Sunday, January 22, 2023

Jan Lundgren Trio - Charade

Styles: Piano Jazz
Year: 2002
File: MP3@320K/s
Time: 54:24
Size: 125,5 MB
Art: Front

(5:31) 1. Cocktail for Two
(4:36) 2. Charade
(3:12) 3. Nature Boy
(5:09) 4. I'm in the Mood for Love
(5:43) 5. Hush Bye
(5:12) 6. Moonlight in Vermont
(4:04) 7. Blue Skies
(5:52) 8. I Don't Know What Time It Was
(7:31) 9. Secret Love
(7:30) 10. Lullaby of the Leaves

Lundgren, born in Kristianstad in southern Sweden on March 22nd 1966, and raised in Ronneby, Blekinge, had his first piano lessons at age five. He was soon discovered to have an exceptional musical talent. After a long period of classical training, he discovered jazz more or less by chance in the late 1980’s. He was instantly hooked, rapidly absorbed the jazz piano tradition from Oscar Peterson, Erroll Garner to Bud Powell and Bill Evans, and acquired a depth of knowledge of the Great American Songbook like possibly no other European jazz pianist.

While sailing through his studies at the renowned Royal College of Music in Malmö, he also took up a busy schedule as a professional musician that quickly helped to build his reputation in Sweden. Discovered by Swedish bebop legend Arne Domnérus, he frequently played with other Swedish stars like Putte Wickman and Bernt Rosengren.

Lundgren’s debut album “Conclusion” was released in 1994, and propelled his career firmly forward. The following year saw the formation of the Jan Lundgren Trio with long time student associates Mattias Svensson (bass) and Rasmus Kihlberg (drums), who was replaced in the beginning of the year 2000 by the Dane Morten Lund. This steady band recorded seven well-received and commercially very successful albums for the Swedish label “Sittel” in the period up to 2003. The album “Swedish Standards”, released in 1997 even became a bestseller and reached a place in the Swedish pop charts. But the album “Landscapes” (2003) sold comparably and both releases soon became classics due to their linking Swedish folk music and jazz. The band’s intense tour schedule founds a temporary peak in a concert at Carnegie Hall as part of “Swedish Jazz salutes the USA”.

As a sideman, Lundgren has accompanied such greats as Johnny Griffin, Benny Golson, Herb Geller, James Moody, or singer Stacey Kent. He has also shared the stage with ACT-artist Ulf Wakenius a number of times. Jan Lundgren has been awarded a number of prizes since the early 90’s: In 1997 “Swedish Standards” became “best jazz album of the year”. He was nominated for the “Swedish Grammy” in 1995, 1997 and 2008 and the “Swedish Django d’Or Prize” in 1998, 2001 and 2002.

Having visited a long list of European territories and venues, Lundgren has also been on extended tours of Australia and Japan. He has visited the USA about 15 times and recorded some well-received albums for the label “Fresh Sound”. In 2006 Lundgren becomes part of the ACT family: Initially he was featured as a sideman on the Ida Sand album Meet Me Around Midnight (ACT 9716-2). In July 2007 he released his first ACT album Fresu – Galliano – Lundgren: Mare Nostrum (ACT 9466-2), followed by Magnum Mysterium (ACT 9457-2), which will be released in November of 2007.

In 2008 Lundgren could reap the fruits of his labour, and his Mare Nostrum was performed in front of sold out houses on prestigious stages throughout Europe (Salle Gaveau – Paris, Tonhalle – Zurich, Victoria Hall – Geneva, Teatro Dante Aligheri – Ravenna, S. Caecilia – Rome …) as well as at Jazz Baltica, the North Sea Jazz Festival, and the Istanbul Jazz Festival. There are many good reasons why the band has been called “the first European super group”.

In the same year Lundgren was honoured with the Swedish Django d’Or, and began a collaboration with the classical trumpet player H?kan Hardenberger and the Swedish writer Jacques Werup an exiting melange of modern classical and free music, of jazz and compositions of Jan Lundgren.

Lundgren also brought the Jan Lundgren 3io back to life in 2008, albeit with a new drummer, Zoltan Csörsz Jr who proved to be a truly lucky catch for the trio. A new repertoire has resulted in the new ACT album European Standards (ACT 9482-2) which will be released in Mai 2009 together with the re-release of Swedish Standards (ACT 9022-2) from the ACT Jazz Classics series.

