Bobby Scott - The Compositions Of Bobby Scott

Styles: Piano Jazz
Year: 1955
File: MP3@320K/s
Time: 45:21
Size: 105,2 MB
Art: Front

(3:38)  1. Dot
(2:57)  2. Kwan Youen
(3:49)  3. Moon Tan
(4:16)  4. Betty
(4:10)  5. Aunt Sarah
(4:09)  6. Cerebellum
(2:19)  7. Wigwam
(4:03)  8. The Creed
(2:59)  9. Table Cloth Stomp
(2:59) 10. A Parable
(2:35) 11. The Wig
(2:45) 12. Count Bill
(4:36) 13. Makin' Whoopee (bonus track)

29 January 1937, New York City, New York, USA, d. 5 November 1990, New York City, New York, USA. Scott was a pianist, singer, composer, arranger, teacher and record producer. He also played several other instruments such as cello, bass, vibraphone, accordion and clarinet, but was mainly known for his jazz piano work and vocals. He attended Dorothea Anderson Follette’s School of Music, and then in 1949 studied composition with Edward Moritz, a former pupil of Claude Debussy. Despite his early classical training, Scott turned to jazz in his teens, and played with small bands led by the likes of Louis Prima, Tony Scott and Gene Krupa, with whom he cut some sides for Verve Records. From 1954, he recorded under his own name for labels such as Bethlehem, Savoy, Atlantic and ABC, and in 1956 had a US Top 20 hit with ‘Chain Gang’, written by Sol Quasha and Hank Yakus (not the Sam Cooke song). In 1960, Scott wrote the title theme for Shelagh Delaney’s play A Taste Of Honey, which became popular for pianist Martin Denny and, when Ric Marlow added a lyric, for Tony Bennett. It was also included on the Beatles’ first UK album. The song won a Grammy in 1962, and three more when Herb Alpert took it into the US Top 10 in 1965. In the early 60s Scott was the musical director for Dick Haymes for a time, and, as a pianist, arranger and record producer for Mercury Records, also maintained a close working relationship with Quincy Jones. Scott played piano on most of Jones’ Mercury albums, and accompanied Tania Vega and John Lee Hooker on Jones’ soundtrack music for the film The Color Purple (1986). As a producer, Scott supervised sessions for important artists such as Aretha Franklin, Marvin Gaye, Bobby Darin, Harry Belafonte and Sarah Vaughan. He discovered and recorded guitarist/vocalist Perry Miller, who changed his name to Jesse Colin Young, and he is also credited with taking singer Bobby Hebb back to Mercury, although Scott left the label before Hebb released his biggest hit, ‘Sunny’, in 1966.

Scott’s compositions included ‘He Ain’t Heavy, He’s My Brother’ (lyrics by Bob Russell), a hit for Neil Diamond (in 1970) and for the Hollies a year earlier and again in 1988, when it featured impressively in a UK television commercial for Miller Lite Lager; ‘Where Are You Going?’ (with Danny Meehan), sung by Joe Butler in the film Joe (1970); and ‘Slaves (Don’t You Know My Name?)’, performed by Dionne Warwick in the movie Slaves (1969). Scott also composed incidental music for the play Dinny And The Witches, and several pieces for harp and string trios, including ‘The Giacometti Variations’, so-called because it was part-used as a radio advertisement for the Giacometti Exhibition held at the New York Museum of Modern Art. His compositions for guitar included ‘Solitude Book’ and ‘The Book Of Hours’, the latter recorded with Brazilian guitarist Carlos Barbosa-Lima. For Sentimental Reasons displayed Scott simply as an accomplished pianist, who also sang. He died of lung cancer in the year of its release. http://www.oldies.com/artist-biography/Bobby-Scott.html

Personnel: Bobby Scott (arranger, piano); Hal McKusick, Charlie Mariano (alto saxophone); Bill Holman (tenor saxophone); Al Epstein, Jimmy Giuffre (baritone saxophone); Ronnie Woellmer, Conte Candoli (trumpet); Eddie Bert, Frank Rosolino (trombone); Milt Hinton, Max Bennett (bass); Osie Johnson, Stan Levey (drums).

The Compositions Of Bobby Scott

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