Showing posts with label Lynne Arriale. Show all posts
Showing posts with label Lynne Arriale. Show all posts

Friday, April 15, 2022

Lynne Arriale Trio - The Lights Are Always On

Styles: Piano Jazz
File: MP3@320K/s
Time: 44:07
Size: 101,6 MB
Art: Front

(4:55) 1. March On
(3:22) 2. The Lights Are Always On
(5:14) 3. Sisters
(4:25) 4. Honor (Dedicated to Lt. Colonel Alexander Vindman)
(3:26) 5. Loved Ones
(4:42) 6. Sounds Like America
(4:46) 7. The Notorious Rbg (Dedicated to Ruth Bader Ginsburg)
(4:36) 8. Into the Breach
(4:23) 9. Walk in My Shoes (Dedicated to John Lewis)
(4:15) 10. Heroes

The Lights Are Always On is pianist/composer Lynne Arriale’s 16th album as leader, and her third recording on Challenge Records International. Lynne’s original music is a suite of compositions that reflect the world-wide, life-changing events of the past two years. Several of the pieces are named in honor of heroes around the world, including those who served as caregivers on the front lines of the COVID pandemic and as defenders of democracy. On this session Lynne is joined by bassist/co-producer Jasper Somsen and drummer E.J. Strickland, both outstanding, in-demand musicians on the international jazz scene. The trio creates the sort of engrossing musical conversation that has become a trademark of Lynne’s groups.

Lynne’s ten original, highly evocative compositions begin with the persistent Afro-Cuban influenced “March On,” a tribute to activists worldwide. “The Lights Are Always On” features a lyrical melody in perpetual motion; the foundation of a thematic arc that soars over the entire piece. It is followed by the jubilant, gospel-influenced “Sisters.” Lynne’s dedication to Lt. Colonel Alexander Vindman, “Honor,” is the melding of two engaging melodic ideas; each reinforcing the other. Together they convey the heroic character and unwavering strength of this American patriot. “Loved Ones” expresses joyful appreciation for those who are precious to us.

The set continues with “Sounds Like America,” where Lynne creates an optimistic melody and solo, culminating in a celebratory chordal finish. “The Notorious RBG,” is an exuberant dedication to Ruth Bader Ginsburg, assertively propelled by drummer E.J. Strickland. Following that, Lynne and Jasper deftly navigate the angular harmonic construction of “Into the Breach,” Lynne’s ominous remembrance of the January 6th Insurrection and the heroes that saved democracy on that day. “Walk in My Shoes,” a dedication to civil rights icon John Lewis, reflects the tenacity and strength of this remarkable leader. Lynne begins her solo with two motivic statements, which she skillfully integrates into a cohesive, powerful performance. The album concludes with “Heroes”, a heartfelt ballad composed in recognition of those who enlightened a very dark period in our history, and who embody the greatest humanistic virtues of mankind.

The title of the project was inspired by Dr. Prakash Gada, an esophageal and robotic surgeon in Tacoma, Washington. Lynne explained, “This collection was inspired by the doctor and all front-line health care workers. For me, Dr. Gada crystallized the workers’ heroism; each day bearing the risk of personal infection, and enduring the emotional toll of staggering caseloads presented by this global crisis. Nevertheless, the doctor said, ‘Here I am back at work after COVID...I fled Kuwait after the invasion. No matter what happens, no one works at home. The lights are always on. Babies are being born; bones are being set. This hospital, this profession…..we are in a league of our own; we’ll take care of you, I promise. I stand next to the most fearless people I have ever seen.’ ”

“Dr. Gada’s words deeply moved me and evoked memories of 9/11. In the aftermath of that attack, I remembered the rescue workers who ran into the towers without hesitation or concern for their personal safety, and thought, ‘Who are these angels?’ Clearly, the angels of our time are Dr. Gada and all health care workers, professionals and volunteers alike, who battle COVID-19.

“Dr. Gada’s ‘lights’ illuminate hospitals and emergency care facilities. But there is also spiritual light in the humanity, compassion, and courage of Dr. Gada and all our angels; shining brightly and eternally, even in the midst of devastation and loss.”

