Tuesday, August 13, 2019

Lee Morgan - Candy

Styles: Trumpet Jazz
Year: 1957
File: MP3@320K/s
Time: 42:04
Size: 97,1 MB
Art: Front

(7:07)  1. Candy
(5:39)  2. Since I Fell For You
(5:06)  3. C.T.A.
(7:27)  4. All The Way
(5:01)  5. Who Do You Love, I Hope
(6:16)  6. Personality
(5:26)  7. All At Once You Love Her

Recorded when he was only 19, Candy was one of the first albums (along with The Cooker, recorded the same year) where Lee Morgan showed his own unique style. His prodigal technical virtuosity had already been proven at this time in the Dizzy Gilliespie band, but Morgan's first solo ventures had been remarkable only because of his young age. Here, the influence of some of Morgan's mentors can be seen, but instead of just emulating the style of older trumpeters like Clifford Brown, he has begun absorbing bits and pieces of the phrasing and style of a wide range of musicians, from Gillespie to Miles Davis, then using them to forge his own sound. Morgan places himself front and center here there are no other horns to carry the melodic lines, leaving him quite exposed, but he manages to perform beautifully. Not merely a technical marvel, his tone on this album was sweet and his playing fluid, infused with joy and crisply articulated emotion. Morgan would later turn out to be an expert songwriter, but here songs like Buddy Johnson's "Since I Fell for You," and Jimmy Heath's "C.T.A." gave him ample space to show off his talents. ~ Stacia Proefrock https://www.allmusic.com/album/candy-mw0000649662

Personnel: Lee Morgan - trumpet; Sonny Clark - piano; Doug Watkins - bass; Art Taylor - drums

Candy

Grace Knight, Vince Jones - Come In Spinner

Styles: Vocal
Year: 1990
File: MP3@320K/s
Time: 47:09
Size: 108,6 MB
Art: Front

(3:16)  1. I've Got You Under My Skin
(3:04)  2. The Man I Love
(4:17)  3. Mood Indigo
(2:33)  4. Don't Know Much About Love
(4:34)  5. L'il Darlin'
(2:47)  6. Don't Get Around Much Anymore
(4:13)  7. I Get Along Without You Very Well
(3:22)  8. Sophisticated Lady
(3:24)  9. You Go To My Head
(2:56) 10. Loose Lips
(3:40) 11. Body And Soul
(3:14) 12. Joy Juice
(2:21) 13. In A Sentimental Mood
(3:22) 14. Lover Come Back To Me

Born Vincent Hugh Jones, 24 March 1954, Paisley, Scotland. In 1955 Jones’ family emigrated to Australia and lived in Wolloongong, New South Wales. The son of a musician, he was exposed to the jazz greats at an early age and he began to play trumpet in local bands. As an admirer of cool jazz he was especially influenced by Chet Baker and Miles Davis. In 1974 Jones began many years of playing and singing on the New South Wales club and jazz circuit. In 1982 he recorded his debut, Watch What Happens, which featured standards and some original material. The success of the album enabled him to form a sextet that played and toured extensively. More recordings followed, and Jones became a popular festival and cabaret attraction. In 1990 he accepted an acting role in the ABC period series, Come In Spinner. The subsequent album soundtrack of standards, with Jones and Grace Knight, became a milestone in the Australian recording industry as the biggest selling Australian jazz album ever, with sales in excess of 200, 000. Jones rejected the commercial and celebrity opportunities that beckoned, preferring to concentrate on his own musicality and he released and produced new albums each year. Standards became less obvious in his repertoire and originals, written by himself or band members, became more prominent. In 1992, he toured Europe with his sextet which included Barney McAll, Lloyd Swanton and Andrew Gander. There were concerts in The Netherlands, Germany, England and at the Montreux International Jazz Festival. An effective concert and cabaret performer, Jones’ sensitive, almost tortured persona, complimented the melancholic nature of his music, which became increasingly more introspective. After the release of Trustworthy Little Sweethearts, the Jones band toured Europe to considerable success. When he returned to Australia Jones retreated to his isolated farm in rural Victoria to compose new material. The album, Future Girl, contained original material, much of it inspired by his passion for the environment and conservation. Jones maintains full control in all aspects of his recordings and performs only when inclined, but his fierce independence and dedication to his art has resulted in a highly original and important body of work. By the late 90s he had developed more as a vocalist who occasionally played the trumpet. His singing is individual and eloquent, containing sensitive phrasing and sincerity. https://www.allmusic.com/artist/vince-jones-mn0000216835/biography

