Thelonious Monk - Jazz After Midnight

Styles: Jazz
Year: 2013
File: MP3@320K/s
Time: 149:27
Size: 343,4 MB
Art: Front

(10:35)  1. Friday the Thirteenth
( 3:06)  2. Little Rootie-tootie
( 5:15)  3. The Way You Look Tonight
( 5:18)  4. Nutty
( 2:58)  5. Just a Gigolo
( 2:50)  6. Trinkle Tinkle
( 4:42)  7. I Don't Mean a Thing If Ain't
( 7:43)  8. Bemsha Swing
(13:08)  9. Bar-lue Bolivar Ba-lues-are
( 7:45) 10. I Wan't to Be Happy
( 3:27) 11. Black and Tan Fantasy
( 5:43) 12. I Let a Song Go Out of My Hear
( 2:47) 13. These Foolish Things
( 5:55) 14. I Got It Bad and That Ain't Go
( 2:46) 15. Bye-ya
( 3:45) 16. Solitude
( 7:46) 17. Brilliant Corners
( 4:30) 18. Sophisticated Lady
( 3:36) 19. Sweet and Lovely
( 3:08) 20. Monk's Dream
( 5:28) 21. I Surrender, Dear
( 3:11) 22. Bemsha Swing
( 5:20) 23. Work
( 2:48) 24. Reflections
( 3:15) 25. Mood Indigo
( 8:51) 26. Pannonica
( 7:38) 27. Blue Monk
( 5:58) 28. Caravan

The most important jazz musicians are the ones who are successful in creating their own original world of music with its own rules, logic, and surprises. Thelonious Monk, who was criticized by observers who failed to listen to his music on its own terms, suffered through a decade of neglect before he was suddenly acclaimed as a genius; his music had not changed one bit in the interim. In fact, one of the more remarkable aspects of Monk's music was that it was fully formed by 1947 and he saw no need to alter his playing or compositional style in the slightest during the next 25 years.

Thelonious Monk grew up in New York, started playing piano when he was around five, and had his first job touring as an accompanist to an evangelist. He was inspired by the Harlem stride pianists (James P. Johnson was a neighbor) and vestiges of that idiom can be heard in his later unaccompanied solos. However, when he was playing in the house band of Minton's Playhouse during 1940-1943, Monk was searching for his own individual style. Private recordings from the period find him sometimes resembling Teddy Wilson but starting to use more advanced rhythms and harmonies. He worked with Lucky Millinder a bit in 1942 and was with the Cootie Williams Orchestra briefly in 1944 (Williams recorded Monk's "Epistrophy" in 1942 and in 1944 was the first to record "'Round Midnight"), but it was when he became Coleman Hawkins' regular pianist that Monk was initially noticed. He cut a few titles with Hawkins (his recording debut) and, although some of Hawkins' fans complained about the eccentric pianist, the veteran tenor could sense the pianist's greatness.

The 1945-1954 period was very difficult for Thelonious Monk. Because he left a lot of space in his rhythmic solos and had an unusual technique, many people thought that he was an inferior pianist. His compositions were so advanced that the lazier bebop players (although not Dizzy Gillespie and Charlie Parker) assumed that he was crazy. And Thelonious Monk's name, appearance (he liked funny hats), and personality (an occasionally uncommunicative introvert) helped to brand him as some kind of nut. Fortunately, Alfred Lion of Blue Note believed in him and recorded Monk extensively during 1947-1948 and 1951-1952. He also recorded for Prestige during 1952-1954, had a solo set for Vogue in 1954 during a visit to Paris, and appeared on a Verve date with Bird and Diz. But work was very sporadic during this era and Monk had to struggle to make ends meet.... More Bio  https://itunes.apple.com/ca/artist/thelonious-monk/id45058#fullText

Jazz After Midnight

---

Emilie-Claire Barlow - Winter Wonderland

Bitrate: 320K/s
Time: 40:38
Size: 93.0 MB
Styles: Holiday
Year: 2006
Art: Front

[4:18] 1. What Are You Doing New Year's Eve
[4:31] 2. Winter Wonderland
[4:27] 3. Sleigh Ride
[3:09] 4. Santa Baby
[5:24] 5. Christmas Time Is Here
[4:20] 6. Baby, It's Cold Outside (Featuring Marc Jordan)
[3:43] 7. Little Jack Frost
[3:58] 8. I've Got My Love To Keep Me Warm
[3:17] 9. Let It Snow! Let It Snow! Let It Snow!
[3:25] 10. Angels' Lullaby

EMILIE-CLAIRE BARLOW (vocalist) was born June 6, 1976 in Toronto, Ontario, Canada to parents who are, themselves, respected jazz artists. Her mother is vocalist/composer/arranger Judy Tate and her father is celebrated jazz percussionist Brian Barlow. When the energetic, witty, and exceedingly talented jazz vocalist entertained a capacity crowd at Toronto’s Living Arts Centre on February 17, 2004, she became one of the youngest artists to ever headline a “Sound of Toronto Jazz” Concert, although already a veteran contributor to the city’s vibrant music scene.

A few years ago, CBC (Canada Now) called her “the next best thing in jazz”, but Emilie-Claire Barlow is hardly a newcomer to the music scene. She started her career as a singer and voice actor at the age of seven, lending her voice to various television and radio jingles and voice-overs, an aspect of voice work that still plays a major role in her busy performing life. For five years, she attended the Etobicoke School of the Arts studying musical theatre and dance, later focusing her studies on music theory and arranging at Toronto’s Humber College. It was during that time that she put her first jazz quartet together and quickly established a key place for herself on the Toronto jazz landscape.

