Friday, January 13, 2017

Joe Williams, Carmen McRae And Friends - Blues In My Heart

Bitrate: MP3@320K/s
Time: 62:03
Size: 142.1 MB
Styles: Urban blues, Jazz vocals
Year: 2001/2015
Art: Front

[3:08] 1. Suivez Le Chef
[2:56] 2. Work Song
[3:11] 3. Blues In My Heart
[6:39] 4. Just The Way You Are
[4:52] 5. Rock Rhythm
[3:19] 6. It Don't Mean A Thing
[3:53] 7. Them There Eyes
[5:48] 8. Body And Soul
[4:48] 9. Bowling Green
[4:32] 10. 'tis Autumn
[2:20] 11. Bye Bye Blackbird
[5:21] 12. Jungle Trap
[2:52] 13. End Of A Beautiful Friendship
[6:58] 14. Backbone
[1:19] 15. For Jammers Only

Blues In My Heart

Bob Dylan - Bringing It All Back Home

Bitrate: MP3@320K/s
Time: 46:53
Size: 107.3 MB
Styles: Folk rock
Year: 1965/2013
Art: Front

[2:20] 1. Subterranean Homesick Blues
[2:46] 2. She Belongs To Me
[3:54] 3. Maggie's Farm
[2:50] 4. Love Minus Zero
[3:04] 5. Outlaw Blues
[2:34] 6. On The Road Again
[6:29] 7. Bob Dylan's 115th Dream
[5:30] 8. Mr. Tambourine Man
[5:39] 9. Gates Of Eden
[4:12] 10. It's All Over Now, Baby Blue
[7:29] 11. It's Alright, Ma (I'm Only Bleeding)

With Another Side of Bob Dylan, Dylan had begun pushing past folk, and with Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it's not just that he went electric, either, rocking hard on "Subterranean Homesick Blues," "Maggie's Farm," and "Outlaw Blues"; it's that he's exploding with imagination throughout the record. After all, the music on its second side -- the nominal folk songs -- derive from the same vantage point as the rockers, leaving traditional folk concerns behind and delving deep into the personal. And this isn't just introspection, either, since the surreal paranoia on "It's Alright, Ma (I'm Only Bleeding)" and the whimsical poetry of "Mr. Tambourine Man" are individual, yet not personal. And that's just the tip of the iceberg, really, as he writes uncommonly beautiful love songs ("She Belongs to Me," "Love Minus Zero/No Limit") that sit alongside uncommonly funny fantasias ("On the Road Again," "Bob Dylan's 115th Dream"). This is the point where Dylan eclipses any conventional sense of folk and rewrites the rules of rock, making it safe for personal expression and poetry, not only making words mean as much as the music, but making the music an extension of the words. A truly remarkable album. ~Stephen Thomas Erlewine

Bringing It All Back Home

Gerry Mulligan, Ben Webster - The Complete Gerry Mulligan Meets Ben Webster Sessions (2-Disc Set)

Although an earlier CD added five previously unissued tracks to the original LP Gerry Mulligan Meets Ben Webster, this Verve Master Edition two-CD set adds just about everything else recorded during the two sessions that produced the original record, and also features 20-bit sound. Even though Gerry Mulligan was outspoken against issuing material omitted from his original recordings, it is a treat to hear how the songs evolved in the studio. Webster and Mulligan seem mutually inspired throughout the sessions, and strong performances by pianist Jimmy Rowles, bassist Leroy Vinnegar, and drummer Mel Lewis are of considerable help. The music is presented in the order in which it was recorded, with each CD devoted to a separate session. In both cases it is clear that the initial takes of music from the Ellington songbook ("In a Mellotone" and "Chelsea Bridge") are more focused than the follow-up versions. They only needed one try to nail "What Is This Thing Called Love?" (also left off the LP), in an understated setting that shows off their beautiful interplay. Their barely disguised reworking of "I Got Rhythm," called "Who's Got Rhythm," was likely an effortless performance, though Webster seems to briefly laugh in the middle of his solo. Webster's swinging "Fajista" opens the second date, followed by two takes of Mulligan's beautiful ballad "Tell Me When." Webster's "Blues in B-Flat" is another fine swinger inexplicably left off the LP, and Rowles kicks off the oldie "Sunday" with a brief stride piano introduction (something Webster played himself but rarely in a recording studio). Fans on a budget can probably make due with the earlier CD reissue but serious fans of Mulligan and/or Webster should invest in this very rewarding set instead. ~Ken Dryden

