Showing posts with label Mark Shane. Show all posts
Showing posts with label Mark Shane. Show all posts

Saturday, December 3, 2022

Dan Levinson's Palomar Quartet & Molly Ryan - Four On The Floor

Styles: Clarinet, Vocal Jazz
Year: 2008
File: MP3@320K/s
Time: 35:42
Size: 82,4 MB
Art: Front

(5:32) 1. In A Shanty In Old Shanty Town
(3:27) 2. Silhouetted In The Moonlight
(4:47) 3. Joseph, Joseph
(4:13) 4. Otolaryngology
(3:53) 5. My Ideal
(5:15) 6. Just One Of Those Things
(4:11) 7. Only Another Boy And Girl
(4:22) 8. Fine And Dandy

The 2017 winner of Hot House Magazine’s “NYC Jazz Fans Decision” award for Best Clarinetist, Dan Levinson is equally at home as both leader and sideman, fronting his own groups as well as performing with those led by others. During a 30-year career specializing in traditional jazz and swing music, he has appeared alongside such prominent artists as Mel Tormé, Wynton Marsalis, Dick Hyman, Bria Skonberg, Ed Polcer, Howard Alden, Joe Ascione, Dan Barrett, Jon-Erik Kellso, Randy Reinhart, Mark Shane, Dick Sudhalter, Frank Vignola, Rossano Sportiello, Nicki Parrott, and Randy Sandke.

Though based in New York City, Dan’s busy schedule often takes him across the continent and around the world. He has performed in Brazil with the Bunk Project, a band organized by Woody Allen and banjoist Eddy Davis, in Italy with the Manhattan Rhythm Kings, in Scotland with David Ostwald’s Louis Armstrong Centennial Band, in Germany with the Barrelhouse Jazz Band, in Japan with the New York Ragtime Orchestra, in Los Angeles at the Playboy Mansion, and at numerous jazz clubs in Paris, including Le Petit Journal, Caveau de la Huchette, Autour de Midi, Duc des Lombards, and Le Bilboquet.

His numerous music festival appearances include the New Orleans Jazz and Heritage Festival, the Sweet and Hot Music Festival in Los Angeles, the Bix Beiderbecke Memorial Jazz Festival in Davenport, the Central Illinois Jazz Festival, the Sacramento Jazz Jubilee, the Orange County Classic Jazz Festival, the Sedalia Ragtime Festival, the Hot Steamed Jazz Festival in Essex, Connecticut, the Edinburgh Festival and Nairn Jazz Festival in Scotland, and the Brecon Festival in Wales. From 1992-2004 Dan was a regular guest at Dick Hyman’s annual Jazz in July Festival in New York. In 2004 Dan organized and was featured in the JVC Jazz Festival’s centennial tribute to Jimmy Dorsey at NYC’s famed Birdland jazz club.

An ardent Benny Goodman devotee, Dan’s tributes to the clarinet legend have brought him many accolades over the years. In 1996 he gave a televised concert in Reykjavík for the president of Iceland and the prime minister of Italy. Since 1998, his re-creations of Goodman’s 1938 Carnegie Hall jazz concert have delighted audiences on both sides of the Atlantic, spawning countless command performances in the ensuing years with various big bands. Dan is the clarinet soloist with – and co-founder of – James Langton’s New York All-Star Big Band, NYC’s preeminent swing orchestra, with whom he has appeared at Lincoln Center’s prestigious Midsummer Night Swing series, and with whom he continues to perform regularly at the world-famous Rainbow Room in Manhattan. Since 2003, Dan has toured frequently with Andrej Hermlin’s Swing Dance Orchestra from Berlin, performing tributes to Goodman, Artie Shaw and others in sold-out concert halls throughout Germany and Europe.

Dan’s tremendous respect for songs and lyrics has made him a popular accompanist with vocalists over the years. As reedman with Ingrid Lucia and the Flying Neutrinos, Dan has performed in Atlantic City and Las Vegas, as well as at clubs throughout New York City. From 1990-2002 Dan toured extensively with singer/guitarist Leon Redbone, with whom he appeared on national television and at the celebrated jazz club Pizza Express in London. Dan has also accompanied vocalists Banu Gibson, Daryl Sherman, Janet Klein, Cynthia Sayer, and, most notably, his wife, the charming and talented Molly Ryan.

Since 1993 Dan has been a member of Vince Giordano’s Nighthawks, with whom he has appeared at Carnegie Hall, on Late Night with Conan O’Brien, and on Garrison Keillor’s A Prairie Home Companion radio program, in addition to the band’s bi-weekly appearances at Iguana Restaurant in Manhattan.

Dan’s own ensembles vary considerably in style and repertoire, running the gamut from ragtime-era dance music to early jazz to swing: his Canary Cottage Dance Orchestra specializes in early twentieth century (pre-jazz) popular music; his Roof Garden Jass Band is devoted exclusively to re-creating the earliest jazz recordings, made between 1917 and 1923; his Palomar Quartet is modeled after the renowned Benny Goodman Quartet and features the same lineup of clarinet, piano, vibes, and drums; his gypsy jazz group Fête Manouche honors the rich legacy of guitarist Django Reinhardt; and his New Millennium All Stars brings together a new generation of young and vibrant “torch bearers” who are currently breathing new life into century-old jazz traditions.

Originally from the Los Angeles area, Dan moved to New York in 1983. The following year he met 82-year-old reedman James “Rosy” McHargue, who became Dan’s friend and mentor, and over the next fifteen years taught him most of what he now knows about music and life. During that period Dan also studied with world-class clarinet instructor Leon Russianoff and saxophone virtuoso Al Gallodoro.

