Sunday, October 31, 2021

Bud Powell - The Return Of Bud Powell

Bitrate: MP3@320K/s
Time: 49:36
Size: 113.5 MB
Styles: Piano jazz
Year: 1964
Art: Front

[5:56] 1. I Know That You Know
[3:53] 2. Someone To Watch Over Me
[4:53] 3. The Best Thing For You
[5:43] 4. On Green Dolphin Street
[5:41] 5. Just One Of Those Things
[4:26] 6. I Remember Clifford
[4:50] 7. Hallucinations
[4:33] 8. If I Loved You
[5:34] 9. I Hear Music
[4:02] 10. Autumn In New York

On April 26, 1962, Bud Powell recorded an LP titled "Bouncing with Bud," on the Delmark label. He was full of spark and played with the ease and swiftness that had been his trademark in his earlier years. Clearly he had rallied from the dark vales into which he had descended for years, a result of mental illness and substance misuse. Four years of a European exile had apparently helped - at least the great master of the keyboard had not fallen apart. That recording is worth seeking out and enjoying, for it was probably the last hooray of the great man.

Two years later, upon his return to New York City, he recorded this album - whose title "the return of Bud Powell" can only be interpreted in terms of his physical return to the United States. His piano playing was gone. What one hears in this recording is a very hesitant, tentative piano player whom one identifies as Bud because of his characteristic moans and groans.

There are some bright moments, such as his rendition of the "I Remember Clifford", though even here he sounds like someone pushing himself to do what would have been second nature in his earlier days.

One who has not heard his earlier versions of "Hallucinations" might find no problem with his rendition of it here. It is quite a challenge to listen to it. Yet all said, I give him great credit for trying. That he refused to give up was testament to his determination. ~Munlini Mulera

The Return Of Bud Powell

Lyn Stanley - London Calling: A Toast to Julie London

Styles: Vocal Jazz
Year: 2018
File: MP3@320K/s
Time: 66:04
Size: 154,0 MB
Art: Front

(2:45)  1. Goody Goody
(3:35)  2. Call Me Irresponsible
(2:48)  3. Bye Bye Blackbird
(5:29)  4. I Heard It Through the Grapevine
(2:54)  5. How About Me?
(4:01)  6. Cry Me a River
(5:17)  7. As Time Goes By
(5:03)  8. Summertime
(3:51)  9. It's Impossible
(3:14) 10. Blue Moon
(2:46) 11. I've Got a Crush on You
(3:33) 12. Light My Fire
(5:09) 13. Sway
(2:52) 14. Go Slow / Nice Girls Don't Stay for Breakfast
(2:21) 15. You the Night and the Music
(4:03) 16. Ev'ry Time We Say Goodbye
(6:16) 17. Summertime (Piano / Vocal)

In London Calling, Lyn Stanley is at her best. Let her beautiful sultry voice take you through Julie London covers. Her top tier jazz band created 17 live arrangements that offer a new perspective on the American Songbook. The sound is spectacular. Fans and critics are saying: "Outstanding Sound" "Incredible!" "This will become one of you favorite albums."