After leading the successful Australian act the Eurogliders, U.K.-born singer Grace Knight launched a solo singing career which saw her become one of Australia's leading jazz divas. In her early teens, Knight sang in folk clubs and first met musician Bernie Lynch while singing on a cruise ship. They would form the highly successful Eurogliders in 1980 and go on to international success. After the Eurogliders split in 1989, Knight sang backup vocals in the Tania Bowra Band before recording the soundtrack to the ABC-TV miniseries Come in Spinner with jazz musician Vince Jones. The album featured 1940s jazz standards and marked a career change for Knight. The singles "I've Got You Under My Skin," "The Man I Love," and "Sophisticated Lady" propelled the album to number five on the national charts in May 1990. Her debut album, Stormy Weather (September 1991), reached number 14 on the national chart in October, and another cover, "Fever," was released as a single. Her second album, Gracious, contained more jazz standards and covers such as "On a Clear Day," "Moondance," "Cry Me a River," and "Papa Was a Rolling Stone." Knight released her fourth album, Live, in February 1996, a double album recorded over three nights at Sydney's jazz venue the Basement. She released her fourth solo album, Zeitgeist, in 2000, a collection which featured several original songs penned by Knight. https://www.allmusic.com/artist/grace-knight-mn0000194742

Personnel:  Vocals – Grace Knight, Vince Jones; Baritone Saxophone – Tony Buchanon; Bass – Lloyd Swanton; Clarinet – Lee Hutchings; Clarinet, Alto Saxophone – Col Loughlan; Clarinet, Tenor Saxophone – Jason Morphett; Drums – Andrew Gander; Guitar – Jim Kelly; Piano – Max Lambert; Trombone – Bob McIver; Trumpet – Dick Motz, John Hoffman, Paul Panichi 

Come In Spinner

Howard McGhee, Teddy Edwards - Wise In Time

Styles: Trumpet And Saxophone Jazz
Year: 1998
File: MP3@320K/s
Time: 73:57
Size: 170,6 MB
Art: Front

(6:04)  1. I Want To Talk About You
(6:05)  2. If You Could See Me Now
(7:04)  3. Crescent
(7:42)  4. Ruby My Dear
(5:06)  5. Time Waits
(7:46)  6. Relaxing At Camarillo
(6:53)  7. Reflections
(7:35)  8. Blues In The Closet
(4:38)  9. On A Misty Night
(4:08) 10. In Walked Bud
(4:14) 11. Yardbird Suite
(6:36) 12. Moose The Mooche

Originating from the same recording sessions (trumpeter Howard McGhee's last) that resulted in its superior companion Young at Heart, this set is a bit of a disappointment. McGhee, tenor saxophonist Teddy Edwards, pianist Art Hillery, bassist Leroy Vinnegar and drummer Billy Higgins all sounded fine on the other record but this album sticks exclusively to ballads and the results are dragging and a bit dreary. The renditions of such songs as "I Want to Talk About You," "I Remember Clifford" and John Coltrane's "Crescent" do not even come close to comparing with more definitive earlier versions and the musicians sound a bit tired. Skip this set and get Young at Heart (and some of Howard McGhee's earlier albums) instead. ~ Scott Yanow https://www.allmusic.com/album/wise-in-time-mw0000428357

Personnel: Howard McGhee – trumpet; Teddy Edwards – tenor saxophone; Art Hillery – piano; Leroy Vinnegar – bass; Billy Higgins – drums

Wise In Time

Lalo Schifrin - Towering Toccata

Styles: Piano Jazz
Year: 1976
File: MP3@320K/s
Time: 41:09
Size: 95,8 MB
Art: Front

