Sunday, July 3, 2016

Eddie 'Cleanhead' Vinson - Kidney Stew

Bitrate: MP3@320K/s
Time: 58:12
Size: 133.2 MB
Styles: Jazz/Blues/R&B
Year: 1987/2007
Art: Front

[3:00] 1. Old Kidney Stew Is Fine
[3:13] 2. Wait A Minute Baby
[3:45] 3. Old Maid Boogie
[3:17] 4. Somebody's Gotta Go
[4:46] 5. Things Ain't What They Used To Be
[3:17] 6. Wee Baby Blues
[4:32] 7. Juice Head Baby
[3:36] 8. Just A Dream (On My Mind)
[3:17] 9. I'm In An Awful Mood
[4:08] 10. Please Send Me Someone To Love
[2:51] 11. Person To Person
[5:40] 12. Alimony Blues
[7:19] 13. Hey Little Doggy
[5:23] 14. Totsy

Alto Saxophone, Vocals – Eddie Vinson; Bass – Roland Lobligeois; Drums – Paul Gunther; Guitar – T. Bone Walker; Piano – Jay Mc Shann; Tenor Saxophone – Hal Singer. Recorded on March 28th 1969 at Pathé Marconi Studio, France.

This set is the only recording that exists of Vinson, pianist Jay McShann, and guitarist T-Bone Walker playing together; the sextet is rounded out by the fine tenor Hal Singer, bassist Roland Lobligeois, and drummer Paul Gunther. Vinson, whether singing "Plese Send Me Somebody to Love," "Just a Dream," and "Juice Head Baby" or taking boppish alto solos, is the main star throughout this album, a date that helped launch Vinson's commercial comeback. ~Scott Yanow

Kidney Stew

Bennie Green & Paul Quinichette - Blow Your Horn

Bitrate: MP3@320K/s
Time: 33:20
Size: 76.3 MB
Styles: Trumpet jazz
Year: 1956/2012
Art: Front

[2:39] 1. Blow Your Horn
[3:03] 2. Blues In Lament
[2:48] 3. People Will Say We're In Love
[2:49] 4. Rhumblues
[3:03] 5. Takin' My Time
[2:19] 6. I Wanna Blow
[3:00] 7. The Heat's On
[2:42] 8. I Can't Give You Anything But Love
[3:10] 9. Humpty Dumpty
[2:56] 10. I Remember Harlem
[2:24] 11. Mine
[2:20] 12. The Heat's Off

Great album that features rare 50's sides by Bennie Green and Paul Quinichette. Tracks 1 to 6 are hard blowin' tracks from Bennie, with some of the best material he recorded away from the Prestige label. Tracks include "Blow Your Horn", "I Wanna Blow", "Rhumblues", and "Blues In Lament", and the set features him with orchestra or quintet (which features Billy Root on tenor and Cliff Small on piano). On tracks 7 to 12, the Quinichette sides are equally great, and have him playing with small – one of which includes Marlowe Morris on organ! Tracks on the Quinichette side include "The Heat's Off", "I Remember Harlem", and "The Heat's On". Great stuff, and a really tough one to find.

Blow Your Horn

Michele Hendricks - A Little Bit Of Ella

Bitrate: MP3@320K/s
Time: 62:52
Size: 143.9 MB
Styles: Vocal jazz
Year: 2016
Art: Front

[5:22] 1. Sweet Georgia Brown
[6:58] 2. How High The Moon
[5:34] 3. Love For Sale
[5:34] 4. It Don't Mean A Thing
[5:23] 5. Things Ain't What They Used To Be
[6:03] 6. Oh! Lady Be Good
[6:21] 7. Our Love Is Here To Stay
[5:12] 8. A Little Bit Of Ella (Now And Then)
[4:11] 9. Airmail Special
[4:58] 10. Everytime We Say Goodbye
[7:11] 11. Sweet Geogia Brown (Ext Vers)

Michele Hendricks (voc), Tommy Flanagan (p), Peter Washington (b), Lewis Nash (dm), Brian Linch (tp), Robin Eubanks (tb), David Newman (ts), Jon Hendricks (voc on 2)

