Wednesday, November 5, 2014

Roy Eldridge & Dizzy Gillespie - Roy And Diz

Styles: Trumpet Jazz
Year: 1994
File: MP3@320K/s
Time: 60:28
Size: 138,8 MB
Art: Front

(5:21)  1. Sometimes I'm Happy
(6:09)  2. Algo Bueno
(7:53)  3. Trumpet Blues
(7:13)  4. Ballad Medley: I'm Thru With Love / Can't We Be Friends / Don't You Think / I Don't Know Why (I Just Do) / If I Had You
(6:55)  5. Blue Moon
(6:18)  6. I've Found A New Baby
(5:31)  7. Pretty-Eyed Baby
(7:51)  8. I Can't Get Started
(7:12)  9. Limehouse Blues

This set features two sizzling horns mingling in a decidedly frenetic dance contest. These songs hop and bounce with enduring vitality. A definite coolness exists within the searing solos of the two trumpet kings as they empty their lungs, executing mind-spinning, scale-like passages and high notes, and there's a palpable sense of competition as they take turns performing their acrobatic brass-work. They can both propel notes from their horns like nobody's business, yet their tonal and stylistic differences create two distinct elements within the music. Bassist Ray Brown's tempos provide a cool structure for the flurries of notes the trumpets cast forth. Some of the most poetic moments from these 1954 recordings are when their collaboration intertwines them within the passages, but their supercharged blowing naturally finds a subtler ground and tact when they come together in a musical braid work that's no less affecting than their solos. http://www.allmusic.com/album/roy-and-diz-mw0000114909

Personnel: Roy Eldridge (vocals, trumpet); Dizzy Gillespie (vocals, trumpet); Herb Ellis (guitar); Oscar Peterson (piano); Louie Bellson (drums).

Anne Burnell - Sunny Days And Dreamy Nights

Styles: Vocal Jazz
Year: 2014
File: MP3@320K/s
Time: 60:04
Size: 137,7 MB
Art: Front

(4:32)  1. They Can't Take That Away from Me
(5:11)  2. Moment to Moment
(5:06)  3. Something I Can Feel
(6:04)  4. A Time for Love
(5:07)  5. Goin' Out of My Head
(4:20)  6. Too Late Now
(2:47)  7. San Juan
(5:48)  8. (They Long to Be) Close to You
(4:58)  9. Dreamsville
(5:12) 10. Right By You
(4:28) 11. I Got Lost in His Arms
(2:16) 12. The Best Things in Life Are Free
(4:09) 13. Don't Ever Leave Me

Anne Burnell’s new release "Summer Days & Dreamy Nights" celebrates the friendship between the Chicago singer/songwriter and renowned guitarist Henry Johnson who plays acoustic and electric on this 13 track set. Her last release “Blues in the Night", which featured arrangements by Count Basie Band veteran Bob Ojeda and paid tribute to the composer Harold Arlen, garnered airplay nationwide on numerous NPR and jazz radio stations charted top ten status on CMJ charts.  Anne performs at festivals and clubs throughout the midwest including 5 years at the Taste of Chicago, and Andy's Jazz Club. 

An accomplished pianist/vocalist/arranger, Mark is one of Chicago’s most sought after musicians, working with a wide array of talent, including Bobby McFerrin, Dave Frishberg, Connie Francis, Laurel Masse, Sharon McNight, Laura San Giocomo, Richie Cole, Mark Murphy, Howie Mandel, and Seth Myers. The Chicago Sun-Times hailed Mark’s work as “silky smooth and highly polished”, and Cabaret Hotline praised him as “one of the most talented pianists and arrangers I’ve seen”. In 2009 and 2010 Mark was a Master Instructor at the International Cabaret Conference at Yale University. He taught at Carnegie Mellon University for 10 years. Mark and his wife Anne were named in“Chicago’s Top Ten” for 2002 & 2003 by New York’s Cabaret Hotline. From Paris, Amsterdam to New York, they have delighted audiences the world over with their unique jazz/pop and a cappella stylings. They have performed at some of the Windy City’s top spots including Davenport’s, Park West and Drury Lane Water Tower Theatre with Chicago Cabaret Professionals. They sang the national anthem for the Chicago Cubs, White Sox, Chicago Fire, and the Special Olympics. Their acclaimed CD of duets “Little Things We Do Together” has been featured on Chicago radio stations WGN, WXRT, WDCB and nationally on Radio One Network. Bio ~ http://www.burnellmusic.com/bio.html

Joe Venuti & George Barnes - Live At The Concord Summer Festival

Styles: Jazz, Swing
Year: 1976
File: MP3@320K/s
Time: 43:53
Size: 115,8 MB
Art: Front

(5:57)  1. Sweet Georgia Brown
(8:30)  2. What Are You Doing The Rest Of Your Life
(4:23)  3. Too Close For Comfort
(3:13)  4. I Can't Get Started
(5:05)  5. Satin Doll
(2:51)  6. Things Ain't What They Used To Be
(5:40)  7. Take The A Train
(2:33)  8. Sophisticated Lady
(5:38)  9. C Jam Blues