(5:05)  1. Towering Toccata (Based on the Toccata & Fugue in D Minor)
(4:20)  2. Frances' Theme (From the Film "The Day of the Animals")
(6:16)  3. Macumba
(2:51)  4. Eagles in Love (From the Film "The Eagle Has Landed")
(4:13)  5. Theme from "King Kong" (From the Paramount Film "King Kong")
(2:43)  6. Most Wanted Theme
(6:09)  7. Midnight Woman
(4:48)  8. Roller Coaster (From the Universal Film "Rollercoaster")
(4:41)  9. Eagles in Love (From the Film "The Eagle Has Landed") - Alt. Take

After scoring an unexpected high-profile success with the disco/jazz fusion of Black Widow, Lalo Schifrin quickly recorded a follow-up album in a similar vein. 1977's Towering Toccata replicates the elegant yet dance-friendly style of Black Widow to the tee, right down to the unconventional cover choices. The best of these is the title track, an insistently rhythmic piece that transforms Bach's gothic-organ extravaganza "Toccata and Prelude in F Minor" into a mid-tempo disco workout that backs up Schifrin's jazzy explorations on the electric piano and synthesizer with scratching rhythm guitar and a pronounced dance beat. Other notable moments on this album include "Most Wanted Theme," which is transformed from action-show theme music into a symphonic funk workout, and "Rollercoaster," a funky vamp from the Schifrin soundtrack of the same name that is ideally suited for Towering Toccata's disco/jazz mindset. There is even another monster-movie theme cover in the vein of the previous album's "Jaws"; this time, it's a disco-friendly treatment of John Barry's "Theme From King Kong" that layers atmospheric horn and flute lines over a bottom-heavy rhythm section fueled by wah-wah guitar and synth bass. However, other tracks on Towering Toccata fail to be as distinctive or adventurous as these highlights. For instance, the original tunes ("Macumba," "Midnight Woman") fit the album's mood but are lacking strong hooks and memorable twists in their arrangements that distinguished the originals on Black Widow. This problem of inconsistent material, combined with the fact that the album is basically a stylistic carbon copy of its predecessor, means that it isn't the ideal follow-up to Black Widow that Schifrin fans might have hoped for. That said, the album has enough strong tunes and enough of a consistent sound to please hardcore Lalo Schifrin fans and anyone who loved Black Widow. ~ Donald A.Guarisco https://www.allmusic.com/album/towering-toccata-mw0000742076

Personnel: Lalo Schifrin - piano, keyboards, arranger, conductor; Burt Collins, John Frosk, John Gatchell - trumpet; Urbie Green - trombone; Joe Farrell, Jeremy Steig - flute; Gerry Niewood - alto saxophone; David Tofani, Lou Marini - tenor saxophone, flute; Ronnie Cuber - baritone saxophone; Clark Spangler - keyboards; Eric Gale, John Tropea - guitar; Will Lee - bass; Steve Gadd - drums, dahka-de-bello; Max Ellen, Paul Gershman, Emanuel Green, Charles Libove, Marvin Morgenstern, David Nadien, Max Pollikoff, Matthew Raimondi - violin; Lamar Alsop, Manny Vardi - viola; Charles McCracken, Alan Shulman - cello

Towering Toccata

Mike Moreno - Three for Three

Styles: Guitar Jazz
Year: 2017
File: MP3@320K/s
Time: 55:43
Size: 128,8 MB
Art: Front

(6:54)  1. The Big Push
(6:27)  2. For Those Who Do
(7:10)  3. You Must Believe in Spring
(5:37)  4. Clube da Esquina No. 1
(9:24)  5. April in Paris
(8:15)  6. A Time for Love
(6:35)  7. Perhaps
(5:19)  8. Glass Eyes

