Time: 61:51
File: MP3 @ 320K/s
Released: 2014
Styles: Brazilian Jazz & Rhythms
Art: Front
01. Vila Fachini (4:35)
02. Cote D'azur (5:13)
03. Ja Sei Que E (3:58)
04. Attitude (5:50)
05. Sera Que E Sambista (6:23)
06. Pino De Gente (5:37)
07. Algarve (5:50)
08. Santa Cecilia (4:30)
09. Mythen (4:28)
10. Joaozinho (6:03)
11. Maestro Alba (4:13)
12. A Flor Da Pele (5:07)
At the age of six, in the decade of 80, in São Paulo, the boy Floriano Inácio Júnior gains of the father two unusual toys: a small accordion and a tambourine. The boy put aside them to, six years after, have a new contact with the cavaquinho and discover the music as vocation. Today, with 27 years old, the piano keeps company with the cavaquinho as his two work instruments in Switzerland, where he lives since 1999.
At the age of 12, the paulistano starts to play and accompany singers in the city. With a keyboardist colleague of a samba group, he realizes that he had a way with the keyboard. He starts to play every night in Santana, quarter of São Paulo´s capital. In this interval he meets the musicians Luís Cláudio e Denden, two lovers of choro. In São Paulo, he starts to play at RG Samba and travels all over Brazil with groups like Soweto (Belo), Gamação and Moleque Travesso. He begins to interest oneself in jazz, when he knows the maestro Louis Alba, on of his mentors.
In 1999, he receives an invitation to present in Switzerland. Back to Brazil he is invited to play again in the country and decides to study there. In his academic resumé appear the Geneva Conservatory of Music, in the professional class of jazz, and the Musikhochschule Luzern. In Switzerland, Floriano played with musicians of the caliber of Ademir Cândido, Rodrigo Botter-Maio, Diana Miranda, Rubens Jacob, Rafael Lima, Rogério Botter-Maio and Realce band. And he played in places like the pubs Bird"s Eye (Basel) and Moods (Zürich) and the Luzern Theater. He still participated of festivals like Montreux, Bellinzona, Le Locle, Flims, Verona, Barcelona, Coubur and Trier.
At the age of 12, the paulistano starts to play and accompany singers in the city. With a keyboardist colleague of a samba group, he realizes that he had a way with the keyboard. He starts to play every night in Santana, quarter of São Paulo´s capital. In this interval he meets the musicians Luís Cláudio e Denden, two lovers of choro. In São Paulo, he starts to play at RG Samba and travels all over Brazil with groups like Soweto (Belo), Gamação and Moleque Travesso. He begins to interest oneself in jazz, when he knows the maestro Louis Alba, on of his mentors.
In 1999, he receives an invitation to present in Switzerland. Back to Brazil he is invited to play again in the country and decides to study there. In his academic resumé appear the Geneva Conservatory of Music, in the professional class of jazz, and the Musikhochschule Luzern. In Switzerland, Floriano played with musicians of the caliber of Ademir Cândido, Rodrigo Botter-Maio, Diana Miranda, Rubens Jacob, Rafael Lima, Rogério Botter-Maio and Realce band. And he played in places like the pubs Bird"s Eye (Basel) and Moods (Zürich) and the Luzern Theater. He still participated of festivals like Montreux, Bellinzona, Le Locle, Flims, Verona, Barcelona, Coubur and Trier.
Attitude