassist Ron Carter and his old boss Hamilton on drums, as well as a pair of fine Latin percussionists -- Willie Bobo and Victor Pantoja. The groove quotient was very high on Spellbinder, maybe even higher than on later albums such as Jazz Raga or Sorcerer. This set is all Szabo, drifting, wafting, and soaring above all that rhythm; the track selection provides ample space for Szabo's highly individualized Eastern modal style to shine. The set opens with the title track, a snaky guitar masterpiece with plenty of droning strings and pinched chords that are followed by open string flourishes. Carter holds the entire band together as Hamilton plays in counterpoint to the percussionists. This is followed with two nuggets from the pop book of the day, the Coleman/Leigh classic "Witchcraft" and "It Was a Very Good Year." From the performances here, it's apparent that Szabo was deeply influenced by singers, and Frank Sinatra was at his pinnacle during this time. There's the emerging '60s psychedelic sound in Szabo's playing, but it is underlaid with bossa rhythms and swells. These tracks, while flavored with Latin and pop stylings, are gorgeous guitar jazz. Szabo gets back into his own mystic thang with "Gypsy Queen" (the opening droning moments of which the Doors lifted entirely for "The End"). Here the Latin rhythms and guitar go head to head, point to counterpoint. A pronounced yet elusive melody line propels a series of polyrhythms forward into an abyss of melody, mode, and frighteningly intense legato phrasing, leaving the listener breathless. He takes the edge off with Sonny Bono's "Bang Bang (She Shot Me Down)." Szabo sings here in his plaintive Hungarian-inflected English, and the tune becomes something other than a pop song, but a tome on despair and loss.

The funky "Cheetah" follows with gorgeous arpeggios, pointedly turning into chords of distinction as Hamilton rides the crash cymbal into territories unknown and double-times the band until it notches up the intensity. This set follows with one more Szabo original ("Yearning") and a trio of standards, with a heartbreakingly beautiful read of "My Foolish Heart" and a medley of "Autumn Leaves" and "Speak to Me of Love." Szabo's read on jazz in the '60s was brilliant. He embodied all of its most popular aspirations with a genuine spirit of innovation and adventure. Spellbinder is a masterpiece. ~Thom Jurek

Spellbinder

Ed Thigpen - Young Men & Olds

Bitrate: MP3@320K/s
Time: 58:17
Size: 133.4 MB
Styles: Hard bop
Year: 1991
Art: Front

[6:20] 1. Strike Up The Band
[5:48] 2. Yesterdays
[7:09] 3. Summertime
[5:50] 4. Night And Day
[5:49] 5. Scramble
[6:39] 6. Shufflin' Long
[4:25] 7. Oh My Gosh
[8:59] 8. Dark Before The Dawn
[7:16] 9. I Should Care

Terence Blanchard (trumpet) Bill Easley (alto saxophone) Branford Marsalis (tenor,soprano saxophone) Ronnie Mathews or Sir Roland Hanna (piano) Rufus Reid (bass) Ed Thigpen (drums) Bobby Thomas Jr. (hand drums). Recording Date: November 20 - 21, 1990

Edward Leonard Thigpen was born in Chicago, Illinois on December 28, 1930. His father, Ben Thigpen, was a professional jazz drummer who worked in Andy Kirk's band for close to twenty years throughout the 1930s and 40s. At the beginning of 1959, Thigpen joined Oscar Peterson and Ray Brown to form perhaps the most revered incarnation of the Oscar Peterson Trio. The group stayed together until 1965 and can be heard on close to 50 recordings.

The sensitive, quiet burn of Thigpen's famed brushwork and the forward-leaning foundation of Brown's bass playing made for one of the most well-developed drummer/bassist relationships in the history of the piano trio. Once asked to discuss the style of his longtime drummer, Oscar Peterson explained, Ed Thigpen was a reflective yet complete percussionist. He wasn't really a drummer, he was a percussionist. He had that feeling all the time that it wasn't just drums that he was sitting at. He sees his drums as a complete, not instrument, but orchestra. Whatever he wants it to be. Ed Thigpen has a touch on the drums that you seldom hear. Jo Jones had that same thing.

Young Men & Olds

Katharine Whalen - Katharine Whalen's Jazz Squad

Styles: Vocal, Retro Swing
Year: 1999
File: MP3@320K/s
Time: 38:14
Size: 88,1 MB
Art: Front

(2:40)  1. Deed I Do
(2:35)  2. No Greater Love
(2:53)  3. Sugar
(4:59)  4. Yesterdays
(3:20)  5. Just You, Just Me
(2:11)  6. Now or Never
(3:23)  7. My Old Flame
(2:54)  8. That Old Feeling
(3:02)  9. Badisma
(3:36) 10. All My Life
(3:46) 11. After You've Gone
(2:49) 12. My Baby Just Cares For Me