In 1990 Dan moved to Paris to join a band formed by American cornetist Dick Miller that featured the up-and-coming vocalist Madeleine Peyroux, then 16 years old. Dan’s wanderlust soon took him across the continent, through 17 European countries, where he earned a living for a year playing on the streets. Shortly after returning to the U.S., Dan temporarily relocated to New Orleans to perform a five-night-a-week engagement at the Royal Sonesta Hotel on Bourbon Street.

Dan has performed on over 150 CDs, including nine under his own name. He can also be heard on the soundtracks to the films The Cat’s Meow, Ghost World, The Loss of a Teardrop Diamond, and Martin Scorsese’s The Aviator, as well as on all five seasons of the Grammy Award-winning HBO television series Boardwalk Empire and all three seasons of the Amazon Prime Video series The Marvelous Mrs. Maisel. Dan’s complete discography, along with his engagement calendar, photos, more information on his ensembles, and samples of his music, are available at www.danlevinson.com

Personnel: Dan Levinson, clarinet; Mark Shane, piano; Matt Hoffmann, vibes; Kevin Dorn, drums; Molly Ryan, vocals

Four On The Floor

Thursday, October 4, 2018

Peter Ecklund - Ecklund At Elkhart The Classic All-Stars

Styles: Trumpet And Cornet Jazz
Year: 1995
File: MP3@320K/s
Time: 67:00
Size: 156,5 MB
Art: Front

(5:55)  1. Opening Remarks
(6:19)  2. Sweethearts On Parade
(3:20)  3. Yacht Club Swing
(4:29)  4. Trees
(5:51)  5. Somebody Stole My Gal
(3:47)  6. The Moon Is Low
(3:17)  7. Indian Summer
(2:47)  8. I'm Putting All My Eggs In One Basket
(5:10)  9. Borneo
(4:44) 10. Black Cat Moan
(5:48) 11. Doin' The New Low-Down
(2:18) 12. Nobody's Sweetheart
(4:18) 13. How And I To Know?
(4:03) 14. Prince Of Wails
(4:47) 15. Where The Blue Of The Night

This CD has trumpeter and cornetist Peter Ecklund leading an all-star septet that he assembled for the 1994 Elkhart Indiana Jazz Festival. Ecklund is joined by the members of the Orphan Newsboys (clarinetist Bobby Gordon, rhythm guitarist and singer Marty Grosz, and bassist Greg Cohen) plus trombonist Dan Barrett, pianist Mark Shane, and drummer Hal Smith. Grosz has four vocals, Ecklund whistles on "Where the Blue of the Night," and the band romps on such numbers as "Yacht Club Swing," "Borneo," "Nobody's Sweetheart," and "Prince of Wails." The musicians play up to their usual level, so this set is easily recommended to mainstream swing collectors. ~ Scott Yanow https://www.allmusic.com/album/ecklund-at-elkhart-mw0000775326

Personnel: Peter Ecklund (whistling, trumpet, cornet); Marty Grosz (vocals, guitar); Bobby Gordon (clarinet); Dan Barrett (trombone); Mark Shane (piano); Hal Smith (drums).

Ecklund At Elkhart The Classic All-Stars

Sunday, April 16, 2017

Terry Blaine & Mark Shane - Lonesome Swallow

Size: 154,9 MB
Time: 65:49
File: MP3 @ 320K/s
Released: 2002
Styles: Jazz Vocals
Art: Front

01. Squeeze Me (3:56)
02. Lonesome Swallow (4:04)
03. I Got Rhythm (2:53)
04. My Handy Man (4:10)
05. Memories Of You (4:30)
06. Hate To Talk About Myself (2:48)
07. Willow Tree (3:11)
08. Am I Blue (3:26)
09. I'm Glad There Is You (4:30)
10. Jeepers Creepers (3:35)
11. River (Stay 'way From My Door) (4:38)
12. You Don't Understand (4:01)
13. Do What You Did Last Night (2:56)
14. 100 Years From Today (4:16)
15. Long About Midnight (3:16)
16. Shim Sham Shimmy Dance (2:04)
17. Don't Cry Baby (3:56)
18. Home (When Shadows Fall) (3:31)

Singer Terry Blaine likes to use her album releases as a vehicle for giving a nod to those who have influenced her. Among these are Ella Fitzgerald, Fats Waller, Lee Wiley, Helen Ward, Annette Hanshaw, Martha Tilton, Helen Forrest and Ethel Waters . For their fifth album together Blaine and long time accompanist Mark Shane have structured a program patterned after recordings made between 1929 and 1939 by Ethel Waters and J. P. Johnson for the Columbia label. With James P. Johnson in the mix, it's understandable why 1/3 of the play list belong to tunes by Fats Waller and Andy Razaf, including their lovely, underplayed "Lonesome Swallow". Blaine picks up several of the jazz influenced mannerisms that made Waters one of the top singers of her day before the movies beckoned, such as those cute second chorus embellishments. While at first hearing, these sound somewhat dated, they only add to the charm of Blaine's (and Water's) handling of these great tunes. Mark Shane captures the stride of James P. Johnson and the way Johnson used that device to highlight Water's vocal artistry, especially on such tunes as "Am I Blue" and "Willow Tree". There are a couple of ballads on the program, such as a lovely "Home (When Shadows Fall)", but mostly what we hear are the highly infectious rhythms of Blaine and Shane.