The daughter of Jon Hendricks, Michele has gradually emerged from her father's shadow to carve out a niche of her own. She started singing at the age of eight and often accompanied her dad on road trips, sometimes getting the opportunity to sing with him on-stage. After being a dance and drama student in London at Gradison College, Michele joined Jon Hendricks & Family. She performed with her father's Evolution of the Blues show and then from 1981, was part of Jon Hendricks & Company, one of the top vocal groups of the 1980s and a logical extension of Lambert, Hendricks & Ross. Michele Hendricks spent a couple years outside of jazz in the mid-'80s, trying to decide her eventual musical path and then in 1987, she recorded the first of several excellent bop-oriented dates as a leader for Muse. ~ Scott Yanow

A Little Bit Of Ella

Jimmy Heath - The More I See You

Bitrate: MP3@320K/s
Time: 75:28
Size: 172.8 MB
Styles: Saxophone jazz
Year: 2014
Art: Front

[5:05] 1. Dew And Mud
[6:09] 2. Gemini
[5:14] 3. Bruh Slim
[4:23] 4. The More I See You
[7:04] 5. Goodbye
[3:42] 6. Make Someone Happy
[5:40] 7. Prospecting
[8:01] 8. Project S 2
[5:04] 9. On The Trail
[4:21] 10. Cloak And Dagger
[4:37] 11. Vanity
[5:22] 12. All The Things You Are
[5:12] 13. I Should Care
[5:27] 14. Gingerbread Boy

Jimmy Heath has long been recognized as a brilliant instrumentalist and a magnificent composer and arranger. Jimmy is the middle brother of the legendary Heath Brothers (Percy Heath/bass and Tootie Heath/drums), and is the father of Mtume. He has performed with nearly all the jazz greats of the last 50 years, from Howard McGhee, Dizzy Gillespie, and Miles Davis to Wynton Marsalis. In 1948 at the age of 21, he performed in the First International Jazz Festival in Paris with McGhee, sharing the stage with Coleman Hawkins, Slam Stewart, and Erroll Garner. One of Heath’s earliest big bands (1947-1948) in Philadelphia included John Coltrane, Benny Golson, Specs Wright, Cal Massey, Johnny Coles, Ray Bryant, and Nelson Boyd. Charlie Parker and Max Roach sat in on one occasion.

During his career, Jimmy Heath has performed on more than 100 record albums including seven with The Heath Brothers and twelve as a leader. Jimmy has also written more than 125 compositions, many of which have become jazz standards and have been recorded by other artists including Art Farmer, Cannonball Adderley, Clark Terry, Chet Baker, Miles Davis, James Moody, Milt Jackson, Ahmad Jamal, Ray Charles, Dizzy Gillespie J.J Johnson and Dexter Gordon. Jimmy has also composed extended works - seven suites and two string quartets - and he premiered his first symphonic work, “Three Ears,” in 1988 at Queens College (CUNY) with Maurice Peress conducting.

After having just concluded eleven years as Professor of Music at the Aaron Copland School of Music at Queens College, Heath maintains an extensive performance schedule and continues to conduct workshops and clinics throughout the United States, Europe, and Canada. He has also taught jazz studies at Jazzmobile, Housatonic College, City College of New York, and The New School for Social Research. In October 1997, two of his former students, trumpeters Darren Barrett and Diego Urcola, placed first and second in the Thelonious Monk Competition.

The More I See You

The Champs - Tequila: Greatest Hits

Bitrate: MP3@320K/s
Time: 21:54
Size: 50.2 MB
Styles: Instrumental rock n roll
Year: 1994
Art: Front

[2:15] 1. Tequila
[2:17] 2. El Rancho Rock
[2:11] 3. Too Much Tequila
[2:02] 4. Limbo Rock
[2:16] 5. Chariot Rock
[2:09] 6. Midnighter
[2:35] 7. Rebel Rouser
[2:18] 8. Percolator
[1:56] 9. Go Champs Go
[1:50] 10. La Cucaracha

