Wednesday, June 4, 2025

Deborah Silver - The Gold Standards

Styles: Vocal
Year: 2016
File: MP3@320K/s
Time: 39:00
Size: 91,2 MB
Art: Front

(3:29) 1. Teach Me Tonight
(4:29) 2. The Nearness Of You
(2:55) 3. The Glory Of Love (Feat. Ann Hampton Callaway)
(2:23) 4. I Could Have Danced All Night
(3:20) 5. I've Got A Crush On You (Feat. Jack Jones)
(3:05) 6. Ain't Misbehavin'
(2:26) 7. Never On Sunday
(3:14) 8. On A Slow Boat To China
(2:32) 9. I Can't Give You Anything But Love
(2:43) 10. Pennies From Heaven
(2:38) 11. My Heart Belongs To Daddy
(2:41) 12. It All Depends On You
(3:01) 13. I Could Write A Book

A gifted vocalist whose repertoire embraces jazz, pop, and the Great American Songbook, Deborah Silver offers a fresh take on classic material with her second album, 2016's The Gold Standards. Teaming with producers Steve Tyrell and Jon Allen (who've worked with Rod Stewart, Diana Ross, and Kristin Chenoweth) and arranger Alan Broadbent (best known for his work with Paul McCartney, Michael Bublé, and Barbra Streisand), here Silver interprets old standards, show tunes, and popular favorites with a warm, personable approach. The Gold Standards also includes duets with Grammy-winning singer Jack Jones and acclaimed jazz artist Ann Hampton Callaway.~Mark Deming https://www.allmusic.com/album/the-gold-standards-mw0002985553

The Gold Standards

The Jonah Jones Quartet - A Touch Of Blue

Bitrate: MP3@320K/s
Time: 58:01
Size: 132.8 MB
Styles: Trumpet jazz
Year: 2014
Art: Front

[1:58] 1. So Blue
[2:07] 2. It's A Blue World
[1:47] 3. I Got The Blues When It Rains
[2:46] 4. Blues In My Heart
[1:55] 5. Blue Turning Grey Over You
[2:10] 6. A Touch Of Blue
[1:41] 7. Blue (And Broken Hearted)
[2:48] 8. Blue Champagne
[2:37] 9. Birth Of The Blues
[2:43] 10. Dust Bowl Blues
[1:57] 11. Blue Danube Rock
[2:22] 12. Blue Skies
[1:59] 13. The Poor People Of Paris
[2:29] 14. Cherry Pink And Apple Blossom White
[3:17] 15. La Rosita
[2:45] 16. Dansero
[2:41] 17. April In Portugal
[2:00] 18. The Third Man Theme
[2:38] 19. Lisboa Antigua
[2:13] 20. Sleepy Lagoon
[2:47] 21. Soft Summer Breeze
[2:45] 22. Serenata
[2:52] 23. Theme From Picnic
[2:33] 24. The Song From Moulin Rouge (Where Is Your Heart )

Twofer: A Touch of Blue (ST-1405) 1960 [#1-12], Greatest Instrumental Hits Styled by Jonah Jones (ST-1557) 1961 [#13-24]. Recorded in New York City, 1960-1961. 24-Bit Digitally Remastered. Jonah Jones, trumpet & vocal on #2, 5 & 9; Teddy Brannon, piano; John Brown, bass; George 'Pops' Foster, drums; Swinginest Chorale, vocals.

Jonah Jones zoomed to popularity in the late 50s. He found a successful formula and used it to brighten the hit charts with a succession of bouncy albums on Capitol Records. His quartet was one of the three newcomers in the Top 10 wide variety of small groups listed in the favorite Instrumental Billboard lists in 1958.

Jonah Jones was truly a man with a rare talent for playing in a way that people loved. Jones trumpet stays fairly close to the melodic line and he displays an excellent sense of timing and pacing. In these two albums he just added a new sound with the tasteful vocal backgrounds of the Swinginest Chorale. All tailored to suit the clean, compact style which became a Jonah Jones trademark.

