Friday, October 31, 2014

The John East Project - Live At The 606

Size: 125,2 MB
Time: 53:55
File: MP3 @ 320K/s
Released: 2012
Label: First Jazz Records
Art: Front

01. Comin' Home Baby (Live) (3:01)
02. Señor Blues (Live) (5:45)
03. Here's To Life (Live) (5:15)
04. All The Way (Live) (4:48)
05. Wave (Live) (3:08)
06. Mercy, Mercy, Mercy God Bless The Child (Live) (5:54)
07. I Love Being Here With You (Live) (3:30)
08. Blues For Steve (Live) (5:11)
09. In The Wee Small Hours Of The Morning (Live) (4:16)
10. I'll Be Your Baby Tonight (Live) (3:42)
11. Vinyl (Live) (4:17)
12. Your Mind Is On Vacation (Live) (5:03)

Personnel:
John East - Hammond Organ and vocals
Mark Fletcher - drums
Neville Malcolm - double bass
Carl Orr - Guitar
Max Grunhard - alto saxophone
Scott Baylis - trumpet, flugelhorn and piano

John East’s love for the music has been evident over the many years that I have known him. Not only a great Jazz enthusiast, however, John is also a successful corporate financier, whose practical assistance to the Club has been invaluable. But he also has another string to his bow, as a Jazz Hammond organ player, which led me to suggest that he might like to do a gig at the Club sometime. John’s response was typically enthusiastic and he immediately set about organising a band. His first choice was bassist Neville Malcolm, a wonderful player who includes work with the likes of “Incognito” and Tom Jones on a stellar cv and is a musician I admire enormously. Next was Mark Fletcher, a brilliant world class drummer, as his work with the likes of Liane Carroll, Dizzy Gillespie and Michel LeGrand shows. I recommended an old friend on guitar and the John East Project was born.

The gig was excellent, everyone loved it and regular dates soon followed. Over the following months the guitarist dropped out and the terrific Carl Orr (formerly with Billy Cobham) was drafted in; shortly after that two horn players were added to complete the line up that you hear on this CD, which was recorded live at the Club. The music is swinging and compelling. John’s vocals on a mix of songs from up-tempo Blues to gentle ballads are sensitive and to the point and the playing is universally impressive. The horn section, with Max Grunhard’s searing alto sax a great counterpoint to the beautiful tone and lovely melodic lines of trumpeter Scott Baylis (who also pops up on piano) is thoughtfully crafted. Carl’s incisive guitar lines sparkle and the rhythm section swings mightily, demonstrating exactly why Mark and Neville are considered to be amongst the best in Europe. And not forgetting the Hammond organ driven by John, prodding and guiding, an ever present but never overbearing force that comes into its own most notably on the instrumental blues, highlighting the jazz credentials of this excellent band.

This is a lovely album and one to savour for the individual contributions as well as the impressive sum of the parts. So should you see a dapper, middle aged gent with a constant smile and friendly manner making his way to work in the City don’t jump to conclusions; it could be a fine Jazz organist on his way to his day job…..Enjoy. ~Steve Rubie

Live At The 606

Pamela Hines Trio - Thrive!

Size: 120,5 MB
Time: 52:00
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: Piano Jazz
Art: Front

01. Ella's Room (4:30)
02. While We Can (4:14)
03. Armory (4:35)
04. Good Change (6:06)
05. Across The Room (5:06)
06. Alteration (4:19)
07. Philippe (6:05)
08. There's More (5:45)
09. Across The Room (Vocal Version Feat. Suzanne Cabot) (6:06)
10. Groove Trip (5:11)

Personnel:
Pianist/Composer- Pamela Hines
Bass- David Clark
Drums- Les Harris, Jr.

Pianist/composer Pamela Hines has been a prolific and consistent presence in the world of jazz. Her creative stamina has established her as an artist who presents to her audiences a newness, individuality and freshness that have made her piano style and originals identifiable. She has received critical acclaim for edgy instrumental compositions and originals for jazz vocalists that are more at home in the modern American Songbook.

New release! “Thrive!” is a project of all original compositions by Hines with lyrics penned to the tune,” From Across the Room.” It features Dave Clark on bass and Les Harris, Jr. on drums and the vocal tune features Suzanne Cabot.

