Harry 'Sweets' Edison - The Swinger (2-Disc Set)

Harry Edison, Buck Clayton (tp), Jimmy Forrest (ts), Jimmy Jones, Kenny Drew (p), Eddie Costa (vib), Freddie Green (g), Joe Benjamin, John Simmons (b), Charlie Persip (d)

Harry Sweets Edison was widely recognized as a master of the muted blues trumpet sound, both when he was with Basies band during the swing era, and from 1953 on, as a freelance on many of the jazz and pop recordings that emanated from Hollywood. In the fall of 1958, Sweets moved back to New York to start a third phase in his career. He put together the swinging sextet showcased in these recordings produced by Verves Norman Granz. The group featured tenorist Jimmy Forrest, who contributed with his great taste and tonal strength, and a first class rhythm section, blessedly boosted by Freddie Green's punching guitar, pianist Jimmy Jones, a crisp-toned and flexible delight, the tasteful Joe Benjamin on bass, and the controlling force of Charlie Persip on drums. This was the kind of straightforward, utterly groovy small group jazz with consistently clear-thinking and strong voices. Trumpeter Buck Clayton joined the second date, playing back to back with Sweets, and guitarist Steve Jordan replaced Green in most of the tracks. Harry Edison the swinger, playing standards or originals or just the blues, glows in these warm sessions with incandescence. He neatly swings through standards and a few of his own tunes.

On the last three tracks of CD-2, coming from a Roulette session, the contribution of the sidemen can easily be overlooked, for it is the Edison personality, open or muted, that lends the tunes its character.

Album: The Swinger (Disc 1)

Bitrate: MP3@320K/s

Time: 77:01

Size: 176.3 MB

Styles: Trumpet jazz, Mainstream jazz

Year: 2011

[7:31] 1. Pussy Willow

[6:05] 2. The Very Thought Of You

[5:18] 3. Nasty

[6:54] 4. The Strollers

[6:54] 5. Sunday

[9:54] 6. Love Is Here To Stay

[4:54] 7. Fair Ground

[5:43] 8. Ill Wind

[8:46] 9. Impressario

[9:50] 10. Short Coat

[5:07] 11. Baby Won't You Please Come Home

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Album: The Swinger (Disc 2)

Bitrate: MP3@320K/s

Time: 76:59

Size: 176.2 MB

Styles: Trumpet jazz, Mainstream jazz

Year: 2011

Art: Front

[7:24] 1. How Am I To Know

[9:14] 2. Blues In The Closet

[6:37] 3. Memories For The Count (Alternate)

[5:51] 4. Come With Me

[6:46] 5. Critics' Delight

[8:57] 6. All Depends On You/Charmaine/How Long Has This Been Going On /Makin' Whoopie

[9:09] 7. Oh! How I Hate To Get Up In The Afternoon

[8:55] 8. Memories For The Count

[5:21] 9. Come With Me (Alt. Take)

[1:57] 10. Indiana

[4:01] 11. Pussy Willow

[2:40] 12. Sweetenings

The Swinger and Mr Swing Disc1,Disc2 

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Joyce Moreno - Cool

Bitrate: MP3@320K/s
Time: 47:10
Size: 108.0 MB
Styles: Jazz vocals
Year: 2016
Art: Front

[4:56] 1. Love For Sale
[3:19] 2. Fever
[3:22] 3. Cool
[3:58] 4. The Banana Boat Song
[2:48] 5. Let's Do It
[3:35] 6. Round Midnight
[3:38] 7. Invitation
[5:25] 8. The Shadow Of Your Smile
[3:38] 9. Mingus, Miles & Coltrane
[2:58] 10. You Do Something To Me
[2:52] 11. Nature Boy
[3:48] 12. My Favourite Things
[2:46] 13. Moon River

Joyce Moreno: vocals & guitar; Tutty Moreno: drums & percussion; Helio Alves: piano; Rodolfo Stroeter: bass.

