Friday, December 18, 2015

Various - Kansas City

Bitrate: MP3@320K/s
Time: 50:11
Size: 114.9 MB
Styles: Blues/Jazz/R&B
Year: 2005
Art: Front

[4:12] 1. Big Joe Turner - You're Driving Me Crazy (What Did I Do )
[6:11] 2. Vic Dickenson - The Lamp Is Low
[4:28] 3. Jay McShann - Hootie Blues
[6:50] 4. Buster Smith - E-Flat Boogie
[4:42] 5. Jay McShann - Confessin' The Blues
[4:36] 6. Jay McShann - Jumpin' At The Woodside
[3:27] 7. Big Joe Turner - Until The Real Thing Comes Along
[4:42] 8. Vic Dickenson - Undecided
[2:37] 9. T-Bone Walker - Evenin'
[3:32] 10. Buster Smith - Buster's Tune
[4:50] 11. Big Joe Turner - Piney Brown Blues

The Kansas City sound brought earthy yet lithe energy to both jazz and R&B: From the impulsive swing of Bennie Moten and Count Basie to Big Joe Turner's genre-straddling work, K.C.'s impact on music can be heard in rock, soul, and even funk. As part of its mammoth jazz box set, Atlantic spotlights such key K.C. figures as Jay McShann, alto saxophonist Buster Smith, and Turner himself. As a sort of potent aside, the disc also features some fine combo swing commandeered by Basie alum Vic Dickenson and Buck Clayton. And while the inclusion of T-Bone Walker is something of a mystery (a Texas native who worked out of L.A. for a good stretch), the inclusion of his cut of the classic "Evenin'" fits right into the flow here. Get out the whiskey and clear the dancefloor. ~Stephen Cook

Kansas City

Karrin Allyson - Imagina: Songs Of Brasil

Bitrate: MP3@320K/s
Time: 60:10
Size: 137.8 MB
Styles: Vocal jazz, Brazilian jazz
Year: 2008
Art: Front

[4:19] 1. A Felicidade
[2:25] 2. Correnteza
[3:44] 3. Só Tinha De Ser Com Você
[3:40] 4. Medo De Amar
[5:16] 5. O Morro Não Tem Vez (Favela)
[4:47] 6. Estrada Branca
[5:01] 7. Outono
[5:31] 8. Double Rainbow
[2:53] 9. Imagina
[5:11] 10. Desafinado
[4:44] 11. Pra Dizer Adeus
[4:47] 12. Vivo Sonhando
[3:05] 13. Estrada Do Sol
[4:40] 14. É Com Esse Que Eu Vou

Karrin Allyson has sung Brazilian tunes before, notably on 1999's From Paris to Rio, but this time she's dedicated an entire album to the swaying rhythms of bossa nova and samba, and she's never sounded lovelier. Allyson has always been a gifted interpreter, and while her material in the past has drawn from any number of sources, her prime focus here is on the music of Antonio Carlos Jobim. While choosing oft-covered tunes like "Desafinado" and "A Felicidade" may not be the riskiest thing Allyson could have done, nor the most original, she is so clearly in love with these compositions that she's easily forgiven for adding her name to the list of artists who have lent their voices to them. Allyson's vocal instrument is somewhat coarser and more world-weary than the majority of singers who gravitate toward Jobim's material, and here she favors stripped-down arrangements that accentuate the vulnerabilities and lived-in qualities of that voice.

It works to great effect, as on "Double Rainbow," a ballad that begins sparsely, Allyson singing in Portuguese before switching over to English, a tactic she employs throughout much of the record. Accompanying herself on piano, Allyson phrases Gene Lees' Tin Pan Alley-esque lyrics, a meditation on the wonders of nature, carefully and thoughtfully, before handing the tune over to bassist David Finck, who turns in a solo that's creative but not showy. Not all of the songs here come courtesy of Jobim, and Allyson does equal justice to the moody "Pra Dizer Adeus" (Time to Say Goodbye), co-penned by Edú Lobo, Torquato Neto, and Chris Caswell, and the closing "É Com Esse Que Eu Vou," by Pedro Caetano, which pushes the beat somewhat harder than the more ballad-oriented music that populates most of the record. But in the end it's those Jobim songs that stick: Steve Nelson's vibes and marimba work lends a sensuality to "O Morro Não Tem Vez (Favela)," by Jobim and Vinícius de Moraes, and Gil Goldstein's accordion injects a bit of France into the Brazilian mood on the title track. Through it all, Karrin Allyson reminds listeners why she has consistently received praise over the years for her inherent ability to make any song her own. ~Jeff Tamarkin