Thrive!

Mitch Winehouse - But Beautiful

Size: 108,6 MB
Time: 46:47
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals
Label: Lioness Records
Art: Front

01. Suit & Tie (3:51)
02. The Nearness Of You (4:12)
03. Learning The Blues (3:44)
04. Once I Loved (3:58)
05. But Beautiful (4:08)
06. Never Too Far From A Song (3:07)
07. I'm A Fool To Want You (2:42)
08. Please Baby Don't (4:17)
09. Only The Lonely (2:38)
10. Wave (3:20)
11. Goodbye (4:11)
12. Meditation (2:52)
13. We'll Be Together (3:41)

Amy Winehouse’s father and swing crooner, Mitch, is releasing a new album with songs that his late daughter had helped him carve out.

It follows his debut album Rush of Love released in 2011, for which he sought the help of Amy months prior to her death.

The new instalment, But Beautiful, will include further songs they had chosen together but which didn’t make the debut’s cut. It goes on sale 29 September.

It will also raise funds for the Amy Winehouse Foundation, which was set up in the late singer’s name “to prevent the effects of drug and alcohol misuse on young people,” the charity states.

Winehouse senior said: “It's something I can do that connects with Amy's memory and raises money for what we believe in.”

“Even now it's very painful and emotional, but you just got to get on with it. If we don't, no one else will do what we do.

“We don't have the luxury of thinking we can stop. It's not sexy, it's people struggling with drug addiction, it's homeless kids, people who don't get chance otherwise.

Mitch has previously said that his childhood was full of “Jazz, swing, lots of Sinatra,” where his relatives would belt out tunes all day while his mum and aunt would waltz around the family-owned barber shop in east London.

He also said that being able to make his own music brings him closer to Amy, who died in July 2011 at the age of 27 of alcohol poisoning.

“It's just great to be able to get out and sing, it's something I love to do. I feel that when I'm on stage, Amy's on stage. She wouldn't let a little thing like not being here stop her from jumping on stage.”

“She’s in here now saying, ‘Just get on with it, Dad’. I’m always speaking to her, all day, every day,” he said in an interview.

But Beautiful

Anna Wilson - Jazzbird/Songbird

Size: 100,9 MB
Time: 43:31
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals
Art: Front

01. Little Jazzbird (4:31)
02. Champagne (3:22)
03. Show Me Love (3:51)
04. On A Summer's Day (4:32)
05. The Shadow Of Your Smile (4:31)
06. Inconsolably Blue (5:19)
07. Polaroid (4:32)
08. How Do You Measure A Life (4:20)
09. While The Music's Still In Me (4:38)
10. Songbird (3:49)

Among the many recent jazz-vocalist recordings I've heard, jazz singer/songwriter Anna Wilson's new album stands out for its mingling of classic jazz sensibility with skillful songwriting. Its title, Jazzbird/Songbird, in addition to naming the Gershwin and Fleetwood Mac songs that bookend the 10-song set, accurately reflects Wilson's musical identity on this disk and the nature of her art.

In a velvety, breathy voice both girlish and sophisticated, Wilson lives the songs, standards and originals alike, more like a cabaret singer than a cooler-than-thou jazz cat. The way she slides up to the second syllable of the word "champagne" in the song by that title, one of the six originals on the disc, is a small thing of beauty. "On a Summer's Day," another original, is a little bit Billy Joel and a little bit Marvin Hamlisch (the melody echoes the latter's "What I Did For Love" in jazzier style). And Wilson's understated take on the standard "The Shadow of Your Smile" demonstrates her way of putting her own interpretive stamp on a good melody without bending it all out of shape.

The original, vintage-style ballad "Inconsolably Blue," a gem of accessible pop-jazz songwriting, forms the centerpiece of the album. "While the Music's Still In Me," Wilson's declaration of the preeminence of music in her life, sounds like sophisticated 1970s pop in a jazz setting. It leads into a slim, airy, tasteful version of one of that era's loveliest songs, Christine McVie's "Songbird" from Fleetwood Mac's legendary Rumours album. Wilson sings the hit fairly straight, proving, as if this needed further proof, that a great song remains a great song in any era.