Jazz guitarist and composer Mike Moreno started his musial journey at the age of 15 at the “High School for the Performing and Visual Arts” High School for the Performing and Visual Arts in Houston from where some of the great jazz musicians of our times like Robert Glasper, Jason Moran, Kendrick Scott, Eric Harland, Helen Sung were graduated. At 18, moved to New York and he is actively one of the prominent contemporary jazz guitarists of the 21st century since then. The Joshua Redman Elastic Band, Lizz Wright Band, Nicholas Payton Quartet, Stefon Harris Sonic Creed, Me’Shell N’Degeocello, Jason Moran, Terence Blanchard, Robert Glasper, Ambrose Akinmusire, Gretchen Parlato, Aaron Parks, Claudia Acuña, Greg Osby 4, Wynton Marsalis and the Jazz At Lincoln Center Orchestra, Jeff “Tain” Watts, Jeremy Pelt, John Ellis, Myron Walden, Kenny Garrett, Yosvany Terry, Ralph Bowen, Will Vinson are some of the musicians that Moreno has worked with. He released “Between the Lines”, his debut album as a a leader in 2007. Instead of interpreting the well-known standards, he came up with totally original compositions in the first album. His easily recognizable unique lyrical style, mature compositions, the notes he play and didn’t play made his difference amongst his peers since the very first album till the last one. His second album “Third Wish” comes up next on 2008. Besides his own compositions, there were a couple of standards in this album like the very vivid version of Herbie Hancock’s “I Have a Dream” with a creatively striking intro. In 2011 comes the third album “First in Mind” where I have many favorite songs like Joshua Redman’s “Soul Dance” where we can see Moreno’s fluency in acoustic guitar also.  Sonny Rollins’ “Airegin” with a memorable 5/4 intro and a verw well-know jazz ballad “But Beautiful” played in an ethereal way, are to name a few. In 2012 “Another Way” comes next as guitarist’s 4th release as another way to show his masterful compositional abilities. This album for me is the depiction of a science fictional atmosphere as in Luc Besson’s “Fifth Element”. 

Maybe that’s because of Moreno’s composition with the same name in the album, who knows? I think Mike Moreno is highly qualified in creating that sci-fi atmosphere with his playing throughtout all of his his albums. In 2015 the guitarist comes with “Lotus” that starts with a beautiful acoustic guitar “Intro” which is my wake up alarm song for more than a year now so I probably know the song better than anybody else in this space. That ”Intro” leads smoothly to “The Hills of Kykuit”. Again in this album we see the beautiful collaboration of Aaron Parks on piano and Mike Moreno on guitar. In October 2017 comes finally “Three for Three”, Moreno’s 6th album as a leader. This album is the third release (after “Third Wish” and “First in Mind”) from Criss Cross Records, a record company in Netherlands with a variety of modern jazz works. It is a trio album, the smallest group Moreno has ever recorded as a leader, with long term collaborators Doug Weiss on bass and Kendrick Scott on drums. And it is the only album where there isn’t any Mike Moreno composition in it. The album starts with the striking version of Wayne Shorter’s underrated composition “The Big Push” which is my favorite in the album. My other favorite is Michel Legrand’s “You Must Believe in Spring”. I must say that it is the best version of this song I’ve heard since Bill Evans. The beautiful Radiohed song “Glass Eyes” cover was a big surprise for me when I first heard. The song has already a misty and cloudy nature and Moreno played it in the best way one can play with again creating his outer space atmosphere. Furthermore, I also must say it is a challenge to choose Charlie Parker’s world-renowned “Perhaps” probably becuase it was one of Charlie Parker’s most known and played compositions. But again with his modern version, it is far different from the mainstream versions we’ve listened millions of times. Mike Moreno is one of the leading modern jazz guitarists of this century with a great technical ability, lyrical one of a kind approach with strong sense of time and rhythm, and always a very melodic player especially seen on the ballads. Not only into jazz but he is also very much into Brazilian music which makes his sound more lyrical maybe. After listening his latest album and hoping that he’ll come again to our country on tour to play, here are some questions about his latest album “Three for Three” with Mike Moreno on guitar, Doug Weiss on bass and Kendrick Scott on drums. http://www.jazzdergisi.com/en/mike-moreno-three-for-three/

Personnel: Guitar – Mike Moreno;  Bass – Doug Weiss; Drums – Kendrick Scott

Three for Three