Violinist Joe Venuti and guitarist George Barnes (joined by pianist Ross Tompkins, bassist Ray Brown and drummer Jake Hanna) make for a very complementary team on this live session. Tompkins is featured on "Too Close for Comfort," Barnes is showcased on "I Can't Get Started," the ensemble romps on "Sweet Georgia Brown" and the full group plays a lengthy five-song Duke Ellington/Billy Strayhorn medley. Few surprises occur but there are enough fireworks to justify this album's acquisition, even by those who already own 20 Joe Venuti albums. ~ Scott Yanow  http://www.allmusic.com/album/venuti-barnes-live-at-the-concord-summer-festival-mw0000877180

Personnel:  Joe Venuti – violin; George Barnes – guitar; Ross Tompkins – piano; Ray Brown – bass; Jake Hanna - drums

Barry Harris - Lonesome Lover

Styles: Piano Jazz
Year: 2014
File: MP3@320K/s
Time: 78:58
Size: 182,0 MB
Art: Front

(4:52)  1. Morning Coffee
(7:23)  2. If I Love Again
(5:01)  3. It's the Talk of the Town
(4:03)  4. What Is This Thing Called Love
(4:38)  5. One Down
(5:47)  6. If Someone Had Told Me
(3:47)  7. Curtain Call
(4:05)  8. There's No One but You
(7:35)  9. I've Got a Crush On You
(6:31) 10. My Heart Stood Still
(3:35) 11. I Should Care
(4:48) 12. Woodyn' You
(7:25) 13. Billie-Doo
(4:13) 14. Play Carol Play
(5:09) 15. Don't Blame Me

One of the major bop pianists of the last half of the 20th century, Barry Harris has long had the ability to sound very close to Bud Powell, yet he can also do convincing impressions of Thelonious Monk and has his own style within the bop idiom. He was an important part of the Detroit jazz scene of the 1950s, and has been a jazz educator since that era. Harris recorded his first set as a leader while in 1958, and moved to New York in 1960, where he spent a short period with Cannonball Adderley's Quintet. He also recorded with Dexter Gordon, Illinois Jacquet, Yusef Lateef, and Hank Mobley, and was with Coleman Hawkins off and on throughout the decade (including Hawk's declining years). In the 1970s, Harris was on two of Sonny Stitt's finest records (Tune Up and Constellation), and made many recordings in a variety of settings for Xanadu. Barry Harris has mostly worked with his trio since the mid-'70s, and he has recorded as a leader for Argo (1958), Riverside, Prestige, MPS, Xanadu, and Red. Bio ~ https://itunes.apple.com/us/artist/barry-harris/id278042#fullText

Tuesday, November 4, 2014

Mike Fageros - Mars In October

Size: 87,6 MB
Time: 37:41
File: MP3 @ 320K/s
Released: 2005
Styles: Jazz: Hammond Organ, Bebop
Art: Front

01. Mars In October (3:15)
02. Footprints (6:36)
03. Tribute To Paul Yeargers (4:50)
04. These Are Soulful Days (2:43)
05. Dear Luis (3:35)
06. In A Mellow Mood (4:50)
07. Little Sunflower (7:39)
08. Mr. Jimmy Smith (4:09)

Texas guitarist Mike Fageros is a relative unknown in the larger spectrum of the "music business". This release "Mars in October", is a melange of originals and classic jazz standards like Shorter's "Footprints" and Hubbard's "Little Sunflower", not to mention "These are Soulful Days" as well. If you are a jazz lover or a guitarist, you will definately find something appealing on this CD.

Wes Montgomery fans will love the rendition of "In a Mellow Mood" and as well, fans of the late Hammond B3 Organist Jimmy Smith will love the treatment of the tune re-arranged by Mike entitled simply, "Mr. Jimmy Smith". The track is a medium tempo swing based on alternate blues changes with a few organ riffs thrown in for good measure as "Jimmy" would have liked.

This CD will be his second release and more effort has been put into this creation than any previous project. His teaming up with the "Young Lion", Houston drummer Jovol Bell has given his career new direction. That and with the addition of sidemen DeLover Axel and Kato Mc Kay (Al McKay's son) utilizes the guitar trio to its utmost. With few overdubs, and many live cuts, the real music comes through, similar to many of the Blue Note Albums in the 60's. The result is self evident in the final product, jazz guitar playing at its best.