An instrumental quintet formed in Los Angeles in 1957, the Champs comprised Challenge Records executive Dave Burgess (born Lancaster, CA) (guitar) and session players Buddy Bruce (guitar), Chuck Rio (born Daniel Flores, Rankin, TX) (saxophone), Cliff Hills (bass), and Gene Alden (born Cisco, TX) (drums). This lineup recorded Rio's "Tequila" as a B-side to Burgess' "Train to Nowhere." "Tequila" topped the charts in 1958. The Champs essentially were a one-hit wonder, though they recorded a few more singles in the same Latin dance style and kept going until the mid-'60s. The group's lineup was fluid, and later members included Glen Campbell as well as Jimmy Seals and Dash Crofts, who formed the successful '70s duo Seals and Crofts. ~bio by William Ruhlmann

Tequila: Greatest Hits

Stan Getz - Getz Plays Jobim: The Girl From Ipanema

Bitrate: MP3@320K/s
Time: 64:20
Size: 147.3 MB
Styles: Bossa Nova, Saxophone jazz
Year: 2002
Art: Front

[4:12] 1. Corcovado
[5:48] 2. Desafinado
[4:11] 3. Chega De Saudade (No More Blues)
[5:20] 4. The Girl From Ipanema
[6:54] 5. O Morro Não Tem Vez
[2:54] 6. Vivo Sonhando (Dreamer)
[6:09] 7. One Note Samba
[2:27] 8. Eu E Voce (Me And You)
[4:10] 9. Desafinado
[6:39] 10. Once Again (Outra Vez)
[5:23] 11. O Grande Amor
[3:42] 12. So Danço Samba
[3:19] 13. Insensatez (How Insensitive)
[3:06] 14. One Note Samba

Simply put, here are the most successful 14 cuts covering two years in the collaboration between Stan Getz and Antonio Carlos Jobim, during which both men became accustomed to having hit singles. Unfortunately, only one of them got to ride that horse for the rest of the decade -- in the United States, anyway. Nonetheless, this material marks the Americans obsession with the bossa nova and was the music that made Getz and Jobim household names for a while -- after all, we were just climbing out of the "swinging bachelor pad" music era and still had all those weird hi fi records to explore. Seriously though, the great sensitivity shown by Getz for this material, and the adventurousness of Jobim were a match made in heaven and would change the faces of jazz and Brazilian pop forever. This is a fine collection for anyone interested in bossa, and Getz in this period as well. ~Thom Jurek

Getz Plays Jobim: The Girl From Ipanema

Chuck Loeb - In a Heartbeat

Styles: Guitar Jazz
Year: 2001
File: MP3@320K/s
Time: 71:37
Size: 164,2 MB
Art: Front

(5:35)  1. North, South, East and West
(0:19)  2. Mingling with Mike
(5:04)  3. Rhythm Ace / Funky Stuff
(5:40)  4. Billy's Song
(5:14)  5. Pocket Change
(5:25)  6. New Life
(4:34)  7. Vincent
(6:14)  8. Santa Cruz
(4:39)  9. On and On / Fire
(5:00) 10. Sway
(7:32) 11. Big Time
(4:59) 12. Soulmate
(4:46) 13. In a Hearbeat
(6:30) 14. The Goodbye

For the past 15 years or so, Chuck Loeb has been a first-call session guitarist and producer, as well as recording and performing under his own name and with the bands Petite Blond, Metro, and the Fantasy Band. His earlier touring gigs included Chico Hamilton, Hubert Laws, Ray Baretto, Stan Getz, and Steps Ahead. So it's fair to say that he has experience in a wide range of musical settings. On his latest release, In A Heartbeat, you can hear the breadth of his musical experience expressed throughout the program. 

Some of the tunes are standard contemporary fare: nice melodies, fairly basic chord structure and rhythms, but with tasty solos by Loeb and a bevy of big-name guests. Loeb's full, warm guitar sound is like a duck floating on a pond - smooth and serene above water, yet paddling energetically beneath the surface. But there's much more diversity and variety here. The second tune opens and closes with some relaxed noodling on Rhodes from Mike Ricchiuti (called "Mingling with Mike"), but the body of the song is a medley of funky R&B fun - a blending of two tunes called "Rhythm Ace" and "Funky Stuff." Alto saxophonist Andy Snitzer and tenor man David Mann get down with some meaty solos, and the in-the-pocket rhythms, unison sax-guitar-bass lines, horn section, and earthy Rhodes and organ provide a cookin' groove. The "Sway" is a straight-ahead jazz shuffle. "Big Time" has darker chords and a more edgy, hard-driving intensity; Andy Snitzer on tenor is grittier and more intense than we usually hear from him. The tender ballad "Billy's Song" is inspired by and dedicated to a friend who recently passed away unexpectedly.