A Touch Of Blue

Diego Figueiredo - I Love Samba

Styles: Brazilian Jazz
Year: 2024
Time: 47:30
File: MP3 @ 320K/s
Size: 110,6 MB
Art: Front

(3:35) 1. I Love Samba
(4:47) 2. Brazilian Batucada
(4:17) 3. Nanina
(1:34) 4. Breeze
(3:40) 5. Echoes Of Manhattan
(4:40) 6. African Soul
(3:59) 7. Samba Pra Bonfá
(5:18) 8. Marinero
(1:46) 9. Funny Juggler
(3:54) 10. Ipanema Dream
(2:44) 11. Little Moon
(2:30) 12. Baiåozinho
(4:39) 13. Random

One upside to Brazilian-born guitarist Diego Figueiredo's latest album, I Love Samba, is that the title says it all. In case you are unfamiliar with Figueiredo, you should know that he not only loves samba, he also plays samba quite well and has entertained audiences in more than sixty countries around the world doing exactly that. And while he is only in his mid-forties, I Love Samba brings the number of CDs Figueiredo has under his belt as leader of his own groups to almost thirty.

Here, Figuieredo oversees an all-star "quartet" (disclaimer to follow) whose other members are flutist Itai Kriss, bassist Nilson Matta and drummer Duduka Da Fonseca. While the album is not entirely samba, several of its highlights are, starting with the congenial title song (on which Figueiredo adds a wordless vocal), the vintage "Samba pra Bonfa" and the graceful "Ipanema Dream." Elsewhere, the group wrests as much color and variety as it can from the various Latin rhythms, even though Kriss solos only on "I Love Samba" and is not audible on any other number, which means the quartet is a trio most of the way. More reinforcement from Kriss would have been welcome.

As it is, Figueiredo, Matta and Da Fonseca are as focused and steady as can be on every number, all of which, the liners say, were composed by Figueiredo. The closing theme, "Random," is described by the leader as an exercise in "totally free" improvisation, which, as it turns out, does not stray far from the group's usual comfort zone. In other words, close to typical Latin jazz with a free-standing edge. Before that, Figueiredo and his mates nod to the Big Apple ("Echoes of Manhattan"), share the distinctive rhythms of northeastern Brazil ("Baiaozinho") and show that the music of various spheres more often than not shares a common bond ("African Soul"). By Jack Bowers https://www.allaboutjazz.com/i-love-samba-diego-figueiredo-self-produced

I Love Samba

Peggy Lee - Oldies Selection, Best of Peggy Lee Vol. 1 (Remastered)

Styles: Vocal
Year: 2025
Time: 62:45
File: MP3 @ 320K/s
Size: 144,7 MB
Art: Front

(1:57) 1. Heart (Remastered)
(2:10) 2. On the Street Where You Live (Remastered)
(2:29) 3. Till There Was You (Remastered)
(2:07) 4. I Am in Love (Remastered)
(2:08) 5. Hey There (Remastered)
(2:07) 6. I Could Have Danced All Night (Remastered)
(1:57) 7. The Surrey with the Fringe on Top (Remastered)
(3:17) 8. The Party's Over (Remastered)
(2:27) 9. Dance Only with Me (Remastered)
(2:45) 10. Wish You Were Here (Remastered)
(2:04) 11. C'est Magnifique (Remastered)
(2:12) 12. I Enjoy Being a Girl (Remastered)
(2:26) 13. Come Dance with Me (Remastered)
(3:19) 14. By Myself (Remastered)
(1:45) 15. You're so Right for Me (Remastered)
(1:52) 16. Just Squeeze Me (But Please Don't Tease Me) (Remastered)
(2:03) 17. Fantastico (Remastered)
(1:46) 18. Together (Wherever We Go) (Remastered)
(2:04) 19. Love and Marriage (Remastered)
(2:24) 20. Non Dimenticar (Remastered)
(1:52) 21. From Now On (Remastered)
(2:28) 22. You Stepped out of a Dream (Remastered)
(2:24) 23. Ole (Remastered)
(2:11) 24. I Can't Resist You (Remastered)
(2:47) 25. Caramba It's the Samba (Remastered)
(2:34) 26. Laroo Laroo Lili Bolero (Remastered)
(2:55) 27. Manana (Is Soon Enough for Me) (Remastered)

Peggy Lee's alluring tone, distinctive delivery, breadth of material, and ability to write many of her own songs made her one of the most captivating artists of the vocal era, from her breakthrough on the Benny Goodman hit "Why Don't You Do Right" to her many solo successes that showed her bewitching vocal power, a balance between sultry swing and impeccable musicianship. Lee started out in the early '40s as the vocalist for the Goodman band, and shortly thereafter became a star in her own right. Though she had numerous pop hits, she constantly crossed the line between pop and jazz, and was hailed by numerous critics as one of America's finest singers in either genre. In addition, Lee was involved in the film world as both an actress and a composer, most actively in the '50s (she received an Academy Award nomination for her role in Pete Kelly's Blues). She was a pioneer of the cool vocal style, and best-known for her hit version of the Little Willie John tune "Fever," off 1958's Sea Shells. A tireless artist, she continued working until her health gave out in the '90s.