Mars In October

Interstatic - Arise

Size: 105,4 MB
Time: 45:13
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: Modern Jazz, Jazz Rock
Art: Front

01. Doozy Mugwump Blues (5:39)
02. Caerbannog (5:17)
03. Alpha Dog (4:07)
04. Iwato (4:45)
05. Frank'll Fix It (5:51)
06. In The Beginning (4:53)
07. Alexa (4:43)
08. Wonderfall (4:24)
09. Doozy (Reprise) (5:30)

Its beginnings may have been a little closer to the jazz side of the jazz-rock equation with Anthem (PVY Records, 2011), but British expat keyboardist Roy Powell's and trio with Norwegian guitarist Jacob Young and drummer Jarle Vespestad has, since changing its moniker to InterStatic with the release of its first album on UK's RareNoiseRecords label, InterStatic (2012), ratcheted up the energy, the volume and the rock quotient. If InterStatic was the trio's first shot across the bow, then Arise is InterStatic's true statement of intent.

The trio continues to explore the space first innovated by drummer Tony Williams in his late '60s/early '70s Lifetime band with organist Larry Young and newly emigrated guitar legend-in-the-making, John McLaughlin, but just like fellow Nords Elephant9, InterStatic has far more up its sleeve. While Lifetime's Emergency! (Polydor, 1969) is a clear precedent and inspiration for InterStatic and Arise, it's far from the only one; if Lifetime's record was a dense, jagged and jumbled affair that never got off the ground as it deserved, InterStatic uses far cleaner lines and crisper delineations to make music that sometimes swings and sometimes rocks but is always delivered with 120% energy and commitment.

Arise is bookended by two versions of the rocking, anthemic "Doozy Mugwump Blues," two of three tracks contributed by Young to Powell's six along with the more aggro-toned "In the Beginning." From the gritty opening guitar chords, and Vespestad's four-on-the-floor bass drum and near-military march snare drum support, "Doozy" is so diametrically opposed to the music Young has been making for ECM—from 2004's Evening Falls through to Forever Young, released earlier this year—as to almost suggest a completely different guitarist, though Young's recent ECM date did demonstrate a simmering hint of the more searing capabilities that define his work with InterStatic.

Powell's episodic "Frank'll Fix It"—at times a two-chord wonder that rocks righteously but elsewhere something altogether knottier and more idiosyncratic—may be eminently less hummable than "Doozy," but is nevertheless an even more captivating listen. Its harsher extremes, with Vespestad's thundering kit and a breathtaking central line—played in unison by Powell and the positively grunge-toned Young—demonstrates, in a just a single bar, InterStatic's staggering virtuosity. It's a rare, explicit example of an undercurrent that is rarely used as anything more than a means to a more decidedly collective end.

Vespestad is always the perfect accompanist for any context—from his early groundbreaking days with noise improv unit Supersilent and more muscular work with Farmers Market, heard most recently on the stellar Slav to the Rhythm (Division, 2012), to the paradoxically whisper-quiet quality of his work with pianist Tord Gustavsen, seen just a month ago at the Festival International de Jazz de Montréal—and he's no less ideal here. Whether effortlessly shifting meters on Powell's jagged "Caerbannong," the keyboardist soloing on an uncredited synth with bubbling and burbling electro-sonics, or swinging with fierce intensity on "Alpha Dog," where Young delivers an incendiary solo, making crystal clear that his undeniably fine ECM recordings are but one aspect of a much broader purview, Vespestad is InterStatic's foundation and the glue that keeps it all together He even references the influential Jon Christensen's delicate cymbal work on Powell's "Iwato," were Young's soaring guitar and Powell's dark chords suggest another InterStatic touchstone in Terje Rypdal's classic Descendre (ECM, 1980).

But reference points only serve to contextualize the music of a trio that has, increasingly, asserted its own voice in the three years since Anthem, honing it even further with regular gigs at Oslo's small but wonderfully funky Sound of Mu. As InterStatic continues to evolve a jazz of the most progressive kind, Arise is, perhaps, a call-to-arms for those who've not yet acquainted themselves with this freewheeling, high octane trio. A group that seems to gain strength and resolve with each recording, if Arise is any indication, the future for InterStatic is filled with even greater promise and possibilities. ~John Kelman

Personnel: Roy Powell: Hammond organ; Jacob Young: electric guitar; Jarle Vespestad: drums.

Arise

Freddy Cole - Singing The Blues

Size: 105,3 MB
Time: 44:56
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz/Blues Vocals
Label: High Note
Art: Front

01. Muddy Water Blues (3:24)
02. This Time I'm Gone For Good (4:59)
03. Another Way To Feel (4:05)
04. Goin' Down Slow (2:53)
05. Meet Me At No Special Place (4:55)
06. All We Need Is A Place (4:10)
07. My Mother Told Me (3:46)
08. Singing The Blues (3:51)
09. The Ballad Of The Sad Young Men (5:15)
10. Pretending (3:37)
11. An Old Piano Plays The Blues (3:57)

Journeyman jazz vocalist/pianist Freddy Cole digs deep into a burnished, bluesy vibe on 2014's Singing the Blues. The album follows up his similarly engaging 2013 effort This and That, and also brings to mind the 2010 Grammy-nominated Freddy Cole Sings Mr. B. Backing Cole this time out is a superb ensemble of musicians including pianist John di Martino, drummer Curtis Boyd, bassist Elias Bailey, and guitarist Randy Napoleon. This is urbane yet earthy vocal jazz performed by a true master of the genre. ~Review by Matt Collar