On most instrumentalist's CDs, the guest vocal spots are often included for the sake of commercial appeal and are more of a disruption to the rest of the program, especially when they suffer from trite, sappy lyrics. Such is never the case with Chuck Loeb's CDs, as they always include the vocal talents of his wife, Carmen Cuesta. She's a welcome part of each release, and merits attention in her own right. (Record labels, are you listening?) The CD's title cut introduces vocalist Brandon Singleton, whose gentle tenor lovingly interprets the optimisticly romantic lyrics. (Shanachie 5078) ~ Dave Hugles https://www.allaboutjazz.com/in-a-heartbeat-chuck-loeb-shanachie-records-review-by-dave-hughes.php

Personnel: Chuck Loeb - guitars, keyboards, programming;  Mike Ricciuti, Jon Werking - keyboards;  Will Lee, Mike Pope, Jerry Brooks, Ron Jenkins, Tim LeFebvre, Mark Egan - bass;  Wolfgang Haffner, Brian Dunne, Vinnie Coliauta - drums;  David Charles - percussion; Nestor Torres,  Christina Loeb - flute; Elizabeth Loeb - piccolo; Andy Snitzer - alto and tenor sax; Walter Beasley - alto sax; David Mann - tenor sax, flute; Tony Kadleck, Larry Lunetta - trumpet; Jim Pugh - trombone, bass trombone, baritone horn; Tony "The Fish" Lakatos - soprano and tenor sax; Kim Waters - soprano sax; Carmen Cuesta, Brandon Singleton - vocals.

In a Heartbeat

Cheryl Bentyne - Something Cool

Styles: Vocal Jazz 
Year: 1992
File: MP3@320K/s
Time: 45:12
Size: 103,7 MB
Art: Front

(4:45)  1. Something Cool
(4:50)  2. Les modernes (Still They Tango)
(3:58)  3. Les Enfants
(3:23)  4. Fever
(5:01)  5. Moonray
(4:14)  6. Invitation
(4:39)  7. Daydream
(5:36)  8. Let's Go Out Tonight
(3:32)  9. Lonely House
(5:09) 10. I Didn't Know About You

The Manhattan Transfer's Cheryl Bentyne tries a solo album of pop standards, backed by trumpeter/producer/arranger Mark Isham, and comes up with a winner. Bentyne sings both evergreens like the title track, "Fever," and Duke Ellington's "I Didn't Know About You," plus newer material, in a sensuous, smoky voice that sounds made for a late-night second set, and even with the somewhat modernistic backings Isham conceives, the songs have a traditional feel. An excellent entry in the classic pop lists.~ William Ruhlmann http://www.allmusic.com/album/something-cool-mw0000612198

Personnel: Cheryl Bentyne (vocals); David Torn (guitar); Lisa Johnson , Steven Scharf (violin); Raymond Tischer (viola); Mathew Cooker (cello); Bobby Militello (soprano saxophone, tenor saxophone); Mark Isham (trumpet, flugelhorn); Corey Allen, David Goldblatt (piano); Larry Bunker (vibraphone); Kurt Wortman (drums).

Something Cool

Brian Culbertson - Long Night Out

Styles: Vocal And Trombone Jazz
Year: 1994
File: MP3@320K/s
Time: 49:51
Size: 116,3 MB
Art: Front

(5:34)  1. City Lights
(5:27)  2. Fullerton Ave.
(4:41)  3. Beyond The Frontier
(4:53)  4. Heroes Of The Dawn
(3:54)  5. Beautiful Liar
(4:22)  6. Double Exposure
(3:59)  7. Twilight
(4:08)  8. Horizon
(4:24)  9. Alone With You
(4:28) 10. Long Night Out
(3:58) 11. Changing Tides

Brian Culbertson's major label debut Long Night Out is a one-man band tour de force. All those years of sequestering himself away in his bedroom/recording studio have paid off. Except for a few other musicians, Culbertson writes and performs all the music himself. Instead of a vapid "look ma, no band" effort, the tracks sparkle with creativity. On the laid-back opener "City Lights," Culbertson lays down a swaying groove punctuated by muted trumpet, elegant piano, and lazy, lower register electric guitar runs. It's great for a midnight drive. "Heroes of the Dawn" conveys optimism through its use of syncopated percussion and interwoven horn lines. 

