Showing posts with label Andy Biskin. Show all posts
Showing posts with label Andy Biskin. Show all posts

Monday, September 21, 2020

Andy Biskin - Early American: The Melodies of Stephen Foster

Styles: Clarinet Jazz
Year: 2006
File: MP3@320K/s
Time: 56:12
Size: 130,7 MB
Art: Front

(0:41) 1. My Old Kentucky Home, Good-Night!
(2:16) 2. Jeanie With the Light Brown Hair
(5:12) 3. Early American
(3:20) 4. Camptown Races
(3:04) 5. Journey Cake
(3:39) 6. Oh! Susanna
(3:18) 7. Fits and Starts
(2:49) 8. Hard Times Come Again No More
(3:44) 9. Nelly Bly
(3:21) 10. Thin King Thinking
(2:55) 11. Old Folks at Home
(5:31) 12. Old Black Joe
(3:18) 13. Dom Casual
(5:56) 14. There's a Good Time Coming
(3:15) 15. Beautiful Dreamer
(2:56) 16. Kid Proof
(0:51) 17. Old Folks at Home

The songs of Stephen Foster (1826-64) seem to have seeped into our American DNA, especially for those of us of a certain age. We sang "Oh! Susanna," "Old Folks," "Camptown Races" and other Foster gems in elementary school badly, if memory serves me, with an unrestrained, window-rattling youthful gusto on "Oh! Susanna." Those melodies are part of us now. New York-based clarinetist Andy Biskin discovered the simple beauty and straightforward storytelling aspects of Foster's melodies after a chance playing of "I Dream of Jeannie With the Light Brown Hair" on a restaurant gig. He has since developed a deep interest in Foster's material that he brings to the fore on Early American.

Biskin and his cohorts Pete McCann (guitar and banjo), Chris Washburne (trombone, tuba) and John Hollenbeck (drums) craft a sometimes light-hearted and often whimsical sound, infused with warmth and an old-timey feeling, as they play some of Foster's best-known songs. You could call it Americana folk music chamber jazz, with a forward-leaning focus when Biskin's arrangements give the familiar melodies some idiosyncratic twists and turns, updating these timeless sounds with the likes of McCann's searing electric guitar solo on "There's a Good Time Coming."

Biskin slips in six of his own compositions to complement Foster's songs. On his "Thin King Thinking" the clarinet sings the blues in front of a thick tuba growl, before the band slides into an loose-limbed disassemble, like a drunken house band in a mid-19th Century house of ill repute; and on "Kid Proof" the group romps, taking turns, sharing the moments of sound a tuba huff, then a drum clitter-clat and a clarinet trill, the guitar issuing spikey notes all around them. The opening and closing tracks are brief moments (less than a minute each) from just after Foster's time, the tinkle of a wind-up music box from the late-1800s playing "My Old Kentucy Home, Good Night!" and "Old Folks at Home." In between you hear Andy Biskin's updated yet still reverent take on the sounds of Stephen Foster. ~ Dan McClenaghan https://www.allaboutjazz.com/early-american-the-melodies-of-stephen-foster-andy-biskin-strudelmedia-review-by-dan-mcclenaghan.php

Personnel: Andy Biskin: clarinet; Pete McCann: guitar, banjo; Chris Washburne: trombone, tuba; John Hollenbeck: drums, percussion.

Early American: The Melodies of Stephen Foster

Saturday, September 5, 2020

Andy Biskin - Trio Tragico

Styles: Clarinet Jazz
Year: 2006
File: MP3@320K/s
Time: 63:00
Size: 146,3 MB
Art: Front

(5:33)  1. Boomerang
(6:13)  2. I Should Talk
(5:05)  3. Hey Day
(5:28)  4. Walking Distance
(4:15)  5. I Think Not
(5:18)  6. You That Knew Him
(4:32)  7. Paging Mr. Yes
(2:59)  8. Night Shade
(4:52)  9. Over the Years
(6:10) 10. Top Left Corner
(4:04) 11. Still Busy (the Honk Honk Song)
(5:38) 12. You Who
(2:48) 13. Plaything

Released in tandem with Early American (an exploration of the music of Stephen Foster), Trio Tragico showcases clarinetist Andy Biskin working within the confines of an unconventional chamber-jazz trio. With characteristic wit, the composer delivers an album that is not nearly as melodramatic as the title implies. Biskin enjoys a sublime foil in the rich and classically pure trumpet of Dave Ballou. Ubiquitous Downtown bassist Drew Gress is the fulcrum on which the two horn players pivot. With no drummer present, his lines support not only the pulse, but the principal melody and implied harmonies as well. A mercurial writer and economical improviser, Biskin's sense of humor seeps into his music in subtle ways. While the trio occasionally flirts with melancholy, it never sounds morose. Embracing postmodern irony, but without the cool detached attitude, Biskin and company plot a lyrically poignant course that's unfettered by stylistic conventions.

"Boomerang" opens the album with a solemn refrain, recalling an Old World dirge by blending mournful clarinet, somber trumpet and plangent bowed bass. Suddenly, the tune comes alive; the bass bounds into a brisk walking pattern, launching a jubilant clarinet flight, followed by an equally ebullient trumpet solo. The horns weave a sonorous web, accompanying each other throughout, and Gress takes a brief statement before the collective finish. The baroque-inspired composition "Over The Years" follows a similarly whimsical strategy. Biskin maintains straight-laced classicism, intermittently inserting searing Yiddish doina laments, then just as abruptly returning to the formal structure. The trio generates more than just pleasant melodies; compare the rich harmonies of "Hey Day" to the folksy, see-saw jauntiness of "Walking Distance," with its fractured lullaby ambience. The infectious "Paging Mr. Yes," while outwardly reminiscent of an early two-step, employs shades of an impulsive, Ivesian nature. Biskin's pieces are enigmatic but always accessible, from the gorgeous balladry and Middle Eastern flourishes of "I Should Talk" to sprightly bop pieces such as "I Think Not" and "Plaything." The trio blends subtle improvisation and nuanced group interaction so seamlessly into Biskin's compositions that the dividing line between the two vanishes. With creative arrangements and stellar interplay, Trio Tragico invokes a broad sonic palette, bringing these enchanting pieces to life. Whether exploring tangos, marches, Dixieland, bebop or any number of early American song forms, Biskin's trio handles it all with respect and good humor.~ Troy Collins https://www.allaboutjazz.com/trio-tragico-andy-biskin-strudelmedia-review-by-troy-collins.php

Personnel: Andy Biskin: clarinet, bass clarinet; Dave Ballou: trumpet; Drew Gress: bass.

Trio Tragico