Time: 68:40
Size: 157.2 MB
Styles: Piano jazz
Year: 1973/2016
Art: Front
[3:46] 1. Save It Pretty Mama
[2:55] 2. Bye Bye Baby
[4:20] 3. Smoke Rings
[8:00] 4. Shoe Shine Boy
[3:42] 5. Stanley Steamer
[4:15] 6. Bernie's Tune
[4:15] 7. Dream Of You
[4:05] 8. Undecided
[5:13] 9. Fatha's Blues
[4:19] 10. A Sunday Kind Of Love
[3:25] 11. I've Found A New Baby
[4:22] 12. Squeeze Me
[3:22] 13. Tosca's Dance
[3:36] 14. Jim
[5:21] 15. Black Coffee
[3:35] 16. You Always Hurt The One You Love
Bass – Richard Davis; Drums – Elvin Jones; Piano – Earl Hines.
Once called "the first modern jazz pianist," Earl Hines differed from the stride pianists of the 1920s by breaking up the stride rhythms with unusual accents from his left hand. While his right hand often played octaves so as to ring clearly over ensembles, Hines had the trickiest left hand in the business, often suspending time recklessly but without ever losing the beat. One of the all-time great pianists, Hines was a major influence on Teddy Wilson, Jess Stacy, Joe Sullivan, Nat King Cole, and even to an extent on Art Tatum. He was also an underrated composer responsible for "Rosetta," "My Monday Date," and "You Can Depend on Me," among others. ~Scott Yanow
Once called "the first modern jazz pianist," Earl Hines differed from the stride pianists of the 1920s by breaking up the stride rhythms with unusual accents from his left hand. While his right hand often played octaves so as to ring clearly over ensembles, Hines had the trickiest left hand in the business, often suspending time recklessly but without ever losing the beat. One of the all-time great pianists, Hines was a major influence on Teddy Wilson, Jess Stacy, Joe Sullivan, Nat King Cole, and even to an extent on Art Tatum. He was also an underrated composer responsible for "Rosetta," "My Monday Date," and "You Can Depend on Me," among others. ~Scott Yanow
The Mighty Fatha
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