Album: The Complete Gerry Mulligan Meets Ben Webster Sessions (Disc 1)
Bitrate: MP3@320K/s
Time: 64:35
Size: 147.9 MB
Styles: Cool jazz
Year: 1997
Art: Front

[7:03] 1. In A Mellow Tone
[6:45] 2. In A Mellow Tone
[7:21] 3. What Is This Thing Called Love
[7:17] 4. Chelsea Bridge
[7:29] 5. Chelsea Bridge
[2:12] 6. Go Home
[9:58] 7. Go Home
[7:34] 8. Who's Got Rhythm
[5:40] 9. For Bessie
[1:44] 10. Go Home
[1:28] 11. Go Home

The Complete Gerry Mulligan Meets Ben Webster Sessions (Disc 1)

Album: The Complete Gerry Mulligan Meets Ben Webster Sessions (Disc 1)
Bitrate: MP3@320K/s
Time: 71:09
Size: 162.9 MB
Styles: Cool jazz
Year: 1999
Art: Front

[0:43] 1. Fajista
[6:21] 2. Fajista
[1:23] 3. Fajista
[5:46] 4. Fajista
[4:42] 5. Tell Me When
[5:02] 6. Tell Me When
[2:32] 7. Blues In B Flat
[8:04] 8. Blues In B Flat
[7:21] 9. Blues In B Flat
[3:14] 10. The Cat Walk
[5:38] 11. The Catwalk
[2:04] 12. The Catwalk
[5:41] 13. The Cat Walk
[5:09] 14. Sunday
[7:20] 15. Sunday

The Complete Gerry Mulligan Meets Ben Webster Sessions (Disc 1)

Kenny Ball & His Jazzmen - That's A Plenty

Bitrate: MP3@320K/s
Time: 60:29
Size: 138.5 MB
Styles: Dixieland
Year: 1999/2008
Art: Front

[4:53] 1. That's A Plenty
[3:41] 2. Sunday
[4:21] 3. Savoy Blues
[3:09] 4. Autumn Leaves
[3:33] 5. Blueberry Hill
[3:05] 6. At A Georgia Camp Meeting
[2:47] 7. Lazy River
[2:30] 8. Way Down Yonder In New Orleans
[2:52] 9. You're Nicked
[4:41] 10. West End Blues
[3:46] 11. Ain't Misbehavin'
[3:17] 12. Get Out Of Here
[2:45] 13. My Blue Heaven
[6:16] 14. Tishmingo Blues
[4:09] 15. Beautiful Dreamer
[4:33] 16. Riverboat Shuffle

English jazz musician Kenny Ball was born Kenneth Daniel Ball on May 22, 1930 in Ilford, Essex, England. During his teens Ball first worked as a clerk in an advertising agency to make ends meet. At the same time, he also took trumpet lessons. When Ball was promoted as a salesman, he started performing in some bands as his sideline. In 1953, he became a professional trumpeter, performing with the bands of Sid Phillips, Terry Lighftoot, Charlie Galbraith and Eric Delaney.

After playing for several bands, Ball eventually formed his own band in 1958 called Kenny Ball and his Jazzmen. In 1961, the band recorded Cole Porter’s original “Samantha.” The song became a hit in the U.K. which peaked at #13. Later, a bigger success came with the release of “Midnight in Moscow.” It went to #2 on both US Billboard Hot 100 and the U.K. charts. It sold over a million copies and earned a gold disc. In 1962, it was followed by “March of the Siamese Children” which was included in The King and I soundtrack. It peaked at #4 on the U.K. charts.