Lyn Stanley's London Calling…A Toast To Julie London as she reimagines 17 classic songs Award-winning, internationally acclaimed jazz vocalist Lyn Stanley follows her top-selling Moonlight Sessions albums with an ultimate tribute to Julie London in music and sound! In this stunning new collection listeners will discover a side of singer Lyn Stanley that they haven’t heard before. The 17 tunes on this recording explore phases of romance from first glance, in “Blue Moon,” to a missed chance, in “Cry Me a River.” Most of the wide-ranging material presented here was originally recorded by singer/actress Julie London, along with a couple of offerings that Stanley feels would have been perfect for the sultry songstress, such as “It’s Impossible,” and “I Heard It Through the Grapevine.” With her distinctive sound and approach, Lyn Stanley brings to mind a method actor, mining the stories and feelings in each tune and getting to the heart of the lyrics. Striving for sensitivity, Stanley stays true to these stories and portrays the experiences of people engaged in the dance of romance. Besides being a well-conceived appreciation of the popular singer/actor Julie London, in both music and album graphic presentation, London Calling marks a big step forward in Lyn Stanley’s evolution as a recording artist. She recalls that for her debut album, 2013’s Lost in Romance, her mentor Paul Smith, renowned as Ella Fitzgerald’s long-time musical director and frequent collaborator, offered a lengthy tune list and urged the fledgling vocalist to pick some she could relate to. “It was as if you had a bunch of ingredients on the table and had to decide on the spot if you are going to make ramen or spaghetti,” she muses.  Just five years later, Stanley provided a recipe of her own to bring her unique vision of the Julie London project to fruition. Not only did she have a self-curated set list, she also had a clear idea of how each tune should sound, aiming to hold true to the composers’ ideas while stirring in some of her own. Lyn Stanley always makes a practice of working with top-flight musicians, and once she communicated her ideas to them, she welcomed their input. Without any written arrangements, the brilliant results of their collaboration bring cutting-edge ideas to vintage songs. “It’s a thrill to hear something you’ve brought into life,” Stanley says. “It came to me so easily once I got my bearings.” The singer opted for an intimate sound from a stellar lineup that brings together some of the very best players on the California jazz scene:guitarist featured artist John Chiodini; pianists Mike Garson and Christian Jacob; bassists Chuck Berghofer and Michael Valerio; percussionists Luis Conte, Brad Dutz, and Aaron Serfaty (also heard on drums); and drummer Paul Kreibich. With London Calling's artful packaging, Stanley finds another way to pay tribute to her inspiration, Julie London, who said photo shoots for her albums took longer than the recording process. That's not the case with Stanley, whose audiophile bona fides and perfectionism in the studio and throughout production are well established. But the gorgeously photographed images of the elegantly clad chanteuse are an homage to London's sensuous approach that reflects Lyn's own 21st century sensibilities. Completing the package are liner notes by Scott Yanow, offering a historian’s perspective on the music, providing background on each song, and insights to how Lyn and Julie! approached the tunes.

London Calling highlights include: “Cry Me a River” This heartfelt but cool take on the quintessential London hit has an after-hours feel, touching on former feelings without longing or regret. With this strong and simple statement, Stanley knows when to dig in and when to hold back.

Joyful and tender, “As Time Goes By” is handled with delicacy and feeling, evoking the past while looking to the future. Stanley’s swinging interpretation of “Goody Goody” has a bit of a bite and a bad-girl attitude; it’s a breakup story told by someone who’s landed on her feet. “Call Me Irresponsible” gives us a peek at the vulnerable side of a sophisticate in this persuasive rendition of a classic. The crisp swing culminates in a seductive purr.  On “It’s Impossible,” Stanley portrays the sense of wonder felt at the first flush of romance with divine understatement and a slight ache in her voice. Check out the delightful collaboration with percussionists Luis Conte and Aaron Serfaty. Stanley smolders on the slow, slinky, shimmering “Sway,” making every note every pause matter. The flamenco-flavored “Light My Fire” is full of sensuous invitation. Romantic and intriguing, it’s a refreshing new look at the Doors’ hit from the late 1960s. “Summertime” is a tune so nice Stanley had to record it twice on London Calling. The ensemble rendition is spare, supple, and sultry, with her voice shining like a jewel in the lean arrangement. On a duo version, Stanley and pianist Mike Garson play at a hot-August-night tempo that’s full of haunting, hypnotic allure. You’ve never heard “I Heard It Through the Grapevine” done quite like this! The relentless rhythm of this great ensemble piece conveys an ominous undercurrent, as Stanley’s treatment of the lyric reveals an iron will in a velvet voice. A favorite among audiophiles, Stanley plans to release multiple versions of London Calling, including 17 tracks on a choice of super-audio CD or two-disc vinyl LP set. A dozen tunes will also be offered on a direct-to-disc vinyl recording. Stanley’s tradition of surrounding herself with the best comes through bright and clear in the magnificent sound of this recording, thanks to engineering by Steve Genewick, Rouble Kalpoor, and Spencer Garcia; mixing by Allen Sides, and mastering by Bernie Grundman.