Singing The Blues

Christine Pedi - Good To Mama

Size: 101,7 MB
Time: 43:31
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals, Easy Listening
Art: Front

01. When You're Good To Mama (4:00)
02. Thanks A Lot But No Thanks (3:44)
03. But Not For Me (4:33)
04. A Spoonful Of Sugar (3:30)
05. Anyplace I Hang My Hat Is Home (4:15)
06. Count Your Blessings - Pennies From Heaven (5:06)
07. Down With Love (2:26)
08. Dear Friend (3:23)
09. If I Were A Bell (2:20)
10. Mama A Rainbow (2:25)
11. Lady Is A Tramp (2:55)
12. Vodka (4:49)

It's pure serendipity that Christine chose to name this cd GOOD TO MAMA then soon after was singing the title tune on Broadway in CHICAGO the musical. An actress & multiple award winning cabaret artist Christine brings her comedic flair, warmth & wit to these treasured gems from the American popular songbook. She's joined by jazz guitar legends Bucky & John Pizzarelli (BUT NOT FOR ME and IF I WERE A BELL.) Arrangments courtesy of her long time music director Matthew Martin Ward, Tedd Firth & Fred Barton. Well known in New York Theatre for her longtime association with the comic, satirical musical revues FORBIDDEN BROADWAY and NEWSIcal the MUSICAL, her uncanny impressions & comic characters have garnered glowing reviews and a Drama Desk nomination. She's also appeared on Broadway in LITTLE ME with Martin Short, TALK RADIO with Liev Schrieber, and her love of the musical theatre can be heard daily on Sirius XM radios ON BROADWAY channel where she's been a host for over a decade.

Good To Mama

Hank Crawford - Cajun Sunrise

Bitrate: 320K/s
Time: 36:11
Size: 82.8 MB
Styles: Soul jazz, Hard bop
Year: 1980/2013
Art: Front

[5:01] 1. What A Difference You've Made In My Life
[3:53] 2. I Don't Want No Happy Songs
[6:10] 3. New York's One Soulful City
[3:26] 4. Take This Job And Shove It
[4:11] 5. Just The Way You Are
[3:29] 6. Daytime Friends
[4:03] 7. Evergreen
[5:54] 8. Cajun Sunrise

Bennie Ross "Hank" Crawford, Jr. (Dec. 21, 1934 – Jan. 29, 2009) was an American R&B, hard bop, jazz-funk, soul jazz alto saxophonist, arranger and songwriter. Crawford was musical director for Ray Charles before embarking on a solo career, during which he released many well-regarded albums for jazz record labels CTI Records and Milestone Records.

Randy Brecker (tp); Fred Wesley (tb); Hank Crawford (as); Ronnie Cuber (bs); Cliff Carter, Steve Robbins (key); Hiram Bullock, Joe Caro (g); Cliff Morris (banjo); Will Lee (el-b); Steve Gadd (d); Sue Evans (perc)

Cajun Sunrise

Amy Yassinger - Sometimes I'm Happy

Bitrate: 320K/s
Time: 42:55
Size: 98.3 MB
Styles: Jazz vocals
Year: 2012
Art: Front

[3:53] 1. Sometimes I'm Happy
[3:58] 2. One Fine Day
[3:44] 3. On A Slow Boat To China
[3:08] 4. Get Happy
[4:51] 5. Rainbow Connection
[3:18] 6. I've Never Been In Love Before
[3:12] 7. Where Do You Start
[4:58] 8. Love For Sale
[4:27] 9. In My Life
[3:00] 10. Bei Mir Bist Du Schon
[4:20] 11. Make Someone Happy

Fresh-faced, poised and professional Jazz vocalist Amy Yassinger (nicknamed the “jazz singer”) has been building her singing career for a decade. As a bandleader and recording artist, her music has been heard in festivals, events and cruises both in America and overseas. What sets Amy apart from other Jazz vocalists in her age group, is her versatility and ability to dissect a song and make it her own. In addition to singing the classics of the Great American Songbook, Amy can nail contemporary songs effortlessly. Not only can she improvise over a melody, but she can take any ballad and rip your heart out. Her first album, “Sometimes I’m Happy”, features the unparallelled talents of Jeremy Kahn on piano, George Fludas on drums, John Tate on bass, Doug Rosenberg on Saxophone, and Chris Siebold on guitar. It has received rave reviews and radio play in the Chicagoland area. Her Jazz album, “Sometimes I’m Happy” has sold internationally and is now being distributed by Warrior Records.