It's hard to imagine any two performers who can handle this material better than these two. With Blaine's dark, husky Lee Wiley like voice and Shane's delicate stride piano, this happy album is one that should be considered for the record collection. ~Dave Nathan

Personnel: Terry Blaine - Vocals; Mark Shane - Piano

Lonesome Swallow

Friday, April 14, 2017

Allan Vache, Mark Shane, Terry Blaine - Classic Jazz Duets

Size: 155,8 MB
Time: 66:32
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz Funk, Smooth Jazz
Art: Front

01. How It's Done (4:41)
02. Together (7:26)
03. Show Ur Id (4:42)
04. Age (5:52)
05. Sincerity (5:54)
06. After Tonight (4:10)
07. Out Of Time (For P) (5:15)
08. What U Do (When The Music Hits) (4:30)
09. Promises (3:20)
10. L.O.V.E. Intro (2:49)
11. Hold Up (3:40)
12. So Close (4:24)
13. D.I.S.C.O (4:08)
14. L.O.V.E. Outro (1:27)
15. I Cannot Believe (4:10)

Sweet Jazz Recordings is proud to have world class clarinetist Allan Vache on the roster. Joining Allan is pianist extraordinaire Mark Shane and top jazz vocalist Terry Blaine.

Allan Vaché, born December 16, 1953, grew up in Rahway, New Jersey where he attended school and graduated Rahway High School in 1971. He grew up in a musical family, with a father (Warren Vaché Sr.), a renowned bass player and with a brother (Warren Vaché, Jr.) who is well known for his expertise on cornet and flugelhorn. Allan not surprisingly took to music early and while at Jersey City State College from 1971-1975, studied with David Dworkin of the Metropolitan Opera Orchestra as well as independently studying with the famous jazz artist, Kenny Davern.
During that same period Allan also performed many professional engagements with such jazz greats as: Bobby Hackett, Wild Bill Davison, Pee Wee Erwin, Gene Krupa, Dick Hyman, Max Kaminsky, Clark Terry, Dick Wellstood, Ed Hubble, Cliff Leeman, Bob Haggart, Jack Lesberg, Lionel Hampton, Bob Wilber and many others. He also made numerous appearances with his brother Warren Vaché, Jr.
In 1974-1975 Allan appeared in an on stage band in the Broadway musical "Doctor Jazz" at the Winter Garden theater, starring Bobby Van and Lola Falana for which Luther Henderson and Dick Hyman wrote instrumental arrangements.

In late 1975 Allan joined "The Jim Cullum Jazz Band" of San Antonio Texas, formerly "The Happy Jazz Band." With this organization, Allan has appeared numerous times on the Public Radio Series "Riverwalk, Live from the Landing" The band traveled extensively to Europe, Australia and Mexico, as well as making many festival appearances throughout the United States. Allan recorded nine albums and compact discs with this band, including the only jazz CD of the entire score of "Porgy and Bess", released on CBS Masterworks records. Vaché and the band also made many concert appearances of "Porgy and Bess" , many featuring opera great William Warfield as narrator, throughout the Western Hemisphere and including The Kennedy Center in Washington, D.C., and "The Cervantino Arts Festival" in Mexico City, for the U.S. State Department.

Allan has appeared in several "World Series of Jazz" concerts in San Antonio. These concerts featured the "Cullum" band alongside such jazz luminaries as Benny Goodman, Pete Fountain, Joe Venuti, Teddy Wilson, Scott Hamilton, Bob Wilber, and many others. Allan appeared with Jim Cullum at Carnegie Hall at the "Tribute to Turk Murphy" concert in January 1987. He has also performed with Cullum on the CBS Morning News, and PBS television show "Austin City Limits." He also performed on NPR’s "A Prairie Home Companion" with Garrison Keillor, and was a regular performer on PRI’s "Riverwalk – Live from the Landing," from 1987-1992. This program aired on over 200 public radio stations in the U.S. and abroad. Many of these shows are still rebroadcast today. In the summer of 1992 Allan left San Antonio to pursue a free lance career. Since that time he has appeared as a solo performer at several jazz festivals and parties around the country and abroad. He has appeared with pop performers Bonnie Rait and Leon Redbone and can be heard on the soundtrack of the 1998 film “The Newton Boys”.

In 1993 he moved to Orlando, Florida to perform at various Orlando attractions including Walt Disney World and Church Street Station. Vache has numerous recordings to his credit, several under his own name, for various labels. These include Audiophile, Jazzology, Arbors, and Nagel-Heyer, of Hamburg, Germany. Vache has presently recorded twelve CDs for this label, six of these as the leader. His latest CD “Ballads, Burners & Blues”, released in March of 2004 for the Arbors label, includes his wife, Vanessa Vache’, on clarinet, as a special guest. In March 2006 he recorded a tribute to Benny Goodman for Arbors entitled “With Benny in Mind” to be released early in 2007.
Having toured in Germany, Austria, England, Scotland, Ireland, Italy, Poland and Switzerland, Allan continues to work as a freelance artist in the Orlando area as well as appearing at many concerts and festivals in the U.S. and around the world.

Mark Shane’s jazz piano is firmly rooted in the swinging tradition of jazz piano masters James P. Johnson, Fats Waller, Teddy Wilson, Duke Ellington, Fletcher Henderson, Count Basie, Earl Hines and Art Tatum. Shane was house pianist in New York’s “Eddie Condon’s” jazz club and has played with Benny Goodman and many all star alumni from the great bands of Louis Armstrong, Count Basie, Duke Ellington, Tommy Dorsey and Glenn Miller.

Mark Shane has been featured on radio and television jazz special broadcasts and has appeared as a featured soloist at major jazz festivals worldwide. Shane has toured for Columbia Artists and with the Smithsonian Jazz Repertory Ensemble. Featured in the 50th anniversary Benny Goodman memorial concert in Carnegie Hall, Shane has also played jazz piano for the Twyla Tharp Dance Company as well as for the Grammy Award-winning soundtrack, “The Cotton Club” as well as other films.

