Sunday, November 27, 2022

Louis Stewart - Louis The First

Styles: Guitar Jazz
Year: 1975
File: MP3@320K/s
Time: 37:25
Size: 86,1 MB
Art: Front

(4:42) 1. All The Things You Are
(6:18) 2. Bluesology
(4:08) 3. Body And Soul
(3:06) 4. Send In The Clowns
(5:50) 5. O Grande Amor
(3:58) 6. Here Is That Rainy Day
(5:45) 7. Alone Together
(3:35) 8. Autumn Leaves

The first time I saw Louis Stewart play was when I was 14 years old. My father, a jazz devotee, who knew many of the Irish jazz musicians, took me to a jazz party in Sandycove at the home of the saxophonist John Curran. Before I even got there my father had told me that Louis would be there and that he was the greatest jazz musician Ireland had ever produced. So before I ever saw him play, Louis’ greatness was imprinted on my mind. And at the party, even to my adolescent (and at that time non-playing) self, I could see that they were right he was something special.

There was a fluidity about his playing that marked him out, and this was especially evident when he played with John Wadham another great of the Irish jazz scene whom I saw for the first time that night who clearly sparked Louis’ playing. My memory of that night is very vivid. There were other jazz-scene notables there such as Brian Dunning and Mike Nolan, a string quartet played Haydn, there was food and banter all of which seemed incredibly glamorous to me. Not to mention staying up till 4am. The true jazz life…

Over the following years I saw him play several times, including a memorable night when my father whisked me off to see him playing in Mooney’s in Dún Laoghaire the night before my Inter Cert exams were to start, much to my mother’s horror. My father’s answer to my mother’s protests was, ‘What he doesn’t know now he won’t know in two hours time’. And he was right. What I do remember learning that night is that there was a tune called ‘Maiden Voyage’ that sounded very exotic. Again I wasn’t playing at this point, so had no idea of structure or harmonic content of the piece, but I remember Louis announcing it and being totally enthralled by it.
By Ronan Guilfoyle https://journalofmusic.com/focus/louis-first

Personnel: Louis Stewart, guitar; Martin Walshe, bass; John Wadham, drums.

Thank You JT!

Louis The First

Charles Lloyd - Trios: Sacred Thread

Styles: Saxophone Jazz
File: MP3@320K/s
Time: 38:56
Size: 89,9 MB
Art: Front

(3:19) 1. Desolation Sound
(4:13) 2. Guman
(9:23) 3. Nachekita's Lament
(1:54) 4. Saraswati
(7:51) 5. Kuti
(8:48) 6. Tales of Rumi
(3:25) 7. The Blessing

This is the third and final album in Blue Note's Charles Lloyd-dedicated ‘Trio of Trios’ series, with the orchestrally-resourceful guitarist Julian Lage joining mindbendingly multi-tasking percussion legend Zakir Hussain in conversation with the 84 year-old US reeds maestro.

Sacred Thread represents the Trio series' most radical departure from the freeboppish or bluesily grooving soundscapes of its predecessors Chapel, and Ocean a more open global-musical trip, as well as an homage to Lloyd's decades-long devotion to the spirituality of the East. Mutual empathy is plain from the opening ‘Desolation Sound’, with its deep-hooting tenor ballad statement punctuated by the leader's characteristically fast-wriggling fills spinning off dolorous long tones.

Hussain's reverentially tender singing is shadowed by Lage's chord chimes on ‘Guman’, 'Nachekita's Lament' is a meditation for billowing flute tones, slow chanting and brooding guitar rejoinders that becomes a catchy tabla-driven canter. Lloyd plays the mournful soprano sax-like tárogató on ‘Saraswati’ (mostly with only gentle gong-sounds fitful tabla-rhythm flickers for company), Hussain's voice and Lloyd's vaporous flute share the initially ballad-like ‘Kuti’ before a groove much more suggestive of the hi-life star of the title emerges to draw a boldly skidding break from Lage. ‘Tales of Rumi’ invites an enthralling Hussain long intro of racing rhythms and whoopy voicelike accents before it becomes a tenor-led folk dance, and a quietly impassioned Lloyd-Lage dialogue on ‘The Blessing’ wraps up a real gem, even by the octogenarian California jazz guru's standards.
By John Fordham https://www.jazzwise.com/review/charles-lloyd-trios-sacred-thread