The self-managed Barlow has been called a “truly independent artist”, exercising creative control in all aspects of her endeavors – arranging, producing, even conducting as necessary, and releasing her recordings on her own label, Empress Music Group.

Winter Wonderland

---

Hank Jones - Complete Original Trio Recordings

Bitrate: 320K/s

Time: 77:49

Size: 178.2 MB

Styles: Piano jazz

Year: 2012

Art: Front

[2:43] 1. You Go To My Head

[2:55] 2. Thad's Pad

[3:37] 3. Things Are So Pretty In The Spring

[2:45] 4. Little Girl Blue

[3:30] 5. Odd Number

[4:07] 6. We're All Together

[4:29] 7. Odd Number 2

[4:49] 8. We Could Make Such Beautiful Music Together

[3:29] 9. Now's The Time

[4:14] 10. Cyrano

[5:15] 11. There's A Small Hotel

[8:11] 12. My Funny Valentine

[5:51] 13. When Hearts Are Young

[5:33] 14. Little Girl Blue 2

[3:30] 15. Pretty Brown

[5:00] 16. Six And Four

[4:22] 17. The Party's Over

[3:21] 18. Have You Met Miss Jones

Contains all of Hank Jones' 1950s trio recordings as a leader. With the exception of an odd 1964 LP of ragtime music, Jones wouldn't record another trio session under his own name until 1975! Four bonus tracks have been added featuring the pianist in trios led by Elvin Jones, Aaron Bell and Charlie Smith.

Charles Mingus (bass); Max Roach (drums); Johnny Smith (guitar); Ray Brown (bass); Wendell Marshall (bass;) Kenny Clarke (drums); Art Davis (bass); Elvin Jones (drums); Aaron Bell (bass); Ed Thigpen (drums); Oscar Pettiford (bass); Charlie Smith (drums).

Complete Original Trio Recordings

---

Mathilde Santing - New Amsterdam

Bitrate: 320K/s
Time: 50:38
Size: 115.9 MB
Styles: Jazz vocals
Year: 2001
Art: Front

[4:44] 1. Ain't That Peculiar
[3:55] 2. Don't You Think I Oughtta Know
[4:05] 3. Light Out Of Darkness
[2:44] 4. All My Tomorrows
[4:31] 5. Luckybug
[5:26] 6. If I Were A Bell
[3:59] 7. In The Meantime
[4:17] 8. The First Time Ever I Saw Your Face
[3:38] 9. The Best Is Yet To Come
[4:07] 10. Don't Let The Sun Catch You Crying
[4:47] 11. The Deepest Sea
[4:19] 12. I've Been To Town

NEW AMSTERDAM is a 2001 album by Dutch jazz-pop singer Mathilde Santing, featuring a version of Ewan MacColl's "The First Time Ever I Saw Your Face." 2001 album from the Dutch chanteuse whose covers of great pop songs has established her as one of the premier singers of popular song.

The day after Mathilde Santing appeared on National TV she was the talk of the town. Her crystal-clear voice, her striking appearance and the intriguing instrument she played caused excitement all over the Netherlands.

Since that day the versatile Santing has made 18 albums that may differ in style and strength but have one common characteristic: Mathilde’s exceptional voice. With her adaption of jazz, pop, chansons and Dutch pop classics she has conquered the hearts of many. Mathilde has played and performed in musicals and was called the Dutch National Treasure by Todd Rundgren who she accompanied at a concert with the Metropolo Orchestra last November 2012.

Mathilde Santing has won several prestiguous Dutch awards and won three Edisons, the Dutch equivalent of the Grammy. In 2007 HRH Queen Beatrix of the Netherlands conferred a knighthood on Mathilde on behalf of her merits for the Netherlands culture. Whether Mathilde plays the Concertgebouw, the North Sea Jazz festival, for the entire Dutch Cabinet and the Prime Minister she touches people’s souls.

New Amsterdam

---

Tom Scott & The L.A. Express - Tom Cat

Bitrate: 320K/s
Time: 41:46
Size: 95.6 MB
Styles: Saxophone jazz, Funk
Year: 1975/2001
Art: Front

[5:07] 1. Rock Island Rocket
[3:39] 2. Tom Cat
[4:15] 3. Day Way
[3:04] 4. Keep On Doin' It
[4:13] 5. Love Poem
[4:43] 6. Good Evening Mr. & Mrs. America & All The Ships
[4:03] 7. Backfence Cattin'
[8:29] 8. Mondo
[4:09] 9. Refried

Despite the absence of Joe Sample and Larry Carlton, Tom Scott's L.A. Express remains very Crusaders-influenced on Tom Cat -- a highly accessible jazz-funk-R&B date that, as commercial as it is, leaves room for inspired blowing courtesy of both the leader and sidemen like electric guitarist Robben Ford and keyboardist Larry Nash. Sweaty, hard-hitting jazz-funk is the rule on such down-home grooves as "Good Evening Mr. & Mrs. America & All the Ships" and "Day Way," which allow the players to let loose, blow, and say what needs to be said. "Love Poem" is a pleasant, likable piece of delicate mood music (but not "Muzak"!) that features wordless vocals by pop-folk singer Joni Mitchell and has a slightly Flora Purim-ish appeal. Unfortunately, a CD as good as Tom Cat serves as a reminder of how dreadfully unimaginative most of Scott's GRP albums are. ~ Alex Henderson

Tom Scott (saxophone, woodwinds, moog synthesizer, lyricon, percussion); Joni Mitchell (vocals); Larry Nash (electric piano, organ, ARP synthesizer); Robben Ford (acoustic & electric guitars); Max Bennett (bass); John Guerin (drums, percussion).