“There is always reason to believe in that light; the inherent goodness of people. It shines in those leaders who spoke truth to power and stood up for what is right. They changed the world, often jeopardizing their careers, and in some cases, their lives.

“In appreciation of these heroes I offer this musical tribute. It is dedicated to our loved ones, and to our better angels; those who embrace truth, compassion, and inclusivity, and reject selfishness, lies, and hatred. It also acknowledges the marchers, my beautiful sisters worldwide, and the heroes of science and medicine who have sacrificed so much.

"The album also expresses my special admiration for the character of Representative John Lewis, Lt. Colonel Alexander Vindman, Supreme Court Justice Ruth Bader Ginsburg and the patriots of the Capitol Police who stepped into the breach risking their lives to defend our elected representatives and our democracy during the January 6, 2021 Insurrection.” https://www.challengerecords.com/products/16366427482046

The Lights Are Always On

Thursday, October 8, 2020

Lynne Arriale Trio - Chimes of Freedom

Styles: Piano Jazz
Year: 2020
File: MP3@320K/s
Time: 48:55
Size: 113,0 MB
Art: Front

(4:48) 1. Sometimes I Feel Like a Motherless Child
(4:55) 2. Journey
(4:18) 3. The Dreamers
(4:53) 4. 3 Million Steps
(4:56) 5. Hope
(5:11) 6. The Whole Truth
(5:18) 7. Lady Liberty
(3:52) 8. Reunion
(4:56) 9. Chimes of Freedom
(5:45) 10. American Tune

Melodic intelligence and inner exploration are at the core of any Lynne Arriale recording. Chimes of Freedom is no exception. It does, however, have many moments which are exceptional. Once again featuring bassist Jasper Somsen and drummer E. J. Strickland, the record weighs in at a nourishing forty-five minutes of mood enhancement. Seven Arriale originals are the backbone of this ten-song project. Vocalist K. J. Denhert joins the ensemble for the final two tracks. The trio opens by leading listeners through the familiar grace of the somber yet quietly hopeful "Sometimes I Feel Like a Motherless Child." Arriale quickly spins in another direction with the first of seven consecutive originals, a brisk "Journey" fostered by a tight groove and a spirited tempo. Arriale's signature gliding fingers, now at the fore, indeed seamlessly glide into "The Dreamers." The mood is altered once again with this mesmerizingly elegant tune which weaves through changes in a manner perhaps more like floating through them. As melody is a crucial element to Arriale and her fan base, one may find "3 Million Steps" to be among the most important pieces on the record. It is a song which splendidly represents Arriale's distinctive sound and approach. Somsen's thoughtful bass solo is then a highlight as the trio aligns with a connective unity of "Hope," embraced with calmly joyous interaction. Picking up the pace with a piano run, Arriale has Somsen and Strickland sprinting alongside her in perfect harmony in "The Whole Truth." Throughout the record Arriale's storytelling abilities are in abundance. "Lady Liberty" demonstrates fully her heartfelt caressing of every note. Gently, but with deep emotion, her fingers sing out with her unique warmth and charismatic tone. The ever-changing and smoothly-transitioned ride becomes energetic and strident as Strickland inserts his voice with controlled exuberance in "Reunion." This tune vividly displays the fiery enthusiasm, fierce undertones, and emotional investment with which Arriale has become synonymous. Denhert then sings Bob Dylan's "Chimes of Freedom." The title track is given a form of salient expressionism which is both respectful and understanding of Dylan's intent. The trio deftly tells the story significantly through their nuanced instrumentation. The final chapter is a melancholy take on Paul Simon's "American Tune." While Denhert laments Simon's verbiage, the trio paints an ostensibly clear visionary picture of the everyman tale. Lynne Arriale has a gifted touch and authenticity which she shares every time she sits down at the piano. She can be heard as a bedtime story or as a savvy instrumentalist. As connected as she is to the piano and the melody, she is equally aligned with her bandmates. Her significant and innate melodic investment is shaped and broadened by her ability to communicate and process together as a unit. This is a true blend of arrangements, storytelling, and improvisation. It is a collective artform presented here with sincerity and sophistication. ~Jim Worsley https://www.allaboutjazz.com/chimes-of-freedom-lynne-arriale-challenge-records

Personnel: Lynne Arriale: piano; Jasper Somsen: bass; E.J. Strickland: drums; K.J. Denhert: voice / vocals.