For Carnegie Hall’s 100th Anniversary celebration, Shane accompanied hosts Beverly Sills and Barbara Walters. Mark Shane has played a royal command performance of Duke Ellington’s “The Queen’s Suite” for HRH Princess Anne in London’s Festival Hall.

Shane is particularly noted for his Fats Waller program, “Fats Lives!!!”, a swinging piano and vocal tour de force which has been featured with many of New York’s popular dance orchestras and at jazz festivals world wide. Mark Shane has played for society and debutante cotillions throughout the United States, for Presidential Inaugural Balls in Washington, DC, and for the Mayor of New York City at Gracie Mansion. Shane has also played private parties for Mikhail Gorbachev, Henry Kissinger, Estee Lauder, Arnold Schwarzenegger, and for openings and fund raising events at major libraries, museums and cultural centers throughout the United States. Shane is regularly featured at Lincoln Center’s “Midsummer Nights’ Swing” concerts.

Named to the Steinway international roster of piano artists, Mark Shane has been called
“...one of the great accompanists of his time…” (Mississippi Rag). Shane’s piano, featured on many recordings, reflects a true sense of living jazz history and continues the tradition of deep swing and lyrical melodic improvisation. Mark Shane plays Classic Jazz Piano, America’s unique musical contribution to world culture.

Jazz vocalist Terry Blaine was born in NYC, and has been singing virtually all of her life. Embracing both pop and classical styles, it was not until after she graduated Summa Cum Laude from the University of Buffalo with a BA in Music that she chose to trade in her flute for a microphone. As a singer and musician, she has enjoyed a multi-faceted career that includes live performances, recordings, studio work, television and radio shows, musical composition, songwriting and production. Her unique interpretations of classic jazz standards have brought her international attention and recognition as one of the few contemporary female jazz singers performing the hot small-band swing material from the 1930s.

Forging a fresh link in the regal chain that recalls the tradition of Billie Holiday, Bessie Smith, Ethel Waters, and others, Terry's style of singing is a gentle, swinging reminder of who we were and where we came from, instilled with a spirit that only genuine affection can inspire. Her collaboration with classic jazz pianist Mark Shane, which began with a three-and-a-half year duo engagement at Café Society in Greenwich Village, led to the CD "Whose Honey Are You," a Jazz Journal International Record of the Year. With support from enthusiastic fans and radio stations all around the country, a pair of sold-out, breakthrough concerts launched the duo into the larger world of concert appearances and touring. A second CD, "Terry Blaine in Concert," was released. Terry & Mark have since performed at prestigious venues such as Michael's Pub, Fat Tuesday's, the Plaza Hotel, the Lakeland Jazz Festival, JVC New Jersey Jazz Festival, Artown Celebration in Reno, NV, Colorado Jazz Party, Pabst Theater in Milwaukee, WI, Sarasota Opera House in Florida, the Norris Center for the Performing Arts in Los Angeles, and the Sacramento Jazz Jubilee.

Classic Jazz Duets

Thursday, April 13, 2017

Terry Blaine - In Concert With The Mark Shane Quintet

Size: 137,0 MB
Time: 58:21
File: MP3 @ 320K/s
Released: 1995
Styles: Jazz Vocals, Retro Swing
Art: Front

01. Eeny Meeny Miney Mo (Live) (3:39)
02. A Little Bit Independent (Live) (3:40)
03. Them There Eyes (Live) (3:20)
04. Take Me For A Buggy Ride (Live) (3:40)
05. Guess Who's In Town (Live) (2:56)
06. Yankee Doodle Never Went To Town (Live) (2:01)
07. When Day Is Done (Live) (3:59)
08. Keepin' Out Of Mischief Now (Live) (3:28)
09. I'd Love To Take Orders From You (Live) (2:56)
10. Carolina Shout (Live) (4:44)
11. Baby Brown (That Georgia Queen) [Live] (2:30)
12. When A Woman Loves A Man - My Man (Live) (5:36)
13. Runnin' Wild (Live) (3:25)
14. Louisiana Fairytale (Live) (4:00)
15. Handful Of Keys (Live) (3:51)
16. Thanks A Million - Waiting At The End Of The Road (Live) (4:29)

Personnel:
Terry Blaine - Vocals
Mark Shane - Piano
David Lopez - Drums
Daryl Cornutt - Bass
Ed Polcer - Cornet
Allan Vaché - Clarinet

This album chronicles a live 1994 performance in Cleveland, OH before an enthusiastic crowd of almost 2,000 jazz fans. Sponsored by radio station WRMR, the concert features songs from the 1930s and the musical style of that period, which has become the trademark of Terry Blaine and her musical soulmate and mentor, pianist Mark Shane. Each tune is performed not only with skill and verve, but with an infectious enthusiasm that the audience immediately picks up. The concert gets off on the right foot with a very fast "Little Bit Independent," which was number one on the charts for the Freddie Martin Orchestra in 1935. "Them There Eyes" showcases the hot clarinet of Allan Vache. Blaine gets vampish on "Take Me for a Buggy Ride," recalling Bessie Smith's 1933 recording. As one would expect, the melodies he performed and wrote, as well as the syncopated rhythms of Fats Waller, get plenty of attention on this album. There's a variety here, from the familiar "Keepin' out of Mischief Now" to the lesser-known "Baby Brown (That Georgia Queen)" through "Handful of Keys." The latter piece confirms Shane's affinity for the Fats Waller brand of striding, stomping piano playing. Shane also pays homage to another member of the stride royalty, James P. Johnson, with a rip-roaring solo of "Carolina Shout." "Runnin' Wild" is a nod to the performance of this tune in Some Like It Hot with Jack Lemmon and Tony Curtis in drag and performing with an all-girl band. The authenticity as well as the enjoyment of the proceedings is due in no small measure to Shane and his quintet. Vache's clarinet has already been mentioned, and equal billing needs to go to the hot cornet playing of Ed Polcer, as he heats things up on such numbers as "Eeny Meeny Miney Mo" and "Louisiana Fairytale." David Lopez on drums and Daryl Cornutt on bass provide the steady, uptempo beat needed to make this music work. In Concert is almost an hour's worth of music from an earlier time performed by excellent musicians who clearly are happy in their work, as was the Cleveland audience. This album is recommended. ~ by Dave Nathan