Tom Cat

---

Trisha O'Brien - Out Of A Dream

Styles: Vocal
Year: 2010
File: MP3@320K/s
Time: 63:33
Size: 146,5 MB
Art: Front

(4:03)  1. Darling, Je Vous Aime Beaucoup
(4:01)  2. Taking A Chance On Love
(5:46)  3. I Had The Craziest Dream - You Stepped Out Of A Dream
(5:10)  4. It Might Be You
(4:55)  5. Deed I Do
(4:10)  6. Let's Get Lost
(4:39)  7. Follow The Fleet: Let's Face The Music And Dance
(4:33)  8. If I Should Lose You
(3:48)  9. It Could Happen To You
(4:22) 10. I Will Wait For You
(3:46) 11. I Love You
(5:32) 12. Everybody Loves My Baby
(4:37) 13. Help Me
(4:03) 14. In The Wee Small Hours

Trisha O'Brien is a fresh face and voice on the standardized jazz scene, and presents a program of familiar songs that concentrates on the imagination and what can or is fated to be. They're all love songs with a ray of hope and a smile that implies O'Brien is happy with life in general. Teamed with the always excellent Shelly Berg and his trio of bassist Peter Washington and drummer Lewis Nash, O'Brien has chosen a most professional team to back her. This combo on occasion includes Ken Peplowski for three tracks on tenor sax only (not clarinet,) reprising two-thirds of the group that the acclaimed woodwind master used on his 2010 album Noir Blue. It's a laid-back set of ballads with a few energetic numbers and Berg's rearrangements tossed in for kicks. Uniquely rendered is a light bossa version of Joni Mitchell's "Help Me," Cole Porter's "I Love You," and surprising 5/4 version of "Let's Get Lost". O'Brien specializes in smoky ballads, mixes French and English lyrics on a lone track, sometimes kicks into a slightly higher gear as on a dream medley, or matches Berg's punchy two-handed chords during a Latin-flavored "Let's Face the Music & Dance." While fairly safe and taking few chances, O'Brien's voice is lissome and slight, as the world-class musicians she has chosen give her a bigger swing springboard than she might otherwise be used to. It's a good vocal effort, musically better, in the general scheme of things, with promise for future endeavors. ~ Michael G.Nastos   

http://www.allmusic.com/album/out-of-a-dream-mw0001958213

Out Of A Dream

---

Mandy Barnett - Sweet Dreams

Styles: Country
Year: 2011
File: MP3@320K/s
Time: 38:04
Size: 87,7 MB
Art: Front

(3:05)  1. Always
(2:43)  2. Bill Bailey, Won't You Please Come Home
(3:27)  3. Crazy
(2:59)  4. I Fall to Pieces
(4:04)  5. Faded Love
(2:29)  6. Have You Ever Been Lonely
(2:56)  7. Life's Railway to Heaven
(3:32)  8. She's Got You
(3:48)  9. So Wrong
(2:49) 10. Strange
(2:22) 11. Walkin' After Midnight
(3:44) 12. Sweet Dreams

Born Amanda Carol Barnett, Mandy Barnett began singing as a child, winning the Best Country Act at Dollywood when she was only ten, and her mother started bringing her on trips to Nashville. As a teenager, she was signed by renowned talent scout and producer Jimmy Bowen, and eventually Asylum Records. An uncompromising singer whose style was rooted in the classic country of Patsy Cline, Jim Reeves, Webb Pierce, and Brenda Lee, Barnett's keen interpretive sense enabled her to delve into a song, study the intricacies of its emotional content, and render a powerful performance through her full-bodied voice. Her torchy delivery on her contemporary yet retro-sounding country and pop-tinged material recalled Patsy Cline, so it's no wonder that, while waiting to record her self-titled debut, she paid her bills by playing the legendary singer four nights a week and 26 weeks a year in the musical production Always...Patsy Cline at the Ryman Auditorium. She left Asylum for Sire Records with 1999's I've Got a Right to Cry. Winter Wonderland, a holiday album featuring a vintage Nashville sound, appeared from Rounder Records in 2010, followed by Sweet Dreams on Opry Records in 2011. ~ Bio https://itunes.apple.com/us/artist/mandy-barnett/id193416#fullText

Sweet Dreams

---

Todd Hildreth Trio - From The Hip

Styles: Straight-ahead/Mainstream
Year: 2005
File: MP3@320K/s
Time: 65:58
Size: 151,0 MB
Art: Front

( 5:44)  1. Wabash II
( 8:43)  2. Don't Let Me Down
( 6:18)  3. Black Nile
( 9:06)  4. Let Us Break Bread Together
(10:07)  5. Alone Together
(10:18)  6. A Day In The Life
( 8:45)  7. Clint Eastwood
( 6:54)  8. The Nearness Of You

The piano trio remains one of the most viable combinations in jazz. With this unit, you can interpret as you please, and still find plenty of room for exploration. The creative process seems to never run out of ideas when piano, double bass, and drum set provide all the necessary ingredients. Of course, it's still up to the "cooks" to measure those ingredients and put them together. The performance on Todd Hildreth's From the Hip can be enjoyed by jazz fans from all over the spectrum. His straight-ahead demeanor colors much of the album as he interprets standards and not-so-standard pieces with class. Hildreth's keyboard technique allows him to steer with clarity and sonority. There's excitement, too, as the pianist fires up driven passages and seasons them with traces of Thelonious Monk and Horace Silver.