Since the late '60s, Brazilian guitarist and singer Joyce Moreno has been one of the most iconic members of the MPB movement, pushing the envelope way past the traditional bossa novas of Jobim. In the early '80s, albums such as Feminina and brought Joyce an international following that she continues to enjoy to this day. Her sizeable catalog features a diverse collection of original material, not to mention key collaborations with such heavyweights as Jon Hendricks, Joao Donato, Kenny Werner, Sivuca, and many others. For the most part, Joyce sings in her native Portuguese, but is known to deliver a song or two in English on occasion. Having spent a time in the United States, she recorded two albums in the early '90s for Verve that featured a smattering of tunes sung in English. In 1995, she released the album Delirios De Orfeu, which featured the jazz standards "Speak Low" and "There's a Small Hotel." These few precursors would only hint at the approach she has taken to her newest offering, a set of all jazz standards sung exclusively in English.

Sparsely accompanied by pianist Helio Alves, bassist Rodolfo Stroeter, and drummer Tutty Moreno, Joyce tackles a dozen Tin Pan Alley and vintage jazz classics all in her inimitable style. Three Cole Porter trinkets make the cut, namely "Love for Sale," "Let's Do It," and "You Do Something to Me." On the jazzier side, there's Monk's "'Round Midnight," "Invitation," and "My Favorite Things." Much in keeping with its title, there's a relaxed and seductive vibe to the entire set that is undeniably beguiling. Joyce is at the forefront of these arrangements with her understated guitar and vocals, although Alves get a chance to step out a few times. A particularly jaunty version of "Cool" from West Side Story demonstrates the pianist's tasteful accompaniment and includes a crystalline solo moment as well. Particularly musical and tender, Tutty's finger taps on his drum kit add character to the usually corny "Fever." Another threadbare pop tune, "Day-O (The Banana Boat Song)," rises above the mundane with some great harmonics by bassist Stroeter.

Wordless vocals are utilized on "'Round Midnight," "My Favorite Things" and the Joyce original "Mingus, Miles, & Coltrane" to great effect. Multi-tracking and additional voices establish a rich and profound vibe on "Nature Boy" as Joyce improvises over Alves' piano riff. A seductive and reflective "Moon River" closes out the set with singer and her guitar acapella. Although definitely a departure from her usual modus operandi, Cool can easily hold its own among Joyce's singularly expressive and impressive body of work. ~C. Andrew Hovan

Cool

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Rick Astley - Portrait

Bitrate: MP3@320K/s
Time: 41:40
Size: 95.4 MB
Styles: Pop-rock, Adult Contemporary
Year: 2005
Art: Front

[3:23] 1. Vincent
[2:55] 2. And I Love You So
[2:44] 3. Portrait Of My Love
[3:36] 4. Where Do I Begin
[3:49] 5. These Foolish Things
[4:03] 6. Cry Me A River
[3:12] 7. Nature Boy
[3:04] 8. Close To You
[2:49] 9. You Belong To Me
[2:58] 10. Make It Easy On Yourself
[2:47] 11. Somewhere
[3:15] 12. Can't Help Falling In Love (With You)
[3:00] 13. What The World Needs Now

Released a few years before the Internet phenomenon known as "Rick Rolling" and his ironic "Best Act Ever" win at the 2008 MTV Europe Music Awards launched him back into the music scene's consciousness, Rick Astley tested the appetite for a comeback with this collection of iconic American pop standards. Having prematurely retired at the tender age of 27, the former Stock, Aitken & Waterman protégé had already witnessed something of a minor revival thanks to 2002's double whammy of his Top 20 entry, Greatest Hits, and the European-only, Keep It Turned On, but Portrait was his first new studio album to be released in his homeland since 1993's Body & Soul. While on the surface, the selection of big-band numbers, lounge-pop classics, and traditional jazz standards may be a million miles away from the high-processed bubblegum pop of his "Never Gonna Give You Up" days, Astley is no stranger to the timeless songs of yesteryear, having previously covered the Temptations' "Aint Too Proud to Beg," and Nat King Cole's "When I Fall in Love" in his late-'80s heyday. Two tracks made famous by Cole also appear here too, ("These Foolish Things (Remind Me of You)" and "Nature Boy,") but elsewhere, Astley focuses on the perfectly crafted pop of Burt Bacharach and Hal David ("What the World Needs Now," "They Long to Be (Close to You)," "Make It Easy on Yourself"), Don McLean ("Vincent," "And I Love You So"), and songs from the movies such as West Side Story's "Somewhere," Andy Williams' vocal adaptation of the Love Story theme ("Where Do I Begin?"), and Elvis Presley's Blue Hawaii number "I Can't Help Falling in Love with You." Unfortunately, Astley appears to be going through the motions on the majority of the album, his trademark rich and soulful vocals very rarely shining above the tepid and lackluster production from Chris Braide (Westlife), and apart from a smoky blues reworking of Julie London's "Cry Me a River" and a Nashville-style interpretation of Jo Stafford's "You Belong to Me," there's very little attempt to differentiate from the originals. Indeed, it's very unlikely that anything from Portrait will be receiving the YouTube sensation treatment in 20 years time, thanks to its lazily selected and mundanely arranged collection of familiar songs which ultimately fails to provide even a fraction of the joy of his iconic global '80s hit. ~Jon O'Brien