Jazzbird/Songbird

Bobby Jaspar - Clarinescapade

Bitrate: 320K/s
Time: 51:12
Size: 117.2 MB
Styles: Post bop, Saxophone jazz
Year: 2007/2011
Art: Front

[3:06] 1. Clarinescapade
[4:19] 2. How Deep Is The Ocean
[3:43] 3. What's New
[2:44] 4. Tutti Flutti
[4:51] 5. I Remember You
[3:35] 6. Spring Is Here
[6:24] 7. Wee Dot
[3:54] 8. I Won't Dance
[3:36] 9. In A Little Provincial Town
[5:30] 10. The Lock Alike
[5:00] 11. Barry's Tune
[4:25] 12. Minor Drop

Belgian multi-instrumentalist Bobby Jaspar was hitting his stride in 1956, with great recognition in Europe and a budding reputation in the U.S. via his membership in the J.J. Johnson combo. This CD, a Fresh Sound compilation derived from French Columbia Records LP and EP releases, shows why he was a well-liked and respected cool-to-bop post-Lester Young-influenced tenor saxophonist. The seven tracks where he emphasizes tenor show him breaking away from his influences and exercising voicings of his own, quite similar at that time to peers Stan Getz and Zoot Sims. He ably extrapolates on melodies of the standards "How Deep Is the Ocean" and "I Remember You," and Johnson's hard bopper "Wee Dot," while circling the wagons around the line in an unusual rendition of "I Won't Dance." His fluidity and innate melodic sense are impeccable. The numbers on flute, "Tutti Flutti" and "In a Little Provincial Town," also demonstrate his abilities as a composer, the former bright and sunny with clean unison playing astride masterful Detroit pianist Tommy Flanagan, the latter a near third stream ballad with shining, shimmering modal voicings courtesy of Barry Galbraith. The opener is the title track, a nice bop romp on clarinet, the only tune where he plays the black woodwind, making the title of the CD misleading. Drummer Elvin Jones cements the Detroit connection on the first eight tracks in a more popping, heady, restrained (for him) rhythmic fashion, and it's a rare chance to hear the legendary Nabil Totah on bass in an extended setting. The first ten tracks (eight by quintet and two by quartet formations) were originally on LP, and the last two bop quintet numbers were on EP only. One always wonders if the Manny Albam counterpoint-infused composition "They Lock Alike" was/is misspelled. Shouldn't it be "They Look Alike?" At any rate, this is a first-class date from unsung jazz hero Jaspar, sonically a very well-recorded and remastered effort, and highly recommended. ~Michael G. Nastos

Clarinescapade

Boz Scaggs - Speak Low

Bitrate: 320K/s
Time: 52:16
Size: 119.7 MB
Styles: Adult contemporary
Year: 2008
Art: Front

[5:24] 1. Invitation
[3:51] 2. She Was Too Good To Me
[5:23] 3. I Wish I Knew
[3:42] 4. Speak Low
[4:03] 5. Do Nothing Till You Hear From Me
[4:03] 6. I'll Remember April
[5:14] 7. Save Your Love For Me
[5:33] 8. The Ballad Of The Sad Young Men
[4:01] 9. Skylark
[3:26] 10. Senza Fine
[3:51] 11. Dindi
[3:39] 12. This Time The Dream's On Me

From his late 1960s days as the lead singer of the Steve Miller Band, Boz Scaggs has always had an undercurrent of jazz influence in his phrasing. Therefore, SPEAK LOW should come as no surprise to longtime fans. No mere raid on the Great American Songbook in the manner of Rod Stewart's adult contemporary albums, SPEAK LOW is a personal, canny follow-up to 2003's collection of standards, BUT BEAUTIFUL. These 12 tracks offer less familiar tracks like Duke Ellington's "Do Nothing Till You Hear From Me" and Chet Baker's "She Was Too Good To Me," given abstract, cerebral arrangements in the manner of 1950s Gil Evans charts. ~Charity Stafford

Speak Low

Urbie Green - All About Urbie Green: His Quintet And Big Band

Bitrate: 320K/s
Time: 71:00
Size: 162.5 MB
Styles: Trombone jazz, Big band
Year: 2011
Art: Front