Chimes of Freedom

Saturday, July 20, 2019

Lynne Arriale Trio - Melody

Styles: Piano Jazz
Year: 2008
File: MP3@320K/s
Time: 54:26
Size: 125,7 MB
Art: Front

(6:28)  1. Tuning
(6:15)  2. The Forgotten Ones
(7:24)  3. Beautiful Love
(7:59)  4. But Beautiful
(5:28)  5. Dance
(3:00)  6. Hush-A-Bye
(7:35)  7. It Ain't Necessarily So
(6:05)  8. Touch her Soft Lips And Part
(4:07)  9. The Highlands

The TCB Label. Lynne Arriale's Melody is her fifth release, her second for the TCB label (The Montreux Jazz Festival Label). Previous TCB releases have focused on the label's "Swiss Radio Days Jazz Series." This series is devoted to Swiss live recordings of vintage jazz. Recordings include performances by Julian "Cannonball" Adderley, Art Blakey, and Quincy Jones to name three. The Art of The Trio. Pianist Lynne Arriale, 1991 graduate from the Wisconsin Conservatory of Music and the 1993 winner of the Great American Jazz Piano Competition, has been honing her trio craft since 1993. She has a confident touch and her tonal spectrum is broad. Her support in Calley and Davis is solid and swinging, supporting her multicultural explorations. Arriale's song choice and composition is as widespread as her tonal vision. Her major interest on this recording is incorporating Celtic elements into her playing and composing. This influence is best heard in the folk-blues romp "The Highlands." The elements are also in her other originals "Tuning" and "The Forgotten Ones." She rounds out the disc with "But Beautiful" and the William Walton composition "Touch her Soft Lips and Part." Broad, I said. Lynne Arriale submits an enjoyable and eclectic collection of tunes that is definitely off the beaten path. ~ C.Michael Bailey https://www.allaboutjazz.com/melody-lynn-arriale-tcb-music-review-by-c-michael-bailey.php

Personnel: Lynn Arriale: Piano; Scott Calley: Bass; Steve Davis: Drums.

Melody

Sunday, May 27, 2018

Lynne Arriale Trio - Give Us These Days

Styles: Piano Jazz
Year: 2018
File: MP3@320K/s
Time: 50:31
Size: 117,0 MB
Art: Front

(6:18)  1. Woodstock
(6:24)  2. Appassionata
(5:46)  3. Finding Home
(5:12)  4. Give Us These Days
(5:17)  5. Slightly off Center
(5:20)  6. Another Sky
(6:01)  7. Let It Be
(5:02)  8. Over and Out
(5:06)  9. Take It with Me

Whether as a soloist or leader of the ensembles Lynne Arriale’s artistry and influence are profound, have elevated her stature as composer, arranger and performer to a renown shared by few other jazz musicians. Jazz, especially as played by a small ensemble such as the Lynne Arriale Trio, breaks with the tradition to speak with one voice and grants the musicians an opportunity for individual creativity and spontaneous interaction. Therefore, it may be more accurate to characterize jazz performance as a musical conversation among the players shared with an audience. Jazz, the most democratic music, charges each musician with an obligation to accompany and support the others, but it also grants each one a number of occasions to lead the band with a solo. Group interaction as practiced by this trio is a fine blend of virtuoso playing, individual assertiveness, selflessness, cooperation and a shared commitment to fashion an ensemble sound greater than the sum of its parts. “Give Us These Days” is ambitious in its conception and its unbridled sense of wonder. Evolved from the creative genius that foretold her reputation as an extraordinary piano poet and composer, the six original tunes and three arrangements on this CD chart a new course for the trio. It leads, ever so gently, to the chambers of the heart, there to reflect upon the precious and ephemeral nature of existence. What emerges is the theme of this record, brilliantly illuminated by the title track: Given the unpredictability and impermanence of life, savor each moment. Her playing on these pieces is powerful; informed by rigorous classical training, prodigious technique, and seemingly boundless creativity. There is more; a quiet morality nurtured by her unflagging devotion to this music, unfettered by ego, and lifted by a palpable sense of spiritual equanimity. Lynne’s fellow presenters are both from the Netherlands; double bassist and co-producer, Jasper Somsen and drummer Jasper van Hulten. Jasper Somsen known for his signature sound, feel and lyricism. Jasper van Hulten brings propulsive energy to the group, focused by his sensitivity to the subtleties and conventions of trio drumming. The last word in this remarkable musical discourse is given over to Kathleen Brennan and Tom Waits’ Take It With Me, a delicate and winsome farewell lovingly sung by vocalist Kate McGarry. The masterful duet by Kate and Lynne perfectly conveys the song’s message of humility and gratitude; a most fitting end to this memorable production, and to life itself.