The blues seems woven into everything that the trio puts forward. The pianist's surging motion through "Alone Together," the bassist's lyrical solo on "Wabash II," and the drummer's rolling cascades on "Black Nile," for example, serve to thoroughly coat each respective episode with blue currents. Each piece seems to build naturally to a powerfully creative climax. It's at this point that the musicians move outside the standard improvisational format and stretch their limits. Two Beatles numbers provide familiar refrains, while several others reach out to a larger audience. "Clint Eastwood," by the virtual band Gorillaz, lets the trio explore from a progressive jazz experience. The threesome moves this one with heightened emotional spirits that reflect a powerful groove. It's their best number. While the album's title sheds light on the manner in which each selection is ultimately interpreted (from the hip), this one piece stands out as the hippest of them all, as Hildreth and his two musical partners find themselves caught up in a thrilling groove. Todd Hildreth's recommended From the Hip offers something for all jazz fans and seasons the outcome with a heartfelt blues spirit. ~ Jim Santella   http://www.allaboutjazz.com/php/article.php?id=19970#.UpSuVeJc_vs

Personnel: Todd Hildreth: piano; Chris Fitzgerald: bass; Paul Culligan: drums.

From The Hip

---

Yoron Israel - Chicago

Styles: Jazz
Year: 1998
File: MP3@320K/s
Time: 70:21
Size: 161,0 MB
Art: Front

(6:48)  1. Nice and Easy
(6:13)  2. Trilogy
(9:36)  3. That's the Way of the World
(9:02)  4. Picket Fences
(7:22)  5. Valdez In the Country
(6:55)  6. Here Today Gone Tomorrow
(7:23)  7. Down Through the Years
(5:03)  8. Green's
(6:32)  9. Indigo Dreamscapes
(5:22) 10. Battery Blues

This is drummer Israel's third recording as a leader. He uses his Organic trio and quartet to showcase music written by Chicago natives, himself included. Guitarist Marvin Sewell and organist Larry Goldings contribute, as does saxophonist Joe Lovano, who shows up on three tracks. The music ranges from modern mainstream, instrumental blues or pop, to a zinger or two not necessarily thought of as organ combo material. Sewell is generally a joy to hear, as underdocumented as he is. His soulful inflections recall several guitarists, yet he retains his own identity. He offers down-home lines during Johnny Griffin's slow and bluesy "Nice & Easy," and during the more simmering "Battery Blues" by Julian Priester. Unfortunately, he fluffs the tricky melody of Grant Green's "Green's," but his good intentions remain. Goldings' corn-fed, natural sound on organ is a bit buried, more reticent than usual, but he's a good foil. 

For example, Donny Hathaway's "Valdez in the Country" implies samba patterns while Israel's brushes and Sewell's guitar weave their way in and Goldings works around them. This defines the trio best, and makes for a great interpretation. Israel wrote three of the ten selections, also being a native of Chicago. "Here Today, Gone Tomorrow" is an interesting combination of sounds, from the slinky beat of "Fever," to the intimate guitar melody reminiscent of Green's "It Ain't Necessarily So," and the harmonic inferences of "Killer Joe." Lovano is on tenor for Clifford Jordan's "Down Through the Years," evoking the soul and swing of the Windy City from a Clevelander's perspective. On the energetic six by eight Israel composition "Picket Fences" a sneaky, dynamic number with the leader wailing on a drum intro the band further coalesces. Israel's "Triology" swings in midtempo, allowing the drummer more than just some of the spotlight. However, Jack DeJohnette's light funk-inflected "Indigo Dreamscapes," and a version of Earth, Wind & Fire's "That's the Way of the World" with Lovano on soprano sax is eminently skippable. Sewell is the chestnut here: he understands economy and adds considerably to this recording. Israel himself is quite formidable, and the concept is one others can pick up and expound from. An album that collects the songs of Chicago's jazzmen is an idea that deserves more mining. ~ Michael G.Nastos   

http://www.allmusic.com/album/chicago-mw0000241791

Chicago

---

Martha Taylor LaCroix - Jazzily Seasoned With Martha Taylor Lacroix

Size: 117,7 MB
Time: 50:06
File: MP3 @ 320K/s
Released: 2013
Styles: Vocal Jazz
Art: Front

01. Midnight Sun (3:47)
02. Just About Everything (3:06)
03. Lush Life (3:41)
04. The Grass Is Greener (2:54)
05. Morning Star (3:03)
06. Never Will I Marry (1:50)
07. Rough For A While (3:47)
08. Twisted (3:28)
09. Guess Who I Saw Today (3:24)
10. Straight No Chaser (2:57)
11. We Tried (3:56)
12. Better Than Anything (2:47)
13. Chittlins In The White House (3:04)
14. Follow Your Road (3:36)
15. You're Gonna Hear From Me (4:38)

This is the first solo jazz album Martha Taylor LaCroix has recorded. However, jazz has been in her repertoire for over 20 years. “Consistently interesting” is how Ms. LaCroix was described by one reviewer. Her vocal stylings encompass a range of musical influences from spiritual classics to traditional jazz compositions. She joined the Dick Stabile (musical director for Dean Martin and Jerry Lewis) Orchestra in New Orleans as a vocalist & extended her professional chops as a singer with the chorus of the New Orleans Opera Company several years thereafter. She appeared on stage as backup singer to Lee Dorcey & Allen Toussant in New Orleans and was vocalist with the Ronnie Cole Trio performing at the very first New Orleans Jazz Festival. Like so many spirited musicians, Ms. LaCroix began singing as a child in the church of her legendary father, the Rev. Gardner C. Taylor at Concord Baptist Church in New York City. Her father inspired her first CD “Seasoned for Fathers.” On this cd,"Sweet Hour of Prayer" is her dad's favorite. Her sophomoric recording "The Reason - Seasoned for Christmas" is a collection of spiritual Christmas selections most notably her popular rendition of “I Give You Jesus” & "Mary Did You Know?."