Portrait

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The French Horn Collective - Hot Club Of Miami

Bitrate: MP3@320K/s
Time: 58:17
Size: 133.4 MB
Styles: Gypsy jazz
Year: 2015
Art: Front

[2:44] 1. Daphne
[2:20] 2. It Don't Mean A Thing (If It Ain't Got That Swing)
[2:55] 3. After You've Gone
[5:41] 4. Les Feuilles Mortes
[4:24] 5. Le Poinçonneur Des Lilas
[4:09] 6. Histoire De Faussaire
[4:44] 7. Que Nadie Sepa Mi Sufrir
[3:28] 8. J'attendrai
[3:31] 9. Minor Swing
[3:56] 10. Swing 39
[3:37] 11. All Of Me
[3:29] 12. Ma Première Guitare
[3:39] 13. Douce Ambience
[3:58] 14. Moscow Nights
[5:35] 15. Trois Mois

Vincent Raffard: Lead male vocals, Guitar, Trumpet; Steffen Zeichner: Violin; Alvaro Bermudez: Guitar, Vocals; Flexter Henderson: Clarinet, Soprano Saxophone, Cajón; Agustin Conti: Double Bass; Kai Sanchez: Double Bass; Shira Abergel: Lead female vocals.

The "Hot Club of Miami" represents the gypsy chapter of The French Horn Collective. Led by Parisian musician, multi-instrumentalist, composer, singer, and songwriter Vincent Raffard, the ensemble carries on Django Reinhardt's Legacy, and is open to contemporary influences both in original compositions and in the execution of standards. This CD features many traditional Gypsy Jazz tunes along with classic Swing and French musical standards. This record captures the live spirit of The French Horn Collective's gypsy jazz quintet after an intense season in Miami in 2014-15. The group's chemistry is magical! The energy is beautiful! Enjoy!

Hot Club Of Miami

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Various - A Night Out With Verve (4-Disc Box Set)

A Night Out With Verve highlights five decades of remarkable jazz taken from the Verve catalog, spread out over four discs titled "Wining," "Dining," "Dancing," and "Romancing." This budget-priced box set includes 65 performances from jazz luminaries including Oscar Peterson, Sonny Rollins, Michel Legrand, Sarah Vaughan, Stan Getz, Louis Armstrong, Count Basie, Billie Holiday, Miles Davis, Duke Ellington, and Shirley Horn. Whether it's a night out on the town or a simple romantic evening, A Night Out With Verve has a great deal to offer die-hard jazz fans and casual listeners alike. ~Al Campbell

Album: A Night Out With Verve (Disc 1)

Bitrate: MP3@320K/s

Time: 67:04

Size: 153.6 MB

Styles: Vocal jazz, Bop, Standards, Jazz/Blues/Soul

Year: 2000

[2:22] 1. Oscar Peterson Trio - Come Dance With Me

[3:22] 2. Dizzy Gillespie - There Is No Greater Love

[2:39] 3. Kenny Burrell - As Long As I Live

[3:37] 4. Coleman Hawkins - I Wished On The Moon

[3:25] 5. Junior Mance - A Smooth One

[3:00] 6. Johnny Hodges - On The Sunny Side Of The Street

[2:55] 7. Anita O'day - Whisper Not

[3:48] 8. Joe Pass - Li'l Darlin'

[4:25] 9. Monty Alexander - Love You Madly

[5:34] 10. George Benson - What's New

[6:17] 11. Tal Farlow - Broadway

[6:19] 12. Sonny Rollins - You Are Too Beautiful

[4:36] 13. Wynton Kelly - Portrait Of Jenny

[5:49] 14. Gerry Mulligan - Fall Out

[3:05] 15. Michel Legrand - La Vie En Rose

[5:45] 16. Roy Eldridge - I Still Love Him So

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Album: A Night Out With Verve (Disc 2)