Give Us These Days

Saturday, May 12, 2018

Lynne Arriale Trio - Live

Styles: Piano Jazz
Year: 2005
File: MP3@320K/s
Time: 68:56
Size: 158,1 MB
Art: Front

( 8:09)  1. Iko Iko
( 6:11)  2. Home
( 6:34)  3. Braziliana
( 7:17)  4. Arise
( 8:21)  5. Come Together
( 5:55)  6. Flamenco
( 7:18)  7. Seven Steps to Heaven
(11:28)  8. Mountain of the Night
( 7:39)  9. Bemsha Swing

This CD/DVD set was recorded at the 36th annual Burghausen Jazz Week last year. The trio, which has been together since 1993, brings fresh ideas to the forum for this concert date, which took place in a large auditorium with excellent acoustics. The performance swings comfortably, and yet it's loaded with surprises. Pianist Lynne Arriale is a master of cool persuasion. She likes to caress the keyboard and let things settle in gradually. Whether she's interpreting a warm ballad or an up-tempo romp, she ensures that the music will proceed naturally without forcing the issue. Every note is to be savored for the value that it adds. Her performance is delicate; yet she swings her trio with ease. Lyrical beauty remains most important in this performance. The DVD (83 minutes) presents the full concert, while the CD (69 minutes) captures all selections save one. 

The camera zooms in, pans the stage, and captures each artist effectively. All the emotion of the trio's performance comes alive as they "get down. One particularly interesting camera angle shows the pianist and bassist working together, with the drummer's active reflection coming by way of the flat surface of the piano's lacquered body. The DVD also includes additional special features, including interview excerpts and valuable commentary. Songs such as "Come Together, "Seven Steps to Heaven, "Bemsha Swing and "Iko Iko are probably familiar to any audience. The group assembled for this occasion felt that intuitively. Arriale puts dramatic intensity into every piece without forcing a thing. Her interpretations flow naturally with plenty of heartfelt soul. The passion in her music makes this recommended performance an affair to remember. ~ Jim Santella https://www.allaboutjazz.com/live-lynne-arriale-motema-music-review-by-jim-santella.php

Personnel: Lynne Arriale: piano; Jay Anderson: bass; Steve Davis: drums.

Live

Saturday, April 28, 2018

Lynne Arriale Trio - A Long Road Home

Styles: Piano Jazz
Year: 1997
File: MP3@320K/s
Time: 55:53
Size: 128,3 MB
Art: Front

(6:59)  1. Bye-Ya
(3:30)  2. Will o' the Wisp
(4:40)  3. A Night in Tunisia
(8:17)  4. Wouldn't It Be Loverly?
(5:48)  5. Letters from Mike O'Brien
(6:51)  6. Con Alma
(7:50)  7. I Wished on the Moon
(4:41)  8. The Dove
(7:12)  9. A Long Road Home

During the second half of the 1990s, pianist Lynne Arriale grew as an individual stylist from album to album. Although she is fine on the medium-tempo pieces of this CD, a trio outing with bassist John Patitucci and drummer Steve Davis, it is her work on the ballads (including her own "Will O' the Wisp" and the folky "The Dove") that is most impressive. 