In Concert

Tuesday, August 23, 2016

Ed Polcer All-Stars - Jammin' A La Condon

Bitrate: MP3@320K/s
Time: 70:59
Size: 162.5 MB
Styles: Big band, Swing
Year: 1994
Art: Front

[5:54] 1. California, Here I Come
[6:47] 2. Condon Medley At Sundown Big Butter And Egg Man Back In Your Own ..
[4:01] 3. Jubilee
[5:22] 4. Somebody Stole My Gal
[5:47] 5. Home
[7:04] 6. Blues My Naughty Sweetie Gives To Me
[4:33] 7. On The Alamo
[4:56] 8. Bye Bye Blues
[3:10] 9. Can't We Be Friends
[8:02] 10. Linger Awhile
[6:47] 11. Wild Bill Medley Blue Again The Vanderbilt Confessin I Can't ..
[8:30] 12. Wolverine Blues

With Tom Saunders, Bob Havens, Bill Allred, Ken Peplowski, Allan Vache, Mark Shane, Marty Grosz, Greg Cohen, Joe Ascione.

During the past several years, Ed Polcer has become one of the most sought after performers on the jazz festival circuit. He has appeared in hundreds of concerts, festivals and jazz parties throughout the United States, Canada and Europe, including numerous return appearances at the Newport/Kool/JVC Festival in New York. Ed's musical versatility and leadership have earned him a reputation as a dynamic bandleader, and he is often called upon to organize festivals, concerts, dances and parties.

Ed joined Benny Goodman's Sextet for an American tour in 1973. An expert showman, Ed has led numerous concerts with varied themes, including his extensive U.S. tours for Columbia Artists. In 1992, '93 and '94." A Night At Eddie Condon's", transported the audience back to the famous nightclub and gave a musical retrospective of American jazz over the last 100 years.

Jammin' A La Condon

Sunday, January 31, 2016

Terry Blaine, Mark Shane, Allan Vache - Swingin' The Benny Goodman Songbook

Bitrate: MP3@320K/s
Time: 65:35
Size: 150.1 MB
Styles: Jazz vocals
Year: 2007
Art: Front

[3:09] 1. After You've Gone
[4:11] 2. You Turned The Tables On Me
[3:17] 3. I Don't Know Why
[3:21] 4. Junk Man
[4:30] 5. Body And Soul
[3:08] 6. Would You Like To Take A Walk
[3:53] 7. Sweet Lelilani
[4:00] 8. More Than You Know
[3:06] 9. Miss Brown To You
[5:01] 10. I Wished On The Moon-Moonglow
[3:57] 11. Memories Of You
[2:48] 12. Lulu's Back In Town
[3:58] 13. Low Down
[4:50] 14. Time On My Hands
[3:37] 15. You Can't Stop Me From Loving You
[4:12] 16. Goodbye
[4:26] 17. On The Sunny Side Of The Street

Singer Terry Blaine, pianist Mark Shane, and clarinetist Allan Vaché had performed as a trio for several years at the Sacramento Jazz Jubilee before they decided to tour as a trio and perform music from the repertoire of Benny Goodman. It was a logical move for Vaché can closely emulate Goodman, Shane's main piano influence is Teddy Wilson, and Blaine is flexible enough to hint at Helen Ward, Martha Tilton, and Mildred Bailey while still sounding like herself. While most of these songs are familiar items played by Goodman regularly sometime during 1935-1939, there are a few ringers such as "I Don't Know Why," "Junk Man" (which Goodman recorded with Mildred Bailey in 1934), "Would You Like to Take a Walk," "Cause if Feel Lowdown," and "You Can't Stop Me From Loving You" plus a couple numbers that Goodman recorded with Billie Holiday. While most of the selections are taken as trios, "Sweet Leilani" and "Time on My Hands" are played as instrumentals and Vaché sits out on the duo rendition of "Cause I Feel Low Down." The music overall is quite delightful and would have been enjoyed by the King of Swing. This is one of Terry Blaine's finest recordings to date although all are quite worthwhile. ~Scott Yanow

Swingin' The Benny Goodman Songbook

Monday, October 26, 2015

Terry Blaine with Mark Shane - With Thee I Swing

Bitrate: MP3@320K/s
Time: 78:50
Size: 180.5 MB
Styles: Standards, Vocal jazz, Piano jazz
Year: 1997/2004
Art: Front

[ 9:21] 1. I Never Knew
[ 8:39] 2. It's A Wonderful World
[ 4:02] 3. What A Little Moonlight Can Do
[ 3:48] 4. They Say That Falling In Love Is Wonderful
[ 5:28] 5. Why Don't You Do Right
[ 3:55] 6. Carolina Shout
[ 6:41] 7. St. Louis Blues
[ 2:17] 8. With Thee I Swing!
[ 3:43] 9. Oh, Daddy
[ 4:43] 10. What Is This Thing Called Love
[10:02] 11. I Would Do Most Anything For You
[ 5:46] 12. Medley Dream Dream A Little Dream Of Me
[ 3:31] 13. Getting Some Fun Out Of Life
[ 6:47] 14. Mama Don't Allow It