Bitrate: MP3@320K/s

Time: 67:49

Size: 155.2 MB

Styles: Vocal jazz, Bop, Standards, Jazz/Blues/Soul

Year: 2000

[2:38] 1. Kenny Burrell - If I Had You

[5:21] 2. Joe Henderson - Once I Loved (Amor Em Paz)

[3:53] 3. Sarah Vaughan - Isn't It A Pity

[4:46] 4. Bill Evans - My Foolish Heart

[5:36] 5. Art Blakey - I Remember Clifford

[4:42] 6. Jim Hall - It's Nice To Be With You

[4:25] 7. The New Stan Getz Quartet - It Might As Well Be Spring

[3:40] 8. Benny Carter - Isn't It Romantic

[3:50] 9. Ella Fitzgerald - When A Woman Loves A Man

[6:25] 10. George Shearing - This Can't Be Love

[5:51] 11. Chet Baker - You Go To My Head

[5:03] 12. Tal Farlow - Autumn In New York

[4:40] 13. Stan Getz - But Beautiful

[2:21] 14. Astrud Gilberto - Agua De Beber

[4:29] 15. Sonny Rollins - Manhattan

A Night Out With Verve Disc1,Disc2                 

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Album: A Night Out With Verve (Disc 3)

Bitrate: MP3@320K/s

Time: 63:49

Size: 146.1 MB

Styles: Vocal jazz, Bop, Standards, Jazz/Blues/Soul

Year: 2000

[2:44] 1. Fred Astaire - (Ad Lib) Fast Dances

[3:57] 2. Ella Fitzgerald - Party Blues

[7:14] 3. James Clay - Sister Sadie

[2:14] 4. Jimmy Smith - Organ Grinder's Swing

[4:34] 5. Duke Ellington - Perdido

[2:23] 6. Harry James & His Orchestra - Back Beat Boogie

[4:06] 7. Marlena Shaw - At Last

[5:40] 8. Louis Armstrong - Little Girl Blue

[3:36] 9. Stan Getz - Só Danço Samba

[7:20] 10. Cassandra Wilson - Shall We Dance

[3:59] 11. Buddy Defranco - Rose Room

[4:12] 12. Benny Goodman - King Porter Stomp

[4:27] 13. Nicholas Payton - Taking A Chance On Love

[5:14] 14. Count Basie - Corner Pocket

[2:01] 15. Fred Astaire - (Ad Lib) Medium Dance

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Album: A Night Out With Verve (Disc 4)

Bitrate: MP3@320K/s

Time: 69:08

Size: 158.3 MB

Styles: Vocal jazz, Bop, Standards, Jazz/Blues/Soul

Year: 2000

Art: Front

[4:01] 1. Sarah Vaughan - I've Got A Crush On You

[4:04] 2. Billie Holiday - It Had To Be You

[5:32] 3. John Coltrane - You're A Weaver Of Dreams

[3:05] 4. Al Hibbler - This Love Of Mine

[3:06] 5. Don Byas - Misty

[3:01] 6. Dinah Washington - Invitation

[5:35] 7. Abbey Lincoln - The Nearness Of You

[3:51] 8. Stéphane Grappelli - Time After Time

[4:04] 9. Billy Eckstine - Imagination

[4:34] 10. Lester Young - That's All

[2:53] 11. Mel Tormé - I Should Care

[2:55] 12. Miles Davis - 'Round Midnight

[3:34] 13. Roland Kirk Quartet - Someone To Watch Over Me

[3:06] 14. Johnny Hartman - It's Easy To Remember

[2:15] 15. Ella Fitzgerald - Reaching For The Moon

[3:00] 16. Shirley Horn - You Don't Know Me

[4:41] 17. The Ben Webster Quintet - Where Are You

[2:13] 18. Louis Armstrong - There's No You

[3:30] 19. Clifford Brown - Memories Of You

A Night Out With Verve Disc3, Disc4                 

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Buddy Tate & Wild Bill Davis - Broadway

Styles: Saxophone Jazz
Year: 1972
File: MP3@320K/s
Time: 70:32
Size: 165,8 MB
Art: Front