Her impressionistic playing is full of creative subtleties, and the brilliant bassist Patitucci seems to consistently inspire her. Even the standards (such as a re-harmonized "A Night in Tunisia" and a floating "Wouldn't It Be Loverly") sound fresh and new. At this point in time, this was the pianist's strongest set to date; easily recommended.~ Scott Yanow https://www.allmusic.com/album/long-road-home-mw0000033019    

Personnel: Lynne Arriale (piano); John Patitucci (bass); Steve Davis (drums).

A Long Road Home

Thursday, February 22, 2018

Lynne Arriale - Nuance - The Bennett Studio Sessions

Styles: Piano Jazz 
Year: 2009
File: MP3@320K/s
Time: 55:12
Size: 127,7 MB
Art: Front

(4:46)  1. Wrapped Around Your Finger
(5:02)  2. I Mean You
(3:57)  3. Longing
(4:04)  4. Crawfish & Gumbo
(7:39)  5. Ballad Of The Sad Young Men
(5:21)  6. Carry On
(5:36)  7. La Noche
(6:22)  8. Yada Yada Yada
(4:24)  9. I Hear A Rhapsody
(5:37) 10. A Night In Tunesia
(2:18) 11. A Gentle Soul

Known strictly as a jazz piano trio artist, Lynne Arriale breaks that mold with the addition of trumpeter Randy Brecker, and it is a welcome complement. This is not to say her piano-bass-drums recordings had run their course far from it. What the seasoned and literate brass man brings to the table ignites Arriale's innate passion, and inspires her dream sequence style of playing into a netherworld of darker passion and modernist ideas that are startling in their pure inventiveness. She's stretching further, reaching for deeper energy, and plays beautifully in tandem with her new partner. Bassist George Mraz is also along for this ride, as able as any player on his instrument ever, a fact seemingly lost on far too many listeners and critics. Of the six originals penned by the pianist, "Longing" and "Yada Yada Yada" certainly live up to and reflect their titles perfectly, from serenely sad to bobble head chatter respectively. "Crawfish & Gumbo" uses modified New Orleans funky strut and swing via the drumming of Anthony Pinciotti with Mraz on top, while a quick stairstep motif with only slight Latin inference informs "La Noche." 

The band tackles Sting's "Wrapped Around Your Finger" in a terrific modal framework and mysterious mood, with Arriale's piano remarkable in its Arabic, flashing style contrasting Brecker's even pace. This is an exemplary interpretation, as is "I Mean You" with the entire band playing brilliant, staggered phrases more pronounced than its writer Thelonious Monk originally conceived. Arriale's Bill Evans influence blossoms during her regal, free, and ethereal version of the standard "I Hear a Rhapsody," while she and the musings of the consistently refreshing Brecker use another slight modality, changing up Dizzy Gillespie's "A Night in Tunisia." A DVD performance with differently programmed tracks and stretched out versions of everything on the CD is available, and in 5.1 surround sound to boot. More and more rewarding upon repeat listenings, this recording fronted by one of the more skilled pianists in modern jazz and a criminally underrated trumpeter commands attention from start to finish, and deserves grand accolades, including a strong candidacy for Jazz CD of 2009. 
~ Michael G.Nastos https://www.allmusic.com/album/nuance-the-bennett-studio-sessions-mw0000815379

Personnel:  Lynne Arriale (piano); Randy Brecker (trumpet, flugelhorn); George Mraz (bass instrument); Anthony Pinciotti (drums).

Nuance - The Bennett Studio Sessions

Wednesday, January 28, 2015

Lynne Arriale - Convergence

Bitrate: MP3@320K/s
Time: 51:18
Size: 117.5 MB
Styles: Straight ahead jazz, Piano jazz
Year: 2011
Art: Front

[3:52] 1. Elements
[6:27] 2. Here And Now
[4:22] 3. Here Comes The Sun
[4:29] 4. Sister Moon
[5:08] 5. Call Me
[4:02] 6. Dance Of The Rain
[4:38] 7. For Peace
[5:23] 8. Paint It Black
[4:30] 9. Something I Can Never Have
[4:47] 10. Convergence
[3:34] 11. The Simple Things

