Showing posts with label Alain Jean-Marie. Show all posts
Showing posts with label Alain Jean-Marie. Show all posts

Saturday, March 9, 2024

Alain Jean-marie - REMINISCENCE

Styles: Piano Jazz
Year: 2023
Time: 62:59
File: MP3 @ 320K/s
Size: 145,4 MB
Art: Front

(5:19) 1. On Ti Berceuse
(5:09) 2. Evolution
(4:56) 3. Paper
(7:07) 4. Dezespwa
(5:51) 5. Mesi Gwada
(3:57) 6. Haiti
(3:05) 7. Baltazar
(5:41) 8. Morena' S Reverie
(4:49) 9. Todeu
(3:35) 10. Janmwenka
(5:16) 11. Haitian Child
(5:25) 12. Rag
(2:43) 13. The River

Jean-Marie taught himself to play piano from age eight. He played in dance orchestras in Guadeloupe (especially that of Robert Mavounzy), lived in Canada from 1967 to 1970 and then in the Antilles. He made his first recordings in 1969 (released in 1997 as piano biguines). At the same time he played regularly with the trio of Winston Berkley and Jean Claude Montredon. In 1973, he moved to Paris, where he accompanied jazz musicians such as Chet Baker, Sonny Stitt, Art Farmer, Johnny Griffin, Lee Konitz, and Max Roach.

In 1979, he debuted with his own trio (Al Levitt on percussion, Gus Nemeth and later Riccardo Del Fra on bass). Since the 1980s, he has regularly performed with Barney Wilen, including as a duo on albums such as La Notenbleue (1986) and Dreamtime (1992). In 1986, he regularly accompanied Dee Dee Bridgewater. In 1987 he recorded the album Latin Alley in a duo with Niels-Henning Ørsted Pedersen. In 1990 he accompanied Abbey Lincoln on the album World Is Falling Down with Jackie McLean, Billy Higgins and Charlie Haden.

1991 he played with Henri Texier (bass) and Aldo Romano (drums) on The Scene Is Clean. His 1992 trio album Biguine Reflections was influenced by the music of the Antilles as well as bebop. He also played in a trio with Gilles Naturel and John Betsch (Lazy Afternoon, 2000) and recorded his first solo album in 1999 (Afterblue, which received the Prix Boris Vian). In 2004, a second solo album, Thats What, followed.

Jean-Marie also played with Guadeloupe musicians such as the guitarist André Condouant (Clean & Class, 1997), a group of musicians from Guadeloupe under the trumpeter Franck Nicolas (Jazz Ka Philosophy) and the saxophonist Jocelyn Ménard (Men Art Works).

He also worked with Jacques Vidal / Frédéric Sylvestre, with Michel Graillier (Portrait in Black & White, 1995), Boulou and Elios Ferré (Intersection, 2001, Live in Montpellier, 2006), with Xavier Richardeau, Sara Lazarus and Ted Curson (In Paris, Live At The Sunside, 2006). In 1979 he received the Prix Django Reinhardt and in 2000 the Django d'Or.
https://en.wikipedia.org/wiki/Alain_Jean-Marie

REMINISCENCE

Tuesday, December 8, 2020

Alain Jean-Marie - Biguine Reflections - Tropical Blues

Styles: Piano Jazz
Year: 2012
File: MP3@320K/s
Time: 42:08
Size: 97,7 MB
Art: Front

(5:35) 1. Tropical Blues
(3:05) 2. Lézarde
(2:43) 3. Nanounath
(3:35) 4. Mi bel jounè mim
(3:22) 5. Macouba
(3:24) 6. I Need a Man - Traditional Calypso
(3:50) 7. Douce Kombass
(1:42) 8. Jumpin'
(2:38) 9. Létan
(2:08) 10. Biguine Esperanza
(3:10) 11. Monsieur Kombass à Paris
(3:08) 12. Abandon
(3:42) 13. Korigan's Love

Jean-Marie taught himself to play piano from age eight. He played in dance orchestras in Guadeloupe (especially that of Robert Mavounzy), lived in Canada from 1967 to 1970 and then in the Antilles. He made his first recordings in 1969 (released in 1997 as piano biguines). At the same time he played regularly with the trio of Winston Berkley and Jean Claude Montredon. In 1973, he moved to Paris, where he accompanied jazz musicians such as Chet Baker, Sonny Stitt, Art Farmer, Johnny Griffin, Lee Konitz, and Max Roach. In 1979, he debuted with his own trio (Al Levitt on percussion, Gus Nemeth and later Riccardo Del Fra on bass). Since the 1980s, he has regularly performed with Barney Wilen, including as a duo on albums such as La Notenbleue (1986) and Dreamtime (1992). In 1986, he regularly accompanied Dee Dee Bridgewater. In 1987 he recorded the album Latin Alley in a duo with Niels-Henning Ørsted Pedersen. In 1990 he accompanied Abbey Lincoln on the album World Is Falling Down with Jackie McLean, Billy Higgins and Charlie Haden. In 1991 he played with Henri Texier (bass) and Aldo Romano (drums) on The Scene Is Clean. His 1992 trio album Biguine Reflections was influenced by the music of the Antilles as well as bebop. He also played in a trio with Gilles Naturel and John Betsch (Lazy Afternoon, 2000) and recorded his first solo album in 1999 (Afterblue, which received the Prix Boris Vian).