The lilting "Beautiful Liar" has solid acoustic piano and tasteful fuzz guitar by Harry Hmora. The double time-tempoed "Double Exposure" smoothly glides along atop a sinewy melody. The strutting "Horizon" has a unison lead line that consist of Culbertson's piano and the muted trumpet of Scott Hall-Harmon. Amid a bell-like synth pad Culbertson's piano weaves a romantic motif on "Alone With You." Don't listen to this one alone. Based around a telegraphic-like riff, the title track brassily chugs along on with the lead duties handled by saxophonist Mark Colley. The languid, ethereal "Changing Tides" has intermittent vocal riffing by Damian Smith and soft cello by Michelle Akin. Culbertson dedicates a track to a popular Chicago fairway, "Fullerton Ave." The closer, "Twilight," showcases a jaunty clarinet that somehow manages to keep a solemn tone amid the dynamic double stops. ~ Ed Hogan http://www.allmusic.com/album/long-night-out-mw0000107857

Personnel: Brian Culbertson (vocals, trombone, keyboards, drum programming); Michelle Akin (vocals, cello); Damian Smith (vocals); Harry Hmura (guitar); Mark Colby (saxophone); Scott Hall (trumpet, flugelhorn); James Ward , Lavelle Peete (drums).

Long Night Out

LaVon Hardison - Choices

Size: 100,3 MB
Time: 37:41
File: MP3 @ 320K/s
Released: 2006
Styles: Jazz/Blues Vocals
Art: Front

01. Ain't Misbehavin' (2:32)
02. Perhaps, Perhaps, Perhaps (3:07)
03. Choices (3:24)
04. Don't Fence Me In (2:46)
05. Superstition (4:03)
06. The Owl And The Pussycat (2:03)
07. It's Alright With Me (3:49)
08. Shop Around (5:39)
09. I Can't Give You Anything But Love (2:59)
10. Somewhere Over The Rainbow (3:59)
11. Coffee Song (3:12)

Personnel:
LaVon Hardison: vocals
Joe Baque: piano
Lorree Gardener: bass, vocals
Brad Gibson: drums
Russell Gores: saw
Pat Locke: guitar
Steve Luceno: guitar, bass, percussion, vocals
Barbara Metcalf: fiddle
Skuff Acuff: washboard
Bruce Whitcomb: keyboards

“When LaVon performs a song, you can be assured that not only will it sung beautifully, with the playfulness and the poignancy the song deserves, … each song becomes a distinct and memorable experience for the listener.”

Authenticity and soul are the foundations upon which LaVon stands when she sings. She simply has a rare ability to become a direct connection between the listener and the music.

On her debut release, Choices, LaVon shows why audiences rave about her performances. Each song oozes with personality and character, from the dark disfunction of “Perhaps” -- enhanced by the eerie musical saw of Russell Gores -- to the glass-half-full optimism of “I Can’t Give You Anything But Love.”

Choices is remarkably cohesive, given the breadth of LaVon’s song selections. With two exceptions, the songs are well-known jazz standards and pop covers. In LaVon’s highly creative arrangements, these become tools for exploring the characters in the stories, and even familiar tunes take on new meaning and depth. Stevie Wonder’s “Superstition,” for example, gets the swamp blues treatment, complete with Scuff Acuff’s fingers scurrying across his washboard like cockroaches fleeing the light.

Veteran pianist Joe Baque co-wrote the title song “Choices” decades ago, though LaVon’s is the first recording of this poignant jazz mediation on the confusion of maturity. And LaVon’s original re-imagining of Lear’s poem “The Owl and the Pussycat” finds the two in a sometimes-awkward dating situation, wrapped in an arrangement that sounds like a just-hatched jazz standard.

While Choices will delight jazz fans, its forays into blues and pop give it an even broader appeal. Just call it great vocal music.

MC
Ziddu