Born and raised in Chicago, Amy discovered her passion for Jazz as a teenager after having spent a summer at Berklee College of Music in Boston. Her studies in Jazz continued at the University of Miami in Florida, followed by a Master’s Degree from Western Michigan University in Kalamazoo, Michigan. Amy branches out into other genres of music as more opportunities have come her way, but always holds onto her love for Jazz. She has appeared on “The Oprah Winfrey Show” as a backup vocalist for Charice Pompengco and Usher. She is regularly seen performing with her own ensemble or as the lead vocalist for The Shout Section Big Band. Her Jazz album, “Sometimes I’m Happy”, appeared on a television show entitled “Taped with Rabbi Doug”. When she is not performing or recording in Chicago, she is working as an educator, teaching a variety of private voice students.

Sometimes I'm Happy

John McNeil Quintet - Things We Did Last Summer

Bitrate: 320K/s
Time: 74:26
Size: 170.4 MB
Styles: Trumpet jazz, Straight ahead jazz
Year: 1983/1995
Art: Front

[ 9:29] 1. C.J
[ 8:48] 2. Where's Rialto
[ 8:35] 3. Jigsaw
[ 9:26] 4. Alone Together
[10:26] 5. Things We Did Last Summer
[ 7:03] 6. They Say That Falling In Love Is Wonderful
[ 9:06] 7. Shadow Falls
[11:30] 8. Scorpitarius

This is the fifth recording by John McNeil (b. March 23, 1948 in Eureka, CA) on SteepleChase. During the summer of 1983 John toured Europe as a member of the staff of the Jamey Aebersold Jazz School.

McNeil led this exciting group consisting of the fellow “teachers” of the school at the graduation concert.

Things We Did Last Summer

Tony Monaco - Furry Slippers

Bitrate: 320K/s
Time: 55:57
Size: 128.1 MB
Styles: B3 Organ jazz
Year: 2014
Art: Front

[4:52] 1. Furry Slippers
[8:13] 2. Boogie Blue
[4:04] 3. Chillin'
[6:00] 4. Unresolved
[6:13] 5. Magenta Moon
[9:41] 6. Speak Low
[6:34] 7. Round Midnight
[4:42] 8. I'll Drink To That
[5:34] 9. But Beautiful

The monster of the B3 is back with his ninth recording! Heralded as one of the best B3 players in the world, the incredible Tony Monaco presents a recording of all-new music, this time joined by critically acclaimed guitarist Fareed Haque!

First studio recording in over two years. Features the great Fareed Haque on guitar. Also features the mesmerizing piano of Asako Itoh. Voted Best World Guitarist by readers of Guitar Player magazine, Fareed helps establish this as the most unique Tony Monaco recording yet.

Furry Slippers

Erin McKeown - Distillation

Styles: Guitar, Folk
Year: 2000
File: MP3@320K/s
Time: 40:51
Size: 94,0 MB
Art: Front

(1:48)  1. Queen Of Quiet
(4:25)  2. Blackbirds
(2:16)  3. Didn't They?
(3:01)  4. La Petite Mort
(4:04)  5. The Little Cowboy
(4:53)  6. Daisy And Prudence
(4:46)  7. Fast As I Can
(2:19)  8. You Mustn't Kick It Around
(5:55)  9. How To Open My Heart In 4 Easy Steps
(3:36) 10. Dirt Gardener
(3:44) 11. Love In 2 Parts

Distillation is an excellent name for this album. Rather than being of derivative of roots music, bluegrass, country blues, and folk, McKeown distills these genres. She melted down these styles, incorporated the spirit of them, and came up with her own voice. All but one track here is original. They reach back into remote, rustic regions for sounds and ideas. McKeown is a mirror that reflects it all in new form. The Virginia native comes up with a sound that is part gypsy jazz, part blues, part folk-pop. The one cover is an excellent rendition of a Tin Pin Alley classic, "Mustn't Kick It Around." ~ Tom Schulte  http://www.allmusic.com/album/distillation-mw0000099202

Personnel: Erin McKeown (acoustic guitar); Dave Chalfant (acoustic guitar); Lorne Entress, Dave Hower (drums); Ed Mckeown, Katryna Nields, Ben Demerath, Beth Amsel (background vocals).

Charles Rutherford's Jazz Pacific Orchestra - Note Walker

Styles: Jazz, Big Band
Year: 1995
File: MP3@320K/s
Time: 71:08
Size: 166,8 MB
Art: Front

(3:36)  1. Tenor Time
(8:04)  2. Rebel Rouser
(5:55)  3. Songs For Pepper
(3:14)  4. My Funny Valentine
(4:18)  5. Ornithology
(7:10)  6. Who Asked
(2:51)  7. All Of Me
(7:43)  8. Where Did Summer Go
(9:36)  9. Note Walker
(5:43) 10. Concord Blues For Blue
(4:09) 11. I Thought About You
(8:43) 12. Sambiana

Liner Note Author: Charles Rutherford.
Personnel includes: Christine Rosander (vocals); Jeff Jorgenson, Jerry Pinter (tenor saxophone); Brian Williams (baritone saxophone); Ron Stout, Bob Bennett, Kai Palmer (trumpet).
Personnel: Christine Rosander (vocals); Paul Bastin, Jeff Jorgenson, Brian Williams , Everett Carroll, Jerry Pinter (flute, saxophone); Bob Bennett, Kai Palmer, Don Clark, Ron Stout, Matt Fronke (trumpet, flugelhorn); Benjamin Olariu, Francisco Torres, Mike Zelazo, Corey Wicks, Len Wicks, Jim Boltinghouse (trombone); Bob Swaaely, Sy Eubank (piano); Eric Stiller (electric bass); Ray Price (drums).