Ms. LaCroix has released three recordings that reflect her varied musical interest. The most recent is a collection of jazz classics recorded and produced with legendary pianist and arranger Howlett Smith. This recording features some popular originals by Mr. Smith including, “Let’s Go Where the Grass is Greener” originally recorded by vocalist extraordinaire Nancy Wilson. Added to this collection of jazz favorites are a few beloved pieces not heard as often. As a special treat, Howlett Smith adds to the playlist originals recorded for the first time, ever. Titled “Jazzily Seasoned with Martha Taylor LaCroix,” this latest recording echoes the words of another reviewer who said; “Marti comes across with a cool, elegant, diamond-and-pearl restraint.”

Jazzily Seasoned With Martha Taylor Lacroix

---

Joe Caro & The Met Band - Live In New York City

Size: 181,2 MB
Time: 78:36
File: MP3 @ 320K/s
Released: 2013
Styles: Blues Jazz
Art: Front

01. Labor Of Love (7:24)
02. Someone Else Is Stepping In (10:14)
03. In The Name Of God (5:54)
04. Upper East Side Blues (11:20)
05. Strawberry Fields (4:48)
06. Love Don't Bother Me (9:02)
07. Mary Ann (8:31)
08. Time (6:56)
09. Seventh Son (7:13)
10. Going Home (7:10)

The new album entitled "Joe Caro & The Met Band - "Live in New York City" features Randy Brecker, Clifford Carter, Anton Fig, Conrad Korsch, Lou Marini and Lew Soloff.

Joe Caro is well known for his work in the New York underground scene fronting an allstar band which included Trumpeter Chris Botti, Saxman Lenny Pickett, and Late show Drummer Anton Fig performing every Tuesday night at the NYC club, The Metropolitan Café. What started out as a 2 week gig, went on for 8 years and became the home base for many New York City session musicians at a time when New York music clubs were far and few.

Joe Caro has recorded with many diverse artists such as Bette Midler, Blue Öyster Cult, Carly Simon, Dr. John, Michael Franks, Bobby McFerrin, Gato Barbieri, Michael McDonald, Fania Allstars, Chaka Khan, Irene Cara, Candido, Randy Brecker, Elements and many more.

He has also toured extensively with notables such as Dr. John, Herbie Mann, Carly Simon /James Taylor, Gato Barbieri, Michael Franks, Akiko Yano, played live and or TV for Jon Bon Jovi, Clint Black, Ashford and Simpson, Crosby, Stills and Nash, Roberta Flack,The Eagles, Brookes and Dunn, Sheryl Crow, Olivia Newton-John, James Taylor, Lenny Kravitz, Aretha Franklin, Willie Dixon, KD Lang, Stanley Clarke, Johnny Mathis, Luther Vandross.

Additionally, Joe has appeared with various artists and in the house bands on TV shows such as “The Late Show with David Letterman,” "Saturday Night Live" and "The Grammy Awards" and participated in countless recording sessions for TV commercials and movies.

Live In New York City

---

Antonio Zambujo - Lisboa 22:38: Ao Vivo No Coliseu

Size: 173,8 MB
Time: 74:03
File: MP3 @ 320K/s
Released: 2013
Styles: Fado, Fado Bossa Nova, Folk, World
Art: Front

01. A Casa Fechada (Fado Triplicado) (4:13)
02. Algo Estranho Acontece (3:47)
03. Fortuna (4:16)
04. Queria Conhecer-te Um Dia (3:24)
05. Flagrante (3:58)
06. Lambreta (2:53)
07. Guia (3:16)
08. Apelo (Fado Perseguiçao) (3:30)
09. Fado Desconcertado (1:58)
10. A Tua Frieza Gela (4:19)
11. Fado Da Vida Bela (3:35)
12. Noite Estrelada (3:25)
13. O Zorro (4:33)
14. Milagrario Pessoal (3:51)
15. Barroco Tropical (4:34)
16. Nao Me Dou Longe De Ti (Marcha Do Correeiro) (5:11)
17. Readers Digest (4:48)
18. Em Quatro Luas (3:45)
19. Despedida (Marcha Do Marceneiro) (4:37)

“His tone is always intimate as he sings about solitude and lost love. The microphone is his ally. It picks up every nuance of his small yet utterly expressive voice: a high, clear, precise yet melting tenor that suggests both Mr. Marceneiro and, from across the Atlantic, the Brazilian songwriter Caetano Veloso.” – The New York Times

Portuguese fado sensation Antonio Zambujo grew up immersed in the classic rhythm of Portugal. As a teen he moved to Lisbon and joined the prestigious Clube de Fado in the Alfama district, the music’s heartland. Fado is infused with the indescribable Portuguese word “saudade”, a sense of longing and nostalgia, and fills the taverns and concert halls with a melancholy sense of beauty. Akin to blues and flamenco, fado has become synonymous with Portugal, and usually features the lovely Portuguese guitar and a reverence for the power of the human voice.

Zambujo has stepped into big shoes as fado’s new heartthrob. He gained fame playing the part of Francisco Cruz, first husband of fado diva Amalia Rodrigues, in the smash hit Amália. Since his debut CD in 2002, he has toured internationally, and been awarded countless honors.