Personnel: Charles Lloyd (ts, fl); Julian Lage (g); Zakir Hussain (perc)

Trios: Sacred Thread

Octokats - Cool West Coast Jazz Comes to Toronto

Styles: Jazz
Year: 2014
File: MP3@320K/s
Time: 72:58
Size: 168,5 MB
Art: Front

(3:36) 1. El Prince
(1:23) 2. Dave Pell Intro
(5:09) 3. Nap's Dream
(5:10) 4. Java Junction
(3:11) 5. Have You Met Miss Jones
(2:50) 6. Blues My Naughty Sweetie Gives To Me
(3:35) 7. Cheerful Little Earful
(6:02) 8. Love Me Or Leave Me
(3:54) 9. Intermission Riff
(2:53) 10. Dave Pell Intro To Lester Young
(4:06) 11. You Can Depend On Me
(4:31) 12. Lester Leaps In
(5:07) 13. How High The Moon
(2:39) 14. When You're Smiling
(5:19) 15. Just You, Just Me
(3:59) 16. One O'clock Jump
(5:31) 17. Jumpin' At The Woodside
(3:56) 18. Session At Pete's Pad

West Coast jazz refers to various styles of jazz music that developed around Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a sub-genre of cool jazz, which featured a less frenetic, calmer style than bebop or hard bop. The music tended to be more heavily arranged, and more often composition-based.

We, the Octokats, have resurrected this relaxed sytle of jazz here in Southern Ontario. The very essence of COOL can be found in this style of music. One of the most famous West Coast Jazz Musicians is Dave Pell. We modeled our octet after the Dave Pell lineup.The instrumentation for his octet consisted of Tenor Sax, Baritone Sax, Trumpet, Trombone, Piano, Guitar, Bass and Drums.http://www.octokats.com/?page_id=56

Personnel: Sarang Kulkarni (Baritone/Alto Saxophones); Gary Martin (Alto/Tenor Saxophones); James Shea (Trumpet/Flugelhorn); Michael Kearns (Trombone); Stephen Landsberg (Guitar); William Bryant (Piano); Mauro Bellotto (Upright Bass); John Collin (Drums); Alan Reid (Drums)

Special Guests: Dave Pell; Pat Labarbera

Cool West Coast Jazz Comes to Toronto

Diane Marino - I Hear Music

Styles: Vocal And Piano Jazz
File: MP3@320K/s
Time: 50:41
Size: 117,1 MB
Art: Front

(3:14) 1. I Hear Music
(3:43) 2. Moonray
(4:27) 3. Ain't No Use
(3:54) 4. Let Me Off Uptown
(4:47) 5. You Showed Me The Way
(3:56) 6. Rock Me To Sleep
(5:09) 7. It Could Happen To You
(4:50) 8. Detour Ahead
(3:29) 9. The Late, Late Show
(5:18) 10. I'll Close My Eyes
(4:12) 11. When Lights Are Low
(3:37) 12. You'd Better Love Me

Jazz singer/pianist Diane Marino was born in the New York City borough of Manhattan and began piano lessons at the age of ten. She attended the High School for the Performing Arts as a classical piano major, then studied piano with Murray Perahia at the Mannes College of Music. She had already begun appearing professionally before earning her Bachelor of Music degree in piano performance from Mannes, playing and singing around the New York metropolitan area. She worked solo until she met bassist Frank Marino, whom she subsequently married, and with whom she formed the Brazilian nonet Som Brasiliero.

On August 26, 2003, the Marinos' M&M Records label released A Sleepin' Bee, an album by the Diane Marino Quartet, also featuring flute and saxophone player Rusty Jessup and drummer Chris Brown. On the Street Where You Live followed on May 4, 2004. Having relocated to Nashville, Marino released her third album, Just Groovin', a collection of her interpretations of '60s pop standards featuring such guests as Kirk Whalum, Houston Person, and Felix Cavaliere, on September 16, 2008. By William Ruhlmann https://www.allmusic.com/artist/diane-marino-mn0000255089/biography

I Hear Music