Imagina: Songs Of Brasil

Si Zentner & His Orchestra - My Cup Of Tea

Bitrate: MP3@320K/s
Time: 31:49
Size: 72.9 MB
Styles: Big band
Year: 1965/2015
Art: Front

[2:14] 1. Wishin' And Hopin'
[2:51] 2. Don't Let The Sun Catch You Crying
[2:12] 3. And I Love Her
[3:01] 4. A Hard Day's Night
[4:37] 5. Forget Him
[2:35] 6. All Cried Out
[1:35] 7. The House Of The Rising Sun
[3:29] 8. Ringo's Theme (This Boy)
[2:12] 9. Twist And Shout
[2:06] 10. How Do You Do It
[2:33] 11. I Want To Hold Your Hand
[2:19] 12. My Cup Of Tea

While big bands seemed to be fading fast during the late '50s and early '60s, bandleader Si Zentner was one of the few to front a successful big band -- enjoying both critical and commercial acclaim. Born Simon H. Zentner on June 13, 1917 in New York City, the future bandleader picked up a violin at the age of four before switching over to trombone, and earned a music college scholarship. Originally studying to be a classical musician, Zentner became interested in more commercial styles of music after lending his skills to a recording session with composer/bandleader Andre Kostelanetz. Throughout the '40s, Zentner learned the tricks of the trade by playing in bands led by such notables as Les Brown, Harry James, and Jimmy Dorsey.

Zentner then relocated to Los Angeles, where he worked regularly as a studio musician -- and from 1949 through 1955, was on the MGM staff (working on such hit movies as Singing in the Rain and A Star Is Born). But Zentner's desire to front his own big band peaked at this time. Signing a recording contract with Liberty Records in 1959, Zentner assembled a large swing outfit, and toured steadily (he once claimed that his band played 178 consecutive one-night stands). While several popular releases came out around this time (1959's Thinking Man's Band, 1960s Suddenly It's Swing, 1963's Waltz in Jazz Time), Zentner's band won a staggering 13 straight Downbeat polls for 'Best Big Band,' as Zentner himself was recognized as 'Best Trombonist' in Playboy's Jazz Reader's Poll. Zentner's band scored their biggest hit in 1961, with a Bob Florence-arranged twist version of Hoagy Carmichael's "Up a Lazy River," which managed to cross over into the Top 40 of the pop charts.

Eventually however, the public's interest in big bands had dwindled to the point that even Zentner's fine band found it increasingly hard to attract a substantial audience on tour. Zentner landed back on his feet in 1965, when he moved to Las Vegas and opened the Tropicana Hotel's lounge, the Blue Room, accompanying Mel Tormé. Three years later, Zentner was named musical director for one of Las Vegas' longest-running floor shows, Folies Bergere. But once more, Zentner couldn't turn his back completely on taking a big band on the road, as he assembled another touring group. The '90s saw such new releases as Road Band, Country Blues, and Blue Eyes Plays Ol' Blue Eyes, but later in the decade, Zentner was diagnosed with leukemia. Admirably, Zentner kept performing up until six months prior to his passing, on January 31, 2000 in Las Vegas. ~bio by Greg Prato

My Cup Of Tea

Coleman Hawkins - Greatest Hits

Bitrate: MP3@320K/s
Time: 52:37
Size: 120.5 MB
Styles: Bop, Swing, Saxophone jazz
Year: 1996
Art: Front

[3:00] 1. Body And Soul
[2:43] 2. Dinah
[3:05] 3. April In Paris
[2:56] 4. There Will Never Be Another You
[3:03] 5. Sugar Foot Stomp
[5:35] 6. I've Got The World On A String
[2:44] 7. Under Paris Skies
[3:11] 8. Angel Face
[2:12] 9. When Lights Are Low
[3:14] 10. She's Funny That Way
[2:46] 11. My Blue Heaven
[2:52] 12. Say It Isn't So
[3:29] 13. I Love Paris
[5:33] 14. Sweet Lorraine
[3:01] 15. How Strange
[3:05] 16. Spotlite

Greatest Hits contains a good cross-section of Coleman Hawkins' best-known RCA numbers, including "Body And Soul", "April in Paris," "My Blue Heaven," "I've Got the World On A String," and "Sweet Lorraine." Although it doesn't offer anything of interest to jazz purists or completists, Greatest Hits is a nice sampler for newcomers and casual fans. ~Thom Owens