JazzTimes (5/96, p.116) - "...Section work has that precision `pop!,' and when these guys HIT! it can be, almost, thrill enough to wake the dead."
Jazziz (10/95, p.38) - "...Rutherford's band is awesomely tight..."  http://www.cduniverse.com/productinfo.asp?pid=1462325&style=music

Natalie Jean - Natalie Jean

Styles: Vocal
Year: 2014
File: MP3@320K/s
Time: 48:42
Size: 115,2 MB
Art: Front

(3:09)  1. You Are My Everything
(3:51)  2. Guitar
(4:24)  3. I Found You
(4:37)  4. Whiskey
(3:27)  5. My Man
(4:56)  6. In The Mood
(4:30)  7. Falling Again
(3:59)  8. Through With You
(3:44)  9. Misbehaving
(4:28) 10. I Surrender
(3:15) 11. Boxed
(4:16) 12. I'm Not Ready

Natalie Jean is excited to announce the much-anticipated release of her second album, titled simply, ‘Natalie Jean.’ Natalie Jean is a dynamic artist who grew up loving music.  She enjoyed singing with her Haitian father - who was also an artist himself - and her love for music further blossomed when she began to write her own poetry. Natalie takes inspiration from her daily life and hopes to touch the lives of others through her music. She is currently based in Kensington, MD. This year, Natalie Jean’s songs have received over 20 nominations, including the Artists in Music Awards, LA Music Awards, The Indie Music Channel Awards, The Indees, American Songwriting Awards, Hollywood Music and Media Awards, and the Akademia Music Awards.  She was named one of the Top Five Vocalists in the Singer Universe Vocalist of the Month for June 2014. Her album ‘Natalie Jean’ features a fiery collection of jazz and blues songs filled with passion such as ‘You Are My Everything’ and ‘My Man.’ Inspired by Lena Horne, Celine Dion, Billie Holiday, and Ella Fitzgerald, her beautiful voice and melodies will surely leave you wanting for more! Be sure to check her out live in upcoming shows near you.  http://www.natalie-jean.com/

Sammy Davis, Jr. - Lonely Is The Name

Styles: Vocal
Year: 1968
File: MP3@256K/s
Time: 29:21
Size: 54,1 MB
Art: Front

(3:15)  1. Lonely Is The Name
(3:28)  2. Up Up And Away
(2:43)  3. The Good Life
(3:02)  4. Shake Shake Shake
(2:50)  5. We'll Be Together Again
(2:38)  6. Don't Take Your Time
(3:26)  7. Children, Children
(3:05)  8. Medley: Uptight / You've Got Your Troubles
(2:16)  9. All That Jazz
(2:34) 10. Ev'ry Time We Say Goodbye

For Lonely Is the Name (1968), Sammy Davis, Jr. once again blended his interminable hipness with a batch of popular standards and fresh interpretations of selections that he had previously delivered in a distinctly different style. Although Davis' emphasis remained ensconced within orchestral and big band-backed melodies for a decidedly adult-oriented audience, his take on "Up, Up and Away" and the medley pairing Stevie Wonder's "Uptight" with "You've Got Your Troubles" is evidence that he was trying to broaden his appeal. Driving that point home is the sassy and swinging "Shake, Shake, Shake," which is arguably over the top when considering modern pop and soul music in 1968. The uptempo and soaring arrangement isn't unified when juxtaposed against the comparatively syrupy title track "Lonely Is the Name" or the cool and refined balladry of the noir-tinged "Children, Children." Those incongruities aside, this collection has a few bright moments, particularly on "We'll Be Together Again" and Cole Porter's ageless "Ev'ry Time We Say Goodbye" both of which had been recorded by Davis and Laurindo Almeida (guitar) on their 1966 collaboration Sammy Davis, Jr. Sings/Laurindo Almeida Plays. Another revisitation is an unquestionable return to form on the Benny Carter composition "All That Jazz" from the motion picture A Man Called Adam (1966). Of course, Davis had starred in the film, but it was Mel Tormé's (vocal) be-boppin' that gave the number a boost in the context of the movie. Here, Davis gets his chance, taking the tune to a new and similarly jazzy place, giving the Velvet Fog a run for his money with his own deliciously improvised scat vocal. [In 2004 Collectors' Choice Music included Lonely Is the Name as one of their entries in the restoration of Davis' classic 1960s Reprise Records catalog.] ~ Lindsay Planer  http://www.allmusic.com/album/lonely-is-the-name-mw0000672032