One of Ball’s notable releases was The Best of Ball, Barber and Bilk, which he recorded with rival contemporaries Acker Bilk and Chris Barber. It soared to the top of the UK albums chart in 1966.

While Ball was being noted as a one-hit wonder in the U.S., he was hugely popular in the U.K. He had been on the cover of July 1962 issue of New Musical Express along with Cliff Richard, Craig Douglas, Brenda Lee, Joe Brown and Frank Ifield. In the winter of 1963, Ball performed in the biggest trad jazz event held in Alexandra Palace. Later that year, he appeared in Gene Vincent’s movie, Live It Up! and became the first English jazzman who was granted an honorary citizen of New Orleans. In 1968, he and his band toured with Louis Armstrong for his last European shows. During the 1970’s, he became a part of the first six series of BBC’s Morecambe and Wise Show. In 1981, he performed at the wedding reception of Prince Charles and Lady Diana which he considered the peak of his career.

That's A Plenty

Joshua Breakstone - The Music Of Bud Powell

Bitrate: MP3@320K/s
Time: 56:02
Size: 128.3 MB
Styles: Guitar jazz
Year: 2000
Art: Front

[3:58] 1. Tempus Fugit
[6:29] 2. Una Noche Con Francis
[6:17] 3. Strictly Confidential
[4:20] 4. Elegy
[8:49] 5. Celia
[7:56] 6. Un Poco Loco
[4:30] 7. Sub City
[3:40] 8. Comin' Up
[6:30] 9. Time Waits
[3:30] 10. The Scene Changes

As Breakstone points out in his notes, Bud Powell is severely underrated as a composer. What credit he does get (and it is nowhere near enough) is as a soloist. A guitar-trio record wouldn't seem the ideal showcase for Bud's richly harmonized compositions, but the lines stand well on their own, and the setting of Un Poco Loco is most impressive.

Breakstone is a fluid and convincing soloist with a style perfectly suited to Bud's bop. His lines build logically and even at breakneck speed he's in command of his box. I like the way he paces himself, developing his ideas in a leisurely way even when they involve a long stream of eighth notes. I also like the way he refers back to the melodies and his penchant for sly, unobvious quotes (was that the "Harlem Nocturne" bridge in the middle of "Una Noche Con Francis"? Sure was.)

Keith Copeland proves his considerable worth as a big-eared drummer, and Earl Sauls has a great bass sound and understands the importance of staying out of the leader's way. The trio interplay is terrific, the guitar soloing top-notch, and the choice of material exemplary. How can you go wrong? ~Duck Baker

The Music Of Bud Powell                 

Elaine Delmar, Brian Dee Trio - The Spirit Of The Song

Bitrate: MP3@320K/s
Time: 54:51
Size: 125.6 MB
Styles: Jazz vocals
Year: 1990
Art: Front

[3:48] 1. Honeysuckle Rose
[4:22] 2. Like A Lover
[2:07] 3. Old Man River
[3:28] 4. I've Grown Accustomed To His Face
[3:28] 5. All The Things You Are
[3:35] 6. Wait Till You See Him
[2:05] 7. If Love Were All
[3:55] 8. Just One Of Those Things
[4:58] 9. I Loves You Porgy
[3:15] 10. There'll Be Some Changes Made
[5:15] 11. Halcyon Days
[3:38] 12. Getting To Know You
[4:31] 13. Sophisticated Lady
[3:31] 14. Tea For Two
[2:47] 15. Guess Who I Saw Today

Bass – Mario Castronari; Drums – Frank Gibson; Piano – Brian Dee; Vocals – Elaine Delmar.