(3:48)  1. Broadway
(8:20)  2. Blues In My Heart
(2:50)  3. All Of Me
(6:48)  4. Sugar
(4:54)  5. Hello Dolly
(4:28)  6. Memories Of You
(4:34)  7. Peg O' My Heart
(5:12)  8. Jumpin' With Symphony Sid
(6:02)  9. Jenny's Blues
(4:28) 10. Tangerine
(3:12) 11. For All We Know
(5:55) 12. Louise
(5:47) 13. Blue Lou
(4:07) 14. Ooh! Ah! DeeDee

Regardless of the setting, tenor saxophonist Buddy Tate never seemed to fail to deliver swinging performances. The robust reedman is joined by organist Wild Bill Davis, guitarist Floyd Smith, and drummer Chris Columbus (the latter three had worked together on several earlier recordings) for these 1972 sessions recorded in Paris for Black & Blue. Davis, who made numerous records with alto sax great Johnny Hodges, and also worked alongside him in Duke Ellington's band, provides the same strong backing to Tate as his longtime musical partner. Smith, who is best known for his work with Andy Kirk, adds several very bluesy solos. The music runs from old war horses like "Sugar" and the bland "Peg O' My Heart," to timeless jazz compositions ("Blues in My Heart," "Jumpin' With Symphony Sid," and "Blue Lou"), and the modern pop song, "Hello Dolly," which was beginning to wear out its welcome after everyone began recording it following Louis Armstrong's huge success with it. French trumpeter François Biensan is added on five tracks, but never really makes much of an impression. Recommended. ~ Ken Dryden http://www.allmusic.com/album/broadway-mw0000271579

Personnel: Buddy Tate (tenor saxophone), Wild Bill Davis (organ), Francois Biensan (trumpet), Floyd Smith (guitar), Chris Colombo (drums).

Broadway

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Joyce Cooling - This Girl's Got to Play

Styles: Vocal And Guitar Jazz 
Year: 2004
File: MP3@320K/s
Time: 45:47
Size: 104,9 MB
Art: Front

(4:07)  1. Expression
(4:12)  2. Take Me There
(4:04)  3. Camelback
(5:39)  4. No More Blues
(4:21)  5. Green Impala
(4:33)  6. The Girl's Got to Play
(3:25)  7. Toast & Jam
(5:52)  8. Natural Fact
(5:11)  9. The Wizard
(4:18) 10. Talk

Guitarist Joyce Cooling continues her particular smooth jazz style on her fourth CD, with plenty of tight grooves, clean electric and acoustic guitar runs, an occasional blues, rock or Brazilian aside, and several chances to display her jazz-style vocals. Cooling and partner/producer/keyboardist Jay Wagner breeze through nine diverse tracks that have plenty of hit potential, beginning with the opener, "Expression." Cooling trades acoustic and electric riffs, and Wagner keeps time on the keyboards, as is their style. Wagner also plays some bouncy solos. Another potential smash is "Camelback," a rump-shaker with a blues-lite groove. Add a come-hither piano solo, and you've got a song perfect for that Saharan camel ride you've always wanted to take. The title of "Green Impala" gives a clue to its content it's a funky ride down Main Street, accompanied by a right-on drum loop. "Toast & Jam" says it all too: a thumping bass beat by Nelson Braxton, bluesy organ riffs. Here Cooling shows her unabashed love of pure funk. The vocal tune that works best is "Take Me There," with Cooling's refrain on the title unobtrusive while she stays within herself vocally. "No More Blues" works also, because Cooling sings likes she's having a conversation, and it goes well with the jazz beat burnished with Alan Hall's brushed drumstrokes. The autobiographical title track gives a glimpse into Cooling's inspirations. The lyrics are revealing, as she allows for some insight into her struggles as a pretty woman struggling to break into instrumental music: "They said, put your guitar and sing/just look real cute and entertain/sorry, honey, it ain't my thing." "Natural Fact," the last vocal track, is another slice of funk with some wonderful trumpet playing by Bill Ortiz. Subtract the vocals, however, and you'd have a head-boppin' drums-and-bass ambient and chill gem. ~ Brian Soergel https://www.allaboutjazz.com/this-girls-got-to-play-joyce-cooling-narada-jazz-review-by-brian-soergel.php
 