Lynne Arriale has made her mark with a number of CDs of her own during her career. This predominantly trio date with bassist Omer Avital and drummer Anthony Pinciotti, adding tenor saxophonist Bill McHenry on several songs, mixes originals and covers of pop songs. Arriale's songwriting skills match her chops at the piano. The driving post-bop vehicle "Elements" provides a solid opener for Arriale's trio, with the pianist's unpredictable blues constantly shifting. Her rambunctious Irish jig "Convergence" features McHenry's powerful tenor and Arriale's furious solo. "The Simple Things" is a low-key, lyrical ballad played by the trio. The infectious "Here and Now" draws from multiple musical influences from around the world, showcasing McHenry's wailing tenor. The Middle Eastern-flavored "Dance of the Rain" includes an unidentified oud player, with Pinciotti presumably being playing the hand percussion. Arriale also shines with her fresh interpretations of the Beatles' "Here Comes the Sun," Sting's "Sister Moon," and the Rolling Stones' "Paint It Black." Only Nine Inch Nails' "Something I Can Never Have" never manages to gain traction. ~Ken Dryden

Convergence

Saturday, December 21, 2013

Lynne Arriale Trio - When You Listen

Styles: Piano Jazz
Year: 1995
File: MP3@320K/s
Time: 63:18
Size: 145,3 MB
Art: Front

(5:33)  1. How Deep is the Ocean
(5:27)  2. My Shining Hour
(5:52)  3. Waiting & Watching
(7:34)  4. Bess, You is My Woman Now
(5:12)  5. You And The Night And The Music
(5:51)  6. Slinky
(6:19)  7. Lonely Woman
(4:16)  8. Seven Steps To Heaven
(6:52)  9. When You Listen
(3:36) 10. I Love a Calypso
(6:41) 11. In the Wee Small Hours of the

Lynne Arriale's second recording is easily the equal of her first and finds the young pianist digging into seven standards and four of her originals. Her trio with bassist Drew Gress and drummer Steve Davis generally thinks as one, for the musicians react immediately to each other's ideas. Arriale's ability to caress ballads (best-heard on the closing and very sensitive "In the Wee Small Hours of the Morning") is quite impressive, as is her skill at improvising on medium-tempo pieces. This exploration of modern mainstream jazz is an excellent outing. ~ Scott Yanow  http://www.allmusic.com/album/when-you-listen-mw0000175048

Wednesday, December 4, 2013

Lynne Arriale Trio - The Eyes Have It

Styles: Piano Jazz
Year: 2008
File: MP3@320K/s
Time: 59:39
Size: 136,6 MB
Art: Front

(6:01)  1. My Funny Valentine
(6:22)  2. Witchcraft
(5:56)  3. My Man's Gone Now
(4:43)  4. Heartsong
(1:32)  5. Yesterdays
(7:32)  6. Elegy
(5:26)  7. Alone Together
(5:04)  8. The Eyes Have It
(9:27)  9. Blues For T.J.
(7:33) 10. My One And Only Love

As a composer and interpreter of modern jazz, pianist Arriale is blossoming more and more with every passing day. She's open to stretching melodies, interacting with her very talented trio, and tackling new challenges. For this, her fifth CD, all trio sides, she, bassist Scott Colley, and drummer Steve Davis present three Irish influenced Arriale originals, ballads, and standards that further explore the hushed tones, airy refrains, and delicately constructed music that is her hallmark. On the romantic side, Arriale melts walls and hearts with her after-midnight takes on "But Beautiful" and "Touch Her Sweet Lips And Part." When she's in this molasses-slow mode, her playing is distinctly like no other. Patient as a lonely, wanting lover for "The Forgotten Ones," Davis wields mallets on drums, as though walking through a rain forest, while Arriale fastidiously searches for clues to the scavenger hunt. 