This live set (recorded at Hamburg, Germany) matches together pianist Mark Shane and vocalist Terry Blaine (who are the co-leaders) with the hot cornetist Ed Polcer, trombonist Tom Artin, clarinetist Allan Vache (who doubles a little on tenor), bassist Phil Flanigan and drummer Ed Metz, Jr. Although Blaine's husky vocals are musical and swinging (best are "What a Little Moonlight Can Do," "St. Louis Blues" and "Mama Don't Allow"), the instrumentals are most memorable. The renditions of "I Never Knew" (which is nearly nine minutes long), the ten-minute version of "I Would Do Most Anything for You," and a speedy "What Is This Thing Called Love" are among the highlights. Polcer in particular is heard throughout in top form, making this a worthwhile acquisition for trad collectors. ~Scott Yanow

With Thee I Swing

Friday, September 25, 2015

Bob Wilber - What Swing Is All About

Styles: Clarinet And Saxophone Jazz
Year: 1996
File: MP3@320K/s
Time: 77:54
Size: 178,9 MB
Art: Front

(4:36)  1. Smiles
(4:13)  2. Tickle Toe
(6:08)  3. Someday You'll Be Sorry
(4:18)  4. I Gotta Right to Sing the Blues
(5:16)  5. I Want To Be Happy
(3:42)  6. You'd Be So Nice to Come Home To
(5:40)  7. Basic Jump
(5:42)  8. Back Home Again In Indiana
(3:56)  9. Love Comes Along Once in a Lifetime
(6:06) 10. The Song Is You
(3:09) 11. Feeling I'm Falling
(4:22) 12. I've Got A Crush On You / You Do Something To Me
(3:44) 13. Bernfest '96
(3:28) 14. This Is New
(4:06) 15. Goody, Goody
(3:52) 16. Billie's Bounce
(5:27) 17. Doggin' Around

This is simple stuff, plain and unassuming. Two high horns, with a broad arsenal, trade nimbly over a bright trio. The group was formed for a hotel job in 1984 and plays to this day. The repertoire is expected: old standards and basic originals. The album has no surprises, save one: this old music sounds fresher than a lot of modern bands. This is what swing is all about. The horns step together on “Smiles”, a parallel theme with plenty of warmth. Wilber shouts high, a clarinet purity on soprano; his former student Antti Sarpila is pure Lester. Pleasant but light; a gentle stroll in the park. It picks up with “Tickle Toe”: Antti is more urgent but still Presidential; Wilber, on clarinet, bends tone and shows grit while staying sweet. The exchanges are tough, Joe Ascione fending off both horns at once. It all works, right down to Basie’s Morse code at the end. The fans agree. 

“I Got a Right” brings in Pug Horton, for the first of any vocals. Befitting the tune, she is low and weary, with a charming vibrato. Mark Shane is understated, light rolls and Ellington trills. Wilber takes the straight soprano (less sweet than his curved model); it’s the match to Antti’s clarinet. Pug is brighter on “Nice to Come Home To”; less vibrato and more heat. Her notes stay creamy even down low – not many can say that. Wilber’s solo is busy and happy; Antti’s is almost its equal. “Basiec Jump” is a fun turn on “Undecided”; Antti stretches a bit with nice sandpaper tone. Shane strides right (he played a Basie tribute at this club a few months later); Wilber has little space, but does he use it! “Indiana” starts at a crawl: Pug muses as the piano flows, as slow as the Wabash River. She stops; the band starts. Antti dances high, while Wilber rolls a bit lower. Ascione gets a soft solo; hear the horns jab behind him. It’s quite a display, and the crowd agrees.

“Feeling I’m Falling” is a gem, a Gershwin tune I wish I knew before this. The clarinets walk together. Wilber keeps to theme, going high with bent notes; Antti likes trills. A lazy day of a song: it may be simple, but always welcome when it comes. Pug comes back for “I’ve Got a Crush on You” (hear Wilber on the lovely verse.) On the final word “you” it becomes “You Do Something to Me” – like that romance becomes passion. Next is “Bernfest ‘96” (named for a festival Wilber played), but don’t be fooled  it’s a classic swinger that could have been written in ’36. The tune is a winner, like the clarinet-tenor blend. There’s little here but the theme, but you don’t need anything else. “Goody Goody” is a group vocal: besides Pug, you hear Wilber, and maybe some of the crowd. Bob’s high swirling is his best solo; Antti groans a bit with a nice rumpled tone. “Billie’s Bounce” isn’t just Charlie Parker here it’s a bossa! And it swings. 

The soprano is slow, some bop moves but without the tension. Antti calls on Lester again, with great results. Shane hammers hard with tremolos: he’s old and modern at once. And “Doggin’ Around” is another “Undecided”, this one from the Count. Wilber is bluesier than normal, with high tumbles. Antti gets tough, quoting “Broadway” and beginning to strut. I like it; the crowd does not disagree. Shane strides again; his best effort. The long ending should be savored but I could say that for the whole album. ~AAJ  Staff  http://www.allaboutjazz.com/what-swing-is-all-about-bob-wilber-review-by-aaj-staff.php

Personnel: Bob Wilber (clarinet, soprano saxophone); Pug Horton (vocals); Antti Sarpila (clarinet, tenor saxophone); Mark Shane (piano); Phil Flanigan (bass instrument); Joe Ascione (drums).