Lundgren is part of a remarkable and long tradition of innovative pianists from Sweden like Jan Johansson who passed away early, and in more recent times Bobo Stenson and Esbjörn Svensson. Lundgren has never made life easy for himself, and has always tried to utilize his phenomenal technique to enhance his musicality. His ability to integrate the most disparate musical influences into a fascinating whole is unique in itself. Whether its contemporary classical music, the inexhaustible northern folk tradition or the pulsating groove of jazz, deeply rooted in Afro-American music: Lundgren has a unique way of leading the listener on a voyage of discovery sometimes relaxed, sometimes utterly invigorating through his highly individual soundscapes.
https://www.allaboutjazz.com/musicians/jan-lundgren

Personnel: Jan Lundgren (piano); Jesper Lundgaard (bass); Alex Riel (drums)

Charade

Tracye Eileen - It's Time.

Styles: Vocal
Year: 2020
File: MP3@320K/s
Time: 26:15
Size: 60,4 MB
Art: Front

(4:21) 1. Somehow Someway
(3:51) 2. Now That We're Here
(4:52) 3. Sweeter With Time
(4:17) 4. Why Did I Say Yes?
(8:52) 5. Why Did I Say Yes? (House Remix)

Chicago born R&B/jazz singer Tracey Eileen is since eleven years in the music business and developed from a local player to an internationally known soul/R&B artist. Starting with her debut album Love's Journey in 2012 she arrived to her second album Why Did I Say Yes (2018). Her third project is the EP It's Time, which appears delayed by the pandemic in June 12, 2020.

Opener of the album is the single Somehow Someway, which like most of her songs deals with interpersonal relationships and also contains biographical elements. The song was produced by Kendall Duffie (Cloud 9), who also performs synthesizer, drum programming and synth bass on it.

Now That We’re Here is also a commitment to togetherness. Donald Hayes underlines the tenderness in Tracey's voice on saxophone. Sweeter With Time is a love ballade which focuses on the growth of love in a community. The special feature of Tracey's performance is not only her voice but also the ingenious use of her vocals in the arrangement, for which she constantly finds new approaches.

The EP also contains two interpretations of Why Did I Say Yes, a song which was already released on her second same-titled album. With this song she puts her love relationship to the test and questions its intending. Tired of the ups and downs she comes to the conclusion that what she called love never was. At the end she frees herself from the meaningfulness of her lyrics to almost symbolically enter into free jazz swing.

Traceye Eileen addresses with her album all those who like to combine reasonable lyrics with instrumental brilliance. With her sensual voice she is the perfect deliverer of her message.
http://www.smooth-jazz.de/InFokus/Eileen/ItsTime.htm

It's Time.

Ron Carter - Finding the Right Notes

Styles: Jazz, Post Bop
Year: 2022
File: MP3@320K/s
Time: 72:42
Size: 167,0 MB
Art: Front

(5:58) 1. Receipt, Please
(7:26) 2. Soft Winds
(6:11) 3. Flamenco Scetches
(8:25) 4. Bag's Groove (Feat. Stanley Clarke)
(7:21) 5. Willow Weep For Me (Feat. Christian Mcbride)
(9:42) 6. Blues For D.p.
(7:48) 7. Doom Mood
(6:19) 8. My Man's Gone Now (Feat. Bill Frisell)
(7:23) 9. A Nice Song
(6:04) 10. Sweet Lorraine (Feat. Jon Batiste)

On October 21st 2022, America's PBS channel screened a two-hour documentary about the life and work of Ron Carter titled Finding The Right Notes. This seventy-three minute CD is the soundtrack. It is a beauty, a roll-around-in feast of Carter's inimitable, sumptuous bass.

The ten tracks, recorded between 2014 and 2021 in Europe and America, has Carter in situations ranging from duos to a big band, playing jazz standards, songs from the Great American Songbook and his own compositions. One track was recorded at the Newport Jazz Festival, three at the WDR studio in Cologne, two in European concert halls, and in New York two at the Blue Note, one at the Harlem Jazz Museum, and one at the Power Station studio.

If all this sounds like a mish mash, it absolutely is not. The album is cohesive, bound together by Carter's bass, which is featured in all the arrangements, including those with the WDR big band, and by the nature of the tunes which, a couple of velvety swingers aside, are intimate and reflective. None of the material has previously been released and much of it was recorded specially for the documentary. Only one track does not quite come off, Ann Ronell's "Willow Weep For Me," a jam with fellow bassist Christian McBride at the Harlem Jazz Museum. Somehow a bit too much, it may have worked better on screen.

The other nine tracks are unalloyed delights. There are three with the big band, all Carter originals: "Receipt, Please," "Blues For D.P." and "Doom Mood" (a palindrome rather than an exercise in gloom). Two are with a trio featuring guitarist Russell Malone and pianist Donald Vega: Carter's exquisite "A Nice Song" and Fletcher Henderson's swinging "Soft Winds." One is a duet with guitarist Bill Frisell: George Gershwin's "My Man's Gone Now." One is a trio with Malone and bassist Stanley Clarke: Milt Jackson's "Bag's Groove." One is with a quartet with pianist Renee Rosnes, tenor saxophonist Jimmy Greene and drummer Payton Crossley: Miles Davis' "Flamenco Sketches" (check the YouTube below).