Monday, November 3, 2014

Freddie Cole - Waiter, Ask The Man To Play The Blues

Bitrate: 320K/s
Time: 32:04
Size: 73.4 MB
Styles: Blues-jazz vocals
Year: 1964/2004
Art: Front

[2:18] 1. Waiter, Ask The Man To Play The Blues
[2:35] 2. Black Night
[2:34] 3. Rain Is Such A Lonesome Sound
[2:38] 4. Bye Bye Baby
[3:24] 5. Just A Dream
[2:16] 6. Muddy Water Blues
[2:39] 7. Black Coffee
[2:28] 8. The Joke Is On Me
[2:44] 9. I Wonder
[2:21] 10. This Life I'm Living
[3:41] 11. Blues Before Sunrise
[2:21] 12. I'm All Alone

Originally released either in 1956, according to Freddy Cole's official website, or 1964, per the reissue's information, Waiter Ask The Man to Play the Blues: Freddie Cole Sings & Plays Some Lonely Ballads isn't as the title might tempt one to think an exercise in despondent blues and wrist slashing. Actually, it has plenty of tight, low, sizzling bluesy swing.

Cab Calloway alumni Milt Hinton and Sam "The Man Taylor (the latter being the instrumental star of the session) are the most notable musicians in the quintet. Cole sings and plays the piano in fine form, Osie Johnson offers smartly played drumming, and Barry Galbraith and Wally Richardson split the guitar duties. The New York recording is a product of its time, with assured long-lasting worth nonetheless. All of the cuts are short and to the point. They do, however, generate interest and radiate musicality.

"Muddy Water Blues is a cool, yet engaging percussive piece with a characteristic blues march. Taylor seems eager to jump in until he does exactly that about halfway through with energetic aplomb and swing. This one is a jumping jive that would make an audience clap with abandon.

On "I Wonder, Cole sweetens the pot with his tasteful piano playing on a mellow blues, Hinton lays back ever so strong, Taylor seduces with his classic jazzy saxophone tone, and Johnson eats this romantic cooker up. "Black Night and "Rain is Such A Lonesome Sound are similar in scope, extension, and sonic character. On both of these numbers, particularly the second, you'll find yourself marking time with your feet or snapping your fingers to the steady beat.

This release is a superb example of urban settled and cosmopolitan blues arousing affection through sheer straightforwardness even when as expected of the blues many of the lyrics are thematically inclined to the loneliest travails of love and life. ~Javier AQ Ortiz

Bass: Milt Hinton. Drums: Osie Johnson. Guitar: Barry Galbraith & Wally Richardson. Piano & vocal: Freddy Cole. Tenor sax: Sam "The Man" Taylor.

Waiter, Ask The Man To Play The Blues

Carte Blanche - S/T

Bitrate: 320K/s
Time: 52:01
Size: 119.1 MB
Styles: Standards, Jazz/pop
Year: 2012
Art: Front

[3:18] 1. After You've Gone
[3:22] 2. Loca
[3:37] 3. Raphael
[3:39] 4. Corcovado
[3:29] 5. Milord
[4:25] 6. Chan Chan
[7:09] 7. God Bless The Child
[3:19] 8. Cucurrucucu
[2:40] 9. Cette Nuit La
[4:26] 10. As Time Goes By
[2:55] 11. Quizas, Quizas, Quizas
[2:27] 12. On A Slow Boat To China
[4:09] 13. Preciso Me Encontrar
[2:58] 14. Padam Padam

NYC based 6-piece jazz ensemble Carte Blanche breathes new life into jazz classics from around the world. Effortlessly transitioning from 20’s and 30’s American jazz standards to 40’s Parisian swing, bossa nova, cumbia, Russian, Yiddish, and Italian selections, the band’s dynamic and engaging act is a time capsule filled with vintage international musical gems- many of them rarely heard live. The group also incorporates original compositions, offering a modern twist on the tried and true styles of the 20’s 30’s and 40’s. The band features Spanish born, Mexican/American raised vocalist Cristina Kaminis whose unusual and sultry vocal quality captures the essence of the era, and enchants audiences with her impressive knack for languages and musical styles; easily flowing from Edith Piaf to Buena Vista Social Club renditions. The ensemble’s versatile instrumentation featuring accordion and violin has a rich and captivating sound that is powered by a tight rhythm section. With their stunning white vintage accoutrements, they have developed a large group of devoted fans around the globe who love them as much for their look as for their commitment to preserving the music of a by-gone era.