The folk melody/children's song "Hush-A-Bye" has the pianist paraphrasing perhaps the simplest melody written with aplomb and stoic grace. The Celtic-influenced songs contrast beautifully; "Turning" a 3/4 to 4/4 jig-to-bop exchange, "Dance" is just that, with Davis doing the steps with his chattering sticks, and the showstopper "The Highlands" is a popping, extroverted, sensational number that shows Arriale does have a more hectic side. "It Ain't Necessarily So" might be a bit of an anomaly to the rest of the selections, a swinging, light groove version replete with dynamic accents and variations that make the old tried-and-true Gershwin melody sing and cry out. The other well-known composition, "Beautiful Love," has a free intro which merges into a midtempo head, the pianist and drummer trading eights effortlessly in the middle. Arriale is a most gifted pianist, probably the closest thing we have in the '90s to Bill Evans in terms of subtlety and depth. Hard to judge this against her other trio CDs, they're all very good, and any will be a welcome addition to your collection. ~Michael G.Nastos  
http://www.allmusic.com/album/the-eyes-have-it-mw0000118266

Thursday, September 26, 2013

Lynne Arriale - Inspiration

Styles: Piano Jazz
Year: 2001
File: MP3@320K/s
Time: 58:44
Size: 134,5 MB
Art: Front

(3:56)  1. America
(5:14)  2. In Don't Mean A Thing
(5:09)  3. Blackbird
(4:48)  4. A House Is Not A Home
(6:48)  5. Bemisha Swing
(4:24)  6. So Tender
(7:08)  7. Tones for Joan's bones
(6:26)  8. Feeling Good
(7:27)  9. The nearness of you
(7:20) 10. Mountain Of The Night

Lynne Arriale and her fine trio have become a bright diamond in the TCB catalog. To date she has released four recordings: A Long Road Home (TCB 979520), Melody (TCB 99552), Live At Montreux (20252) and the present Inspiration. I am continually stuck with the sheer cerebral power of Ms. Arriale's playing. She is a smart performer with and expansive and orchestral style that substitute the mundane earthiness encountered in many trio settings with a sophisticated intellect, exuding confidence and competence. The rhythm unit made up of bassist Jay Anderson and drummer Steve Davis represent the tightest section I have heard since first hearing Fred Hersch. Steering the arrangements as well as all else, Ms. Arriale proves to be a master bandleader. Inspiration represents a number of different influences. Leonard Bernstein's "America" from West Side Story is propulsively driven in head and solos, perfectly preserving Bernstein's intent and excitement. Ellington's "It Don't Mean a Thing" sounds like a cross between Gene Harris and Matthew Shipp. The Beatles "Blackbird" is a totally digestible cover, as is Burt Bacharach's "A House is Not a Home." Ms. Arriale's Monk is more iconoclastic than the original ("Bemsha Swing") as are her nods to two contemporaries (Keith Jarrett "So Tender" and Chick Corea "Tones for Joan's Bones"). The Lynn Arriale Trio is Jazz as high art. If, as I always tout, that the piano trio is the true jazz chamber music, then Arriale is Mozart.~ C.Michael Bailey  http://www.allaboutjazz.com/php/article.php?id=9426#.Uj-TEBAkI5c

Personnel: Lynne Arriale: Piano; Jay Anderson: Bass; Steve Davis: Drums.

Tuesday, September 17, 2013

Lynne Arriale Trio - Arise

Styles: Piano Jazz
Year: 2002
File: MP3@320K/s
Time: 51:16
Size: 117,7 MB
Art: Front

(5:04)  1. Frevo
(6:29)  2. American Woman
(5:58)  3. Arise
(6:35)  4. Lean on me
(4:54)  5. Esperanza
(5:15)  6. Change the world
(5:34)  7. The fallen
(5:55)  8. Upswing
(5:30)  9. Kum ba ya

Pianist Lynne Arriale continues to grow as a pianist and as an individualist with each recording. Arise is her strongest set to date. Her well-rounded program is highlighted by the blues "American Woman," the sensitive ballad "Arise," and a Latin romp during "Esperanza," but each of the nine selections (which include four of her originals) is rewarding. On the slower material, Arriale sometimes sounds a little like Keith Jarrett, but she has her own voice on the blues and the more intense pieces. Her close interplay with bassist Jay Anderson and drummer Steve Davis results in the three musicians often thinking as one. This is an excellent effort, making one look forward to Lynne Arriale's continuing musical growth.~ Scott Yanow  
http://www.allmusic.com/album/arise-mw0000023617