Personnel: Joyce Cooling, guitars, vocals;  Jay Wagner, keyboards;  Bill Johnson, drums;  Peter Michael Escovedo, percussion;  Nelson Braxton, bass;  Nicolas Beard, vocals;  Bill Ortiz, flugelhorn;  Ray Obiedo, guitar;  Annie Beard, background vocals

This Girl's Got to Play

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Rob McConnell & The Boss Brass - Don't Get Around Much Anymore

Styles: Trombone Jazz
Year: 1995
File: MP3@320K/s
Time: 58:40
Size: 137,3 MB
Art: Front

(6:20)  1. Don't Get Around Much Anymore
(9:02)  2. The Waltz You Knew Was Blue
(4:47)  3. Jobim Medley: Once I Loved / If You Never Came To Me
(6:02)  4. Crazy Rhythm
(5:57)  5. Gee Baby, Ain't I Good To You
(6:17)  6. (Back Home Again In) Indiana / Donna Lee
(6:37)  7. Medley: The Bad And The Beautiful / Robin
(8:16)  8. The Back Beat
(5:20)  9. Rockin' In Rhythm

Although it was usually a part-time venture (working maybe 30 days a year, counting an annual recording), Rob McConnell's Boss Brass was one of the finest big bands of the '70s, '80s, and '90s. An excellent soloist, McConnell played valve trombone in Toronto (both in the studios and in jazz settings) for a long time. During 1965-1969, he was in Nimmons 'n' Nine Plus Six (led by Phil Nimmons) and in 1968 formed Boss Brass. Originally, the group was comprised entirely of brass instruments, plus a rhythm section, and emphasized pop music. Although it added a saxophone section in 1971, Boss Brass did not record much jazz until 1976. Comprised of many of Toronto's top musicians (including Sam Noto, Guido Basso, Ian McDougall, Moe Koffman, Eugene Amaro, Rick Wilkins, Ed Bickert, Don Thompson, and Terry Clarke, among others), the orchestra mostly plays McConnell's swinging but surprising charts. For a period in the late '80s, McConnell moved to Los Angeles and the group broke up, but by 1991, it was back together again. Rob McConnell, who also cut a few small-group dates for Concord, recorded with his Boss Brass for Pausa, MPS, Dark Orchid, Innovation, and Concord. He died of cancer in Toronto on May 1, 2010. ~ Scott Yanow http://www.allmusic.com/artist/rob-mcconnell-mn0000279968/biography

Personnel:  Rob McConnell (valve trombone); Moe Koffman, John Johnson, Alex Dean, Rick Wilkins, Bob Leonard (saxophone, flute, clarinet); Arnie Chycoski, Steve McDade, John MacLeod, Guido Basso, Dave Woods (trumpet, flugelhorn); Alastair Kay, Bob Livingston, Jerry Johnson, Ernie Pattison (trombone); Judy Kay, James MacDonald (French horn); Lorne Lofsky (guitar); Jim Vivian (bass); Ted Warren (drums).

Don't Get Around Much Anymore

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Joe Bonner - New Life

Styles: Piano Jazz
Year: 1988
File: MP3@224K/s
Time: 78:40
Size: 126,2 MB
Art: Front

(6:45)  1. If I Should Lose You
(5:19)  2. A Child Is Born
(6:30)  3. I Only Have Eyes For You
(8:09)  4. New Life
(5:16)  5. Batcha Feelin'
(6:24)  6. Serenata
(7:05)  7. It Could Happen To You
(4:46)  8. Watch What Happens
(9:16)  9. As Time Goes By
(7:42) 10. Sonatina
(4:01) 11. Barbados
(7:20) 12. East Bay Serenade

A fine pianist who was originally heavily influenced by McCoy Tyner, Joe Bonner is an excellent interpreter of modal-based music and advanced hard bop. He studied music at Virginia State College and early on played with Roy Haynes (1970-1971), Freddie Hubbard (1971-1972), Pharoah Sanders (1972-1974), and Billy Harper (late '70s). Bonner, who recorded as a leader for Muse, Theresa, and most prominently Steeplechase, has been based in Colorado since the 1980s and remains a talented improviser. ~ Scott Yanow https://itunes.apple.com/us/artist/joe-bonner/id41729433#fullText
                                     
Personnel:  Joe Bonner (piano);  Hugo Rasmussen (bass);  Aage Tanggaard (drums)

New Life

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