Singer and banjoist Katharine Whalen is one of the founding members of the Squirrel Nut Zippers, the North Carolina-based retro band whose joyful fusion of raw jump blues and hot jazz has been one of the most unlikely success stories of the 1990s. On her solo debut, Whalen steps out a bit (though not entirely) from the shadow of Billie Holiday, whose nasal, declamatory style has been a huge influence on Whalen from the beginning. She sings "'Deed I Do" and "There Is No Greater Love" in a somewhat warmer, sexier voice than usual; same with the finger-popping "That Old Feeling" (which, strangely, sounds like it was faded out halfway through the track). But she delivers "Yesterdays" with what almost sounds like a tribute to Holiday's delivery of the classic and controversial "Strange Fruit." The program ends with a strutting, ska-inflected version of "My Baby Just Cares for Me." Derivative or not, Whalen is a gifted chanteuse and a wonderful interpreter. Highly recommended. ~ Rick Anderson  http://www.allmusic.com/album/katharine-whalens-jazz-squad-mw0000243941

Personnel: Katharine Whalen (vocals); James Mathus & His Knockdown Society (guitar, banjo); Mike Minguez (clarinet); Cecil Johnson (soprano saxophone, tenor saxophone); Je Widenhouse (trumpet); John Kennedy (trombone); Robert Griffin (piano); Ted Zarras (drums).

Wendy Zoffer - Bird Of Beauty

Styles: Jazz, Smooth Jazz
Year: 2003
File: MP3@320K/s
Time: 33:53
Size: 77,9 MB
Art: Front

(2:52)  1. Autumm Leaves
(3:40)  2. Nica's Dream
(3:51)  3. Sunday Kind Of Love
(3:35)  4. Black Orpheus
(2:29)  5. Can't Help Lovin Dat Man
(3:12)  6. Hold Me, Thrill Me, Kiss Me
(2:41)  7. One Note Samba
(3:26)  8. On the Street Where You Live
(3:18)  9. Wave
(4:44) 10. Bird Of Beauty

Wendy Zoffer is a flutist extraordinaire. Her clear lilting tone and fluid style are a breath of fresh air to the listener. Classically trained, Wendy has crossed over to the world of jazz, blues and popular standards. She expresses her enthusiasm and love of music whether she plays pop, standards, Broadway, Brazilian, or jazz. Wendy shapes classic melodies with exquisite feeling extracting the full melodic potential of her material-"it sounds as if she is singing through her flute."

The upbeat melodies on this CD will excite anyone who appreciates a finely crafted tune. "I've known Wendy Zoffer for several years and every time I hear her play the flute she sounds better and better. This CD especially impressed me. Her tone and choice of material is excellent! Wendy can improvise without lossing the message of the song. The jazz trio does a great job accompanying Wendy throughout and the recording sound is as good as any I've heard. This is a CD to be proud of." ~ Richie Cole  http://www.cdbaby.com/cd/wendyzoffer

Steve Tyrell - The Disney Standards

Styles: Vocal
Year: 2006
File: MP3@320K/s
Time: 48:06
Size: 110,8 MB
Art: Front

(3:52)  1. When You Wish Upon A Star
(3:46)  2. Kiss The Girl
(3:27)  3. You've Got A friend In Me
(2:58)  4. Bella Notte
(2:52)  5. Ev'rybody Wants To Be A Cat
(3:38)  6. Beauty and the Beast
(3:07)  7. He's A Tramp
(4:42)  8. You'll Be In My Heart
(2:48)  9. A Deeam Is A Wish Your Heart Makes
(3:07) 10. When She Loved Me
(2:46) 11. The Bare Necessities
(3:29) 12. Once Upon A Dream
(3:33) 13. Cruella De Vil
(3:54) 14. Baby Mine

On 2006's Disney Standards, pop vocalist Steve Tyrell offers up a charming set of tunes from vintage Mouse House films. Although Tyrell's gravelly voice may seem like an unlikely match for the melodies from animated classics such as Dumbo and Pinocchio, the project works to wonderful effect, allowing the vocalist to imbue the songs with plenty of emotion. Trumpeter Chris Botti joins Tyrell on a delicate reading of "When You Wish Upon a Star" (from Pinocchio), and Dr. John sits in on an easy-going rendition of "You've Got a Friend in Me" (from Toy Story). (The latter is a slightly strange pairing since Tyrell's voice echoes Dr. John's own singing style). Other highlights include "A Dream Is a Wish Your Heart Makes" (a dreamy, piano-driven version of the beloved Cinderella song) and "The Bare Necessities" (a smooth, orchestral take on the Jungle Book original). For fans of both Disney movies and Tyrell, this disc is sure to entertain. http://www.allmusic.com/album/disney-standards-mw0000702722

Personnel: Steve Tyrell (vocals); Bob Mann (guitar, keyboards); Dave Koz (saxophone); Chris Botti (trumpet); Dr. John, Lee Musiker (piano); Paulinho Da Costa (percussion).