The daughter of late Jamaica-born jazz pianist Leslie "Jiver" Hutchinson, Elaine Delmar is one of England's truly loved entertainers. Having made her debut as a pianist on BBC radio show The Children's Hour at the age of 13, Hutchinson has gone on to balance a career as a solo performer on England's club circuit and appearances in musical theater productions. She appeared in a 1962 revival of Finian's Rainbow in Liverpool and has appeared in such London productions as No Strings, Cowardly Custard, Bubbling Brown Sugar, and The Wiz. She made her Broadway debut in the 1985 production Goes to Hollywood, featuring music by Jerome Kern. She toured with actor/singer Paul Jones in Let's Do It, celebrating the 100th birthday of Cole Porter, in 1991. Reuniting with Jones two years later, she appeared in a series of concerts, Hooray for Hollywood, that featured songs from Porgy & Bess, Annie Get Your Gun, and Top Hat. Delmar appeared as a princess in Ken Russell's 1974 biopic Mahler, based on the life of Austrian conductor/composer Gustav Mahler. A member of her father's band, while still in high school Delmar performed at United States Air Force bases in England throughout the late '50s. She was touring with the group when her father died in a fatal auto accident in 1959. ~ bio by Craig Harris

The Spirit Of The Song     

Roberto Menescal - Jazz & Bossa 1 & 2

Roberto Menescal (born October 25, 1937) is a Brazilian composer, producer, guitarist/vocalist, important to the founding of bossa nova. In many of his songs there are references to things related to the sea, including his best-known composition "O Barquinho" ("Little Boat"). He is also known for work with Carlos Lyra, Nara Leão, Wanda Sá, Ale Vanzella, and many others. Menescal has performed in a variety of Latin music mediums, including Música popular brasileira (Brazilian pop), Bossa Nova and Samba. He was nominated for a Latin Grammy for his work with his son's bossa group Bossacucanova in 2002 and received the "2013 Latin Recording Academy Special Awards" in Las Vegas in November 2013.

Album: Jazz & Bossa
Bitrate: MP3@320K/s
Time: 38:23
Size: 87.9 MB
Styles: Bossa Nova
Year: 2013
Art: Front

[2:59] 1. Garota De Ipanema
[3:08] 2. The Lady Is A Tramp
[3:08] 3. Meditacao
[4:00] 4. Tenderly
[2:07] 5. Samba De Uma Nota Só
[3:21] 6. Take Five
[2:38] 7. Só Danço Samba
[4:11] 8. Secret Love
[2:59] 9. Samba Do Avião
[2:55] 10. Satin Doll
[3:20] 11. Só Tinha Que Ser Com Você
[3:32] 12. Corcovado

Jazz & Bossa

Album: Jazz & Bossa 2
Bitrate: MP3@320K/s
Time: 45:41
Size: 104.6 MB
Styles: Bossa Nova
Year: 2013
Art: Front

[4:50] 1. Summertime
[3:06] 2. O Barquinho
[4:21] 3. Night In Tunisia
[4:45] 4. Água De Beber
[2:33] 5. Cheek To Cheek
[2:10] 6. Influência Do Jazz
[4:20] 7. My Funny Valentine
[3:18] 8. Ela é Carioca
[4:34] 9. All The Things You Are
[2:59] 10. Você
[4:16] 11. Round Midnight
[4:22] 12. Manhã De Carnaval

Jazz & Bossa 2

John Donaldson, Oli Hayhurst, Asaf Sirkis - Music Box

Bitrate: MP3@320K/s
Time: 46:36
Size: 106.7 MB
Styles: Piano jazz
Year: 2006
Art: Front

[2:55] 1. Trinkle Tinkle
[5:48] 2. Light Blue
[3:50] 3. Petrucciani
[1:48] 4. Unknown
[7:32] 5. Pearl's Song
[5:41] 6. What's New
[5:30] 7. Dis Here
[2:03] 8. Music Box
[7:43] 9. Hey There
[3:41] 10. We Will Meet Again

From top UK pianist a beautifully recorded New Piano Trio featuring Asaf Sirkis and Oli Hayhurst. Originals compositions, Monk Tunes and standards.

"The album is simply superb, fluent, flowing pianistics set against a busy, energetic polyrhythmic drum and bass support. Altogether a magnificent piano album." ~Chris Yates

Music Box