Jean-Marie also played with Guadeloupe musicians such as the guitarist André Condouant (Clean & Class, 1997), a group of musicians from Guadeloupe under the trumpeter Franck Nicolas (Jazz Ka Philosophy) and the saxophonist Jocelyn Ménard (Men Art Works). He also worked with Jacques Vidal / Frédéric Sylvestre, with Michel Graillier (Portrait in Black & White, 1995), Boulou and Elios Ferré (Intersection, 2001, Live in Montpellier, 2006), with Xavier Richardeau, Sara Lazarus and Ted Curson (In Paris, Live At The Sunside, 2006). In 1979 he received the Prix Django Reinhardt and in 2000 the Django d'Or. https://en.wikipedia.org/wiki/Alain_Jean-Marie

Personnel: Piano – Alain Jean-Marie; Bass – Eric Vinceno; Drums – Jean-Claude Montredon
Biguine Reflections - Tropical Blues

Saturday, November 28, 2020

Alain Jean-Marie - Biguine Reflections

Styles: Piano Jazz
Year: 1992
File: MP3@320K/s
Time: 44:20
Size: 102,9 MB
Art: Front

(3:17) 1. Bégonia
(4:49) 2. Doudou pa pléré
(4:26) 3. Ta ta ta
(2:55) 4. Tou sa sé pou doudou
(2:47) 5. Tiéri an lan démil
(3:30) 6. Ka i fé-w
(2:25) 7. Boné an mwen pati
(4:43) 8. Haïtian Child
(2:35) 9. Pa ban mwen kou
(3:55) 10. Gwadloup an nou
(5:43) 11. Driv
(3:09) 12. Chofé bigin la

Jean-Marie taught himself to play piano from age eight. He played in dance orchestras in Guadeloupe (especially that of Robert Mavounzy), lived in Canada from 1967 to 1970 and then in the Antilles. He made his first recordings in 1969 (released in 1997 as piano biguines). At the same time he played regularly with the trio of Winston Berkley and Jean Claude Montredon. In 1973, he moved to Paris, where he accompanied jazz musicians such as Chet Baker, Sonny Stitt, Art Farmer, Johnny Griffin, Lee Konitz, and Max Roach. In 1979, he debuted with his own trio (Al Levitt on percussion, Gus Nemeth and later Riccardo Del Fra on bass). Since the 1980s, he has regularly performed with Barney Wilen, including as a duo on albums such as La Notenbleue (1986) and Dreamtime (1992). In 1986, he regularly accompanied Dee Dee Bridgewater. In 1987 he recorded the album Latin Alley in a duo with Niels-Henning Ørsted Pedersen. In 1990 he accompanied Abbey Lincoln on the album World Is Falling Down with Jackie McLean, Billy Higgins and Charlie Haden. In 1991 he played with Henri Texier (bass) and Aldo Romano (drums) on The Scene Is Clean. His 1992 trio album Biguine Reflections was influenced by the music of the Antilles as well as bebop. He also played in a trio with Gilles Naturel and John Betsch (Lazy Afternoon, 2000) and recorded his first solo album in 1999 (Afterblue, which received the Prix Boris Vian). In 2004, a second solo album, Thats What, followed.

Jean-Marie also played with Guadeloupe musicians such as the guitarist André Condouant (Clean & Class, 1997), a group of musicians from Guadeloupe under the trumpeter Franck Nicolas (Jazz Ka Philosophy) and the saxophonist Jocelyn Ménard (Men Art Works). He also worked with Jacques Vidal / Frédéric Sylvestre, with Michel Graillier (Portrait in Black & White, 1995), Boulou and Elios Ferré (Intersection, 2001, Live in Montpellier, 2006), with Xavier Richardeau, Sara Lazarus and Ted Curson (In Paris, Live At The Sunside, 2006). In 1979 he received the Prix Django Reinhardt and in 2000 the Django d'Or. https://en.wikipedia.org/wiki/Alain_Jean-Marie

Biguine Reflections