London Calling…A Toast To Julie London is a culmination of Lyn Stanley’s lifetime of rich experience, both personal and professional, from her long-time enjoyment of London through her own her early perceptions of romance. For the project she tapped into communications techniques developed as a successful corporate manager along with a jazz-inspired approach to rolling with obstacles in creative and innovative ways. Besides being a state-of-the-art tribute (following both the musical ideas and marketing platforms of Julie London), it is also a revelation of Lyn Stanley's formidable chops. With a late 2018 audiophile release and Valentine's Day weekend February 15, 2019 wide release street date, London Calling…A Toast To Julie London is a gift for lovers and lovers of great music, created the way it was in the 1960s  by the musicians themselves as a band. Keep an eye out for multiple versions of the album, including standard and super-audio CDs, along with a two-disc vinyl LP set. Produced by Lyn Stanley, with Associate Producer John Chiodini. Executive Producer: A.T. Music LLC. Engineered for high fidelity using analog mixing and mastering. Engineers: Steve Genewick (tracking), Allen Sides (mixing, and Bernie Grundman (mastering). Recorded and Mixed at United Recording, Studio A in Hollywood, using the Focusrite analog console, one of only ten ever made. https://store.cdbaby.com/cd/lynstanley20

London Calling: A Toast to Julie London

Ingrid Jensen - Vernal Fields

Styles: Trumpet Jazz
Year: 1995
File: MP3@320K/s
Time: 64:48
Size: 148,7 MB
Art: Front

(7:06)  1. Marsh Blues
(5:49)  2. Spookum Spook
(7:20)  3. Vernal Fields
(8:25)  4. Ev'ry Time We Say Goodbye
(6:12)  5. I Love You
(6:13)  6. The Mingus That I Knew
(7:25)  7. Stuck in the Dark
(7:13)  8. Christiane
(9:01)  9. By Myself

Although trumpeter Ingrid Jensen has a wide range and a potentially fiery style, she holds a great deal in reserve on her debut recording, letting one peek at her emotional intensity now and then but mostly making lyrical statements. Her supporting cast (altoist Steve Wilson, George Garzone on tenor, pianist Bruce Barth, bassist Larry Grenadier, and drummer Lenny White) is quite impressive and adds a great deal to the CD without taking the spotlight away from the leader. Ingrid Jensen sounds particularly strong on "Marsh Blues" and the standards "Ev'rytime We Say Goodbye," "I Love You," and an ironic "By Myself," but all nine selections have their moments. The music is basically advanced hard bop, with Jensen (when she is playing open) sounding like a logical successor to Freddie Hubbard and Woody Shaw while resembling her teacher, Art Farmer, a bit when utilizing a mute. This is an impressive beginning to what should be an important career. ~ Scott Yanow  http://www.allmusic.com/album/vernal-fields-mw0000173581

Personnel: Ingrid Jensen (trumpet, flugelhorn); Steve Wilson (soprano & alto saxophones); George Garzone (tenor saxophone); Bruce Barth (piano); Larry Grenadier (bass); Lenny White (drums).

Vernal Fields

Guido Di Leone Quartet - Blue Night

Styles: Guitar Jazz
Year: 2007
File: MP3@320K/s
Time: 54:15
Size: 124,4 MB
Art: Front

(6:09) 1. Bahia
(7:36) 2. Blue Night
(7:10) 3. Double Deal
(6:06) 4. Fascinating Rhythm
(7:33) 5. Moonlight In Vermont
(4:21) 6. Mad Blues
(7:14) 7. What A Difference A Day Made
(3:22) 8. L'Ultimo Valzer
(4:43) 9. Another's Wonderful

Jazz musician, guitarist, teacher, was born in Bari in 1964, where he currently lives.

Very prolific as composer, bandleader and arranger, he has recorded a hundred CDs, of which about half as leader, works published mainly for the labels "YVPMusic", "Philology", "Abeat Records" and Fo (u) r, of which he is also founder of. His renowned comping and good knowledge of jazz standards lead him to play and record frequently with well-known international artists. ( Mark Murphy , Jerry Bergonzi , Peter Bernstein , Paolo Fresu , Fabrizio Bosso , Jim Rotondi , Renato Chicco , Jim Snidero , Michele Hendricks, Tiziana Ghiglioni, Andy Watson , Claudio Fasoli, Gianluigi Trovesi,Franco Cerri , Gianni Basso , Ira Coleman , Gary Smulyan , Marco Tamburini , Dado Moroni , Mal Waldron, Trio Corrente, Gilson Silveira ...)

To these collaborations are added those with his countrymen, Larry Franco, "Con Alma Trio" ( Vito Di Modugno and Mimmo Campanale ), "Pocket Orchestra", Paola Arnesano and is often jazz soloist of the Symphony Orchestra of the Metropolitan City of Bari . In Duo with Francesca Leone, he recorded "Tudo em Bossanova" and "Coracao Vagabundo".