[3:15] 1. Reminiscent Blues
[3:18] 2. Thou Swell
[4:19] 3. You Are Too Beautiful
[2:59] 4. Paradise
[2:45] 5. Warm Valley
[1:48] 6. Frankie And Johnny
[2:44] 7. One For Dee
[2:02] 8. Limehouse Blues
[3:02] 9. Am I Blue
[2:43] 10. Dirty Dan
[3:09] 11. Too Late Now
[2:51] 12. Sleep
[6:28] 13. Soft Winds
[3:09] 14. With The Wind And The Rain In Your Hair
[3:30] 15. I Ain't Got Nobody
[3:03] 16. Stella By Starlight
[3:05] 17. Little John
[3:20] 18. Home
[2:36] 19. Cherokee
[3:20] 20. 'round Midnight
[3:15] 21. Springsville
[4:11] 22. Plain Bill From Bluesville

Featuring: Urbie Green (tb, v-tb), Joe Wilder, Johnny Carisi, Phil Sunkel (tp), Chauncey Welsh, Jack Satterfield, Lou McGarity, Rex Peer (tb), Hal McKusick, Al Cohn, Sol Schlinger (saxes), Dave McKenna (p), Jimmy Raney (g), Percy Heath (b), Kenny Clarke (d)

This CD presents Urbie Green, one of the most versatile of all top-ranking trombonists in two facets. On the first quintet recordings we hear him playing relaxed, modern mainstream jazz with strong roots in the blues. His tone is full, his ideas personal and imaginative, and his beat equal to that of his gassing rhythm section.

Urbie’s role on the remaining tracks is that of the leader of a big band. He had often expressed a desire to front a large dance band of his own before he had this opportunity. His choice of Johnny Carisi as chief arranger and unofficial musical director was made because of a rather mutual agreement between the two about the purposes of a band of this kind and the methods of achieving them. Johnny was among the group of writers—like Gil Evans, Gerry Mulligan, Tiny Kahn, et al.—who were setting new stepping-stones in band and small-group arranging. Carisi’s writing in this set is clean and functional— achieving the prime purposes of providing a good jazz and dance-band style and setting a foundation upon which Urbie can project himself as leader-soloist.

All About Urbie Green: His Quintet And Big Band

Andrew P Done - She Moves

Bitrate: 320K/s
Time: 44:09
Size: 101.1 MB
Styles: Blues-Jazz
Year: 2014
Art: Front

[4:11] 1. Signs
[4:25] 2. Birthday Call
[3:37] 3. Midnight Train
[6:31] 4. Sun Face
[3:19] 5. Different Kind
[3:31] 6. Meadows
[6:36] 7. She Moves
[3:49] 8. On The Road
[1:28] 9. Momma
[4:57] 10. Hey Momma
[1:38] 11. Stones

Andrew has spent the last year gigging this material. It was after 12 months he decided to record. The Album was recorded and produced in August 2014 by Mr "M" at 3legg Birmingham England.

"In the past i have kinda written the songs in the studio then gigged..this time its different we have totally nailed the live set, when we recorded we did not do any drop ins. Each tune was played from start to finish so we could achieve that live sound as much as possible."Sonic UK Rated the Album 5 Stars. "Great Guitar and Voice Almost Rockabilly in Places, then Switches to melodic Blues Folk Fusion with some Awesome Harp Playing, Recommended"

She Moves

Eileen Joyce - Life Is Too Short

Styles: Vocal Jazz
Year: 2013
File: MP3@320K/s
Time: 31:42
Size: 73,0 MB
Art: Front

(2:54)  1. Life Is Too Short
(3:45)  2. No Time At All
(3:53)  3. Ain't It Sad Sister
(3:08)  4. Just Me and the Boys
(3:57)  5. He's Got the Power
(3:25)  6. When You've Fallen Out of Love
(4:01)  7. Tired of Daydreams
(3:08)  8. I'm Not Coming Back
(3:28)  9. One Vision