Greatest Hits

The Everly Brothers - The Golden Hits Of The Everly Brothers

Bitrate: MP3@320K/s
Time: 27:41
Size: 63.4 MB
Styles: Pop/Rock/Country
Year: 1962/1990/2013
Art: Front

[2:19] 1. That's Old Fashioned (That's The Way Love Should Be)
[1:47] 2. How Can I Meet Her
[1:58] 3. Crying In The Rain
[1:59] 4. I'm Not Angry
[2:24] 5. Don't Blame Me
[3:04] 6. Ebony Eyes
[2:22] 7. Cathy's Clown
[2:16] 8. Walk Right Back
[2:28] 9. Lucille
[2:32] 10. So Sad (To Watch Good Love Go Bad)
[2:17] 11. Muskrat
[2:11] 12. Temptation

Don and Phil Everly, certainly two of the most important figures ever in popular music history, joined the Warner Bros. label in the late fifties, where their marquee value was just beginning to skyrocket. Their greatest hits LP in 1962, filled with a dozen of their biggest hits was another homerun for the duo. It rode the charts for months during its initial release was discontinued decades ago…that is until now! Remastered from the original tapes at Capitol studios.

The Golden Hits Of The Everly Brothers

The Ralph Sharon Trio - Do I Hear A Waltz?

Styles: Piano Jazz
Year: 1965
File: MP3@320K/s
Time: 32:45
Size: 76,2 MB
Art: Front

(1:54)  1. Do I Hear A Waltz?
(2:04)  2. Here We Are Again
(4:07)  3. Moon In My Window
(4:00)  4. A Perfectly Lovely Couple
(2:14)  5. Thinking
(2:42)  6. What Do We Do? We Fly!
(2:30)  7. Take The Moment
(2:43)  8. Stay
(3:05)  9. Someone Like You
(2:06) 10. Thank You So Much
(2:34) 11. No Understand
(2:41) 12. Finale: Take The Moment / A Perfectly Lovely Couple / Do I Hear A Waltz?

Ralph Sharon made his professional debut with Ted Heath in 1946, then moved on to Frank Weir's orchestra before leading his own sextet. He moved to the U.S. in 1953, where he initially worked as an accompanist to Chris Connor. In 1957, he became musical director and pianist for Tony Bennett. He acquired American citizenship in 1958. In 1965, he and Bennett split up, but they got back together in 1979 and played together in the following years. Sharon also led various groups and made many recordings as a leader.

He died in March 2015 at his home in Boulder, Colorado at the age of 91. ~ William Ruhlmann  http://www.allmusic.com/artist/ralph-sharon-mn0000863940/biography

Do I Hear A Waltz?

Dave Pike & Charles McPherson - Bluebird

Styles: Vibraphone And Saxophone Jazz
Year: 1988
File: MP3@320K/s
Time: 54:28
Size: 125,2 MB
Art: Front

(7:31)  1. Scrapple From The Apple
(6:25)  2. Embraceable You
(6:09)  3. Visa
(9:23)  4. Old Folks
(4:51)  5. Bluebird
(8:13)  6. Anthropology
(5:08)  7. Ornithology
(6:45)  8. Bluebird (alt take)

Jazz experts love to speculate on the types of music that Charlie Parker might have embraced had he not died in 1955. Had Bird lived to see the 1960s and 1970s, would he have embraced modal jazz, avant-garde jazz, soul-jazz, or fusion? Would he have played on Miles Davis' Bitches Brew if, in 1969, such an offer had been made? One can only speculate. What can be said for sure is that Bird's innovations have continued to inspire a wide variety of jazz musicians long after his death. Recorded in Monster, Holland, in 1988, Bluebird is among the numerous Parker tributes that has surfaced over the years.

This bebop date was co-led by two American improvisers, vibist Dave Pike and alto saxophonist Charles McPherson, who are joined by a Dutch rhythm section that consists of pianist Rein de Graaff, bassist Koos Serierse, and drummer Eric Ineke. Not all of the musicians play on all of the tunes; McPherson is absent on "Ornithology," "Old Folks," and the first take of "Bluebird," and only the Dutch musicians are present on a second take of "Bluebird." The tracks that do feature McPherson speak well of him. McPherson has always been a Bird disciple, but being a disciple isn't the same as being a clone, and on this Dutch release, the altoist celebrates Bird's influence without trying to sound exactly like him. Nonetheless, few surprises occur on Bluebird; performances of well-known bop standards like "Scrapple From the Apple" and "Anthropology" are solid but conventional. No one will accuse either Pike or McPherson of trying to reinvent the wheel on this enjoyable, if predictable, CD. ~ Alex Henderson  http://www.allmusic.com/album/bluebird-mw0000310856

Personnel: Dave Pike (vibraphone); Charles McPherson (alto saxophone); Rein de Graaff (piano); Eric Ineke (drums).