What Swing Is All About

Wednesday, December 3, 2014

David Ostwald's Gully Low Jazz Band - Blues In Our Heart

Bitrate: 320K/s
Time: 60:58
Size: 139.6 MB
Styles: Mainstream jazz
Year: 2007
Art: Front

[3:18] 1. Jubilee Stomp
[3:43] 2. When Day Is Done
[3:32] 3. Don't Forget To Mess Around
[6:25] 4. Lover Come Back To Me
[4:48] 5. Thou Swell
[4:48] 6. Someday Sweetheart
[3:49] 7. Panama
[4:18] 8. 'tain't So, Honey 'tain't So
[6:08] 9. Blues In My Heart
[3:07] 10. New Orleans Stomp
[3:36] 11. Changes
[3:34] 12. Who's It
[5:07] 13. Home
[4:35] 14. Diga Diga Doo

Tuba, Banjo, and a 2/4 Beat. I have been listening to a lot of Nagel-Heyer releases lately and I have been trying to identify the things that make "traditional" jazz traditional. Certainly the presence of the Tuba and Banjo (or guitar as a percussive, rhythmic instrument with harmonic capabilities) are two big clues. Tuba player David Ostwald and the ubiquitous Howard Alden cover these instruments on this and many N-H releases. The majority of the music is played with a 2/4 time rather than the more familiar 4/4 Swing and beyond feel. These factors seem to be what contribute most to the "Traditional" sound. The Gully Low Jazz Band sells itself as a band a variety of jazz styles, but to my ears they play them all in a vintage manner. That is okay with me. Listening to Blues in Our Heart immediately makes me think of Don Byron's Bug Music and any number of Wynton Marsalis releases. My estimation is the Gully Low Jazz Band plays a more authentic brand of traditional jazz than Mr. Marsalis (as much as I admire his music) ever should. The music on this disc (and all other N-H I have heard) sounds genuine and sincere, not overly reverent or worshipful. The sure novelty of the Gully Low Jazz Band is that it only has one constant, the presence of David Ostwald. When Ostwald is asked to record, he assembles his band then under the Gully Low name. Pretty cool. Being associated with N-H helps as their stables are stocked with players totally empathetic with Ostwald and his traditional temperament. For this particular disc, he has assembled Marsalis alums Wycliffe Gordon and Herlin Riley, former Concord stablemates Howard Alden and Ken Peplowski, and fellow N-H cronies Mark Shane and Randy Sandke. This group executes as it appears— too good to be true but it is true.

Miniduos. This disc is replete with vintage performance, but what is most fun is many of these pieces have duo breaks with the Howard Alden's guitar/banjo and another instrument. Alden joins Randy Sandke in a trumpet/banjo lovefest on the opening "Jubilee Stomp". Alden converses with Ken Peplowski on "Panama" and "Changes" and takes the helm alone on "When Day is Done". This arrangement technique adds a tautness and excitement to these time worn classics that makes them new and exciting. Outside of the playing of the aforementioned, Mark Shane shines on piano, always being in the right place at the right time in both solos and comps.

If you, the curious listener/reader, likes the old-timey, traditional sound of Bug Music or Wynton Marsalis trying to be Joe "King" Oliver, this disc (and many other Nagel-Heyers) is for you. If you don't like this music, learn to. It is the musical Old Testament of Jazz. ~Michael Bailey

David Ostwald: Tuba; Randy Sandke: Trumpet; Wycliffe Gordon: Trombone, Vocals; Ken Peplowski: Clarinet, Alto Saxophone; Mark Shane: Piano; Howard Alden: Banjo, Guitar; Herlin Riley: Drums.

Blues In Our Heart

Wednesday, July 16, 2014

Rex Allen's Swing Express - Keep Swingin

Styles: Swing, Big Band
Year: 1995
File: MP3@320K/s
Time: 76:59
Size: 176,8 MB
Art: Front

( 7:00)  1. Take The 'A' Train
( 6:20)  2. Pleasingly Plump
( 5:16)  3. Back Bay Shuffle
( 5:26)  4. Why
( 6:37)  5. Opus 1
( 3:48)  6. When You're Smiling
( 6:04)  7. Fine And Mellow
( 3:27)  8. What A Little Moonlight Can Do
( 7:52)  9. Blues For Mannie
( 6:02) 10. Stompin' At The Savoy
( 9:02) 11. Duke Ellington Medley
(10:00) 12. Flying Home

A good swing trombonist, Rex Allen heads an octet for this live session for the German Nagel-Hayer label. Trombonist Dan Barrett sticks exclusively to trumpet and plays quite effectively; tenorman Harry Allen is a strong asset; Jim Rothermel switches between clarinet, alto and soprano; the rhythm section is comprised of guitarist Bucky Pizzarelli, pianist Mark Shane, bassist Frank Tate and drummer Gregor Beck; and Terrie Richards contributes a few worthy vocals. Unlike most of the other releases from this label, many of the ensembles are arranged, but the music overall swings. The repertoire emphasizes 1930s/'40s swing-era songs, including "Back Bay Shuffle," "Opus One," "Stompin' at the Savoy" and a Duke Ellington medley, with the proceedings concluding with "Flying Home." ~ Scott Yanow  http://www.allmusic.com/album/keep-swingin-mw0000061456

Personnel: Rex Allen (trombone, vibraphone); Terrie Richards (vocals); Bucky Pizzarelli (guitar, piano); Jim Rothermel (clarinet, soprano saxophone, alto saxophone); Harry Allen (tenor saxophone); Dan Barrett (trumpet); Mark Shane (piano); Gregor Beck (drums).