The disc closes with an impromptu swing through Cliff Burwell's "Sweet Lorraine" with pianist Jon Batiste. Hopefully, the movie will reach European screens shortly.
By Chris May https://www.allaboutjazz.com/finding-the-right-notes-ron-carter-in-out-records

Personnel: Ron Carter: bass.

Finding the Right Notes

Greta Panettieri - Into My Garden

Styles: Vocal And Guitar Jazz
Year: 2023
File: MP3@320K/s
Time: 39:33
Size: 91,2 MB
Art: Front

(4:27) 1. No More
(4:20) 2. Albero
(6:20) 3. In The Mood
(4:26) 4. I Believe In You
(4:14) 5. Oh Mia Cara Libertà
(5:56) 6. Guru's Way
(4:40) 7. Pensieri
(5:08) 8. How Do I

It's a golden moment for Greta Panettieri: a book that has just come out - the second , two radio programs , presence at international conferences and teaching at the IULM University of Milan and at the Conservatory. A whirlwind of experiences and emotions that led to the birth of the new and eighth album , Into my garden , to be published on 6 January 2023. Anticipated by the fascinating video clip of the song No more, presented in video première by Repubblica TV , Into my garden is the album of maturity, carefully composed, arranged and made during three long and intense years of work.

Seven original songs plus the cover of the Bob Dylan song I believe in you , with music and lyrics signed by Greta and her faithful producer Andrea Sammartino , who present themselves to the world as a tool to untie the knots of a contrasting and difficult to understand world interpret unambiguously and definitively.

Both in the recording studio and in live performances, Greta Panettieri accompanies her voice with the acoustic guitar. Around her a string quartet curated by the violist Chiara Ciancone and the classic bass, piano and drums trio with Daniele Mencarelli, Andrea Sammartino and Alessandro Paternesi, interventions by the guitarist Angelo Lazzeri and the trumpeter Fulvio Sigurtà who give the album a touch of electronics: five musicians with whom Greta has been collaborating for some time, and who complete her soul that has always been multi-stylistic and eclectic, which over the years has expressed itself at the highest levels and with innate dexterity between jazz, pop, R&B, Bossa Nova, adding distant echoes of classical music, ethnic and traditional music.

Of the seven new unreleased songs Greta writes: “ I tried to shed light inside myself, simplifying the writing to untie the knots I've been dealing with in recent times: reflections, sensations, sometimes conflicting but strong and clear emotions. I chose to reinterpret Bob Dylan's I believe in you as a message of encouragement for the new generations, Dylan addresses God, I ... I believe in young people."

The songs are, as always, very eclectic and different from each other: the style and the suggestions go through swing, afrobeat, contemporary R&B groove and pop, up to warmer almost country-folk sounds , with a common threadrepresented by the lyrics or by some melodic cells that are re-proposed in new forms within the songs.

If with the album Collection (released in 2020) Greta had declared a first cycle of music closed, Into my garden represents a beginning with a new artistic maturity. Recorded at 96,000 khz 24bit, so that it can also be listened to by those looking for high quality and definition sound, the disc bears the mark of the unmistakable work of Andrea Sammartino, artistic and life partner, who once again edited from A to Z the production, from the writing of the songs done together with Greta, to the sumptuous and sparkling arrangements, to the studio recording with the musicians, up to the crucial moment of mixing and mastering.

Greta Panettieri :“The composition of “Into my garden” began during the first lockdown and with Andrea we had just bought a microphone to record the sounds of the garden: rain, wind, birds - which every time we record they get on the balcony to chirp! - footsteps on the gravel...These sounds are present in the album and all the lyrics were written on the veranda where I definitely let myself be inspired by the suggestions of nature..."

The words find their voice between English and Italian: "Each language has its own personality, brings with it an emotion and a whole sound legacy that helps me write and express a certain idea or emotion. When I write I let myself be guided by the sound of the words. In this album I don't use Portuguese, a language with which I usually enjoy a lot, but only English which helps me to be concise, and Italian with which I can express the complexity” .https://www.gretasbakerymusic.com/

Musicians: Greta Panettieri I: Vocals, guitar; Andrea Sammartino : Piano; Fulvio Sigurtà: Trumpet, flugelhorn, electronics; Angelo Lazzeri : Guitars; Daniele Mencarelli: Bass; Alessandro Paternesi: Drums; Andrea Libero I quote: 1 Violin; Carla Mulas Gonzàlez: 2 Violin; Chiara Ciancone: Viola ; Sara Ciancone: Cello

Into My Garden