Bluebird

Jon Hendricks & Company - Love

Styles: Jazz, Vocal
Year: 1982
File: MP3@256K/s
Time: 42:20
Size: 78,0 MB
Art: Front

(3:06)  1. Royal Garden Blues
(3:38)  2. Bright Moments
(4:32)  3. Willie's Tune
(3:28)  4. Good Ol' Lady
(4:22)  5. Lil' Darlin'
(2:03)  6. I'll Die Happy
(4:37)  7. Love (Berkshire Blues)
(3:36)  8. Tell Me The Truth
(5:29)  9. The Swinging Groove Merchant (Groove Merchant)
(4:30) 10. Angel Eyes
(2:54) 11. In A Harlem Airshaft (Harlem Airshaft)

The first recording to document "Hendricks & Company," athis underrated album finds vocalese genius Jon Hendricks sharing the vocal duties with Judith Hendricks, Michele Hendricks, Bob Gurland and sometimes Leslie Dorsey while joined by three different rhythm sections, guest trumpeter Harry "Sweets" Edison, and the tenor of Jerome Richardson. The emphasis throughout is on Hendricks' witty and inventive lyrics to such numbers as "Royal Garden Blues," "Lil' Darlin'," "Tell Me the Truth," "The Swinging Groove Merchant" and "In a Harlem Airshaft," among others. Superior bebop singing on a very enjoyable set that has fortunately been reissued on CD. ~ Scott Yanow  http://www.allmusic.com/album/love-mw0000309328

Personnel: Jon Hendricks (vocals); Bob Gurland (vocals, trumpet); Leslie Dorsey, Judith Hendricks, Michele Hendricks (vocals); Jerome Richardson (tenor saxophone); Harry "Sweets" Edison (trumpet); David Hazeltine, Jimmy Smith (piano); Marvin "Smitty" Smith (drums).

Love

Kate Rusby - While Mortals Sleep

Styles: Folk, Holiday
Year: 2011
File: MP3@320K/s
Time: 50:45
Size: 116,8 MB
Art: Front

(3:47)  1. Cranbrook
(3:47)  2. Home
(4:09)  3. Kris Kringle
(5:33)  4. Little Town of Bethlehem
(3:17)  5. Joy to the World
(4:16)  6. Holmfirth Album
(3:48)  7. Seven Good Joys
(3:51)  8. Rocking Carol
(4:45)  9. Shepherds Arise
(5:44) 10. First Tree in the Greenwood
(4:22) 11. Diadem
(3:21) 12. The Wren

Picking up where 2008's Sweet Bells left off, Barnsley's finest folk singer/songwriter Kate Rusby's eleventh studio album, While Mortals Sleep, continues her quest to revive the traditional carols of her beloved South Yorkshire. Like its predecessor, there are a few universally known hymns, such as a gorgeously contemplative rendition of "Little Town of Bethlehem," an appropriately dreamy take on the Czech lullaby "Rocking Carol," and a breezy accordion-led interpretation of "Seven Good Joys," while there are also exquisite performances of songs that derive from the likes of Cornwall ("First Tree in the Greenwood"), Dorset ("Shepherds Arise"), and Wales (New Year's anthem "The Wren"). 

But the songs synonymous with her Northern roots are where her delicate and wistful tones are at their most affectionate, whether it's the joyously uplifting opener of Yorkshire's unofficial national anthem "Cranbrook," the slightly melancholic village carol "Diadem," or the jaunty folk of Sheffield's "Kris Kringle." While its slightly sluggish pace occasionally evokes the feeling of having scoffed too many mince pies, its suitably wintry acoustic style, provided by her regular three-piece backing band, and the wonderfully nostalgic accompaniment from the Brass Quintet Boys ensure that While Mortals Sleep should warm the cockles of even the most miserly of Scrooges. ~ Jon O´Brien  http://www.allmusic.com/album/while-mortals-sleep-mw0002243846

While Mortals Sleep