Carte Blanche

Bob Wilber - Bean: Bob Wilber's Tribute To Coleman Hawkins

Bitrate: 320K/s
Time: 59:57
Size: 137.2 MB
Styles: Mainstream jazz
Year: 2006
Art: Front

[4:21] 1. The Man I Love
[3:03] 2. Netcha's Dream
[4:03] 3. Crazy Rhythm
[2:45] 4. Buh-De-Daht
[4:28] 5. Low Flame
[3:24] 6. Avalon
[2:56] 7. Stuffy
[3:10] 8. Romanza
[3:35] 9. Spotlite
[2:35] 10. Just A Gigolo
[4:02] 11. Tenderly
[3:09] 12. Pick-Up Boys
[4:34] 13. Bean N' Soul
[2:52] 14. Stumpy
[3:23] 15. When Day Is Done
[3:14] 16. Feedin' The Bean
[4:16] 17. Flight Of The Hawk

Bob Wilber, Harry Allen, Antti Sarpila, Tommy Whittle, tenor saxophones ; Mick Pyne, piano ; Dave Cliff, guitar ; Dave Green, bass ; Clark Tracey, drums.

Throughout his long career, Bob Wilber has done a lot to keep classic jazz alive. A bit misplaced (most jazz players of his generation were much more interested in bop and hard bop), Wilber (along with Kenny Davern, Ralph Sutton, and Dick Wellstood) was one of the few in his age group to stick to pre-bop music. In high school he formed a band that included Wellstood, and as a teenager he sat in at Jimmy Ryan's club in New York. Early on he became Sidney Bechet's protégé and led his own young group, the Wildcats (with whom he made his recording debut). The close association with the dominant Bechet led to a bit of a personality crisis in the 1950s as Wilber sought to find his own voice. He studied with Lennie Tristano and formed the Six, a group that tried to modernize early jazz. When that ended, he played Dixieland with Eddie Condon, and in 1957 joined Bobby Hackett's band for a year. Wilber freelanced throughout the 1960s, in 1968 became a founding member of the World's Greatest Jazz Band, and in 1973 he formed Soprano Summit with Kenny Davern, one of the top swing-oriented groups of the decade. A few years later the band broke up and Wilber teamed up with his wife, singer Pug Horton, in Bechet Legacy (which also featured either Glenn Zottola or Randy Sandke on trumpet).

In addition, Bob Wilber has worked with the New York Jazz Repertory Company, released music on his own Bodeswell label, wrote the authentic soundtrack to the movie The Cotton Club (1984), in 1988 led a band at Carnegie Hall to celebrate the 50th anniversary of Benny Goodman's famous concert, and authored his frank memoirs, Music Was Not Enough. Influenced on soprano, clarinet, and alto by respectively Bechet, Goodman, and Johnny Hodges, Wilber has long had his own sound on each of his instruments. He recorded frequently through the years for many labels, including Arbors in the '90s and 2000s. ~ bio by Scott Yanow

Bean: Bob Wilber's Tribute To Coleman Hawkins

Richie Beirach & Laurie Antonioli - The Duo Session

Styles: Vocal And Piano Jazz
Year: 2005
File: MP3@320K/s
Time: 52:42
Size: 120,9 MB
Art: Front

(6:08)  1. Flamenco Sketches
(4:39)  2. You And The Night And The Music
(6:22)  3. Blue in Green
(4:48)  4. Green Dolphin Street
(4:37)  5. New Souls
(3:59)  6. The Island
(5:02)  7. Moonlake (Nightlake)
(4:36)  8. You Don't Know What Love Is
(5:01)  9. Sounds From Your Heart (Elm)
(7:25) 10. Memories, Dreams & Reflections

Recorded in 1992 in San Francisco, this session of piano/vocal duets features a silky-smooth singer in performance with an expressive pianist. Their warm, endearing approach brings you into their circle with open arms and a heartfelt embrace. Together, the two artists interpret moody standards, hip reflections, and searing originals with candor. Laurie Antonioli's clear alto voice and extensive vocal range allow her to express ideas and emotions freely and accurately. What she's thinking is what comes out naturally. Partnering with Beirach, she's confident and convincing. Richie Beirach's consonant harmonies and lush undercurrents provide a kind of acoustic depth that fills the room. His shadows cast far and wide. Each piece finds the pianist as musical partner to the vocalist, sharing in the experience with a lot to say. They give "Green Dolphin Street" a moody texture and "Flamenco Sketches" a dreamy whirl. Miles Davis had passed away the year before this date, and he was surely looking down from above with a smile. 

The session runs solemn and moody, befitting the legacy that the trumpeter left behind. Beirach and Antonioli collaborated on several original numbers, pouring the same heartfelt emotion into each one. They prefer slower pieces that allow ample room for patient expression. Their "Memories, Dreams & Reflections" summarizes the performance through its creative infusion and unique duet interaction. Today, Antonioli is head of the Vocal Jazz Department at KUG University in Graz, Austria and Beirach is head of the Jazz Piano Department at Felix Mendelssohn-Bartholdy in Leipzig, Germany. They're working together again in live performance. It's time they recorded a few more duo albums to let a worldwide audience enjoy the spirit of their work. Surely any followup to this highly recommended album would feature the same wholesome music. ~ Jim Santella  http://www.allaboutjazz.com/the-duo-session-richie-beirach-nabel-review-by-jim-santella.php#.VFKxVslZi5g
Personnel: Richie Beirach: piano; Laurie Antonioli: vocals.

The Duo Session