Thursday, May 15, 2014

Terry Blaine & Mark Shane - My Blue Heaven

Size: 128,9 MB
Time: 55:35
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: Retro Swing
Art: Front

01. My Blue Heaven (3:39)
02. Honeysuckle Rose (3:55)
03. Ain't He Sweet (2:26)
04. Skylark (5:02)
05. Lock And Key (3:24)
06. My Melancholy Baby (4:24)
07. Rockin' Chair (3:08)
08. I Love Being Here With You (3:47)
09. The Nearness Of You (5:52)
10. There'll Be Some Changes Made (2:45)
11. My Special Friend Is Back In Town (3:34)
12. Come Up And See Me Sometime (4:03)
13. Let's Do It (3:12)
14. Some Of These Days (3:38)
15. Wrap Your Troubles In Dreams (2:38)

Terry Blaine and Mark Shane are remarkable transmitters of wondrous vibrations. In the Thirties they would have been called “solid senders.” Although they have lovingly studied the great improvisers of the past, they emerge whole and joyous as themselves. In swinging synergy, Terry and Mark travel through and beyond any song. Hearing them, we emerge, refreshed and nourished by what they embody in music. They do not “imitate”; they do not approach the music from an ironic postmodern distance. They are the emotions they transmit – sly hilarity, pleasure, longing, romantic fulfillment, contentment. This is the real thing, without pretense, full of warmth.

In the first minutes of this disc, a listener will hear great sincerity in music that never parades itself, an art secure in its wisdom. Terry’s voice is sweetly intuitive, connected to the mood of each song. The way she slides from one note to the next is a caress. Her approach is both generous and wise, for she always lets the song shine through. Mark Shane is a master of delicate yet profound swing; he honors the great musical traditions by creating an orchestra at the piano, with unceasing rhythmic motion. A simple melody statement in his hands has the fluidity of a river, with currents of shading and light, surprising depths and textures. Mark and Terry are a marvelous team, a musical community that needs no other players. Their interpretations of music and words are whole-hearted gifts to the composers, the lyricists, and to us.

We know what our response to this music is: it makes us feel the joy of being alive.

My Blue Heaven

Wednesday, April 23, 2014

The New York Allstars - Broadway

Styles: Big Band
Year: 1998
File: MP3@320K/s
Time: 57:53
Size: 133,2 MB
Art: Front

(6:02)  1. Broadway
(5:44)  2. Moten Swing
(3:37)  3. 'Round Midnight
(3:36)  4. Rosetta
(6:07)  5. In A Mellow Tone
(3:59)  6. When It's Sleepy Time Down South
(3:44)  7. After You've Gone
(4:47)  8. Bye Bye Blackbird
(5:34)  9. On The Sunny Side Of The Street
(3:53) 10. It's All Right With Me
(5:23) 11. Basin Street Blues
(5:21) 12. Mack The Knife

As trumpeter Randy Sandke remembers in the liner notes, the music on this CD was recorded after a seven-hour drive in Germany with most of the musicians already suffering a bit from jet lag. The studio was hot and the repertoire was comprised of old warhorses. And yet, despite all of that, the music turned out to be quite magical. The all-star group (Sandke; trombonist Dan Barrett; Scott Robinson on tenor, bass sax, and cornet; pianist Mark Shane; guitarist/singer Marty Grosz; bassist Linc Milliman, and drummer Dave Ratajczak) managed to be quite inspired and the little arranged sections (probably by Barrett) were major assets. Highlights include "Broadway," "Rosetta," "After You've Gone," and "Mack the Knife." Recomended for small-group swing fans. ~ Scott Yanow   http://www.allmusic.com/album/broadway-mw0000050444

Personnel: Marty Grosz (vocals, guitar); Scott Robinson (tenor saxophone, baritone saxophone, cornet); Randy Sandke (trumpet); Dan Barrett (trombone); Mark Shane (piano); Dave Ratajczak (drums).

Tuesday, October 22, 2013

Various - Swingin' The Blues

Bitrate: 320K/s
Time: 49:56
Size: 114.3 MB
Styles: Big band
Year: 2009
Art: Front

[5:20] 1. Swingin' The Blues
[3:13] 2. Moten Swing
[5:08] 3. Blue And Sentimental
[3:49] 4. April In Paris
[5:14] 5. Lil' Darlin'
[3:36] 6. Big Noise From Winnetka
[8:09] 7. Broadway
[6:01] 8. Baby Won't You Please Come Home
[9:22] 9. The King

Randy Sandke's second volume of a concert salute to Count Basie is equal to the earlier CD. Sandke has long been underrated as a soloist, but he more than proves himself. These performances, utilizing both new charts by bandmembers as well as tried and true scores, have the feeling of Basie-type head arrangements, flowing easily yet swinging hard. Yet none of the music comes across as a museum-piece re-creation; rather, the selections featured here are updated treatments of favorites. Joining him are trombonist Dan Barrett, multi-reed player Brian Ogilvie, tenor saxophonist (and Basie alum) Billy Mitchell, pianist Mark Shane, guitarist James Chirillo, drummer Joe Ascione, and the legendary bassist and composer Bob Haggart. Mitchell arranged the lush chart of "Blue and Sentimental" and Sandke shines in "April in Paris," while omitting the traditional (if trite) quote of "Pop Goes the Weasel." The one non-Basie-related track is Haggart's fun-filled duet with Ascione of "Big Noise from Winnetka," which dates from his days as a member of Bob Crosby's Bobcats. All in all, this is a very enjoyable tribute. ~ Ken Dryden

Features Randy Sandke, Dan Barrett, Brian Ogilvie, Billy Mitchell, Mark Shane, James Chirillo, Bob Haggart & Joe Ascione.
Swingin' The Blues