Lisboa 22.38: Ao Vivo No Coliseu

---

Brian McKnight - I'll Be Home For Christmas

Bitrate: 320K/s
Time: 43:03
Size: 98.6 MB
Styles: Holiday, R&B
Year: 2008
Art: Front

[4:35] 1. The Christmas Song
[3:40] 2. Silver Bells
[2:43] 3. Let It Snow (With Brian McKnight Jr & Nikolas McKnight)
[4:06] 4. Christmas You And Me (With Vince Gill)
[3:14] 5. I'll Be Home For Christmas
[3:26] 6. Silent Night (With Noel Schajris)
[2:17] 7. It's The Most Wonderful Time Of The Year
[2:43] 8. Adeste Fideles
[4:38] 9. Who Would Have Thought
[3:35] 10. Angels We Have Heard On High
[3:38] 11. Christmas Medley What Child Is This Away In A Manger The First Noel
[4:23] 12. Bless This House (With Take 6)

Fans of R&B vocalist Brian McKnight probably already own BETHLEHEM, McKnight's 1998 Christmas release. But one good holiday album deserves another, and McKnight's smooth, alluring voice sounds better than ever on 2008's I'LL BE HOME FOR CHRISTMAS. The tunes are a bit more secular than BETHLEHEM, including "The Christmas Song," "Silver Bells," and "It's the Most Wonderful Time of the Year," while carols "Silent Night" and "Angels We Have Heard on High" balance the contemporary with the traditional, with guests Vince Gill, Josh Groban, and Take 6 stopping by to add color.

I'll Be Home For Christmas

Mo' Albums...
◊ James Taylor - James Taylor At Christmas
◊ Martina McBride - White Christmas

---

Bryan Beninghove - Organ Trio

Bitrate: 320K/s
Time: 56:13
Size: 128.7 MB
Styles: Organ jazz
Year: 2008
Art: Front

[ 4:44] 1. Tape Side Up
[ 4:12] 2. Hey Zeus
[ 7:35] 3. Adam's Apple
[ 4:29] 4. Hear Me Now
[ 7:28] 5. I've Never Been In Love Before
[ 3:39] 6. Same Spade
[ 8:04] 7. Out Of Nowhere
[ 5:02] 8. Everything Happens To Me
[10:57] 9. My Secret Love

Bryan Beninghove is a tireless bandleader whose innovative projects span numerous genres. Originally hailing from Westminster, MD, a rural suburb of Baltimore, Bryan brings a blue collar earthiness to the world of jazz. Before becoming a full time professional musician, he worked for different steel shops, carpenters, & he bartended. Drawing from these diverse experiences, Bryan has always played with an urgent grittiness, a sense of humor, & a strong foundation in the blues.

Bryan has performed with such jazz luminaries as Eddie Henderson, Rufus Reid, Ron Affif, & Jamey Haddad as well as young guns like Mark Guiliana, Sam Barsh, Duane Eubanks, and Rick Parker. Bryan has also performed with the hard rock group Clutch, the indie band Lake Trout, & beatbox extraordinaire Taylor McFerrin.

Currently, Mr. Beninghove has been leading many different projects. The Organ Trio! consists of Kyle Koehler (Lou Donaldson, Bootsy Collins) on Hammond B3 and Don Williams (Jimmy Smith, Jimmy McGriff, Arthur Prysock) on drums. The repertoire is reminiscent of the 60s Newark sound, lots of grits and gravy! Bryan Beninghove & the Hangmen is the latest project, a quintet featuring Rick Parker on trombone, Eyal Maoz on guitar, Kellen Harrison on bass, and Shawn Baltazor on drums. "David Lynch meets Nightmare Before Christmas". Another long time project, Big in Jersey is an electric sextet in the seventies Miles realm. Beninghove also leads Soul Connection, an eight piece funk/dance band that specializes in corporate functions.

Music education has always been a priority in Bryan's life. Since receiving a bachelor's degree in music from William Paterson University, he has spent countless hours teaching privately, running ensembles for all ages, putting on clinics, and running a jazz camp for kids each summer.

Organ Trio

---

Claire Martin & Richard Rodney Bennett - When Lights Are Low

Bitrate: 320K/s

Time: 51:28

Size: 117.8 MB

Styles: Easy Listening

Year: 2005

Art: Front

[2:36] 1. My One And Only

[1:59] 2. I Was A Little Too Lonely

[3:15] 3. My Mood Is You

[3:04] 4. World Weary

[2:52] 5. When Lights Are Low

[3:14] 6. Fools Fall In Love

[3:36] 7. I Got A Right To Sing The Blues

[3:25] 8. Baby Plays Around

[4:50] 9. The Very Thought Of You

[2:49] 10. What I Was Warned About

[2:57] 11. Baby, Don't You Quit Now

[3:41] 12. No Love, No Nothing

[3:13] 13. Not Exactly Paris

[2:47] 14. Any Place I Hang My Hat Is Home

[3:20] 15. I Keep Going Back To Joe's

[3:43] 16. We'll Be Together Again

A perfectly mixed rusty nail requires three parts scotch to one part Drambuie. It's a potent recipe that accurately describes the first full-length pairing of old pals Claire Martin and Sir Richard Rodney Bennett.

Drambuie is a honey-smooth concoction that masks a powerful kick, and that's Martin. For my money she's not only the finest female British jazz singer of her generation but possibly of all time. Martin handles vocal duty on six of the disc's 16 tracks. The mellow, well-aged scotch is the multitalented Bennett. Though best known for his film-composition work, the dexterous 74-year-old is equally skilled as an arranger and pianist, as demonstrated throughout this masterful olio of familiar standards and lesser-known treasures. It is, though, Bennett the underappreciated singer who here impresses most.

Flying solo on seven tracks, Bennett lends his distinctively bipolar style (simultaneously suggesting the gut-bucket splendor of Dr. John and the black-tie elegance of Fred Astaire) to tunes that delightfully extend from Noel Coward's soigne "World Weary" to Elvis Costello's forlorn "Baby Plays Around." The cherry in this heady cocktail is the trio of tracks on which Martin and Bennett join forces, particularly a sublime interweaving of "The Very Thought of You" and "I Thought About You." Drink up. ~Christopher Loudon

Recording information: Systems Two Studio, Brooklyn, NY.