Born Norma Egstrom in Jamestown, North Dakota, she suffered the death of her mother at the age of four and endured a difficult stepmother after her father remarried. Given her sense of swing by listening to Count Basie on the radio, she taught herself to sing and made her radio debut at the age of 14. She made the jump to Fargo (where she was christened Peggy Lee), then to Minneapolis and St. Louis to sing with a regional band. Lee twice journeyed to Hollywood to make her fortune but returned unsuccessful from both trips.

She finally got her big break in 1941, when a vocal group she worked with began appearing at a club in Chicago. While there, she was heard by Benny Goodman, whose regular vocalist Helen Forrest was about to leave his band. Lee recorded with Goodman just a few days later, debuting with the popular "Elmer's Tune" despite a good deal of nerves. That same year, several songs became commercial successes including "I Got It Bad (And That Ain't Good)" and "Winter Weather." In 1943, "Why Don't You Do Right" became her first major hit, but she left the Goodman band (and the music industry altogether) later that year after marrying Goodman's guitarist, Dave Barbour.

After just over a year of domestic life, Peggy Lee returned to music, first as part of an all-star jazz album. In late 1945, Capitol signed her to a solo contract and she hit the charts with her first shot, "Waitin' for the Train to Come In." Lee continued to score during the late '40s, with over two-dozen chart entries before the end of the decade, including "It's a Good Day," "Mañana (Is Soon Enough for Me)" the most popular song of 1948 and "I Don't Know Enough About You." Many of her singles were made in conjunction with Barbour, her frequent writing and recording partner.

After moving to Decca in 1952, Peggy Lee scored with the single "Lover" and an LP, Songs from Pete Kelly's Blues recorded with Ella Fitzgerald (both singers also made appearances in the film). It was also during the early '50s that she hosted her own radio show, often showcasing composers she loved, including Johnny Mercer, Hoagy Carmichael, Matt Dennis, and others. She spent only five years at Decca, however, before moving back to Capitol. There, she distinguished herself through recording a wide variety of material, including songs and occasionally, entire LPs influenced by the blues, Latin, cabaret, and pop. Lee also used many different settings, like an orchestra conducted by none other than Frank Sinatra for 1957's The Man I Love, the George Shearing Quintet for 1959's live appearance Beauty and the Beat, Quincey Jones as arranger and conductor for 1961's If You Go, and arrangements by Benny Carter on 1963's Mink Jazz. Barbour's problems with alcoholism ended their marriage, though they remained good friends until his death in 1965.

Peggy Lee was an early advocate of rock and made a quick transition into rock-oriented material. Given her depth and open mind for great songs no matter the source, it wasn't much of a surprise that she sounded quite comfortable covering the more song-oriented end of late-'60s rock, including great choices by Jimmy Webb, Buffy Sainte-Marie, Burt Bacharach, Randy Newman, Goffin & King, and John Sebastian. She nearly brushed the Top Ten in 1969 with Leiber & Stoller's "Is That All There Is?" She continued recording contemporary material until 1972's Norma Deloris Egstrom from Jamestown, North Dakota brought her back to her roots. It was her last LP for Capitol, however. Lee recorded single LPs for Atlantic, A&M, Polydor UK, and DRG before effectively retiring at the beginning of the '80s. She returned in 1988 with two LPs for Musicmasters that revisited her earlier successes. Her last album, Moments Like This, was recorded in 1992 for Chesky. Her voice was effectively silenced after a 1998 stroke, and she died of a heart attack at her Bel Air home in early 2002. By John Bush
https://www.allmusic.com/artist/peggy-lee-mn0000256349#biography

Oldies Selection, Best of Peggy Lee Vol. 1 (Remastered)