Despite the intense concert activity in Italy and abroad (Australia, China, USA, Cuba, Ethiopia, Sweden, Spain, Germany, United Arab Emirates, England, Syria, Belgium, Holland France, Croatia, Austria, Albania, Slovenia, Bulgaria , Romania, Poland ...), Guido Di Leone is often involved in the organization of Jazz reviews, in the conduct of musical shows and, at times, also in television musical programs. Stylistically identified in the air of Modern Mainstream, he has always shown a particular interest in the sounds and compositions of guitarist Jim Hall, so much so that he dedicated his first album in 1991, "All for Hall", well received by the great Jim.

After 25 years of record history, he re-proposes in Trio, a tribute to Jim Hall's compositions with "A lonely flower for you"; and again in 2019, the result of a national tour alongside guitarist Peter Bernstein, Dario Deidda on bass and Andy Watson on drums, the live CD, "Tribute To Jim Hall", is released on Abeat Records. 2018 is "Standards on Guitar" vol.3 "Two Sleepy People", featuring Renato Chicco, in memory of his missing parents, Bruna and the pianist Nino Di Leone . This last work follows on "Standards on Guitar" vol.1 and vol.2. July 2019 is "Parents" in drumless trio, featuring New York trumpeter Jim Rotondi.

He is director and teacher of guitar and harmony of the musical school "Il Pentagramma di Bari", which he himself founded in 1985. He also directs the " Duke Jazz Club Bari ", annexed to the school. From 2004 to 2014 he taught jazz guitar in the first and second level academic courses of the Niccolò Piccinni Conservatory of Bari. The 2002 text "Easy and complete method of Jazz Theory" published by the "Sinfonica Jazz Carish" publishing house, reprinted several times and also translated into the system for the blind "Braille". In 2012 it is the "Guido Di Leone Real Book" published by "Fo (u) r".

Personnel: Guitar – Guido Di Leone; Double Bass – Paolo Benedettini; Drums – Alessandro Minetto; Tenor Saxophone – Barend Middelhoff

Blue Night

Peter Bernstein - Somethin's Burnin'

Styles: Guitar Jazz
Year: 1992
File: MP3@320K/s
Time: 60:03
Size: 137,7 MB
Art: Front

( 9:08)  1. This Could Be The Start Of Something Big
( 5:08)  2. Afterglow
(10:01)  3. Booker's Little Blues
( 7:18)  4. Mr. Kenyatta
( 7:02)  5. On A Misty Night
( 6:38)  6. Isn't This A Lovely Day
( 6:31)  7. Love For Sale
( 8:13)  8. Sideburns

Guitarist Peter Bernstein, who was 25 at the time, made his recording debut as a leader on this CD. He plays quite well, as does his friend, the up-and-coming pianist Brad Mehldau. Teamed with bassist John Webber and drummer Jimmy Cobb, Bernstein and Mehldau (who was almost recognizable at this early point) play three of the guitarist's originals, four jazz standards, and Lee Morgan's "Mr. Kenyatta," all in the modern hard bop style. Although Bernstein (who often sounds a bit like Wes Montgomery) and Mehldau would grow quite a bit from where they were in 1992, this was a fine start for their careers. ~ Scott Yanow https://www.allmusic.com/album/somethins-burnin-mw0000110257

Peter Bernstein Quartet: Peter Bernstein (guitar); Brad Mehldau (piano); John Webber (bass); Jimmy Cobb (drums).               

Somethin's Burnin'

Houston Person & Joey DeFrancesco - The Party

Styles: Saxophone Jazz
Year: 1994
File: MP3@256K/s
Time: 53:09
Size: 97,4 MB
Art: Front

(9:59)  1. Love Me Tender
(6:06)  2. Blue Velvet
(7:17)  3. Blues for H.P.
(5:22)  4. Ceora
(5:59)  5. Impossible
(8:26)  6. Party's Over
(9:58)  7. True Blues

Good soul jazz and blues session, with young lion organist Joey DeFrancesco providing the funky undercurrent to tenor saxophonist Houston Person's thick, authoritative solos and Randy Johnston and Bertell Knox filling the spaces on bass and drums, plus Sammy Figueroa adding some Afro-Latin fiber for additional support.~Ron Wynn http://www.allmusic.com/album/the-party-mw0000278195

Personnel: Houston Person (tenor saxophone); Joey DeFrancesco (organ); Randy Johnston (guitar); Bertell Knox (drums); Sammy Figueroa (percussion, congas).

The Party