Claire Martin (vocals); Richard Rodney Bennett (vocals, piano).

When Lights Are Low

---

The Earl May Quartet - Swinging The Blues

Bitrate: 320K/s
Time: 61:40
Size: 141.2 MB
Styles: Swing, Bebop
Year: 2006
Art: Front

[6:20] 1. Swinging The Blues
[3:53] 2. Blame It On My Youth
[4:38] 3. My Foolish Heart
[4:31] 4. Tea For Two
[5:03] 5. Blue Iridescence
[6:35] 6. Make Someone Happy
[6:20] 7. Under African Skies
[4:31] 8. Sioux Suite
[5:11] 9. My Old Flame
[3:10] 10. Confirmation
[2:46] 11. Wishes Are Starting To Don't Come True
[4:43] 12. It's So Divine
[3:53] 13. Lester Leaps In

Over the course of the last half-century, Earl May has been one of the busiest bass players in the New York Area. He spent just about the entire decade of the 1950s with the long-running Billy Taylor Trio. Dr. Taylor arranged for a reunion recording of the original trio (with Percy Brice on drums), which was recorded for Prestige in 2003 as Billy Taylor Trio with Earl May/Percy Brice.

On this latest effort, May shows his ability to provide the pulse of this quartet as well as manage some nimble solos. Recording for Arbors, one of the key labels specializing in post-war swing music, the Earl May Quartet fits right in and then some. Altoist David Glasser takes most of the melody statements, providing the right touch. On the jump tunes, like the Count Basie piece "Swinging The Blues," Glasser sounds very much like Paul Desmond in his prime. On the first ballad, "Blame It On My Youth," Glasser's notes curl inward on the beautiful Oscar Levant/Edward Heyman melody. Dave Glasser also contributes a fine ballad, "Blue Iridescense," and his solo on that composition explores the blues content of the piece.

Earl May's reputation is that of a workhorse who has to be coaxed to take a solo. I am pleased to see that he does get the opportunity on this album, taking a walking bass solo on the title tune, beginning the melody line of "My Foolish Heart" before turning it over to Glasser, and putting in another good one on the Comden & Green/Jule Styne piece "Make Someone Happy." Larry Ham proves a most serviceable pianist, whether providing a romantic cushion for the ballads or fine comping on the up-tempo "Make Someone Happy." After having seen drummer Eddie Locke a number of times, I'd forgotten just how good he can be with brushes. You can hear that throughout the album and especially on Dave Glasser's "It's So Divine." Locke even contributes an original tune, "Wishes Are Starting To Don't Come True." In addition to the standards and originals, the quartet tackles some bebop staples like "Lester Leaps In" and "Confirmation" rather smartly. ~Michael P. Gladstone

Recording information: Nola Studios, New York, NY (02/21/2005/02/22/2005).

David Glasser (saxophone, alto saxophone); Earl May (double bass); Barry Harris , Larry Ham (piano); Eddie Locke (drums).

Swinging The Blues

---

The Pied Pipers - Capitol Collectors Series

Bitrate: 320K/s
Time: 56:30
Size: 129.4 MB
Styles: Vocal harmonies, Early pop
Year: 1992
Art: Front

[2:41] 1. Pistol Packin' Mama
[2:28] 2. Deacon Jones
[2:45] 3. Mairzy Doats
[2:58] 4. The Trolley Song
[3:05] 5. Dream
[3:00] 6. There's A Fella Waitin' In Poughkeepsie
[2:58] 7. Lily Belle
[3:13] 8. We'll Be Together Again
[2:46] 9. Personality
[2:31] 10. Aren't You Glad You're You
[2:38] 11. In The Middle Of May
[2:44] 12. In The Moon Mist
[2:54] 13. Open The Door, Richard
[3:03] 14. Mam'selle
[3:12] 15. The Freedom Train
[2:37] 16. I'm Always Chasing Rainbows
[2:49] 17. Penny
[2:53] 18. Katrina
[2:20] 19. Ok'l Baby Dok'l
[2:46] 20. My Happiness

THE PIED PIPERS CAPITOAL COLLECTION SERIES includes a 15-page booklet with liner notes by Joseph F. Laredo, track annotations by Bob Furmanek and photos. Digitally remastered by Bob Norberg (April 1991, Capitol Recording Studios). A terrific 20-track overview of this early vocal group featuring all of their best-known songs, including "The Trolley Song," "Dream, " "Open the Door, Richard, " "Mam'selle, " and "My Happiness." The remastering is top-notch, and the liner notes contain many anecdotes and a great deal of information. ~ Stephen Thomas Erlewine

The Pied Pipers are accompanied by Paul Weston and His Orchestra.

Capitol Collectors Series

---

Christy Baron - Retrospective

Styles: Vocal Jazz
Year: 2004
File: MP3@320K/s
Time: 61:47
Size: 141,9 MB
Art: Front

(3:39)  1. She's Not There
(3:22)  2. Stand Behind Me
(5:43)  3. Body And Soul
(2:54)  4. Happy Together
(5:05)  5. 'Round Midnight
(5:40)  6. Mercy Street
(2:25)  7. Ain't No Sunshine
(3:49)  8. Night And Day
(3:47)  9. Not While I'm Around
(3:13) 10. Got To Get You Into My Life
(4:06) 11. The Shadow Of Your Smile
(3:52) 12. That Old Devil Moon
(3:13) 13. Ain't No Half Steppin'
(3:52) 14. Overjoyed
(6:58) 15. Somewhere Over The Rainbow

Retrospective is a best-of CD that draws its material from singer Christy Baron's three previous Chesky sets: I Thought About You, Steppin', and Take This Journey. Unfortunately the packaging of this CD does not bother including a list of the personnel; however the selections are well chosen and they feature Baron at her best. In addition to modernized versions of a few standards, she turns a variety of pop and rock tunes into jazz, ranging from the Beatles' "Got to Get You Into My Life" to songs by Carole King, Peter Gabriel, and Stevie Wonder. The backup groups are excellent, Baron has an attractive voice, and there are enough subtle surprises throughout this sampler to make one desire to hear her three previous CDs in full. 