Eileen Joyce is undeniably Nova Scotia's Lady of The Blues. Eileen brings a soulful energy to her singing, songwriting, producing and performing. Her passion comes from the depths of her strength, perseverance and love of music. Born in Halifax, Eileen was inspired and encouraged by her father and brother, both jazz drummers, Lou Williamson Sr., and Lou Williamson Jr. Eileen has spread her inspiration and gifts as creator and founder of Blues East, and Ladies In Blues. Also in 2002, became co founder of The East Coast Blues Society. Eileen's fourth and strongest CD to date “Life Is Too Short” is a collection of originals, mostly co-written with her pianist Bill Harvey, and brings out the very best of her determination and abilities. Eileen also collaborate with Woody Woods from Las Vegason a few songs. She has drawn on her hearts desire and will inspire you with her energetic yet sophisticated Jazz, Blues, R&B style. Special guests include the Nova Scotia Mass Choir , Jackie Richardson, Reeney Smith Lela Coles and Lisa MacDougall.  http://www.cdbaby.com/cd/eileenjoyce3

Eric Alexander Quartet - In Europe

Styles: Saxophone Jazz
Year: 1996
File: MP3@320K/s
Time: 62:43
Size: 143,9 MB
Art: Front

( 8:58)  1. What A Difference A Day Made
( 6:50)  2. The Edge
( 6:04)  3. Stay On It
( 6:37)  4. To Be With You
(10:03)  5. Trippin'
( 8:09)  6. Spank That Pig
( 8:07)  7. Good Morning Heartache
( 7:52)  8. That's All

For a change of pace, Eric Alexander recorded this set with an organ trio. The fact that it was cut in Europe is not too relevant, since the musicians are all Americans. With stimulating backing by organist Melvin Rhyne, guitarist Bobby Broom, and drummer Joe Farnsworth, Alexander plays five originals by bandmembers (including three of his own) and a trio of standards. However, the originals all swing and mostly sound as if they could have been veteran standards, too. With the underrated Rhyne keeping the rhythm grooving and lightly funky, Alexander often tears into the pieces, while playing the ballads with a great deal of warmth. Virtually all of Eric Alexander's recordings are easily recommended. ~ Scott Yanow  http://www.allmusic.com/album/eric-alexander-in-europe-mw0000084712

Personnel: Eric Alexander (tenor saxophone); Bobby Broom (guitar); Melvin Rhyne (organ); Joe Farnsworth (drums).

Jim Hall - Fame And Fortune

Styles: Guitar Jazz
Year: 2013
File: MP3@320K/s
Time: 75:04
Size: 172,2 MB
Art: Front

(4:30)  1. Deep in a Dream
(5:19)  2. Romain
(3:55)  3. Stella By Starlight
(5:19)  4. Skating in Central Park
(4:43)  5. I Was Doing All Right
(5:14)  6. Thanks for the Memory
(5:06)  7. Darn That Dream
(5:19)  8. My Funny Valentine
(6:21)  9. Willow Weep for Me
(4:36) 10. I Hear a Rhapsody
(2:47) 11. This Is Always
(5:45) 12. Things Ain't What They Used to Be
(4:31) 13. Dream Gypsy
(5:03) 14. Look for the Silver Lining
(6:29) 15. When I Have You

A harmonically advanced cool-toned and subtle guitarist, Jim Hall was an inspiration to many guitarists, including some (such as Bill Frisell) who sound nothing like him. Hall attended the Cleveland Institute of Music and studied classical guitar in Los Angeles with Vicente Gómez. He was an original member of the Chico Hamilton Quintet (1955-1956), and during 1956-1959 was with the Jimmy Giuffre Three. After touring with Ella Fitzgerald (1960-1961) and sometimes forming duos with Lee Konitz, Hall was with Sonny Rollins' dynamic quartet in 1961-1962, recording The Bridge. He co-led a quartet with Art Farmer (1962-1964), recorded on an occasional basis with Paul Desmond during 1959-1965 (all of their quartet performances are collected on a Mosaic box set), and then became a New York studio musician. 

He was mostly a leader during the following years and, in addition to his own projects for World Pacific/Pacific Jazz, MPS, Milestone, CTI, Horizon, Artist House, Concord, MusicMasters, and Telarc, Jim Hall recorded two classic duet albums with Bill Evans. A self-titled collaboration with Pat Metheny followed in 1999. A flurry of studio albums, reissues, and compilations followed throughout the next few years, with the exceptional Jim Hall & Basses standing out for its bass/guitar duet format. Jim Hall died at his apartment in Manhattan on December 10, 2013; he was 83 years old. ~ Bio  https://itunes.apple.com/us/artist/jim-hall/id125367#fullText