~ Scott Yanow  http://www.allmusic.com/album/retrospective-mw0000209251

Retrospective

---

Nicky Schrire - Space and Time

Styles: Vocal
Year: 2013
File: MP3@320K/s
Time: 48:18
Size: 111,0 MB
Art: Front

(4:36)  1. You’re Nobody Till Somebody Loves You
(4:27)  2. I Wish You Love
(3:01)  3. A Song for a Simple Time
(4:39)  4. Someone to Watch Over Me
(3:57)  5. Teardrop
(2:54)  6. Bless the Telephone
(3:40)  7. And So I Sing
(5:18)  8. Seliyana
(2:35)  9. When You Go
(5:01) 10. Say It Isn’t So
(5:00) 11. Here Comes the Sun
(3:04) 12. Space & Time

New York City-based jazz vocalist Nicky Schrire has two albums to her credit. Freedom Flight (Circavision Productions, 2012) was well received by AAJ colleague Dan Bilawsky, who explained her fresh and well-scrubbed appeal thusly: "The London-born, South African-raised, New York-based vocalist bursts onto the scene with this dazzling debut, but she didn't simply materialize out of thin air. This worldly woman has been honing her skills at the Manhattan School of Music and studying with the crème de la crème of the jazz vocal world, including Peter Eldridge, Theo Bleckmann, Gretchen Parlato, Kate McGarry and Norma Winstone; it's clear that she's taken their lessons to heart."

The beauty of Schrire's exposure to this august group of singers is that their influence is expressed in her originality and not by any audible characteristics in her singing or composing. That is what artistic influence is all about: evolution, not replication. Schrire's sophomore effort, Space and Time, brims with this same originality, distilled into a piano/vocal recital format with three different pianists.

The atomization of all musical genres since the 1950s renders classifications like "jazz," "adult contemporary" and simply "popular" fairly meaningless. But the music must go somewhere, and Schrire deconstructs George Gershwin's "Someone To Watch Over Me" (while, at the same time, completely recasting George Harrison's "Here Comes The Sun"), so she's called jazz. Much of this recording is like a classical art-song recital, maybe one a really hip Schubert would have assembled. 

Schrire's voice is punctilious. Think of Ivory soap: clean and unscented by anything artificial...genuine. The same can be said of her composing. She is not looking to show off with technical fireworks; she is showing off with the unseen and unheard: grace, class and a certain élan. Organically speaking, her instrument is that special gift that is readily recognized as finely tuned and superior, without knowing why. Schrire favors older material for her standards performance. "You're Nobody Till Somebody Loves You" and Berlin's "Say It Isn't So," not to mention again Gershwin's "Watch," echo from the jazz age and before. Then Schrire sings George Harrison and something as fine as her title piece and anyone trying to pigeonhole this vocalist has lost the critical battle before it has started.  Schrire's support pianists Fabian Almazan, Gerald Clayton and Gil Goldstein each rise to the occasion, following the direction of Schrire, who keeps everything basic and uncluttered. This is music for the soundtrack of life: joy, peace and hope.C.Michael Bailey  

http://www.allaboutjazz.com/php/article.php?id=45255#.UpZDL-Jc_vs

Personnel: Nicky Schrire: vocals; Fabian Almazan: piano (3, 5, 7, 10); Gerald Clayton: piano (2, 6, 9, 11); Gil Goldstein: piano (1, 4, 8, 12).

Space and Time

---

Kenny Drew, Jr - Maybeck Recital Hall Series, Vol. 39

Styles: Jazz
Year: 1994
File: MP3@320K/s
Time: 62:38
Size: 143,5 MB
Art: Front

( 6:25)  1. Stella By Starlight
( 6:00)  2. Peace
( 5:58)  3. After You
( 6:00)  4. Ugly Beauty
( 3:54)  5. Well You Needn't
( 7:26)  6. Coral Sea
( 5:51)  7. Images
( 6:24)  8. Straight, No Chaser
( 4:36)  9. Waitin' For My Dearie
(10:01) 10. Autumn Leaves

A little older than the Young Lions generation yet just as technically gifted and respectful of his elders and the bearer of a semi-famous jazz name at that  Kenny Drew, Jr. tries strenuously to dazzle the Maybeck Hall audience in Vol. 39 of the long-running series. Yet after a short while, all of the rippling chromatic scales, arpeggios, impressionistic streaks, and showy technical displays become rather wearisome. Thelonious Monk's angular stabbing manner, but not his laconic economy, hovers over this pianist most obviously in "Ugly Beauty," "Well, You Needn't" and "Straight, No Chaser" (the latter has a refreshing outburst of boogie-woogie) but also in "Stella By Starlight." The track that comes closest to touching the emotions is his lovely rendition of his father's "Images," recorded three days after the first anniversary of Drew, Sr.'s death. Recommended only for those committed to the Maybeck series. ~ Richard S.Ginell   

http://www.allmusic.com/album/maybeck-recital-hall-series-vol-39-mw0000644552

At Maybeck

---